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Wyświetlanie 1-15 z 137
Tytuł:
Roanoke County Virginia USA, how local government operates
Hrabstwo Roanoke w Wirginii USA, jak lokalny rząd funkcjonuje
Autorzy:
Church, Joseph “Butch”
Powiązania:
https://bibliotekanauki.pl/articles/526665.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Opolski. Instytut Nauk o Zdrowiu
Tematy:
Roanoke County Virginia USA
RoCo
Blue Ridge Parkway
Southwest Virginia
Virginia Tech University
Hrabstwa Roanoke w Wirginii USA
Aleja Błękitnego Pasma
południowozachodnia Wirginia
Opis:
The government of Roanoke County Virginia is comprised of a publicly elected Board of Supervisors. This Board enacts laws governing the county, sets tax rates and handles all financial matters regarding the county. Roanoke County is located in the heart of the Blue Ridge Mountains and is completely surrounded by mountains. We recognize the importance of working together with our neighboring localities and we have a history of regional cooperation to better serve the citizens of the Roanoke Valley.
Rząd Hrabstwa Roanoke w Wirginii składa się z publicznie wybieranego Zarządu Radnych. Rada ta wciela w życie prawo zarządzające hrabstwem, ustala poziom podatków i zajmuje się wszystkimi sprawami finansowymi dotyczącymi hrabstwa. Hrabstwo Roanoke zlokalizowane jest w sercu Gór Pasma Błękitnego i całkowicie otoczone przez góry. Zdajemy sobie sprawę z wagi współpracy z innymi sąsiednimi miejscowościami i mamy doświadczenia w zakresie poprawy regionalnej współpracy służącej mieszkańcom Doliny Roanoke.
Źródło:
Puls Uczelni; 2012, 3; 7-9
2080-2021
Pojawia się w:
Puls Uczelni
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vision and Violence in Virginia Woolf’s The Waves
Autorzy:
Otto, Peggy D
Powiązania:
https://bibliotekanauki.pl/articles/653565.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Virginia Woolf
The Waves
visual imagery
violence
Opis:
Virginia Woolf describes her artistic goal in The Waves as an attempt to create “an abstract mystical eyeless book.” Yet, in creating her eyeless book, one that eschews a single narrative perspective, Woolf amasses abundant visual details. For each of her six characters, visual images mark significant moments of being. In fact, Woolf emphasizes the characters’ capacity for sight as a vulnerability that allows them to be violated and wounded over and over. This article analyzes connections between visual imagery and themes of violence in the novel to demonstrate how they cohere into an extended metaphor for the ways in which acts of looking can elicit powerful emotions that threaten to fragment individual identity in painful ways. While Woolf’s novel has received critical commentary that focuses on the role of vision in the narrative and critics have also noted how violence in the text supports other themes, the explicit relationship between sight and violence has not yet been fully explored. A close examination of the visual imagery in key scenes of the novel demonstrates how Woolf engages the reader to participate in the characters’ deepening sense of fragmentation as they are repeatedly assaulted by experience, as the eyes themselves become symbols of the twin dynamics of desire and destruction.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2015, 3, 2
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
Autorzy:
Pantuchowicz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/632512.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
haunting, Gothicism, Virginia Woolf, gender, flâneur, market, London
Opis:
Beginning with the theme of the location of haunting in Gothic interiors and the confusion of life and death and the “sub-central” positioning of the feminine as the hidden source of fearfulness, the paper analyzes Virginia Woolf’s “Street Haunting: A London Adventure” as an example of a narrative written from the position of the haunting in which the figure of fearful feminine is transformed into a “hauntess” participating in the public world on equal rights with others. Woolf’s text, though seemingly positing the protagonist in the position of flâneuse, in fact implicitly criticizes flâneuring as a masculine kind of looking and participating in the public space. Taking place away from home, Woolf’s strolling in the streets of London carnivalizes (in the Bakhtinian sense) the activity by way of a joyful blurring of the split between the home and the market. Transgressing what Kathryn Simpson calls “the male privilege of the flâneur” (2010: 47) and rendering the transgression as haunting, Woolf evades participation in the masculine world of traffic and exchange by way of bringing the space of the Gothic confinement, and also of entombment, to the public.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Leisure Pursuits of Gentlewomen in Colonial Virginia: Gender Construction and Male Domination
Autorzy:
Mazur, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/432564.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
colonial Virginia
leisure
women
kolonialna Wirginia
czas wolny
kobiety
Opis:
Artykuł przedstawia sposoby spędzania wolnego czasu przez szlachtę wWirginii, osiemnastowiecznej brytyjskiej kolonii w Ameryce Północnej. Koncentrując się na rozrywkach kobiet z kolonialnej elity, autor omawia znaczenie takich form zabawy, jak bale i uroczyste przyjęcia, które były ogromnie ważne w procesie kształtowania się tożsamości szlachty wirgińskiej. Towarzyszące rozrywkom wyrafinowane zachowania i ostentacyjna konsumpcja miały być dowodem na szlachectwo elity, co z kolei miało jej dawać prawo do władzy w kolonii. Kobietom z elity zalecano takie formy spędzania wolnego czasu, poprzez które mogłyby one wykazać cechy przypisane modelowi kobiecości: grację, skromność, ogładę i elegancję. Takie cechy kobiecości symbolicznie wyrażane były na przykład przez taniec. Rozrywki szlacheckie w wyrazisty sposób nie tylko ukazywały różnice w społecznej pozycji mężczyzn i kobiet, ale również podkreślały społeczną dominację męskiej części elity.
Źródło:
Białostockie Teki Historyczne; 2014, 12
1425-1930
Pojawia się w:
Białostockie Teki Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The (Self)portrait of a Writer: A Hermeneutic Reading of Virginia Woolf’s (Auto)biographical Writings
Autorzy:
Hołda, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1394581.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Virginia Woolf
autobiography
hermeneutics
Paul Ricoeur
Michel Foucault
Opis:
Woolf’s maturing as a writer was deeply influenced by her traumatic experiences in childhood, the (in)capacitating states of mental instability, as well as her proto-feminist convictions. Long before Barthes, she toppled the traditional position of the author, and her literary enshrinement of “the other reality” reached unity with the world rather than individuality. This article ponders Woolf’s creative impulse and investigates her autobiographical writings to show the import of their impact on her fiction, which, as Woolfian scholarship suggests, can be viewed as autobiographical, too. I argue that philosophical hermeneutics sheds light on the self-portrait that emerges from Woolf’s autobiographical writings and offers a rewarding insight into her path of becoming an author. I assert that Paul Ricoeur’s philosophy of subjectivity, and, in particular, his notion of narrative identity provide a route to examine how Woolf discovers her writing voice. In light of his hermeneutics of the self, the dispersed elements of the narrative of life can be seen as a possibility of self-encounter. Woolf’s writings bespeak her gradually evolving self-knowledge and self-understanding, which come from the configuration of those separate “stories” into a meaningful whole. The article also interprets Woolf’s autobiographical writings through the prism of Michel Foucault’s reflection on discourse and subjectivity, indicating that her texts instantiate his assertion of the subject’s constant disappearance.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2020, 6, 1; 52-66
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Virginia Woolf as a short-story writer
Autorzy:
Abrahamowicz, Marianna
Powiązania:
https://bibliotekanauki.pl/articles/1968514.pdf
Data publikacji:
1960
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
M. Abrahamowicz has chosen as subject for examination five of Virginia Woolf's short stories out of the collection A Haunted House and Other Short Stories \ Perhaps it is not very fair on the writer to select, for a separate subject, just this part of her work which is avowedly not her best. The small volume of her short stories was published posthumously by her husband, Leonard Woolf, in 1943: in his Foreword to it, he calls the reader's attention to the unfinished state in which most of them were left at the writer's death (...)
Źródło:
Roczniki Humanistyczne; 1960, 9, 3; 37-45
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Virginia Woolf i jej awatary. Ikonizacja oraz zawłaszczenia wizerunku pisarki w kulturze i literaturze popularnej
Autorzy:
Szeremeta-Kołodzińska, Katatrzyna
Powiązania:
https://bibliotekanauki.pl/articles/638631.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Virginia Woolf, avatars, iconization, popular literature, unauthorized biography
Opis:
Virginia Woolf and Her Avatars. Creating an Icon and Appropriating the Writer’s Image in Popular Culture and Literature The act of fictionalising the lives of historical figures, which is the major motivation for this article, has become a common practice and literary phenomenon rather than a short-lived fad. The author analyses several literary works that consciously follow this practice and incorporate Virginia Woolf, an icon and a priestess of Modernism, into the cast of fictional characters. Each writer, representing various tendencies within this practice, creates different avatars – literary representations of Virginia Woolf’s figure which either (partially) correspond or defy the image of this historical figure. Sigrid Nunez in Mitz, the Marmoset of Bloomsbury – ,,unauthorised biography” – appropriates the Woolfian invention of an animal narrator to fictionalise the Woolfs and their domestic life. Looking through the lenses of such an observer casts a different light on this historical figure as well as on the circle of family and friends who frequent the pages of Mitz. Susan Selers’s Vanessa and Virginia, likewise incorporating elements of a biography, focuses on the symbiotic bond between the Stephen sisters, highlighting their rivalry. In The Hours, Michael Cunningham’s literary endeavour and homage to Woolf’s legacy, the writer aims, through one of the three intertwined narratives, to recreate the last day of Virginia Woolf’s life. The author focuses onher daily writing regime which in turn portrays her as a neurotic figure, obsessed with death and how her work might be received. In Passing for Human and I, Vampire Jody Scott plays with the image of Virginia Woolf ad libitum, customising her vision to an image hardly affiliated to Woolf. Generically diverse literary works presented in this study create a multifaceted fictionalised portrait of Virginia Woolf that largely corresponds with biographical facts. At the same time, as in case of Cunningham or Scott, it shows abuse and misuse of certain facts in an attempt to fictionally authenticate the life of the real-life figure
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2013, 8, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Mind Is the World: Virginia Woolf on the Embodied Self
Autorzy:
Serrano, Leonor María Martínez
Powiązania:
https://bibliotekanauki.pl/articles/2159832.pdf
Data publikacji:
2020-12-13
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
embodied self
more-than-human
perception
transcorporeality
vibrant matter
Virginia Woolf
Opis:
Drawing on Jean-Luc Nancy’s insights into bodies as the place of existence, David Abram’s thinking on the more-than-human world, Jane Bennett’s conceptualisation of vibrant matter and Stacy Alaimo’s notion of “transcorporeality,” this article explores how Virginia Woolf transforms fiction into a powerful epistemological tool in her examination of the self amidst a vibrant world. In novels like Mrs. Dalloway (1925), To the Lighthouse (1927) and The Waves(1931), Woolf found not only that human beings are finite, singular and exposed, but also porous, embodied selves that are sensuously immersed in the vitality intrinsic to matter. Fascinated by the flow of consciousness and the workings of the human mind when confronted with reality, the novelist seeks to capture the evanescent moment in time as refracted through the consciousness of her own characters. Her compulsion to write down impressions, thoughts, and half-ideas is expressive of her concern with imposing order upon the phenomena of a world populated by agentive entities through the medium of language. If the flux of life was simply unstoppable, language gave her at least the opportunity to freeze moments of being and look at them as if from simultaneous perspectives, as well as to shed light on how humans are in and of the earth – i.e., part of, not apart from, a more-than-human world.
Źródło:
Ars inter Culturas; 2020, 9; 295-315
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 137

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