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Wyświetlanie 1-15 z 82
Tytuł:
Jon Fosses "Namnet" - en lesning
Autorzy:
Monika, Grossman
Powiązania:
https://bibliotekanauki.pl/articles/1177654.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
Jon Fosse is perhaps the most popular contemporary Norwegian playwright today, often being compared to Henrik Ibsen. This article analyses one of his most famous and frequently staged dramas, “The Name”. Reference is made to Peter Szondi’s definition of classical drama as interpersonal relationships in the present, but it is used to show that a negation of the above is the underlying principle of Fosse’s plays, including “The Name”. Fosse seems to be of the opinion that interpersonal relationships in the modern world are barely possible. An analysis of “The Name” is done to illustrate this thesis. Major importance has been given to the language, with its typical features such as repetitions, aborted sentences and pauses. The author concludes that the extraordinary characteristics of Fosse’s language are the most prominent and idiosyncratic element of his rather traditionally constructed plays and, hence, a key to his growing popularity outside Norway.
Źródło:
Folia Scandinavica Posnaniensia; 2004, 8; 61-68
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jon Fosse i Polen - en utakknemlig begynnelse
Autorzy:
Grossman-Kliber, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1177569.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The article concentrates on the reception of Jon Fosse’s plays in Poland, where the dramatist remains practically unknown, although he has recently become the most frequently staged playwright in Europe. It seems that Fosses dramas have not found understanding among Polish critics. The article analyses the reviews of Fosse’s dramas published in Polish press until May 2004. Till then only three plays were staged in Polish theatres and five were translated. The author points out that Fosse’s dramas in Poland, rather than being a permanent element of the repertoire, are frequently staged as parts of various theatrical projects aiming at finding new solutions for modern drama and theatre. Finally, she concludes that the dialogue of Fosse’s plays is always their most original (although often controversial) element, regardless of the language of translation.
Źródło:
Folia Scandinavica Posnaniensia; 2006, 9; 119-125
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Remarks on the tightness of cocycles
Autorzy:
Aaronson, Jon
Weiss, Benjamin
Powiązania:
https://bibliotekanauki.pl/articles/965624.pdf
Data publikacji:
2000
Wydawca:
Polska Akademia Nauk. Instytut Matematyczny PAN
Opis:
We prove a generalised tightness theorem for cocycles over an ergodic probability preserving transformation with values in Polish topological groups. We also show that subsequence tightness of cocycles over a mixing probability preserving transformation implies tightness. An example shows that this latter result may fail for cocycles over a mildly mixing probability preserving transformation.
Źródło:
Colloquium Mathematicum; 2000, 84/85, 2; 363-376
0010-1354
Pojawia się w:
Colloquium Mathematicum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A cut salad of cocycles
Autorzy:
Aaronson, Jon
Lemańczyk, Mariusz
Volný, Dalibor
Powiązania:
https://bibliotekanauki.pl/articles/1205306.pdf
Data publikacji:
1998
Wydawca:
Polska Akademia Nauk. Instytut Matematyczny PAN
Opis:
We study the centraliser of locally compact group extensions of ergodic probability preserving transformations. New methods establishing ergodicity of group extensions are introduced, and new examples of squashable and non-coalescent group extensions are constructed.
Źródło:
Fundamenta Mathematicae; 1998, 157, 2-3; 99-119
0016-2736
Pojawia się w:
Fundamenta Mathematicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«Og det er ikkje vits i å seie noko» – om Jon Fosses "Eg er vinden"
There is no point in saying anything – on 'I Am the Wind' by Jon Fosse
Autorzy:
Domsa, Zsófia
Powiązania:
https://bibliotekanauki.pl/articles/696919.pdf
Data publikacji:
2018-12-28
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Opis:
I Am the Wind is one of the last works Jon Fosse wrote for theatre. The piece was first staged during the Bergen Festival in 2007. Even though it was only a few years later that Fosse declared the end of his dramatic career, his playwriting with this play is clearly moving on its way out of the theatre and into a borderland between thought and action; it manifests an extremely subjective and the physical presence in which items from Fosse’s poetry are more clearly seen. In this article, I want to read I Am the Wind primarily as a theatre piece, that is, a text written for the stage, and emphasize the use of poetic elements. The piece’s sections of dialogue revolve around existential and individual psychological questions at the boundary of the banal; it thematizes both the need and the fear of loneliness. It also deals with nature’s magical attraction to humans and with the importance of silence on several levels. The work stages the death wish of late modern humanity, and provides lyrical and language-philosophical interpretations of this, which I wish to read into the apparently simple plot of the piece. I Am the Wind can be described through a number of features that also characterize both earlier and later pieces of Fosse’s writing. Simply put, the play is about two people’s voyage to the open sea in a boat; one of the characters jumps overboard and commits suicide. The situation in the play takes place either in the head of the one who witnesses the suicide, or there is a meeting between the two characters after death. Either way, this is a basic situation which assumes that the expectations of a realistic stage action are to be set aside. But what is the reason why Fosse shifts his piece against a dramatic zero point? What is the purpose of reducing the stage expression to a lyrical outline that almost destroys the theatrical form? Fosse often opts for silent moments in his pieces. I Am the Wind is an infinite and enigmatic boat trip that requires us to look at the play as a landscape without being forced to define it in words: for the words disappear during the boat trip; they are taken and gone with the wind; “there is no point in saying anything.”
Źródło:
Studia Scandinavica; 2018, 2, 22; 102-115
2657-6740
Pojawia się w:
Studia Scandinavica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Thick subcategories of the stable module category
Autorzy:
Benson, D.
Carlson, Jon
Rickard, Jeremy
Powiązania:
https://bibliotekanauki.pl/articles/1205438.pdf
Data publikacji:
1997
Wydawca:
Polska Akademia Nauk. Instytut Matematyczny PAN
Opis:
We study the thick subcategories of the stable category of finitely generated modules for the principal block of the group algebra of a finite group G over a field of characteristic p. In case G is a p-group we obtain a complete classification of the thick subcategories. The same classification works whenever the nucleus of the cohomology variety is zero. In case the nucleus is nonzero, we describe some examples which lead us to believe that there are always infinitely many thick subcategories concentrated on each nonzero closed homogeneous subvariety of the nucleus.
Źródło:
Fundamenta Mathematicae; 1997, 153, 1; 59-80
0016-2736
Pojawia się w:
Fundamenta Mathematicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Why Trust Academia? A Reflection on the Credibility of Specialists
Dlaczego ufać akademii? Refleksja nad wiarygodnością specjalistów
Autorzy:
Jajszczok, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1828290.pdf
Data publikacji:
2021-03-11
Wydawca:
Akademia Techniczno-Humanistyczna w Bielsku-Białej
Tematy:
Academia
Yuval Noah Harari
Gustave Le Bon
Jon Ronson
trust
Akademia
Gustave Le Bon Jon Ronson zaufanie
Opis:
Using examples from popular culture and history, the author speculates on the reasons and possible solutions to the crisis of trust in academia, especially along the line dividing specialists from non-specialists. The article begins with two case studies (of Yuval Noah Harari and Gustave Le Bon) that highlight the problem of conscious or otherwise data manipulation and the intention behind it. In the second part of the article, a broader approach is adopted to the matters of ethics of research and especially the crucial issue of the awareness (or lack thereof) of self-limitations and biases of which perhaps no academic is free. The article ends with the assertion that rather than individual researchers, we should trust in the academic process of the never-ending peer review.
Na podstawie przykładów zaczerpniętych z kultury popularnej i historii autorka spekuluje na temat przyczyn i możliwych rozwiązań kryzysu zaufania do środowiska akademickiego, zwłaszcza wzdłuż osi specjaliści-niespecjaliści. Artykuł rozpoczyna się od dwóch studiów przypadku (Yuvala Noaha Harariego i Gustave'a Le Bona), które podkreślają problem świadomej lub nieświadomej manipulacji danymi i intencji, która za tym stoi. W drugiej części artykułu podjęto szersze rozważania na temat zagadnień etyki badań, a zwłaszcza kluczowej kwestii świadomości (lub jej braku) samoograniczeń i uprzedzeń, od których być może żaden naukowiec nie jest wolny. Artykuł kończy się stwierdzeniem, że zamiast indywidualnym badaczom, powinniśmy ufać akademickiemu procesowi niekończącej się recenzji (peer review).
Źródło:
Świat i Słowo; 2021, 36, 1; 15-28
1731-3317
Pojawia się w:
Świat i Słowo
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 82

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