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Wyszukujesz frazę "dance anthropology" wg kryterium: Wszystkie pola


Wyświetlanie 1-5 z 5
Tytuł:
Brazylijska sztuka walki - tanca capoeira. Wykorzystanie technik jakosciowych do badania jakosciowego grupy capoeiristas.
THE BRAZILIAN MARTIAL-ART DANCE CAPOEIRA. USING QUALITATIVE TECHNIQUES IN THE QUALITATIVE RESEARCH OF THE CAPOERISTAS GROUP.
Autorzy:
Kolbowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1373925.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ANTHROPOLOGY OF EVERYDAY LIFE
GROUP SLANG
INTERVIEWING AS A DIALOG
MOVEMENT PARTICIPANTS
NEOTRIBALISM
NON-DIRECTIVE INTERVIEW
OBSERVER
PARTICIPANT OBSERVATION
Opis:
Capoeira is a Brazilian martial-art dance. Capoeira combines elements of dance, folklore, martial arts, sport, ritual and training for unarmed combat. Many Brazilians regard it as a vital Afro-Brazilian contribution to their native culture. The genesis of this martial dance was said to have been a style that sprang up in the huts of Brazilian slaves. According to legend, capoeira back then was a series of blows requiring great physical strength. It constituted a rural style that enabled one to avoid the aggression of slave masters and slave hunters. From the outset, my research conception was based on the assumption that the study I was launching was of a pioneering nature. The objective of this study was to create a full picture of capoeira in Poland My choice of a research method was influenced by the awareness that I was dealing with a 'niche' community, a totally new phenomenon that has yet to entrench itself in Polands' popculture landscape. Anna Wyka believes that: When planning to study communities that are little known in a given society and radically depart from the ordinary, the researcher should predispose himself to a largely exploitative type of study and map out the research process accordingly. Such had to be the nature of qualitative research on alternative, pattern-setting communities, a socio-cultural phenomenon that emerged in the latter half of the 1970s as a total novelty. (...) Research into communities of that type appears necessary and cognitively attractive. The interpretive (qualitative, humanistic) paradigm, which runs counter to the normative (quantitative, positivistic) type, takes the humanistic coefficient into account. Introduced by Florian Znaniecki, that term refers to the significance of ascribing to people the phenomena they have personally experienced. The researcher therefore strives to adopt their point of view.
Źródło:
Przegląd Socjologii Jakościowej; 2009, 5, 2; 62-81
1733-8069
Pojawia się w:
Przegląd Socjologii Jakościowej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dance in tourism from an anthropological perspective: An introduction to the research issue
Autorzy:
Banio, Adrianna
Malchrowicz-Mośko, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/627540.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
dance in tourism
dance anthropology
cultural tourism
sports tourism
Opis:
Nowadays, dance plays an important role in the modern tourism industry. Today, the craze for dancing creates great opportunities for cultural tourism. However, it should be remembered that there is a great danger of losing the most important meaning of dance by commercializing and reducing its essence. Dance tourism as discussed in the article is understood as travel for the purpose of learning about dance and its culture in places where given dance styles were born, or where they play an important national role as well as enjoying great popularity among the local community. This article is an introduction to the issue of dance tourism in an anthropological context. It presents potential attractions related to dance in the perspectives of cultural and sports tourism, it has an illustrative and descriptive character while its method is a literature review and presentation of popular examples.
Źródło:
Turyzm; 2019, 29, 1; 15-21
0867-5856
2080-6922
Pojawia się w:
Turyzm
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kuduro – taniec młodego pokolenia Angoli. Charakterystyka zjawiska
Kuduro – the dance of Angola’s young generation. A description of the phenomenon
Autorzy:
Marsal Cabitango, Manuela
Powiązania:
https://bibliotekanauki.pl/articles/666929.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
kuduro
Angola
dance anthropology
forms of movements
dance forms
Opis:
Kuduro is a type of music and dance which was created in the capital city of Angola (Luanda) at the end of 1980’. It combines batida with electronic music such as techno and house and also with rap, originating from US. The paper presenting this type of dance starts with its general characteristic, then continues describing factors influencing current shape and functions of kuduro. Next, we present in details the movements of this dance and conclude with an overview of the dance forms and the definition of kuduro dance which summarize the information presented in the paper.
Źródło:
Studia Etnologiczne i Antropologiczne; 2016, 16; 201-214
1506-5790
2353-9860
Pojawia się w:
Studia Etnologiczne i Antropologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teatr jako gabinet luster o inspiracjach antropologicznych przedstawienia Farmy w Jaskini
Autorzy:
Mogilnicka, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/973927.pdf
Data publikacji:
2012-06-01
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Czech theatre
laboratory-theatre / teatr laboratorium
the theatre in theatre / teatr w teatrze
theatre anthropology / antropologia teatru
Afro-Brazilian culture / kultura afro-brazylijska
Brazilian dramatic dance / brazylijskie tańce dramatyczne
candomble
Opis:
The article presents the Czech laboratory-theatre Farma v jeskyni (Farm in the Cave) and its last performance, entitled The Theatre. It simultaneously addresses the anthropological inspirations influencing the form and subject of the performance: particularly two expeditions to Brazil during which the group came in contact with Afro-Brazilian culture, its theatrical forms, dance and musical motifs. Through a description of certain scenes of the play, the set design, the props and the stage action, the author shows these inspirations within the closed material of the artistic work. She considers the transposed significance of the utilised motifs, the function of the theatre in theatre, the role of the spectator and the actor-slave parallel.
Źródło:
Kultura i Społeczeństwo; 2012, 56, 2; 127-150
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Złote spoiwa. Problem przekładu w tańcu na przykładzie klasycznego tańca japońskiego
Golden binders. Translation in dance on the example of the Japanese classical dance
Autorzy:
Umeda, Hana
Powiązania:
https://bibliotekanauki.pl/articles/1944336.pdf
Data publikacji:
2020-12-15
Wydawca:
Narodowe Centrum Kultury
Tematy:
taniec
nihon buyō
Japonia
translacja
antropologia doświadczenia
dance
Japan
translation
anthropology of experience
Opis:
In his essay The Task of the Translator, Walter Benjamin compared literary translation to fragments of a broken vessel that need to be put together. Applying Benjamin’s metaphor to the world of dance, this article proposes to look at the practice of the Japanese classical dance as a translation process that occurs at the level of the body. Kirsten Hastrup’s anthropology of experience is proposed as the methodological perspective. Basing on her own body and many years of personal experience with nihon buyō as the field of her ethnographic research, the author reflects on her dual role of a dancer and a researcher, and her double – half-Japanese and half-Polish – identity. Reconstructing her experience of learning the dance, primarily the mistakes she made at the early stage, she looks into the process of transforming the body. With the dance recognised as a kind of a language, she proposes to approach it and its practice like a form of reading. Through a detailed analysis of different positions of the body and putting the body in motion, she searches for the possible ways to understand the dance and its translation. While doing so, she highlights this long-term process as a prerequisite for such a translation to occur.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 111, 4; 73-87
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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