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Wyszukujesz frazę "kobieta w podróży" wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
Śladami Polek po Półwyspie Iberyjskim
Following Polish Women in the Iberian Peninsula
Autorzy:
Majder, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1934212.pdf
Data publikacji:
2010
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
kobieta w podróży
podróże
Hiszpania
Półwysep Iberyjski
podróże XVII-XX wiek
traveling woman
travels
Spain
Iberian Peninsula
travels in 17th-18th centuries
Opis:
For a long time travelling was a men's domain. It was them who went to foreign countries, to universities and to wars. A lot of time had to pass before women appeared on the roads. The first of them set out on journeys in the 18th century. However, the Iberian Peninsula was not one of the most frequently chosen destinations then. The trail blazed by Władysław II the Exile's daughter, Richeza, until the second half of the 19th century was very rarely taken by Polish women. The information about another one who had crossed the Pyrenees comes only from the 18th century. It was then that Konstancja Sanguszkowa supposedly went to the grave of St James in Santiago de Compostela. The next century, and especially its second half, as well as the first decade of the 20th century, were characterized by a considerable increase in the number of Polish women travelling through the Pyrenees. There were a variety of motives for the journey, as well as for the stay in Spain itself. Some women set out looking for inspiration and fame. At the Iberian Peninsula they achieved spectacular successes, they sang and acted in the most famous operas as well as at the royal court. Józefina Reszke may be mentioned here, an outstanding opera singer, who had an overwhelming career there. Others, very similar to contemporary tourists, first of all looked for a hot sun, blue skies, beautiful views, Arabian souvenirs, Spanish religiousness, exoticism and romanticism. There were also ones for whom Spain was a refuge during the war. One cannot also help mentioning women working on bringing the two countries together. Sofia Casanova y Lutosławski and Gabriela Makowiecka rendered special services in this field. Each of the travelers visiting Spain left their trails; however, only some of the trails have lasted until modern times.
Źródło:
Roczniki Humanistyczne; 2010, 58, 2; 203-224
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
KOBIETA JEST NOMADĄ, KOBIETA JEST ARTYSTKĄ SPOJRZENIE NA PANNY MŁODE W PODRÓŻY PIPPY BACCA I SILVII MORO W FEMINISTYCZNYM UJĘCIU ROSI BRAIDOTTI
Autorzy:
Dzierżyc-Horniak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/487922.pdf
Data publikacji:
2018
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
FEMALE SUBJECTIVITY
ART AS RELATIONS
NOMADISM
HOSPITALITY
KOBIECA PODMIOTOWOŚĆ
SZTUKA JAKO RELACJA
NOMADYZM
GOŚCINNOŚĆ
Opis:
The Woman Is a Nomad, the Woman Is an Artist. A look at Brides on Tour by Pippa Bacca and Silvia Moro in the Feminist Take of Rosa Braidotti The text is an attempt at looking at the art project Brides on Tour from the perspective of the nomadic subjectivity by Rosi Braidotti. The project, in the new context lent by the death of Giuseppina Pasqualino di Marineo, known under as Pippa Bacca, gave rise to diverse commentaries, at the same time becoming a reference point for successive artistic and social endeavours. The article analyses the strategy undertaken by “the brides” as women-artists, the cultural symbols and archetypes used by them, while as a counterweight questions are asked about the faith in uncon- ditioned hospitality in the frames of what Jacques Derrida called “Abra- ham” tradition as well as about the presence of women in public space. As a result, the project seems to be an artistic performance, which de- mands including the specific, embodied female experience to be a subject in culture and politics. Its true value is located in the acquired experience; in the exchange that the artists initiate with people encountered on their way; in breaking the borders between art and everyday life. This is quite an alternative model of art and as such is an answer to the feminist de- mands of Rosi Braidotti.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2018, 25; 168-192
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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