Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "cannibal" wg kryterium: Wszystkie pola


Wyświetlanie 1-3 z 3
Tytuł:
The Coloniality of Perception: the Other as a Cannibal
Kolonialność spojrzenia: inny jako kanibal
Autorzy:
Kubiaczyk, Filip
Powiązania:
https://bibliotekanauki.pl/articles/964106.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the other
cannibal
cannibalism
cannibalia
difference
anthropophagy
cartography
cultural trope
the New World
Opis:
The article analyses the way in which Western ethnocentrism perceives the otherness revealed through the ‘discovery’ of the New World. One of the first neologisms to be coined by the expansion in the New Worldis the word “cannibal” which, as a cultural trope establishes the manner of understanding Others. Therefore, in the history of Latin American culture, cannibal should be rather associated with thinking and notions than with eating. The figure of the cannibal became one of the most obsessive and recurrent topes of Latin America, which dominated the colonial discourse about the Other. Although at the beginning of the conquest „cannibal” was employed with regard to the natives due to their barbarity, with the advance of colonisation the term began to denote Indians who resisted colonisation on the areas where workforce was in short supply. Thus the matter of cannibalism is less and less an issue related to the consumption of human flesh by Indians, and more and more a consumption of the workforce by the encomenderos.  The testimony of such Europeans as Hans Staden, André Thevet and Jean de Léry, who spend some time among the Brazilian Tupinamba Indians in the latter half of the 16th century, prove that the ways in which cannibalism was presented have little to do with pure ethnography, whereas the expansion of the European trade capitalism becomes the core context. The relations of those travellers make a distinction between tribes considered to be allies, whose anthropophagy is presented as ritual, and the hostile tribes from outside the trade, whose cannibalism is motivated by sheer pleasure of eating human flesh.   In the early 19th century, when the Latin American countries gained independence, the cannibal trope is still present in the reality of the continent, albeit in a mutated form. In the 20th century the cannibal trope is replaced by the metaphor of Kaliban, which symbolizes that which is Latin American.  
Źródło:
Studia Europaea Gnesnensia; 2013, 7; 7-31
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W imię miłości. Jeffrey Dahmer i zakochani kanibale
The Things We Do For Love. Jeffrey Dahmer and Cannibal Love Culture
Autorzy:
Ancuta, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/466801.pdf
Data publikacji:
2003
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Katarzyna Ancuta The Things We Do For Love. Jeffrey Dahmer and Cannibal Love Culture The article explores the romantic face of cannibalism. where the act of devouring human flesh is deconstructed as the ultimate expression of love. It focuses on the issue of love cannibalism and the romanticised myth of the loving cannibal. which has been functioning as a successful cultural metaphor since the 1990s. The article sets love cannibalism in the broader context of necrophilia, understood both in terms of a sexual disorder and a morbid fascination with the subject of love in death, Finally, it compares the romantic representation of cannibalism in contemporary texts to the similarly romantic depiction of AIDS, the infection which is treated as equivalent with taking control of the lover's body. The core of the article is the discussion of two criminal cases – Jeffrey Dahmer's and Issei Sagawa's -which serve to illustrate the relationship between love cannibalism and necrophilia. The argument is further expanded to examine various representations of necrophilia and love cannibalism in contemporary literature and film.
Katarzyna Ancuta The Things We Do For Love. Jeffrey Dahmer and Cannibal Love Culture The article explores the romantic face of cannibalism. where the act of devouring human flesh is deconstructed as the ultimate expression of love. It focuses on the issue of love cannibalism and the romanticised myth of the loving cannibal. which has been functioning as a successful cultural metaphor since the 1990s. The article sets love cannibalism in the broader context of necrophilia, understood both in terms of a sexual disorder and a morbid fascination with the subject of love in death, Finally, it compares the romantic representation of cannibalism in contemporary texts to the similarly romantic depiction of AIDS, the infection which is treated as equivalent with taking control of the lover's body. The core of the article is the discussion of two criminal cases – Jeffrey Dahmer's and Issei Sagawa's -which serve to illustrate the relationship between love cannibalism and necrophilia. The argument is further expanded to examine various representations of necrophilia and love cannibalism in contemporary literature and film.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2003, 7
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przedstawienia brazylijskich kobiet kanibali w Americae Tertia Pars (1592)
Representations of Brazilians Cannibal Women in Americae Tertia Pars (1592)
Las mujeres caníbales del Brasil en la Americae Tertia Pars (1592)
Autorzy:
Chicangana-Bayona, Yobenj Aucardo
Powiązania:
https://bibliotekanauki.pl/articles/2182094.pdf
Data publikacji:
2011-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Opis:
In 1592 Theodoro De Bry published la Americæ Tertia Pars, the work based on German traveler Hans Staden (1557) and French Jean de Léry (1578) narratives involved in expeditions to Brazilian land and describing inhabitants of the visiting territories.The prints illustrating the third part of the work are presenting Hans Staden’s peripeteia – abduction, captivity and his life among Indian Tupinambá. Local customs: dances, feasts, wars and most of all cannibal rituals, are shown on the prints. The article contains an analysis of thse rituals in which eldery Indian women used to take part.
En el año de 1592, Theodoro De Bry publicaría la Americæ Tertia Pars basado en las narrativas del alemán Hans Staden (1557) y del francés Jean de Léry (1578) sobre los viajes a la tierra del Brasil y de sus habitantes los tupinambá. Las estampas que ilustran el tercer volumen siguen las peripecias de Hans Staden: la captura, el cautiverio y la convivencia del alemán entre los Tupinambá. Muestran además, las costumbres de los aborígenes, danzas, borracheras, guerras y especialmente el ritual caníbal. El análisis de este artículo se detendrá en los grabados del ritual caníbal donde participan las mujeres, especialmente las indias viejas.
Źródło:
Sztuka Ameryki Łacińskiej; 2011, 1; 165-188
2299-260X
Pojawia się w:
Sztuka Ameryki Łacińskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies