Wszystkie pola: comedy film - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Jak kino czechosłowackie detonowało bombę atomową, czyli o czym opowiada film Jindřicha Poláka Jutro wstanę rano i oparzę się herbatą (1977)
Autorzy:: Mariusz, Guzek,
Powiązania:: https://bibliotekanauki.pl/articles/897513.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: atomic bomb
Czech cinema
comedy film
Opis:: Jindřich Polák’s film Tomorrow I’ll Wake Up and Scald Myself with Tea (Zítra vstanu a opařím se Cajeme) of 1977 is neither the first nor the last attempt to “detonate” an atomic bomb by the Czech filmmakers. However, this science fiction comedy uses the Wells’s concept of time travel to entertain a viewer with what the contemporary discourse calls the counterfactual history or simply considerations on “what if...”. The film was made in the peak period of normalization, thus all the historiosophical, ideological or political allusions are deeply hidden. Despite the futuristic context, diegesis is recognizable and contemporary at the same time, and thus full of ambiguous motivations of characters. The atomic bomb, therefore, is not merely a decorative artifact around which the main characters move.
Źródło:: Przegląd Humanistyczny; 2017, 61(1 (456)); 91-99
0033-2194
Pojawia się w:: Przegląd Humanistyczny
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Filmowa półka sezonu 2010/2011
Film Shelf of the Season 2010/2011
Autorzy:: Tambor, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/511289.pdf
Data publikacji:: 2011
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: contemporary Polish cinema
Polish film
best-seller
comedy film
drama film
Opis:: The article presents another summary of film events in a year 2010. Films that can be found here are: Benek, directed by Robert Gliński, and concerning Silesian subject, Chrzest (The Christening) second film by young Polish director Marcin Wrona, Czarny czwartek (Black Thursday) which tells the story of the strikes in 1970, and Joanna by Feliks Falk that offers a new perspective on the Second World War. Besides these, some other descriptions of the films that were released in 2010 or in the beginning of 2011 can be found here: Matka Teresa od kotów (Mother Teresa of Cats), Młyn i krzyż (Mill and the Cross), Och, Karol 2, Różyczka (Little Rose), Sala samobójców (Suicide Room), Skrzydlate świnie (Winged Pigs) and Weekend. The author comments the most famous films of the season viewing them through the eyes of a for-eigner who may be interested in watching them.
Źródło:: Postscriptum Polonistyczne; 2011, 2(8); 271-282
1898-1593
2353-9844
Pojawia się w:: Postscriptum Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Aesthetics of 1950s and 1960s interiors presented in Polish comedy films from that period
Autorzy:: Wojciechowska-Kucięba, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/923182.pdf
Data publikacji:: 2019-01-08
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: aesthetic
Adolf Dymsza
Andrzej Łapicki
Breakfast at Tiffany’s
Sylwester Chęciński
Tadeusz Chmielewski
comedy film
design
Eams
Jan Batory
Jan Fethke
Garsoniera
Władysław Hańcza
Jan Rybkowski
Wanda Telakowska
Irene
Go Home
A Cure for Love
Opis:: This article is an attempt at outlining key aesthetic standards of interior design of the 1950s and 1960s on the basis of examples exhibited in the Polish and foreign romantic comedies of that time. Some distinguishing features of 1960s Polish aesthetics were the characteristic abstract language, organic form, asymmetry, diagonal lines, arrangements based on “A” and “X” letter outlines and lively colours. Furniture design used new materials mostly plywood and plastics such as polyvinyl chloride and epoxy resins. The 1960s, called “small stabilization” by design historians, were slightly different. Shops offered a variety of new products designed by Polish creators – such as furniture, home appliances, tools and machines. New Polish industrial design of 1960s is represented by the RAMONA and EWA radios and the BAMBINO record player, whereas sectional furniture – especially SYSTEM MK designed by Bogusława and Czesław Kowalski, better known as “the Kowalskis’ furniture” – became the icon of the decade. Polish and foreign romantic comedies from 1950s and 1960s are an excellent iconographic source of information on how interior design changed in the second half of the 20th century, and specifically on how living space was organized and adapted for private and public purposes. In Poland, attempts were made to use all the “design innovations” coming from the west, however, the immutably closed Polish borders prevented them from spreading freely. We had to use local designers. In the 2nd half of the twentieth century, a period which Prof Irena Huml called “the invasion of modernity” started. The doctrine of socialist realism was rejected and the focus was on modernity. Innovation became the most desirable feature of a work of art, and modernity the most important concept.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 81-90
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: The Verbal Expression of Anger in Croatian Comedy Films
Govorni izraz bijesa u hrvatskim filmskim komedijama
Autorzy:: Vlašić Duić, Jelena
Powiązania:: https://bibliotekanauki.pl/articles/636058.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: film dialogue
Croatian film
comedy
anger
exhilaration
prosody
Opis:: The purpose of this paper was to examine the verbal expression of anger in Croatian comedy films and also to find textual and prosodic elements that provoke the viewer’s exhilaration. On the textual level analysis includes elements with which anger causes exhilaration and shows that such anger most often expresses superiority and is also unexpected which often occurs as a result of exaggeration. Due to the specific genre of comedy, i.e. its guaranteed lack of seriousness, the viewers are not aware of high presence of anger in film comedies. Comedy requires a different insight to life situations and a reinterpretation that leads to pleasant emotions.
The purpose of this paper was to examine the verbal expression of anger in Croatian comedy films and also to find textual and prosodic elements that provoke the viewer’s exhilaration. On the textual level analysis includes elements with which anger causes exhilaration and shows that such anger most often expresses superiority and is also unexpected which often occurs as a result of exaggeration. Due to the specific genre of comedy, i.e. its guaranteed lack of seriousness, the viewers are not aware of high presence of anger in film comedies. Comedy requires a different insight to life situations and a reinterpretation that leads to pleasant emotions.
Źródło:: Poznańskie Studia Slawistyczne; 2015, 9
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Piosenka jako element dzieła kinematograficznego
Autorzy:: Łęcicki, Grzegorz
Powiązania:: https://bibliotekanauki.pl/articles/2147016.pdf
Data publikacji:: 2022-07-22
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: piosenka filmowa
film polski
film komediowy
dramatyczny
religijny
movie song
Polish film
comedy
dramatic and religious film
Opis:: Syntetyczne przedstawienie roli i znaczenia piosenki jako detalu w polskichfilmach fabularnych: komediowych, dramatycznych i religijnych. Zaakcentowanieznaczenia piosenki jako elementu ubarwiającego filmową fabułę oraz nośnikatreści ideowych.
Źródło:: Studia Theologica Varsaviensia; 2021, 59, 2; 72-128
0585-5594
Pojawia się w:: Studia Theologica Varsaviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Functions of film images of Warsaw in the Polish cinema of the 1960s
Autorzy:: Zwierzchowski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/923183.pdf
Data publikacji:: 2019-01-08
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish cinema
1960s.
Warsaw
film images
comedy
Opis:: Polish cinema of the 1960s presented a specific vision of Warsaw, different from earlier and later ones, although it contained some solid motifs for the entire PRL era. These include emphasizing the uniqueness of Warsaw, the war past as an inseparable part of the city’s identity (though in the 1960s with a slightly different meaning) or the problem of getting a flat. The separateness and specificity of the then created images of the capital was related to the political specificity of the decade, the cultural and social moment of Warsaw development, the domination of realism that made the message authentic and genological issues – the main role in creating the image of the city was played by comedy. These images, however, were sometimes surprisingly subversive, breaking the dominant image.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 65-78
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Filmowa półka sezonu 2011/2012
Film Shelf 2011/2012
Autorzy:: Tambor, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/511172.pdf
Data publikacji:: 2012
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: contemporary Polish cinema Polish film
romantic comedy
Oscar nominations
Silesia
Pope John Paul II
World War II
Opis:: The article presents a summary of film events of the season 2011/2012. Films that can be found here are: Uwikłanie [Entanglement] directed by Jacek Bromski, Bitwa warszawska 1920 [Battle of Warsaw 1920] – the first Polish movie filmed in 3D, directed by Jerzy Hoffman, Ewa directed by Adam Sikora and Ingmar Villqist, Baby są jakieś inne – a long expected film by Marek Koterski, director of Dzień świra [The Day of the Wacko], Listy do M. [Letters to Santa] by Mitja Okorn, Wymyk by Greg Zgliński, Habemus Papam – an Italian film featuring Jerzy Stuhr directed by Nanni Moretti, Los numeros by Ryszard Zatorski, W ciemności [In Darkness] – Polish film directed by Agnieszka Holland nominated to the Oscar Academy Avard, Trzy minuty 21:37 directed by Maciej Ślesicki. The author endevours to comment on the most famous films of the last year and the beginning of this year, viewing them through the eyes of a foreigner who may be interested in Polish cinema and Polish culture.
Źródło:: Postscriptum Polonistyczne; 2012, 1(9); 283-293
1898-1593
2353-9844
Pojawia się w:: Postscriptum Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Jenseits von Atatürk: Das Gastarbeiterschicksal im Film Almanya – Willkommen in Deutschland
Autorzy:: Daszkiewicz, Anna
Powiązania:: https://bibliotekanauki.pl/articles/571868.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Warszawski. Wydział Neofilologii
Tematy:: ethnic groups in Germany
comedy
Turkish-German relations
Opis:: Artykuł nawiązuje do debiutu kinowego sióstr Şamdereli, który w sposób żartobliwy, a przez to skuteczny naświetla trudne relacje niemiecko-tureckie, nie wahając się przed przedstawieniem ich rzeczywistych przyczyn. Autorka omawia poruszone w filmie kwestie poniżenia i społecznego wyobcowania, a także utraty własnej tożsamości w świetle najnowszych badań naukowych.
Źródło:: Acta Philologica; 2014, 45; 201-208
0065-1524
Pojawia się w:: Acta Philologica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: О интерсемиотической передаче комического в аудиодескрипции к советским кинокомедиям
On the intersemiotic transposition of comedic devices in audio description in Soviet film comedies
Autorzy:: Mocarz-Kleindienst, Maria
Powiązania:: https://bibliotekanauki.pl/articles/2224216.pdf
Data publikacji:: 2022-06-27
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: audio description
Soviet film comedies
intersemiotic transposition
comedy of situation
comic character
Opis:: Audio description (AD) is an additional soundtrack in a film containing concise, verbal information about what is happening on the screen. The language of the AD should be appropriate to the genre of the film lexically and stylistically. This means that the language of AD in film comedies should contain some verbal ‘signals’ of the comic as an aesthetic category. The author of the presented research has attempted to analyse lexical and stylistic means of conveying situational comic and character comic as the two main types of comic, apart from the verbal one expressed directly in the characters’ speech. The material for the research included the following Soviet film comedies: We are from jazz (directed by K. Shakhnazarov, 1983), Autumn marathon (directed by G. Daneliya, 1979), and The twelve chairs (directed by L. Gaidai, 1971). The analysis proved that the verbal track of the AD reflects the most important peripeteia of the characters, and together with them the features of the characters (appearance, character traits), the manner of their behaviour. The set of llinguistic and stylistic means is determined by the type of the comedy.
Źródło:: Studia Rossica Posnaniensia; 2022, 47, 1; 173-185
0081-6884
Pojawia się w:: Studia Rossica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Ten chudy Schlechter
That Thin Schlechter
Autorzy:: Maleszyńska, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/1533388.pdf
Data publikacji:: 2013-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: pre-war Polish song
cabaret
comedy
Polish pre-war film
popular culture
Lviv ghetto
Holocaust
Polish-Jewish artist identity
Opis:: The article relates the life and work of a pre-war author who is almost unknown by name, but very popular because of his work, an author of songs, cabaret sketches, and film scrips. He was born in a family of assimilated Jews from Lviv. He made a great contribution to Polish language, both literary and colloquial, by writing song lyrics with phrasings that have become fixed expressions used in communication of the simplest and most universal feelings. Schlechter became a victim of the Holocaust, and his artistic work, which focused on joy and the bright side of life, did not protect him physically and mentally from the Nazi death machine. He was killed in Lviv ghetto, probably in 1943.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 55-70
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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