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Wyszukujesz frazę "Václav Havel" wg kryterium: Wszystkie pola


Tytuł:
Václav Havel: niepolityczny polityk
Václav Havel: Non-political Politician
Autorzy:
Bankowicz, Marek
Powiązania:
https://bibliotekanauki.pl/articles/635362.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
politics
non-political politics
dramatist
communism
dissident movement
democratic opposition
president
presidency
Czechoslovakia
Czech Republic
Opis:
The article presents the political and intellectual silhouette of Václav Havel (1936–2011) – the last president of Czechoslovakia and the first one of the Czech Republic. Havel, the next to the Pole Lech Wałęsa, is the world renown symbol of the political turning point of 1989 that ended the world communist system. Before 1989, during the communist age, Havel was a dramatist, essayist and leader of Czechoslovak anticommunist and democratic dissident movement. He was strongly persecuted by the ruling communists, and while living under a permanent supervision of the security services and he was many times arrested. In 1989 Havel became a president of democratic Czechoslovakia and after dissolving of this state, in 1993, he was elected as a the first president of the new Czech Republic, holding the office by 10 following years. Havel was very untypical politician and president. He has played rather the role of an intellectual for whom politics is a matter of changing reality not by political decisions, but as a result of impact the on world by ideas and views. To follow Thomas Garrigue Masaryk example, the founder and first head of Czechoslovak state, clearlyadmired by Havel, he has tried to conduct of non-political politics. In this model politics becomes a practical applying of ethics and most important within it is not a power or state procedures and mechanisms, but men’s good and faithfulness to the truth. Václav Havel went down in the history as one of the greatest political figures of the second half of the last century.
The article presents the political and intellectual silhouette of Václav Havel (1936–2011) – the last president of Czechoslovakia and the first one of the Czech Republic. Havel, the next to the Pole Lech Wałęsa, is the world renown symbol of the political turning point of 1989 that ended the world communist system. Before 1989, during the communist age, Havel was a dramatist, essayist and leader of Czechoslovak anticommunist and democratic dissident movement. He was strongly persecuted by the ruling communists, and while living under a permanent supervision of the security services and he was many times arrested. In 1989 Havel became a president of democratic Czechoslovakia and after dissolving of this state, in 1993, he was elected as a the first president of the new Czech Republic, holding the office by 10 following years. Havel was very untypical politician and president. He has played rather the role of an intellectual for whom politics is a matter of changing reality not by political decisions, but as a result of impact the on world by ideas and views. To follow Thomas Garrigue Masaryk example, the founder and first head of Czechoslovak state, clearly admired by Havel, he has tried to conduct of non-political politics. In this model politics becomes a practical applying of ethics and most important within it is not a power or state procedures and mechanisms, but men’s good and faithfulness to the truth. Václav Havel went down in the history as one of the greatest political figures of the second half of the last century.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 6
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Václav Havel po 10 latach znów w Poznaniu – Kody i antykody twórczości Václava Havla
Václav Havel returns to Poznań after 10 years – Codes and anticodes of the work of Václav Havel
Autorzy:
Hampl, Lubomír
Powiązania:
https://bibliotekanauki.pl/articles/2193807.pdf
Data publikacji:
2022-03-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Źródło:
Bohemistyka; 2022, 1; 144-150
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
President Václav Havel as an inspiration for Czech urbanonymy
Autorzy:
David, Jaroslav
Davidová Glogarová, Jana
Powiązania:
https://bibliotekanauki.pl/articles/1992265.pdf
Data publikacji:
2021-12-29
Wydawca:
Polska Akademia Nauk. Instytut Języka Polskiego PAN
Tematy:
commemorative names
street names
urbanonymy
Václav Havel
Czech presidents
Opis:
The goal of the text is to summarise and analyse commemorative strategies and trends that were used in case of the Czechoslovak and Czech president Václav Havel (1936–2011; 1989–2003, in office) and that were especially expressed through proper names, mostly street names. The research is primarily based on selected archival sources and opinion journalism of the day. The research issue is presented against the broad background of place names commemorating Czechoslovak and Czech presidents over the course of the 20th century.
Źródło:
Onomastica; 2021, 65, 1; 255-269
0078-4648
Pojawia się w:
Onomastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niechciana obecność autora – filmowy przypadek Václava Havla
The Unwanted Presence of the Author – Václav Havel in Film
Autorzy:
Guzek, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/1038951.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
author
Czech film
Václav Havel
theater semiotics
Opis:
Guzek Mariusz, Niechciana obecność autora – filmowy przypadek Václava Havla [The Unwanted Presence of the Author – Václav Havel in Film]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 115–128. ISSN 1644-6763. DOI 10.14746/pt.2019.32.5. Václav Havel had his views on film, participated in the life of the new wave artist community, had walk-on parts, wrote screenplays, and at the end of his life, made one picture based on his own stage drama Leaving. For Havel, film was a part of a larger cultural challenge, appointed by the Central European character of the second half of the 20th century. In his plays and essays, he discussed the topics of enslavement, lies and resistance to these, constructing a kind of antinomical model of self-power. Repeatedly, the starting point of his work was the Czech reflections included in the theoretical texts of Jan Ivo Osolsobě or the aesthetic manifestos of Karel Teige. As a film director, he created a show of allusions, absurdity and exaggerations, by entering the entire catalogue of experiences, thoughts and techniques of being a “citizen of culture” into diagetic meaning.
Źródło:
Przestrzenie Teorii; 2019, 32; 115-128
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł

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