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Wyświetlanie 1-2 z 2
Tytuł:
The Oppression of Ukrainian National Identity by the Soviet Mass Media: Political and Ideological Censorship 60’s and 70’s of the Twentieth Century
Autorzy:
Kindrachuk, Nadia
Powiązania:
https://bibliotekanauki.pl/articles/519946.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK
Tematy:
Ukrainian ethnic environment
national consciousness
the mass media
political censorship
the Soviet power
the totalitarian regime
the communist propaganda
an ideological oppression
denationalization
Opis:
This article covers the oppression of Ukrainian national identity by the Soviet mass media, which served as an ideological tool of the communist government on the way of total russification and denationalization of Ukrainians over the 60’s and 70’s of the 20th century; censorship is being studied as one of the methods of state supervision over the control of the release of the mass media in order to restrict the dissemination of the ideas and information that were recognized by the then authorities as “undesirable” or “ideologically harmful”. The destructive role of the mass media in the narrowing of the national worldview of Ukrainians, the prohibition of the Ukrainian word, and the leveling of the national aspect in the Ukrainian ethnic environment in the defined period are highlighted.
Źródło:
Historia i Polityka; 2019, 28 (35); 103-110
1899-5160
2391-7652
Pojawia się w:
Historia i Polityka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eradication of the National Element in Ukrainian Cinema in the 1960s–1970s
Autorzy:
Kindrachuk, Nadia
Powiązania:
https://bibliotekanauki.pl/articles/519441.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK
Tematy:
Ukrainian cinematography
creative intellectuals
national motives
national idea
national self-awareness
ideological censorship
persecution
totalitarian regime
Ukrainian ethnic environment
language policy
russification
Opis:
In this article the author studies the elimination of the national element in the Ukrainian cinema of the 1960s and 1970s. The author explores the role and place of national-patriotic issues in Ukrainian cinematography, shows the ideological enslavement of filmmakers, studies the conditions of creative self-realization in the Ukrainian SSR, and analyses the influence of social and political factors on the cultural sphere of Ukrainian people in the outlined period. The representatives of Ukrainian cinema has always tried to popularize national features of their own people, but in the specified period, for censorship reasons, Ukrainian cinema began to be prohibited. The main reason is the struggle with the so-called “Ukrainian bourgeois nationalism”. For such an accusation it was enough to voice any film in Ukrainian and to fill its content with Ukrainian subjects. The characteristic features of Ukrainian cinematography of the 1960s – the early 1970s are as follows: subordination to the Soviet centralized command-administrative system, total control of the CPSU – CPU, russification, denationalization, persecution of all Ukrainian values under the pretext of forming a united Soviet nation.
Źródło:
Historia i Polityka; 2018, 24 (31); 113-121
1899-5160
2391-7652
Pojawia się w:
Historia i Polityka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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