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Wyszukujesz frazę "anthropological projects" wg kryterium: Wszystkie pola

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    Wyświetlanie 1-7 z 7
    Tytuł:
    Zanurzenie w etyce i kulturze. Antropologiczne projekty zaangażowane społecznie
    Immersion in Ethics and Culture. Socially Engaged Anthropological Projects
    Autorzy:
    Chwieduk, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/580259.pdf
    Data publikacji:
    2015
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    ETHICS
    ANTHROPOLOGICAL PRACTICE AND REFLECTION
    SOCIALLY ENGAGED ANTHROPOLOGICAL PROJECTS
    ETHICAL DILEMMAS
    Opis:
    In the practice of sociocultural anthropology, ethics is an important subject for Polish scholars, who more and more readily discuss the need for developing ethical standards regulating their research practice. Special attention in this respect should be paid to socially and practically engaged anthropological projects which, as the text proves, are above all “ethical”, that is focused, as a task in itself, on the goals and effects of researchers’ actions in specifi c environments. The objective of the text is to reflect on selected aspects of this type of anthropological activity. Its main source of inspiration were the experiences of scholars conducting research, undertaking specific actions on behalf of immigrants and refugees, and entering into negotiations with offi cials – persons from the broadly defi ned sphere of education. All the anthropologists involved in these activities are connected to the Poznań Centre for Migration Studies (Centrum Badań Migracyjnych, CeBaM) and the Department of Ethnology and Cultural Anthropology at Adam Mickiewicz University, as is the author of the text, and participated in the project: Social and Cultural Identification of Foreigners.
    Źródło:
    Studia Migracyjne - Przegląd Polonijny; 2015, 41, 2 (156); 165-179
    2081-4488
    2544-4972
    Pojawia się w:
    Studia Migracyjne - Przegląd Polonijny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    How to study the enlightenment: a cultural and literary perspective
    Autorzy:
    Kostkiewiczowa, Teresa
    Powiązania:
    https://bibliotekanauki.pl/articles/28408611.pdf
    Data publikacji:
    2022-09-26
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    modernity
    universality
    multifaceted research
    anthropological projects
    literary culture
    Opis:
    Polish research on the Enlightenment developed in the first half of the 20th century but gained new momentum in the period after the Second World War. At that time, efforts were made to outline a picture of the phenomenon with a strong ideological character, but also a program of recognising important and hitherto not widely studied areas, above all of the literary cultures, was developed. A systematic exploration of sources was also started, and preparations for scientific editions of literary works were undertaken. These activities meet two permanently up-to-date requirements: an interdisciplinary, comparative, historical and ideological approach, as well as the necessary and constant contact with the source material. The research examined the source, sociological-cultural, structuralist and historical-ideological perspectives but focused on the Enlightenment itself. In this situation, the works should be primarily contextual. Based on the previous and new critical studies, it is necessary to undertake systematic research on the position and role of the Enlightenment in the development of Polish culture – in the context of old Polish culture and Romanticism and the phenomenon of modernity. A good reference to this issue is the already introduced concept of change, which allows to dynamise the image and situate the phenomenon of the Enlightenment in the broader time perspective. The second – related to the previous – problem that requires theoretical reflection and reflection on the source material is the anthropological perspective of viewing literature and culture. Such issues as ways of constructing the speaking “I” in different literary genres, ways of expressing the identity of the “I” and shaping the collective identity may shed new light on the epoch, require research consideration and reference to the main tendencies of the so-called new humanities. Such approaches will make it possible to introduce research on the Enlightenment into the dialogue with the latest tendencies of this humanities, test the usefulness of its proposals for historical works, and check the usefulness of new approaches.
    Źródło:
    Wiek Oświecenia; 2022, 38; 25-39
    0137-6942
    Pojawia się w:
    Wiek Oświecenia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ukrainian Theatrical Projects as an Example of Anthropological Defense in Terms of Anthropology as Contemporary Social Warfare
    Autorzy:
    Korzeniowska-Bihun, Anna
    Boroch, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/1832567.pdf
    Data publikacji:
    2017
    Wydawca:
    Wyższa Szkoła Bezpieczeństwa Publicznego i Indywidualnego Apeiron w Krakowie
    Tematy:
    anthropological aggression
    anthropological defence
    war
    Ukraine
    theatre
    Opis:
    Anthropological aggression is a means of waging war using information gained from a nation and its culture, social norms and habits and geographic conditions, as well as its history, traditions, etc. This type of activity is currently observed in Ukraine in the context of the war in the eastern part of the country. Anthropological aggression, however, can be minimized by the use of the anthropological defence. An example of this is the theatrical projects initiated by various artistic troupes all over the country. This paper presents the methods which are employed by the Ukrainian theatre to counteract this anthropological aggression. One can identify four basic fields of activity directed at creating the tools of anthropological defence: 1) combating stereotypes; 2) facilitating the integration and assimilation of internally displaced people; 3) theatrotherapy: 4) initiation of the social and political debate.
    Źródło:
    Security Dimensions; 2017, 24(24); 122-136
    2353-7000
    Pojawia się w:
    Security Dimensions
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Cultural projects as a tool of anthropological defense : Ukrainian example
    Autorzy:
    Korzeniowska-Bihun, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1833751.pdf
    Data publikacji:
    2021
    Wydawca:
    Towarzystwo Wiedzy Obronnej
    Tematy:
    war
    Ukraine
    military anthropology
    hybrid war
    Opis:
    The article presents an anthropological defense's practical dimension on cultural activities observed during the Russian-Ukrainian war. The paper's primary hypothesis is to deliver anthropological defense strategic objectives from a country's perspective at war. The adopted view refers to hybrid warfare and hybrid threats. The goals are as follows: 1) documentation objective, 2) therapeutic objective, 3) ideological objective, 4) diplomatic objective. A structured, consistent defense line allows creating a shared narrative by dividing society as the Ukrainian one. All actions in terms of anthropological defense refer to the values shared by the majority of citizens. Nevertheless, anthropological defense tools' choice and use must be strategically conditioned, i.e., other benefits for cinematography, theater, and fine arts. For an action to be practical cooperation between self-governing assemblages (such as volunteers, artists, art curators) and state actors must be established. The cooperation ctivities undertaken are complementary and complementary and can, therefore, be remarkably efficient.
    Źródło:
    Wiedza Obronna; 2021, 1; 35--47
    0209-0031
    2658-0829
    Pojawia się w:
    Wiedza Obronna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ANTHROPOLOGICAL AGGRESSION-WAR AND CULTURAL SCIENCES: MAJOR SUBJECTS OF CULTURAL STUDIES ON THE SIDE OF CRITICAL ANALYSIS OF DISCOURSE
    Autorzy:
    Robert, Boroch,
    Powiązania:
    https://bibliotekanauki.pl/articles/891890.pdf
    Data publikacji:
    2018-08-14
    Wydawca:
    Wyższa Szkoła Bezpieczeństwa Publicznego i Indywidualnego Apeiron w Krakowie
    Tematy:
    social anthropology
    applied anthropology
    anthropology as a weapon
    military social projects
    Opis:
    The article discusses the issue of using applied anthropology for military purposes as a tool of gaining information and ideological advantage of one of the military or propaganda conflicting sides. Gaining advantage within information and ideological area enables one to influence and control social attitudes towards the authorities and put pressure on them through the public opinion which could intensify stratification within the scope of social life and, consequently, lead to social destabilisation of a state.
    Źródło:
    Kultura Bezpieczeństwa. Nauka – Praktyka – Refleksje; 2016, 22; 81-94
    2299-4033
    Pojawia się w:
    Kultura Bezpieczeństwa. Nauka – Praktyka – Refleksje
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polish Archaeological Investigations on Linear Construction Projects – Contemporaneity and Tradition
    Polskie badania archeologiczne na inwestycjach liniowych – współczesność i tradycje
    Autorzy:
    Chochorowski, Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/958156.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie
    Tematy:
    history of archaeology
    development-led excavations
    Anthropological Commission of the Academy of Arts and Sciences
    Izydor Kopernicki
    Opis:
    Research excavations accompanying large construction projects have become the most important collective experience for Polish archaeologists over the last twenty years. The lack of substantive control from the state over the selection of the contractors conducting these excavations has resulted in the erosion of the rules of methodologically proper conduct, and even (sometimes) in the excavations losing their status as research activity. Despite having great traditions in the realisation of large-scale programs of archaeological research, the Polish archaeological community proved vulnerable to phenomena such as the loss of corporate solidarity, professional ethos, and sense of mission.
    Źródło:
    Analecta Archaeologica Ressoviensia; 2016, 11; 289-310
    2084-4409
    Pojawia się w:
    Analecta Archaeologica Ressoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pojęcie i doświadczenie czasu w polskiej sztuce konceptualnej
    The Concept And Experience Of Time In The Art Of Polish Conceptualism
    Autorzy:
    Zdanowicz, Maciej H.
    Powiązania:
    https://bibliotekanauki.pl/articles/424647.pdf
    Data publikacji:
    2012
    Wydawca:
    Akademia Sztuk Pięknych w Gdańsku
    Tematy:
    In my paper I analyse the art of selected Polish conceptual artists
    whose art and creative strategies clearly attempt to analyse the essence of time
    I consider exceptional in this context the work of Roman Opalka (Opałka 1965 /1 - ∞)
    Natalia LL's recordings (Permanent recordings of time)
    Zdzislaw Jurkiewicz's Saturn and Jupiter Ways
    and the projects by Stanisław Dróżdż (FROM TO) that touch upon various levels of time
    In the presented analyses
    I refer to the psychological and philosophical concept of perception and aperception
    as well as an anthropological understanding of time
    In my view
    conceptual art is the genre whose characteristics lie in the conscious cognition and deep intellectual analysis of the reality surrounding the artist
    With regard to the active role of the mind in the process of perception the aperception of time may be a more appropriate term
    CONCEPTUALISM
    CONCEPTUAL ART
    ROMAN OPALKA
    NATALIA LL
    ZDZISLAW JURKIEWICZ
    STANISLAW DROZDZ
    PERCEPTION
    APERCEPTION
    TIME
    SPACETIME
    NOTATION
    RECONSTRUCTION
    DOCUMENTATION
    Opis:
    In my paper I analyse the art of selected Polish conceptual artists, whose art and creative strategies clearly attempt to analyse the essence of time. I consider exceptional in this context the work of Roman Opalka (Opałka 1965 /1 - ∞), Natalia LL's recordings (Permanent recordings of time), Zdzislaw Jurkiewicz's Saturn and Jupiter Ways, and the projects by Stanisław Dróżdż (FROM TO) that touch upon various levels of time. In the presented analyses, I refer to the psychological and philosophical concept of perception and aperception, as well as an anthropological understanding of time. In my view, conceptual art is the genre whose characteristics lie in the conscious cognition and deep intellectual analysis of the reality surrounding the artist. With regard to the active role of the mind in the process of perception the aperception of time may be a more appropriate term.
    Źródło:
    Sztuka i Dokumentacja; 2012, 6; 141-147
    2080-413X
    Pojawia się w:
    Sztuka i Dokumentacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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