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Wyświetlanie 1-15 z 48
Tytuł:
The Mythical Underworlds of Francis Stevens and Daphne du Maurier
Autorzy:
Aguirre, Mercedes
Powiązania:
https://bibliotekanauki.pl/articles/2028239.pdf
Data publikacji:
2021-12-28
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mit
podziemia
science fiction
Francis Stevens
Daphne du Maurier
mito
inframundo
ciencia ficción
Opis:
This article analyses two stories by women writers (The Heads of Cerberus by Francis Stevens (1952) and The Breakthrough by Daphne du Maurier (1964)), which could both be considered as belonging to the genre of science fiction. These stories do not follow the ‘canonical’ or more popular type of underworld narrative, especially the idea of the katabasis or descent to the underworld and the encounter with the dead, a motif which has often been present in Western culture since classical antiquity and has generated numerous narratives. Rather, they evoke the classical myth of the underworld through the use of certain names (such as Charon and Cerberus) as well as exploring other concepts which coincide with ancient Greek accounts of the topography and inhabitants of the world of the dead, the realm ruled over by Hades.
Źródło:
Collectanea Philologica; 2021, 24; 185-195
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Such beauty transforming the dark”: Wallace Stevens’s Project in Frank Ormsby’s “Fireflies”
Autorzy:
Pietrzak, Wit
Marzec, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/888779.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Frank Ormsby
Fireflies
Wallace Stevens
Northern Irish poetry
imagination
Opis:
Although Frank Ormsby’s poetry is associated with what Terry Eagleton has called tropes of irony and commitment, his 2009 collection Fireflies inclines, rather surprisingly, towards Wallace Stevens’s idea of imagination as a force impacting reality. Reading Ormsby’s volume against a selection of poems by Stevens unravels what appears to be a consistent affinity between the author of Harmonium and the Ulster-born poet. This affinity manifests itself, as the present paper aims to show, in the fact that in Fireflies, much like in Stevens, a form of perception of reality is delineated that is never to stagnate into an achieved balance.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 111-120
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stała interpretacyjna: status rzeczy w poezji Wallace’a Stevensa
The Interpretive Constant: the Status of Material Objects in the Poetry of Wallace Stevens
Autorzy:
Bartczak, Kacper
Powiązania:
https://bibliotekanauki.pl/articles/1533704.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Wallace Stevens
material objects
metaphysical realism
materialist realism
pragmatist realism topic
the status of matter and material objects in the poetry of Wallace Stevens
Opis:
Stevens’s poems grant a curious status to material reality. Famously abstract, they refuse to abandon the realm of the material. Rather, “material reality” is inseparable from “abstract” concepts. Stevens’s position is pragmatist: the status and significance of material objects is founded by the entirely human linguistic/mental activity, which is also an interpretive activity. The poem is a site of initiating this activity. As such, Stevens’s poetics remains in opposition to other aesthetic positions: the linguistic idealism of Mallarmé, the metaphysical realism of Miłosz and Herbert, and the material realism of Ponge and American “objectivists”. While the metaphysical positions tend to overcome the material, the realistic poets will reify it by “taking the side of things”. Stevens’s poetic pragmatism sees no lure in the extra-material, while also refusing to see matter as meaningful in itself, beyond the human interpretive activity.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 235-250
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nauka o Polsce i polskiej kulturze na Uniwersytecie Wisconsin − Stevens Point, USA
Research Work and Courses on Poland and Polish Culture at the Wisconsin State University − Stevens Point, USA
Autorzy:
Soroka, Wacław W.
Powiązania:
https://bibliotekanauki.pl/articles/1861512.pdf
Data publikacji:
1993
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The author is a retired Professor of the Wisconsin State University − Stevens Point in the USA. The paper describes the research and cultural activities pursued at the Wisconsin State University − Stevens Point, connected with propagating knowledge about Poland and Polish culture. The Wisconsin State University − Stevens Point is one of the thirteen universities in that state, with an enrollment of about 9.000 students. It is situated in the small town of Stevens Point. Established in 1894 as a school training teachers during the next century it has developed into a dynamic university center. Stevens Point is a town with old traditions of Polish emigrantion, the emigrants being formerly mainly peasants and now belonging to the middle class as far as the third and fourth generations are concerned. One of the oldest Polish newspapers, the „Gwiazda Polarna”, established in 1908 and still being published, is an example of those traditions. The author describes the research and cultural activities, lectures, courses, exhibitions and other forms of work conducted in this environment of Polish emigrats. He devotes most space to a presentation of studies on Polish culture and generally on Poland, usually combined with a discussion of other Slav countries, especially Russia. He also presents various courses, in particular new programs of lectures on Poland, separated from the ones devoted to Central and East Europe since the peaceful revolution of "Solidarity" in 1981. In the paper the reader will also find information about the co-operation and exchange between the Wisconsin State University − Stevens Point and the Jagiellonian University.
Źródło:
Roczniki Nauk Społecznych; 1993, 21, 1; 197-213
0137-4176
Pojawia się w:
Roczniki Nauk Społecznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Change and the Poetics of Plenitude in Wallace Stevens and John Ashbery
Autorzy:
Bartczak, Kacper
Powiązania:
https://bibliotekanauki.pl/articles/641514.pdf
Data publikacji:
2015-11-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
The essay attends to a paradox found in some crucial poetic efforts by Wallace Stevens and John Ashbery. In some of their most important poetic works Stevens and Ashbery take on the task of positioning the poem toward the plurality of reality, the plurality that is concentrated in the phenomenon of change. As they do so, they invariably encounter a tension within the poem itself: as the poem merges with the flow of changes in the external world-the physical changes in time and space-it also calls up permanent forms of imaginative purposive capability of attending to change, envisioning it, or, indeed, of installing it. These forms must be more permanent than it is postulated by some theories of the poetics of transitiveness, which are polemically discussed in the text. The tension between the element of change and permanence is what allows the poems of Stevens and Ashbery-each poet finding his own aesthetic and epistemic strategy-to put the poem forward not as an external “representation” of change, but as the very source of the abundant possibilities of producing world descriptions in which the notion of change may be meaningful. Such positioning of the poem is what I am calling “the poetics of plenitude.” This poetic strategy makes the poem an aesthetic counterpart to the epistemic action of developing an inquiry, and I am building a definition of this term by reference to the classical pragmatist theory of inquiry. This move is related to my treating Stevens and Ashbery as the poets belonging to the Emersonian-pragmatist intellectual and aesthetic tradition. The paradoxes of change and permanence discussed in the text are treated as inherent in this tradition.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2015, 5; 160-177
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(O)błędne odczytania: Jacek Gutorow, Wallace Stevensi zalękniona perspektywa komparatystyki
Mad(dening) Reading: Jacek Gutorow, Wallace Stevens and The Anxiety of Comparative Studies
Autorzy:
Pietrzak, Wit
Powiązania:
https://bibliotekanauki.pl/articles/1182959.pdf
Data publikacji:
2014-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jacek Gutorow
Harold Bloom
Wallace Stevens
comparative literature
translation
komparatystyka
przekład
Opis:
W niniejszym artykule analizuję poezję Jacka Gutorowa, w szczególności poemat Nad brzegiem rzeki, w odniesieniu do Jesiennych zórz Wallace’a Stevensa. Metodologicznym zapleczem pracy jest teoria lęku przed wpływem Harolda Blooma. Zmagania między efebem a silnym prekursorem sytuuję w odniesieniu do starcia między poetą-tłumaczem a poetą tłumaczonym. Przekładając wiersze Stevensa Gutorow niejako tworzy w polszczyźnie silnego prekursora, z którym musi zmagać się we własnej poezji. Stawką jest tu odrębność własnego głosu. W agonie tym rodzi się największa siła wyobraźni poetyckiej Gutorowa, łącząca wzniosłość Stevensa z harakterystycznym dla polskiego poety zakorzenieniem wyobraźni w bliskim mu otoczeniu.
In the present article I analyse Jacek Gutorow’s poem Nad brzegiem rzeki (At the River Bank) in relation to Wallace Stevens’s poetry. The methodological backbone for the essay is Harold Bloom’s theory of anxiety of influence. The struggle between an ephebe and a strong precursor are used in regard to the agon between the poet-translator and the poetry under translation. Translating Stevens’s works into Polish Gutorow creates a strong precursory presence in his native tongue with whom he as poet must now fight. It is in such a strife that Gutorow’s strongest vision is born, which links Stevens’s sublimity with rootedness in the familiar landscapes characteristic for Gutorow’s work.
Źródło:
Porównania; 2014, 15; 323-339
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 48

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