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    Wyświetlanie 1-14 z 14
    Tytuł:
    Body Politics In Ann Radcliffe’s The Mysteries Of Udolpho And The Italian
    Autorzy:
    Łowczanin, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/2076061.pdf
    Data publikacji:
    2015
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Ann Radcliffe
    body
    character
    perception
    death
    Opis:
    The purpose of this paper is to demonstrate the way in which Ann Radcliffe manages to register shifts in the ontology of the self and the other which were taking place in the late eighteenth century. Acknowledging the ambivalences of the semiotics of the body, especially in The Mysteries of Udolpho and The Italian, allows her to toy with the notion of the body as character correlate, and orchestrate the problematics of the union between a character and his or her corporeal designation and perception by others. The paper demonstrates how grappling with the dynamics informed by the Cartesian opposition of substance and essence in turn allows for subscribing to the paradigmatic gothic atmosphere, but also foreshadows the contemporary post-Cartesian phenomenological understanding of the body, and introduces a truly modern psychologised and internalised eschatology and “spectralisation of the other.”
    Źródło:
    Kwartalnik Neofilologiczny; 2015, 4; 691-702
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    We Write in Other People’s Blood: Troubling the Body Politics and Disability Representation of Yakuza O
    Autorzy:
    Loh, Adeline
    Powiązania:
    https://bibliotekanauki.pl/articles/41316430.pdf
    Data publikacji:
    2024
    Wydawca:
    Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
    Tematy:
    body politics
    digital games
    disability studies
    game studies
    gender
    narrative
    Yakuza 0
    Opis:
    This paper takes Yakuza 0, a retrospective prequel and standalone entry to the Yakuza digital game franchise from Japan, as a case study for disabled feminine bodies vis-à-vis their male counterparts in game narratives. Of note is Makimura Makoto, a downtrodden Chinese-Japanese woman experiencing post-traumatic psychogenic blindness, who serves as the unwitting kingpin of the yakuza’s schemes. This paper posits that a reading of the game’s narrative (as supplemented by its gameplay mechanics) through the critical lens of disability studies offers a more affective and recuperative understanding of the game’s treatment of its marginalised characters. This paper first seeks to intervene in the game’s embodied and gendered power dynamics by attending to the body politics of its fictitious criminal underworld. Correspondingly, this paper troubles the game’s presentation of disability as a gendered performance, wherein feminine bodies disproportionately experience the material consequences and trauma of their disabilities, framed as pivotal narrative movements that spur the game’s male protagonists forward. Ultimately, this paper works towards a more empathetic reading of Yakuza 0 as a roadmap for how the franchise and digital games at large can address disability as a compounding, ever-evolving relational condition in addition to its physical and/or mental dimensions.
    Źródło:
    Acta Ludologica; 2024, 7, 1; 38-49
    2585-8599
    Pojawia się w:
    Acta Ludologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Boundaries and Otherness in Science Fiction: We Cannot Escape the Human Condition
    Autorzy:
    Hermann, Isabella
    Powiązania:
    https://bibliotekanauki.pl/articles/641538.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    international relations
    emotions
    body politics
    alien encounter
    world state
    Opis:
    The article explores the construction of boundaries, alterity and otherness in modern science-fiction (SF) films. Boundaries, understood as real state borders, territoriality and sovereignty, as well as the construction of the other beyond an imagined border and delimited space, have a significant meaning in the dystopian settings of SF. Even though SF topics are not bound to the contemporary environment, be it of a historical, technical or ethical nature, they do relate to the present-day world and transcend our well-known problems. Therefore, SF offers a pronounced discourse about current social challenges under extreme conditions such as future technological leaps, encounters with the alien other or the end of the world. At the same time the genre enables us to play through future challenges that might really happen. Films like Equilibrium (2002), Code 46 (2003), Children of Men (2006) and District 9 (2009) show that in freely constructed cinematic settings we are not only unable to escape from our border conflicts, but quite the contrary, we take them everywhere with us, even to an alternative present or into the future, where new precarious situations of otherness are constructed.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 212-226
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Book review of: Zbigniew L. S. (2019). SHE, Intimate Questions. Poland: Wydawnictwo Czarne i Czerwone.
    Autorzy:
    Gano, Paulina
    Powiązania:
    https://bibliotekanauki.pl/articles/2081286.pdf
    Data publikacji:
    2021-06-24
    Wydawca:
    Akademia Pedagogiki Specjalnej. Language and Society Research Committee
    Tematy:
    Sexuality
    Taboo
    Women
    Erotic
    Society
    Culture
    Customs
    Body Politics
    Sociology
    Polska
    Opis:
    Book review of Zbigniew Lew Starowicz (2019). She, Intimate Questions, Warsaw, Wydawnictwo Czarne i Czerwone, pp. 256, price approx. 8 USD. Book published in Polish. Discussion on female sexuality and the discursive, and linguistic sexual taboos in Poland. Original Title: ONA, Pytania Intymne.
    Źródło:
    Language, Discourse & Society; 2021, 9 (1); 171-174
    2239-4192
    Pojawia się w:
    Language, Discourse & Society
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Widzialne i wyobrażone – historia muzeum jako przedmiot wiedzy. Na marginesie pierwszego tomu „Muzeum. Historii światowej” Krzysztofa Pomiana
    The Visible and the Imaginary – Museum History as an Object of Knowledge. Remarks on the First Volume of “Le Musée, une histoire mondiale” by Krzysztof Pomian
    Autorzy:
    Olechnowicz, Emilia
    Powiązania:
    https://bibliotekanauki.pl/articles/23342329.pdf
    Data publikacji:
    2023
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    Krzysztof Pomian
    Thomas Browne
    muzeum
    kolekcjonerstwo
    ciała polityczne
    museum
    collecting
    body politics
    Opis:
    W artykule omówiono opublikowany niedawno polski przekład pierwszego tomu Muzeum. Historii światowej Krzysztofa Pomiana, sytuując go w kontekście dotychczasowych badań tego autora nad relacjami człowieka z czasem i z przedmiotami. Przywołano Pomianowskie ustalenia dotyczące wpływu kultury materialnej na wyobraźnię społeczeństw oraz refleksję nad historią jako dyscypliną wiedzy. Na tym tle przedstawiono najważniejsze tezy Pomiana dotyczące natury kolekcjonowania, a więc pojmowanie kolekcji jako miejsca, w którym symboliczne sensy przedmiotów są tworzone i pomnażane, stanowiąc unikatowe sposoby konceptualizacji i wizualizacji niewidzialnego. W artykule wskazano także te punkty w dziejach kolekcjonerstwa, które stanowią o przejściu od kolekcji prywatnej do publicznego, świeckiego muzeum, a więc historię zbiorów kapitolińskich w Rzymie i florenckiej galerii Uffizi. Zaakcentowana została zmiana, polegająca na przejściu zbiorów z rąk jednostek na własność osób prawnych, a więc ciał politycznych, a tym samym przeorientowanie kolekcji z przeszłości na przyszłość.
    The article discusses the recently published Polish translation of the first volume of Le Musée, une histoire mondiale by Krzysztof Pomian, placing it in the context of Pomian’s previous research on human beings’ relationship with time and objects. The essay recalls Pomian’s insights into the influence of material culture on the imagination of societies and his reflections on history as a discipline of knowledge. In this context, Pomian’s main theses on the nature of collecting are discussed, that is, the understanding of a collection as a place where the symbolic meanings of objects are created and multiplied, constituting unique ways of conceptualising and visualising the invisible. The essay also discusses the points in the history of collecting that mark the transition from a private collection to a public, secular museum, namely the history of the Capitoline collection in Rome and the Uffizi Gallery in Florence. It emphasises the shift inherent in the transition of collections from the hands of individuals to the ownership by legal entities and thus political bodies, thereby reorienting collections from the past to the present.
    Źródło:
    Biuletyn Historii Sztuki; 2023, 85, 4; 141-150
    0006-3967
    2719-4612
    Pojawia się w:
    Biuletyn Historii Sztuki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sexual Politics: Mapping the Body in Marguerite Duras’s L’Amant
    Autorzy:
    Gray II, Richard J.
    Powiązania:
    https://bibliotekanauki.pl/articles/700955.pdf
    Data publikacji:
    2013
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    In L’Amant (1984), through the juxtaposition of traditional male/female sexual roles, Marguerite Duras painted a gynocentric portrait of sexual politics. By depicting a series of encounters in diverse parts of the Indochinese (Vietnam) landscape, Duras’s novel described the sexual “coming of age” story of her female protagonist’s. Each Vietnamese setting became a visual and sensory metaphor for the various developmental stages of the protagonist. In this essay, I contend that Duras’s use of contrasting settings serves to “flesh out” the sexual politics conveyed in the novel. Herein, I examine the geographic locations illustrating the sexual politics of the novel, including the Mekong River signifying the female protagonist’s rite of passage, Cholon, the city where the girl experiences sexual liberation and a struggle with the established authority, the lover’s apartment where the couple consummates their relationship, and finally, France representing the land of wealth to which the protagonist will eventually return. Key words: autobiography, Judith Butler, Cholen (Cholon), colonisation, crossing, gender, juxtaposition, Marguerite Duras, Julia Kristeva, liberation, liminal space, mapping the body, Mekong, Kate Millett, Other, post-colonial, prostitution, sexploitation, sexuality, sexual politics.
    Źródło:
    Romanica Silesiana; 2013, 8, 1
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Blindness as Empathy: The Politics of Touch in Works by Dan Sterup-Hansen
    Autorzy:
    Eriksen, Karen Westphal
    Powiązania:
    https://bibliotekanauki.pl/articles/1788548.pdf
    Data publikacji:
    2020-09-13
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Danish modernism
    Danish Art
    Graphic art
    Cold war art
    Humanism
    the body in art
    politics of touch
    left-wing art
    Dan Sterup-Hansen
    Opis:
    This article has as its topic the Danish artist Dan Sterup-Hansen (1918–1995) and his paintings and prints on the subject of blind people with canes as well as works related to these. Sterup-Hansen was active as an artist from a young to an old age, but made a significant artistic contribution in the decades following World War II. During this period, he explored a number of themes related to cold war anxiety and the cultural trauma of the World War II. These themes centre on the human body and a phenomenological perception of the world. They are humanitarian in spirit and are related to Sterup-Hansen’s left-wing political views of solidarity, humanism, and advocacy for change and reconstruction after the World War II.
    Źródło:
    Ikonotheka; 2019, 29; 205-228
    0860-5769
    Pojawia się w:
    Ikonotheka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Politics and the Inadequacy of Words in Joseph Conrad’s Non-Fiction
    Autorzy:
    Wojciechowska, Sylwia Janina
    Powiązania:
    https://bibliotekanauki.pl/articles/1837656.pdf
    Data publikacji:
    2021-06-08
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    the Polish problem
    stable irony
    binary oppositions
    the body politic
    Gothic imagery
    Opis:
    The Polish-born English novelist, Joseph Conrad, once challenged the general public with a statement which stigmatized the printed word in wartime coverage as being cold, silent, and colorless. The aim of this article is to investigate the manner in which the writer himself applied words in his wartime non-fictional works in order to bestow a lasting effect on his texts. It is argued that irony renders his non-fiction memorable. Thus, the focus is first placed on the manner in which irony features in Conrad’s political essays, collected in Notes on Life and Letters, from 1921. It is argued that irony applied in his non-fiction represents what Wayne C. Booth termed stable irony. Further, it is claimed that, as a spokesman for a non-existent country, Conrad succeeded in transposing the Polish perspective into a discourse familiar to the British public. This seems possible due to the application of the concept of the body politic and the deployment of Gothic imagery. Finally, the paper examines the manner in which words are effectively used to voice the stance of a moralist on truth and the lie of the printed word in the turbulent times around the end of the 19th century.
    Źródło:
    Multidisciplinary Journal of School Education; 2021, 10, 1(19); 47-64
    2543-7585
    Pojawia się w:
    Multidisciplinary Journal of School Education
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Illness as a metaphor. Around the somatisation of politics in „2084. La fin du monde” (2015) of Boualem Sansal
    Autorzy:
    Rachwalska von Rejchwald, Jolanta
    Powiązania:
    https://bibliotekanauki.pl/articles/606113.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Sansal, pathography, dystopy, patient body, totalitarianism
    Sansal
    pathographie
    le corps malade
    dystopie
    totalitarisme
    Opis:
    Der Artikel enthält Zusammenfassungen nur in Englisch und Französisch.
    The aim of this paper is to present the interrelationship between politics and the representation of the patient’s body (pathography) in the novel of the Algerian contemporary activist and writer Boualem Sansal. In his novel, 2084. La fin du monde, whose title refers directly to Orwell’s work, Sansal creates a vision of a world dominated by religious totalitarianism. The purpose of this paper is to show how the affected body of the main character (and its recovery) becomes both a metaphor of opposition to the totalitarian system and a central structural, semantic and rhythmic figure of the text.
    La problematique de l`article se situe a l`intersection du politique et du somatique. La presente etude se propose d`analyser le roman de Boualem Sansal "2084.La fin du monde" (2015) comme exemple d`une pathographie litteraire qui reconfigure le theme de la maladie a la fois en metaphore et en dispositif structurel du roman.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2019, 43, 1
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Constructed Stories of (Non) Belonging to Europe: Performative Videos of Marina Gržinić and Aina Šmid
    Konstruowanie opowieści o (nie)przynależności do Europy: wideo Wideo Performance Mariny Gržinić and Aina Šmid
    Autorzy:
    Kosmala, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1366168.pdf
    Data publikacji:
    2013
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    video
    media
    politics
    gender
    resistance
    body
    performance
    wideo
    polityka
    opór
    ciało
    Opis:
    In the video and new media art of Marina Gržinić and Aina Šmid, the abstract quality of a technologically generated image and the mediated world becomes an expressive and politically informed means of a communication strategy across the region of post-Socialist Europe also called the former East. Working collaboratively for over thirty years now, and using mostly the medium of video, the artists juxtapose the memories of the Communist past and its symbolism with the paradoxes of the post-Socialist condition, and in doing so, engage in a critique of Western hegemony and global capitalism. Gržinić and Šmid's performative practice can be also viewed as a sort of leeway for the enacting of identities. For gender articulation, this artistic strategy also includes female masquerade and performance of sexuality. Their ambivalent performance of identities, at times contradicting one another, is realised through deconstruction, appropriation and narrative critique. Gržinić and Šmid have always been working with a critique of ideologies portrayed as fluid, changing systems, revealing their rhetorical functions in the production of culture. Ideology is represented and manifested in their works in the body, history, and culture. This paper will examine some examples of their most recent works, discussing the opportunities for resistance tactics in contemporary art.
    W sztuce wideo oraz nowych mediów Mariny Gržinić i Ainy Šmid abstrakcyjność świata przedstawianego i poznawanego przy pomocy nowoczesnej techniki staje się dzisiaj środkiem ekspresji w strategiach komunikowania całego regionu post-socjalistycznej Europy, obszaru tak zwanej dawniej Europy Wschodniej. Pracując razem przeszło trzydzieści lat w obszarze sztuki wideo, Marina Gržinić i Aina Šmid zestawiają wspomnienia o komunistycznej prze-szłości i jej symbolice ze sprzecznościami rzeczywistości post-socjalistycznej, angażując się przy tym w krytykę hegemonii Zachodu i globalnego kapitalizmu. Ironia gry sztuką pogłębia ich krytyczne sposoby przedstawiania uprzedmiotowienia i różnych form zależności. Pozowa-nie można tutaj postrzegać jako swobodną przestrzeń dla odtwarzanych tożsamości. Przy iden-tyfikacji genderowej oznacza to także formę maskarady oraz performatywność tożsamości seksualnych. Ta ambiwalentna gra tożsamości, niekiedy sprzecznych ze sobą wartości, reali-zuje się przez dekonstrukcję, przywłaszczanie materiałów kultury masowej i mediów, oraz krytykę narratywną. Performatywność odnosi się tutaj do działań w obrębie kultury i praktyk artystycznych, polegających na strategiach udawania i przyjmowania tożsamości oraz ich form. Gržinić i Šmid zajmują się krytyką ideologii przedstawionych jako płynne, zmienne systemy, przez co ukazują ich retoryczne funkcje w wytwarzaniu kultury. Ideologia w ich pracach manifestuje się w ciele, historii i kulturze. Artykuł analizuje ich nowsze prace, nawią-zując jednocześnie do tematu oporu i protestu we współczesnej sztuce.
    Źródło:
    Art Inquiry. Recherches sur les arts; 2013, 15; 65-88
    1641-9278
    Pojawia się w:
    Art Inquiry. Recherches sur les arts
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Artur Żmijewski, elogio del corpo imperfetto
    Artur Żmijewski: In Praise of the Imperfect Body
    Autorzy:
    Quercioli Mincer, Laura
    Powiązania:
    https://bibliotekanauki.pl/articles/28407907.pdf
    Data publikacji:
    2021-12
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    contemporary art
    performance
    art and politics
    delegated performance
    art and disability
    Opis:
    The artistic work of Artur Żmijewski, one of the best-known contemporary Polish artists, is often bold and provocative, playing with the strongest emotions with brutality and at the same time proposing itself as a political and ethical action. The protagonists of Żmijewski’s video and photographic installations are fragile, imperfect, mutilated bodies (Oko za oko), annihilated by suffering (Karolina), old people singing in hospital beds (Nasz śpiewnik), and people occupied with something impossible and incongruous (Lekcja śpiewu). The artistic scenario presented reflects somehow both the world and Poland, it is archaic and contemporary, and characterised by an almost religious pietas combined with a form of poetic insubordination and a ruthless critique of the forms of politics and biopolitics.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2021, 12; 54-74
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Tijelo pamćenja je pčela koja me bode.“ Emancipatorne prakse ženskog pisma 80-ih
    “The body of recollection is a bee which stings me.” Emancipatory practices of women’s writing in Croatian literature of the 1980’s
    Autorzy:
    Protrka Štimec, Marina
    Dakić, Mirela
    Powiązania:
    https://bibliotekanauki.pl/articles/636140.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    The Deadly Sins of Feminism
    Slavenka Drakulić
    The Silk
    the Shears
    Irena Vrkljan
    women’s writing
    politics of literature
    Opis:
    The book of essays Smrtni grijesi feminizma (The Deadly Sins of Feminism), written by Slavenka Drakulić, and Irena Vrkljan’s novel Svila, škare (The Silk, the Shears), both published in 1984, became the samples of feminist activism and the poetics of l’écriture féminine in Croatian literature. Considering their generic aspects and their narrative strategies focused on revealing the conflict between public/historical/political and personal/everyday/trivial, in our paper we will discuss Vrkljan’s novel as outstanding example of the emancipatory changes in the cultural field of the 1980’s. “Trivial as political” in Slavenka Drakulić’s writing, articulated through Irena Vrkljan’s autobiographical narrative, incites the emancipatory power of l’écriture féminine that simultaneously reflects the Other in itself, produces its own difference and writes without inscribing itself. This type of women’s writing, as previously defined by Hélène Cixous, is presented in Irena Vrkljan’s text as writing its own life that is “always in-between” and that undermines declared democratic values as much as the politics of literature, as understood by Jacques Rancière. Revealing discordances between poetic and social hierarchies, women’s writing makes changes in the partition of the visible and the sayable, in the intertwining of being and writing, body and words.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 16; 243-255
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Siddha concept of aruḷ / iruḷ in the service of politics: how the vision of backwaters defined by Nārāyaṇa Guru in Śiva Śatakam 65 by means of the poḻi-āḻi-cuḻi trio could become the metaphysical reflection of the social and religious transformation implemented within Kerala’s body
    Autorzy:
    Urbańska, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/52938150.pdf
    Data publikacji:
    2021-09-02
    Wydawca:
    Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    Nārāyaṇa Guru
    Siddha
    backwaters
    aruḷ
    social reformation
    Kerala
    Tirumandiram
    Opis:
    The aruḷ / iruḷ concept which constitutes the basis for the Siddha vision of the release process has been introduced by Nārāyaṇa Guru in plenty of his devotional hymns. The idea emphasises the key-role of Grace (aruḷ) – the essential form of the Sole Substance (oru poruḷ) identical with Śivaṉ / Śivam, by means of which the ultimate Bliss becomes attained – in the process of transformation of iruḷ (darkness = ignorance) rooted itself within the One. The mentioned above concept – when superimposed on the image of backwaters phonomenon – could be used by Guru as an instrument in his attempt to transform the “dark” social status of the low caste people into the “social bliss”. Such a social aspect of the aruḷ / iruḷ idea has been depicted by Guru in his Arddhanārīśvara Stavam; on the other hand, Guru’s biography itself turns to be an intriguing transcript of this Siddha concept employed in the service of politics. The metaphysical reflection of the social and religious transformations initiated by Guru should be thus considered in terms of Tamil literary sources. In such a case the poḻi-āḻi-cuḻi trio presented in Śiva Śatakam could be comprehended as follows: 1. poḻi symbolizes obstacles = limitations [of any kind], also the turning point [of transformation of any kind]; 2. cuḻi means the twists and turns within saṁsāra-ocean, as well as the cakra-whirlpools activated within the transcendent ocean; 3. āḻi symbolizes [the depth of] the ocean = the ocean of phenomenal world, or the transcendent ocean of grace. Both meanings are included in the equivalent of the term āḻi – tīkkuḻi (which means the fiery pit [of saṁsāra] and the fiery pit [of activated mūlādhāra cakra] as well as the ājňācakra by means of which the the former type of ocean [saṁsāra depth] becomes transformed into the latter [i.e. the depth of Grace or Bliss]).
    Źródło:
    Orbis Linguarum; 2021, 55; 557-574
    1426-7241
    2657-4845
    Pojawia się w:
    Orbis Linguarum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-14 z 14

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