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Tytuł:
Furies et Muses dans la Thébaïde de Stace
Autorzy:
Delarue, Fernand
Powiązania:
https://bibliotekanauki.pl/articles/559761.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Statius
Thebaid
latin epics
allegory
Furies
Muses
« Longinus »
Seneca
Opis:
Furies and Muses in the Thebaid of Statius The Thebaid, by the Latin poet Statius, is at the crossroads between the traditional epic and the later “Psychomachiae”. Muses and Furies are fully fictional characters, yet they “symbolise” also inspiration and murderous madness. Thus, far from being outdated, this mythological epic refers to contemporary occupations.
Źródło:
Orbis Linguarum; 2018, 50; 187-197
1426-7241
Pojawia się w:
Orbis Linguarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Winowajczyni, niewinna, femme fatale, pocieszycielka... – Muzy w twórczości wygnańczej Owidiusza
The Culprit, Innocent, femme fatale, Consoler... – Muses in Ovid’s Works from Exile
Autorzy:
Moskalewicz, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2043427.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Muses
Ovid
exile
Epistulae ex Ponto
Ibis
Greek and Roman mythology
Opis:
The main purpose of this paper is to present the variable and diverse Ovid’s attitude towards Muses in his works from exile (Tristia, Epistulae ex Ponto and Ibis). The poet seeks in these goddesses both the comfort and the cause of his exile, identifies them with his poetry frequently, as their faithful servant feels deceived but also hopes that Muses can ease the anger of Augustus. The article is an attempt to analyze this complex relationship.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 2; 9-26
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Readers of 17th-Century English Manuscript Commonplace Book Hesperides, or the Muses’ Garden
Autorzy:
Hao, Tianhu
Powiązania:
https://bibliotekanauki.pl/articles/1812153.pdf
Data publikacji:
2021-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
William Shakespeare
Hesperides, or the Muses’ Garden
commonplace book
readers
Humphrey Moseley
James Orchard Halliwell-Phillipps
manuscript study
Opis:
Hesperides, or the Muses’ Garden is a 17th-century manuscript commonplace book known primarily for its Shakespearean connections. The readers of Hesperides generally combine reading and thinking, or reading and writing. Though few, Hesperides is not without its “fit audience.” In addition to the few modern scholars who have examined the manuscripts, the actual known readers of Hesperides include Humphrey Moseley the 17th-century publisher, James Orchard Halliwell-Phillipps in the Victorian period, and a late-18th-century anonymous reader. The last of this group copies Shakespearean and dramatic extracts into the commonplace book and is identified through internal evidence based on paleography. The intended readers of Hesperides, including the Courtier, would make use of it as a linguistic aid, to learn how to speak and write well from literary models. They take the commonplace book as a reference library.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 197-209
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The House of Aion in Nea Paphos: seat of an artistic synodos?
Autorzy:
Jastrzębowska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2033315.pdf
Data publikacji:
2021-12-31
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
triclinium
mosaics
paintings
Dionysus
Apollo
Muses
theater
associations
Opis:
The article presents some archaeological observations based on recent publications and the author’s survey in situ of the so-called “House of Aion” at Nea Paphos in Cyprus. The archaeological context (coins and pottery) dates the last phase of this building to the 320s, its partial destruction to the earthquake of 332/342, and its final annihilation by another quake to 365. The much-discussed mosaic with mythological decoration in the triclinium and the newly analyzed wall paintings in one of the rooms (No. 7), preserving the figures of Apollo and three of the Muses, are typical decorative elements of late antique Roman elite houses. And yet, the layout of the building, the triclinium located at the entrance to the house, and the presence of two rooms with a wooden floor, laid over an earlier water cistern converted into a cellar, possibly a treasury, suggest that the function of the complex was not residential at all. Indeed, the close proximity of the “Villa of Theseus”, which was rebuilt in the same period and converted into the praetorium of the governor of the island in the first half of the 4th century, suggests that the so-called “House of Aion” could have been the seat of a Roman association, probably a synodos of Dionysiac artists (ex-technitai) who presented themselves in the theater of Paphos. Therefore, it would be better to call this building the Synodeion of Late Roman Cyprus.
Źródło:
Polish Archaeology in the Mediterranean; 2021, 30(2); 339-386
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wall paintings from the House of Aion at Nea Paphos
Autorzy:
Jastrzębowska, Elzbieta
Powiązania:
https://bibliotekanauki.pl/articles/1682773.pdf
Data publikacji:
2019-05-14
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Paphos
House of Aion
wall paintings
stratigraphy
muses
Thalia
Urania
Euterpe
Opis:
This paper studies a collection of painted plaster fragments excavated between 1984 and 1989 in the northern part of the so-called House of Aion, that is, three small rooms (Nos 3, 13, 14, 15 and 7). The architectural context of these finds and their dating is first recapitulated: the house was constructed in the second half of the 4th century only to be demolished by a strong earthquake at the end of the century or the beginning of the following one. Most of the plaster pieces were small and of little significance in terms of the remaining colors, but a few from Room 7 were sufficiently well preserved to support a reconstruction of parts of five figural images (three muses, Apollo and a mask) and determine their hypothetical position in this room. Parallels, in painting and floor mosaics, range from Ephesos and Kos in the east to Vichen (Luxembourg) in the west. Based on the iIonographic identification, the 4th century AD Muses from Paphos could be recognized as: a standing Thalia holding a mask, a seated Urania and a standing Euterpe with a double flute in her hand, accompanied by Apollo holding a lyre. Together they constituted typical decoration of a Mediterranean Roman house, common from the early Empire through late antiquity.
Źródło:
Polish Archaeology in the Mediterranean; 2018, 27(1); 527-597
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Medical - muses and music: an historical "medical-orchestra".Dedicated to Maestro Nachum Pereferkowich and "The Second Round Jazz Octet
Autorzy:
Ohry, A.
Powiązania:
https://bibliotekanauki.pl/articles/1916705.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Medyczny w Białymstoku
Tematy:
Music
medicine
history
Opis:
Paracelsus said that : "Medicine is not only a science; it is also an art. It does not consist of compounding pills and plasters; it deals with the very processes of life, which must be understood before they may be guided." The meeting points of music and medicine, both art and science, are many: the stories of physicians who became musicians; diseases or infirmaries of famous composers; musical use while performing medical, surgical or psychological procedures; and music as a mean of therapy. Along history, many physicians were deeply involved in music: medical practitioners may well improve their everyday skills of the patients-physicians interrelationship, being more humane, more patient to their clients and much more happier.
Źródło:
Progress in Health Sciences; 2014, 4, 2; 172-180
2083-1617
Pojawia się w:
Progress in Health Sciences
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzy Józefa Ignacego Kraszewskiego i Henryka Sienkiewicza
The Muses of Józef Ignacy Kraszewski and Henryk Sienkiewicz
Autorzy:
KOSMANOWA, Bogumiła
Powiązania:
https://bibliotekanauki.pl/articles/616049.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
women
Sienkiewicz Henryk Kraszewski Józef Ignacy
kobiety
Sienkiewicz Henryk
Kraszewski Józef Ignacy
Opis:
The paper discusses two prominent figures in Polish literature, Józef Ignacy Kraszewski (1812–1887) and Henryk Sienkiewicz (1846–1916), and the role women played in their lives, influencing their works. In the beginning, the author devotes some attention to the role of ‘muses’ and their inspiration to artists from Antiquity to Romanticism. In the analytical part of her paper, she presents the differences between these two masters of the quill. Kraszewski let excessive emotions take the reins in his private life, as a consequence of which he frequently misplaced his affections, suffering considerable disappointments. Sienkiewicz, although highly susceptible to female charms, was more mature, as is well reflected in his works. His life experience influenced the artistic maturity of his female protagonists. Thus, towards the end of his life, he was able to conclude that love was the highest value. The ‘muses’ of this first Polish Nobel laureate in literature exerted a profound influence on the literary profile of the heroines of his greatest novels.
Źródło:
Przegląd Politologiczny; 2011, 2; 143-148
1426-8876
Pojawia się w:
Przegląd Politologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Chaotic Tours of the ‘Halls’ of the Logoi of the Herodotus ‘Muses’: Review of the English Historiography on the ‘Father of History’ and His Work in the New Guide-Book
Autorzy:
Sinitsyn, Aleksandr
Surikov, Igor
Powiązania:
https://bibliotekanauki.pl/articles/1036042.pdf
Data publikacji:
2019-10-22
Wydawca:
Łódzkie Towarzystwo Naukowe
Opis:
The article contains a brief description of the content and a critical analysis of a new book devoted to Herodotus: Sean Sheehan. A Guide to Reading Herodotus’ Histories. London and New York: Bloomsbury Academic, 2018. XIV, 316 p. ISBN 9781474292665.
Źródło:
Acta Archaeologica Lodziensia; 2020, 66; 151-167
0065-0986
2451-0300
Pojawia się w:
Acta Archaeologica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tańczące muzy. Kino i korespondencja sztuk
Dancing muses. Cinema and the correspondance of arts
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/920365.pdf
Data publikacji:
2009-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film history
film art
correspondence of arts
film practice
theory of film
collective creation
filmmaking
teoria filmu
korespondencja sztuk
Opis:
How traditional arts are used and adapted by film? In what ways do they correspond and cooperate as structural elements supporting a fully coherent piece of film? These fundamental questions open many areas of film research. The paper examines three competing definitions of cinema as polimorfic art and gives overview of various versions and modes of coexistence of arts in film. Author argues that ambivalence is evidenced between policy of adapting established arts and policy of modelling new art by filmmakers. The role of film practice in orchestrating individual strategies is used to highlight this ambivalence. Aspirations good for one separate art can be wrong for film as specific medium and kind of art. „The play’s the thing”. As far as symbiosis of many different arts is important for cinema, culture of adaptation remains key question in film practice and filmmaking.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 5-14
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 12

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