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Wyświetlanie 1-15 z 74
Tytuł:
Jacques Derrida : intraduisible ou mal traduit ?
Autorzy:
Brzezicka, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/700483.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Derrida
philosophical translation
untranslatability
Opis:
In this article I endeavour to tackle the myth of Derrida’s untranslatability. First, I present the theoretical basis for my research – Henri Meschonnic’s poetics of translation. Then, I try to determine the factors which make translating Derrida’s texts difficult: the polysemy of his most important terms and the “terminological fields,” that is all the terms related to each other. Two examples of these fields support my argument. Finally, I analyse some Polish translations of Derrida’s text and show linguistic difficulties in Polish translations of La différance and other texts, where not only the Derridean style, but also grammar, vocabulary, and expertise in philosophy leave a lot to be desired.
Źródło:
Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jacques Derrida and zoomorphism: an inquiry
Autorzy:
Michta, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/1391486.pdf
Data publikacji:
2018-05-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Derrida
animals
animality
zoomorphism
anthropomorphism
anthropocentrism
Opis:
The article discusses zoomorphism as part of the anthropocentric discourse aimed at establishing human dominance over animals. Basing on Jacques Derrida’s 1997 paper “The Animal That Therefore I Am (More to Follow),” the article approaches anthropomorphism and zoomorphism as culturally sanctioned ways of misrepresenting animality and shaping human attitudes towards real-life animals. A symptom of the misrepresentation is the gap between animals and their linguistic denotations. The specific aim of the article is to demonstrate that zoomorphism as used in everyday language conserves the human-centered vision of the world by ignoring the differences between individual animals. The discussion concludes by arguing that zoomorphism can be remedied by the individualizing aspects of anthropomorphism.
Źródło:
Przestrzenie Teorii; 2017, 28; 193-201
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Michel de Certeau – Jacques Derrida. Konstelacje „French Theory”
Michel de Certeau – Jacques Derrida. „French Theory” constellations
Autorzy:
Kunicki, Zdzisław
Powiązania:
https://bibliotekanauki.pl/articles/2148044.pdf
Data publikacji:
2019-12
Wydawca:
Wyższe Seminarium Duchowne Diecezji Elbląskiej w Elblągu
Tematy:
filozofia francuska
French Theory
dekonstrukcjonizm
religia
French philosophy
deconstructionism
religion
Opis:
Pewien segment współczesnej myśli kontynentalnej, zwłaszcza francuskiej, odnalazł zaskakująco innowacyjną recepcję w Stanach Zjednoczonych Ameryki, przyjmując autonomiczną postać French Theory. Cechą charakterystyczną tego nurtu są „przemieszczenia terytorialne”, zachodzące w obrębie tradycyjnych dziedzin wiedzy a do znaczących jego postaci należy między innymi twórczość Jacques’a Derridy, jak również mniej znana Michela de Certeau. Intelektualne spotkanie oraz wymiana, jaka zaszła między obu myślicielami skupiła się wokół problematyki pisma religii.
A certain fragment of the contemporary continental thought, especially French, has found a surprisingly innovative reception in the United States of America, adopting the autonomous form of so called "French Theory". A characteristic feature of this trend are „territorial displacements” occurring within the traditional fields of knowledge and amongstsignificant figures there are the works by Jacques Derrida, as well as the less known works by Michel de Certeau. The intellectual meeting and exchange of thoughts that took place between these two thinkers was focused on the issues of religion writing.
Źródło:
Studia Elbląskie; 2019, 20; 519-530
1507-9058
Pojawia się w:
Studia Elbląskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jacques Derrida: Polityka a polityczny dyskurs o demokracji
Jacques Derrida: Policy and Political Discourse About a Democracy
Autorzy:
Kunicki, Zdzisław
Powiązania:
https://bibliotekanauki.pl/articles/566994.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie. Instytut Nauk Politycznych
Tematy:
Jacques Derrida
Democracy
Political Discourse
Opis:
Jacques Derrida's personage and work is joined with a modern intellectual trend, named as deconstruction. Some interests about deconstruction, and its real influence is particularly alive in literary, philosophical and artistic surroundings. On the background of this cultural matter, his political interests seems to take secondary place. But Derrida's closer analysis of biography and stages of formation his concept confirm "political implications". What is more important, the correlation to the Marx's philosophy is not a coincidence and has significant impact on the way of the discurse about the democracy.
Źródło:
Forum Politologiczne; 2007, 6 - Odmiany dyskursu politycznego; 283-303
1734-1698
Pojawia się w:
Forum Politologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hospitalidade como desconstrução pela parusia segundo Jacques Derrida
Autorzy:
Borges de Meneses, Ramiro Délio
Powiązania:
https://bibliotekanauki.pl/articles/2151207.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Derrida
Deconstruction
Ethics
Hospitality
and “parusia”
Opis:
The deconstruction is a hearing, a decision and a recitation of the Word. Thus, deconstruction is “opening the word.” We may also assert that deconstruction is a kind of “maieutica “ given that there is a “birth” of the Word. Finally, we describe the “deconstruction” as the host of the host as well as the hospitality of hospitality. It is the “host pure.” Deconstruction is the sovereignty of the Word, is the power of the Word and thus assumed as “hearing the word.” This hearing is the “best part”, as found in the hospitality of Bethany. Thus, deconstruction is “to-come”. Deconstruction is the way of the “to-come” of the Therefore the deconstruction is hospitality and the hospitality is deconstruction, and is founded by the “parusia”.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 2(23); 35-45
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jacques Derrida jako filozof historii – poróżnienie z Michelem Foucaultem
Jacques Derrida as a philosopher of history – difference with Michel Foucault
Autorzy:
Dadlez, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/31339069.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
Jacques Derrida
Michel Foucault
philosophy of history
historicity
poststructuralism
filozofia historii
historyczność
poststrukturalizm
Opis:
Artykuł ma na celu wstępne przedstawienie Jacques’a Derridy jako filozofa historii. Rozwijane przezeń pojęcia okazują się wiązać z konkretną wizją dziejów. Wizja ta ujawnia się już od pierwszych tekstów Derridy i stanowi nie tyle jeden z pomniejszych wątków, ile główny temat jego myśli. W artykule skupiono się na wybranym eseju Derridy, który doprowadził do jego sporu z Michelem Foucaultem. Zestawienie tych dwóch – skądinąd obu uznawanych za poststrukturalistów – filozofów służy uwydatnieniu kluczowej roli, jaką problem historyczności pełni w dziele Jacques’a Derridy. Tekst stanowi tym samym zachętę do rewizji statusu Derridy w polskiej humanistyce.
This article presents Jacques Derrida as a philosopher of history. The concepts he developed during his long intellectual career turn out to be linked to a specific vision of history. This vision manifests itself from Derrida’s very first texts and is not one of the minor themes of his thought but its fundamental element. The article focuses on a selected essay by Derrida that led to his argument with Michel Foucault. The comparison of these two - both poststructuralist - philosophers serves to highlight the key role of the problem of historicity in Jacques Derrida’s work. The article thus encourages a revision of Derrida’s status in Polish philosophy, and more broadly in humanities.
Źródło:
Analiza i Egzystencja; 2022, 60; 95-112
1734-9923
2300-7621
Pojawia się w:
Analiza i Egzystencja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cielesność i dekonstrukcja chrześcijaństwa: Jean-Luc Nancy a Jacques Derrida
Body and deconstruction of Christianity: Jean-Luc Nancy and Jacques Derrida
Autorzy:
Baszczak, Błażej
Powiązania:
https://bibliotekanauki.pl/articles/426561.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Jean-Luc Nancy
Jacques Derrida
deconstruction of Christianity
body
incarnation
resurrection
Opis:
This article aims to be a confrontation with Nancy’s “deconstruction of Christianity”. For Nancy to deconstruct Christianity means to point to the places where Christianity itself overflows its status as religion and as metaphysics. Nancy shows how the three Christian mysteries (Trinity, Incarnation, Resurrection) are not merely explainable metaphysically and how they thus open the thought of the new relation between body-mind. These theses have been criticized by Jacques Derrida reading of Nancy’s work in Le Toucher. Jean-Luc Nancy. Derrida turns his attention to a certain strand of the tradition which he calls “haptological” (from the Greek haptein, to touch). This tradition is implicated in the metaphysical gesture insofar as it thinks touch in terms of identity, homogeneity, immediacy and self-presence, even when it emphasizes a certain interruption or distance. According to Derrida, this is Nancy’s complicity with some form of metaphysical thinking. The conclusion of this article aims to expose the multidimensional discussion between philosophers.
Źródło:
Logos i Ethos; 2014, 1(36); 21-50
0867-8308
Pojawia się w:
Logos i Ethos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Popiół i szarość - pamięć koloru, Jacques Derrida i Anselm Kiefer
Ashes and the grey - memory of colour, Jacques Derrida and Anselm Kiefer
Autorzy:
Leśniak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1392962.pdf
Data publikacji:
2007-09-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The imaginary landscapes of Anselm Kiefer and Jacques Derrida intersect at a very specific point. The motif of grey is present both in the painting activity of the German artist and in the textual body of the French theoretician. I have attempted here to analyse some particular images and a few fragments of text in order to show the importance and the function of grey in contemporary culture. The colour I deal with is unusual as it refers to some of the most pertinent topics of our history and art. The grey - both in the works of Kiefer and in the booklet of Derrida entitled Feu la cendre - is the trace of destruction, the sign of perishing and the colour of ashes. It is impossible to discuss the history of the 20th century without this very specific reference which is both visual and conceptual.
Źródło:
Przestrzenie Teorii; 2006, 6; 31-37
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
J’accepte: Jacques Derrida’s Cryptic Love by Unsealed Writing
Autorzy:
Krzykawski, Michał
Powiązania:
https://bibliotekanauki.pl/articles/632497.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
Derrida
autobiography
love
crypt
secret
writing
Opis:
This article focuses on the autobiographical ghost that dwells in “Envois” and the multiple ways he/she/it interferes in Derrida’s concept of écriture. Read through love letters sent as postcards with the image representing Socrates writing in front of Plato, Derrida’s writing, I argue, definitely becomes a cryptic writing (écriture cryptique) both in the sense of kryptô (Gr. coded) and secerno (Lat. set apart). I endeavor to show that “Envois”-largely autobiographical and entangled in his life events-is a harbinger of the secret that Derrida takes for a fundamental feature of democracy in his later works. And yet the secret is of his own, as he notes when writing “Envois”: “Nobody will never know what the secret I write along with is. And that I say this will not change anything” (Peeters 2010: 367).
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A teologia e a desconstrução: segundo o pensamento de Jacques Derrida
Autorzy:
Borges de Meneses, Ramiro Délio
Powiązania:
https://bibliotekanauki.pl/articles/2158823.pdf
Data publikacji:
2015
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Jacques Derrida
Natural Theology
God
Word of God
and Systematic Theology
Opis:
The term Theology is of Greek origin, and etymologically means knowledge of God. The term began to be used by Christians from Eusebius of Caesarea. From then be understood as methodical exposure of Revelation, accepted by the faith. This understands into the truths revealed in the light of reason enlightened by the faith. As better, could be defined as science in which the mind of the believer, faith-driven theological strives to better understand the mysteries revealed in themselves and in their consequences, 1) Material object is the reality that Theology itself is concerned. The object is God and all the realities of the created and governed by his plan of salvation. The primary material object is God and the child object is created everything as ordered to God; 2) Formal Object is the object quod, what belongs to God the Deus sub ratione Deitatis,and the other is the formal object light under which the object is considered. In this case, the reason enlightened by the faith.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2015, 4(13); 5-22
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spotkania intertekstualne. O dialogu Hélène Cixous z Jacques’em Derridą
Intertextual meetings: a dialogue between Hélène Cixous and Jacques Derrida
Autorzy:
Kopka, Aleksander
Powiązania:
https://bibliotekanauki.pl/articles/1390372.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
spotkania intertekstualne
dialog
Hélène Cixous
Jacques Derrida
Opis:
Where else, if not “in a text”, can two bright minds, or two writers, meet? Is it possible for two intellectuals who engage in a dialogue to understand each other without appropriation, i.e. without constantly borrowing from each other and commenting on each other’s ideas? This essay is an attempt at answering these questions by using the unique relation between Hélène Cixous and Jacques Derrida as an example. The friendship between these two is based on efforts to understand each other’s thoughts and writings – but all this is not without respect for each other’s singularity, sovereignty and intimacy.
Źródło:
Przestrzenie Teorii; 2014, 22; 207-219
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jacques Derrida, Gorączka archiwum. Impresja Freudowska, Instytut Badań Literackich PAN, Warszawa 2016, ss. 148
Jacques Derrida, Archive Fever: A Freudian Impression, Institute of Literary Research, Polish Academy of Sciences, Warszawa 2016, pp. 148
Autorzy:
Nowożycki, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/51847509.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
archiwistyka
teoria archiwalna
filozofia
postmodernizm
Jacques Derrida
archival science
archival theory
philosophy
post-modernism
Opis:
In 2017, as part of the “New Humanities” series (vol. 23), the first ever Polish translation of Jacques Derrida’s Archive Fever: A Freudian Impression was published. Jacques Derrida was one of the few contemporary philosophers interested in the concept of the archive (while to a large extent ignoring archivists themselves). For Derrida, archivisation, which grants one the power to name and grant identity to all things (and also to share their meaning) gives rise to a number of ethical, intellectual and political issues. As a result, the concept of the archive constitutes an important part of his philosophy, raising archives to a rank which they hardly ever achieve outside of the field of archival studies. Regardless of one’s opinion on deconstructivism, whether one considers it to be an “intellectual fad” or a genuine method of research, the critical power of this approach enables us to look at various archive-related issues from an unorthodox point of view. The term archive is omnipresent in Derrida’s body of work, but it is only in Archive Fever that the author explicitly targets a group of topics which limit the issue of archives to the role of writing in society. Derrida treats “archivisation” and “writing” as metaphors communicating with each other, associated with the concepts of memory and the subconscious. 
Źródło:
Archeion; 2018, 119; 449-455
0066-6041
2658-1264
Pojawia się w:
Archeion
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Confessione e biografia: per un avvenire fondato nella storia. Note a partire da Jacques Derrida e Jean-Luc Marion
Autorzy:
Peruzzotti, Francesca
Powiązania:
https://bibliotekanauki.pl/articles/781121.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jacques Derrida
Jean-Luc Marion
(Auto)Biography
Confession
Eschatology
History
Negative Theology
Prayer.
Opis:
This paper aims to draw a connection between Jacques Derrida and Jean-Luc Marion in regard to the role of negative theology. This scrutiny shows meaningful contributions of the Authors to a new definition of subjectivity in a post-metaphysical age, and their consideration about which possibilities are still open for a non-predetermined history given outside of the presence domain. The future is neither a totalisation of history by its end, nor a simple continuation of the present. It is an eschatological event, where the relationship with the other plays a crucial role for the self-constitution. Such an interlacement is generated by the confession, where the link between past and future is not causally determined, but instead it is self-witness, as in Augustine’s masterpiece, essential reference for both the Authors
Źródło:
Ethics in Progress; 2017, 8, 1; 61-74
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Dinner by the River” and “Driving to the Airport”: Andrew Taylor’s Polish Ash Poems and Jacques Derrida’s Cinder
Autorzy:
Wolny, Ryszard W.
Powiązania:
https://bibliotekanauki.pl/articles/888849.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Australian poetry
Andrew Taylor
“ash poems”
Jacques Derrida
Martin Heidegger
Polska
Opis:
Andrew Taylor (b. 1940), one of the most eminent living Australian poets, has had a lasting relationship with Poland and Opole in particular. As a result of one of his several visits to Opole, he wrote two poems, “Dinner by the River,” which was later included in the volume edited by Peter Rose The Best Australian Poems 2008 (Melbourne: Black Inc., 2008), and “Driving to the Airport,” which appeared in The Unhaunting (London: Salt, 2009). Both poems were originally included in the volume Australia: Identity, Memory and Destiny (ed. Wolny and Nicieja, Opole 2008). The aim of this paper is, therefore, to explore the image of Poland, and the Odra River in particular, the Australian poet has created, alongside the memories of the past his visit to Poland evoked. The elements that unite the Polish poems are the ones connected with coal, soot, fi re, ashes, embers and what Jacques Derrida called cendre (cinder) in one of his most important books, Feu la cendre [Cinders] (Minneapolis, London 2014).
Źródło:
Anglica. An International Journal of English Studies; 2019, 28/3; 125-132
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 74

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