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Tytuł:
„Podstawą obcowania jest pamięć”. Władysława Panasa semiotyczna wizja kultury wobec koncepcji Jurija Łotmana
„Memory as the Foundation of Coexistence”. Władysław Panas' Semiotic Conception of Culture in Debate With Yuri Lotman's conception
Autorzy:
Durkalewicz, Wiktoria
Powiązania:
https://bibliotekanauki.pl/articles/1902508.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Władysław Panas
Jurij Łotman
pamięć
Inny
semiotyka kultury
Yuri Lotman
memory
Other
semiotics of culture
Opis:
This paper is an attempt at reconstructing and recontextualizing the semiotic understanding of culture and literature as a key aspect of the theory of interpretation by Władysław Panas. Special emphasis is put on the debate on this aspect in the context of Panas' analysis of the semiotic discourse proposed by the Moscow-Tartu school, presented in his book W kręgu metody semiotycznej [In the realm of the semiotic method]. According to Panas, the Moscow-Tartu conception has it that semiotics comes into being as a holistic, constantly developing text, as the “Other” struggling for his/her memory and for multiplicity of voices.
Źródło:
Roczniki Humanistyczne; 2012, 60, 1; 179-192
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Back to structures and signs – remarks on the possibilities of structural aesthetics of music
Autorzy:
Krupińska, Eliza
Powiązania:
https://bibliotekanauki.pl/articles/1797352.pdf
Data publikacji:
2020-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
aesthetics
structuralism
culture
semiotics
Mukařovský
Jakobson
Plato
Aristotle
Descartes
impressionism
symbolism
Opis:
Is it possible to talk of mental patterns underlying aesthetic reflections, and has the constant recurrence of particular ideas in the area of aesthetics some deeper explanation? Structural aesthetics of music is an authorial research conception which enables interpretation of phenomena from the area of history of music aesthetics, and in this way provides its systematised picture. The conception uses the ideas of structural linguistics: binary phonological opposition and the historicalliterary process in the approach of Jan Mukařovský. The article also contains an example of using this conception in relation to the aesthetics of antiquity (sophists, Plato, Aristotle), Descartes and impressionism.
Źródło:
Interdisciplinary Studies in Musicology; 2020, 20; 33-40
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book review : Wiggins, Bradley E. (2019). The Discursive Power of Memes in Digital Culture Ideology: Semiotics, and Intertextuality. New York: Routledge.
Autorzy:
Martínez-Cardama, Sara
García -López, Fátima
Powiązania:
https://bibliotekanauki.pl/articles/2098509.pdf
Data publikacji:
2022-08-11
Wydawca:
Krakowskie Towarzystwo TERTIUM
Źródło:
The European Journal of Humour Research; 2022, 10, 2; 170-173
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cybernetyczny model systemu autonomicznego w zastosowaniu do badań nad kulturą
A Cybernetic Model of the Autonomous System and Its Application to the Culture Studies
Autorzy:
Abassy, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1807202.pdf
Data publikacji:
2020-01-03
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
kultura
cybernetyka
teoria systemów
metodologia
semiotyka
Łotman
informacja
culture
cybernetics
system theory
methodology
semiotics
Lotman
information
Opis:
W artykule został podjęty problem możliwości zastosowania rozwiązań teoretyczno-metodologicznych z dziedziny cybernetyki do badań nad zjawiskami kultury. Według postawionej hipotezy badawczej uzupełnienie teorii badań systemowych i metodologii rosyjskiej szkoły tartusko-‑moskiewskiej o koncepcję cybernetycznego modelu systemów autonomicznych Mariana Mazura pozwoli, po pierwsze, precyzyjnie ustalić granice kultury, po drugie – określić przynależność poszczególnych jej elementów do ściśle określonych modułów na podstawie pełnionych przez nie funkcji i, po trzecie, ustalić charakter interakcji systemu kulturowego z innymi systemami w tym politycznym, społecznym, ekonomicznym. W dalszej perspektywie badawczej należałoby sprawdzić praktyczną przydatność modelu do badania zjawisk kultury poprzez studia przypadków.
In the paper the problem of possibilities to apply some of the theoretico-methodological conclusions from the field of cybernetics to investigating the problems of culture has been studied. According to the proposed hypothesis, the theory of system approach and the methodology that was worked out by the Moscow-Tartu school of semiotics combined with the concepts and methodology of the cybernetic model of autonomous systems by Marian Mazur will allow the researchers first of all, to determine where exactly the borders of a culture are; secondly, to group the elements of a culture into modules according to their functions and, finally, to recognize the type of interactions between the cultural system and the other systems such as: political, social, economical etc. In the further research perspective, thorough studies over the specific cases of cultural phenomena is necessary to verify the possibilities of application the new methodological tool on practice.
Źródło:
Roczniki Kulturoznawcze; 2015, 6, 4; 17-36
2082-8578
Pojawia się w:
Roczniki Kulturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ECO I BARAŃCZAK – DWA SPOSOBY MÓWIENIA O KULTURZE POPULARNEJ W EUROPIE ŚRODKOWEJ
Eco and Barańczak: two ways of speaking about popular culture in Central Europe
Autorzy:
TELICKI, MARCIN
Powiązania:
https://bibliotekanauki.pl/articles/776923.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Umberto Eco
Stanisław Barańczak
popular culture
semiotics
rhetoric
culture criticism
Opis:
The author’s academic goal is to check the effects of a parallel drawn between culture theoreticians known to the audience as writers. Both Umberto Eco (Apocalypse Postponed, Superman in Mass Culture) and Stanisław Barańczak (Incapacitated Reader) presented in their writing measured, non-elitist views of figments of collective imagination by referring to structuralism and semiotics – professional tools applied in literary criticism and cultural studies. The article offers a diagnosis of the position of the texts in question at the time of their origin. It also shows the reception of the ideas of the Polish and Italian literary critics and their creative continuations. A closer look at the specific theories related to terminology (mass culture – elitist culture), the role of the media and concealed rhetoric mechanisms leads to questions about the perspective of research into culture in the courseof dynamic changes.
Źródło:
Slavia Occidentalis; 2018, 75/2; 35-42
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Europa jako znak w nowomowie jugosłowiańskich komunistów na przykładzie wystąpień Josipa Broza Tity
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/677816.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
semiotics of culture
language Communists of Yugoslavia
Josip Broz Tito language
Europe
Opis:
Europe as a sign in the Yugoslav Communist newspeak basing on the Tito’s addresses Although the Yugoslav Communist newspeak resembled the Polish one on the formal level, it significantly different conceptualized and evaluated the extra‑linguistic reality, including primarily notions referring to main subjects of the international politics. It resulted from a diverse place the Communist Yugoslavia had in the Cold War order and its role within the non‑allied countries. As a result semantic relations were different in this discourse. The aim of this article is a reconstruction of the content of one of the most important signs in this language – the sign of Europe basing on the Yugoslav dictator’s (Josip Broz Tito) addresses. The research demonstrates that the cultural and social‑political context imposed other connotative features on the notion of Europe. As the result it has completely different functions that its Polish equivalent. This in turn leads to different types semiosis of this sign in both cultures and other signs coming from the same semantic field.
Źródło:
Slavia Meridionalis; 2012, 12
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jan Kalwin „dla opornych”. Popularyzacja kalwinizmu w internetowych i pozainternetowych sferach kultury popularnej
John Calvin “for dummies”. Popularisation of Calvinism in the Internet and extra-Internet spheres of pop culture
Autorzy:
Skowronek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/520788.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
John Calvin
popularisation
Internet
pop culture
semiotics
Opis:
The article tries to describe in what ways John Calvin is presented in texts and images in the Internet and in pop culture. The author examines private websites about John Calvin, linguistic texts, drawings, comic strips and gadgets associated with him. She indicates some functions of semiotic changes of the reformer and extra-religious contexts in which he appears. The personality of the 16th century reformer and theologian has at least two functions: in the religious context it is “a symbol of resistance” against such phenomena as consumerism and hedonism and in the context of humour and satire, the message is incompatible with orthodox religious texts.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2014, 6, 1 "Edukacja kulturowa. Ujęcie monograficzne"; 147-160
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncentryczność. Wieczność miasta w świetle semiotyki kultury
Concentricity. The Eternity of the City from the Semiotics of Culture Perspective
Autorzy:
Machtyl, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1042063.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
semiotyka
miasto
wieczność
centrum
ontologia
semiotics
city
eternity
centre
ontology
Opis:
There are two ways of considering the eternity presented in this paper: the eternity as a fundamental value, in the context of sacrum, and the eternity expressed as a temporal phenomenon. The author collates linguistic and semiotic view with the ontological and metaphysical one. The text is built on two axes: theoretical and methodological optic founded by authors representing Tartu-Moscow Semiotic Group on the one hand, and the metaphysical way of describing the presence. There is one notion that combines these two approaches: the centre. The text presents characteristic relations betweencultural system and its centre (centres), as well as the centre as a place of presenceand sense (according to the Western metaphysics) or, in contrary, as a “sacred nothing” (according to the Eastern metaphysics). The last part of the article discusses some Old Testament texts presenting Babylon and Jerusalem. Author refers mainly to the conceptsof Lotman, Toporow, Barthes and Derrida.
Źródło:
Zeszyty Naukowe Centrum Badań im. Edyty Stein; 2016, 15; 258-268
1895-2984
Pojawia się w:
Zeszyty Naukowe Centrum Badań im. Edyty Stein
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja semiotycznej pamięci kultury Jurija Łotmana jako zasada generatywna w badaniach nad pamięcią społeczną
Yuri Lotman’s Concept of the Semiotic Memory of Culture as a Generative Principle in the Study of Social Memory
Autorzy:
Winiarski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1373007.pdf
Data publikacji:
2017-10-10
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
culture
social memory
semiotics of culture
semiosphere
language
social structure
sociology of culture
Yuri Lotman
kultura
pamięć społeczna
semiotyka kultury
semiosfera
język
struktura społeczna
socjologia kultury
Jurij Łotman
Opis:
For sociologically oriented research into memory, the finding of connections between cultural mechanisms of constructing the past and their socio-structural effects is important. In this context, a principle linking phenomena of memory, culture, and social structure should be of use. This article is devoted to Yuri Lotman’s concept of the semiotic memory of culture, which the author believes could serve as a generative rule for this type of research in the sociology of culture. In the case of studies on social memory, Lotman’s concept constitutes a methodological bridge between phenomena of social memory and the transmission of culture, enabling the question of how the memory of the individual participates in collective memory to be answered.
Źródło:
Kultura i Społeczeństwo; 2017, 61, 4; 147-167
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konceptualna mapa wizualności
A Conceptual Map of Visuality
Autorzy:
Kucner, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/16019445.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ontology of visuality
semiotics of the picture
visual culture
philosophy of interpretation
photography
photo society
visual technology
Opis:
The analysis conducted in this paper focuses on the issue of visuality, seeking to determine its fundamental ontological and semiotic aspects. The map of visuality referred to in the title denotes the intention to systematize the condi-tions underlying a visual image and its significance as a product of technology and culture as well as a medium of communication.
Źródło:
Studia Europaea Gnesnensia; 2019, 19; 153-168
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lethal Program of Culture vs the Whole of Presentation. Presentation of Body without Organs
Autorzy:
Doda-Wyszyńska,, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/699328.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Body without Organs
sign
semiotics
Opis:
The culture of signs is a recurrent term in philosophy. It does not allow mindless programs to win. Thanks to it, it is possible to put trust in model, holistic approaches rather than the linguistic determination of meanings. The process of departing from philosophical reflection, which has always been holistic, expressed with the diagram: ideas – notions – definitions, is here reversed. Presentations allow the return to ideas; ideas have more of the imaginary than the symbolic. The concept of the Body without Organs depicts a new form of sensualisation directed not at gaining permanent representations but at the possibilities of switching various functions of experience.
Źródło:
Journal of Applied Cultural Studies; 2016, 2
2392-0661
Pojawia się w:
Journal of Applied Cultural Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między tekstami. Interferencje sztuk jako przykład relacji intertekstualnej
Between texts. Interference of the arts as an example of an intertextual relationship
Autorzy:
Palion-Musioł, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/29520338.pdf
Data publikacji:
2023-12-18
Wydawca:
Uniwersytet Bielsko-Bialski
Tematy:
transpozycja sztuk
semiotyka
intertekstualny dialog
tekst kultury
interferencje sztuk
transposition of arts
Semiotics
intertextual dialogue
texts of culture
interference of arts
Opis:
The article focuses on intertextual relationships observed between literature and painting. The visual and linguistic systems comprising these art forms belong to different semiotic codes, which materialise through secondary modelling systems. The modelling systems, in turn, consist of relational signs and are governed by rules allowing for alternative modes of combination. The relational signs are ontologically discrete and, as a result, have a greater connotative than denotative potential. The rules of combination are restricted by literary genres, composition, and a painting perspective that constitute the macrostructure of a text. The aim of the article is to present how languages and visual signs express the same mental operations and establish an intertextual dialogue in a literary and visual text. The premise of the study is the assumption that a word and a picture are equivalent and translatable. Therefore, the grounds for their description should be the composition of signs and its relationship with other texts of culture, not the form that constitutes them
Źródło:
Świat i Słowo; 2023, 41, 2; 179-195
1731-3317
Pojawia się w:
Świat i Słowo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nazwy własne jako symptomy kultury (na przykładzie tytułów poradników autoterapeutycznych)
Proper Names as Symptoms of Culture (based on The Example of Auto-Therapeutic Guide Books Titles )
Autorzy:
Skowronek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/971879.pdf
Data publikacji:
2016-12-01
Wydawca:
Polska Akademia Nauk. Instytut Języka Polskiego PAN
Tematy:
semiotyka
psychoanaliza
symptomy kultury
tytuły
poradniki psychologiczne
semiotics
psychoanalysis
symptoms of culture
titles
psychological guidebooks
Opis:
The article discusses the issue of proper names defined as symptoms of culture. The first part is of a theoretical character and develops the theory of symptomatology of culture in the context of semiotics (Ch. Peirce), psychology and psychoanalysis (S. Freud and J. Lacan), and onomastics. Symptomatology of culture is a practice of interpreting a certain group of texts of culture and extracting common qualitative traits within them. This is especially in the case of those traits specific to them and often encountered, which could testify to particular serious and deeply-rooted social phenomena leading to their appearance. In the empirical part the author presents a way of using (onymic) symptomatology in practice to research modern culture. She uses the examples of popular psychological and auto-therapeutic guidebooks and treats them as linguistic symptomatic forms of the most significant linguistic and cultural phenomena along with their social causes and functions which are often dysfunctional or abnormal in character. The analysis comprises the most typical conceptual and syntactic constructions encountered in the group.
Źródło:
Onomastica; 2016, 60; 47-67
0078-4648
Pojawia się w:
Onomastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O atrofii kultury literackiej. Uwagi na przykładzie semiotycznych i rzeczowych funkcji książek w filmie Sara
Atrophy of Literature. Remarks about the Semiotic Functions of Books in the Film Sara
Autorzy:
Kaźmierczak, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1039164.pdf
Data publikacji:
2019-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
book
film
sign
semiotics
culture
Opis:
Kaźmierczak Marek, O atrofii kultury literackiej. Uwagi na przykładzie semiotycznych i rzeczowych funkcji książek w filmie Sara [Atrophy of Literature. Remarks about the Semiotic Functions of Books in the Film Sara]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 383–400. ISSN 1644-6763. DOI 10.14746/pt.2019.32.21. The article concerns the relations between the main character of the film Sara (directed by M. Ślesicki in 1997) and books (especially Dostoyevsky’s Crime and Punishment) in the context of social and political changes in Poland in the 1990s. The presence of books in popular Polish films from that period is not described in research, hence this article provides a short introduction to this subject. The main hypothesis of the paper is that the presence of books on the margins of narration in popular films reflects social changes in thinking about literature.
Źródło:
Przestrzenie Teorii; 2019, 32; 383-400
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O semiotycznej i intersemiotycznej roli tematu głównego. Od syntezy dziejów narodu polskiego do malarstwa realistycznego i nowoczesnego
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1203382.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Opolski
Tematy:
semiotics
semiotics of culture
historical text
painting
image
verbal codes
visual codes
Opis:
In the article the problem of semiosis of the global topie in verbal and visual texts is taken into consideration. In the first section a theoretical framework is introduced, in the second verbal text (i.e. the genre of the synthesis of Polish national history) is elaborated, in the third the similar discussion on visual ‘texts’ is conducted, while in the fourth section finał remarks are provided with additional suggestions concerning further investigations.The opening remarks concern the very idea of the topie in verbal texts, notably in historical texts (the operational term finał—taken from semiotic works of Boris Uspienski - is introduced). The finał - interrelated with the global topie and genre - organizes the whole historical narration and establishes its cohesion; their overwhelming presence enables grasping the very act of data interpretation. Every event or historical figurę conceptualized in a historical narration (for instance the Prussian Homage in 1525 or Polish king Sigismund) receives its own meaning only insofar as it maintains its constant relation with the global topie expressed by the title (top-down and bottom-up mechanisms).There are some similarities that the title and global topie possess in the acts of interpretation of painting, notably realistic representations of historical events. For example a piece of Jan Matejko entitled Hołd Pruski (Prussian Homage) imposes on an observer a set of connotative features deeply rooted in the Polish imaginery encoded in language and structured by the national narration. This particular example opens up a discussion about the function of the verbal title and visual ‘text’ in pieces of Giorgione, Rene Magritte, Kazimierz Malewicz, Marek Rostworowski.The analysis is not finished; it only sketches a very generał problem of interrelation of verbal and visual codes that could be analyzed within the field of semiotics and semiotics of culture.
Źródło:
Stylistyka; 2011, 20; 213-232
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
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