Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Semiotics of Culture" wg kryterium: Wszystkie pola

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 30
Tytuł:
Obrzęd religijny w świetle semiotyki kultury
A religious ritual in the light of the semiotics of culture
Autorzy:
Żyłko, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/45890367.pdf
Data publikacji:
2024
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
obrzęd religijny
Boże Ciało
semiotyka kultury
tekst kultury
niematerialne dziedzictwo kulturowe
religious ritual
Corpus Christi
semiotics of culture
text of culture
intangible cultural heritage
Źródło:
Łódzkie Studia Etnograficzne; 2024, 63; 293-298
2450-5544
Pojawia się w:
Łódzkie Studia Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Testament naukowy Jurija Łotmana
Yuri Lotman’s Scientific Testament
Autorzy:
Żyłko, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/444758.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Yuri Lotman
semiotics
structuralism
theory of culture
Opis:
Yuri Lotman started his research activity in the field of literary theory (widely: theory of culture) as orthodox structuralist at the beginning of the 1970s. The concept of structure has been based on the structural linguistic theories and adopted to develop research on literary works as well as “cultural texts”. The last ones concern the perception of structure not only in terms of the “level of expression”, but also the “level of content” that can be analysed with the use of peculiar procedures. The strict procedures rely on distinguishing the set of “binary oppositions” in the “structure of content” to illustrate the author’s perception of reality and his “model of the world”. Lotman was convinced that ideological and artistic structures are immersed in history. They have a dynamic nature (likewise the culture which was seen as the complicated “semiosphere” with its processes, predictable or unpredictable as well as the innovative “explosion” mechanisms). Therefore, Lotman in his later years moves away from cultural self-models based on “binary oppositions” to “ternary” system. In spite of the evident evolution of his concepts Lotman was always devoted to the doctrine of knowledge and never left the humanistic ideals using them for research purposes. The scientific models and sources of inspiration could be changeable, but pathos and scientific rationality never left him. His structuralism was at its peak with possibility of evolution, infinitely flexible, individual, accidental, unpredictable or even “explosive”, but never was the betrayal of previous ideals.
Źródło:
Acta Neophilologica; 2012, XIV/2; 259-273
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja semiotycznej pamięci kultury Jurija Łotmana jako zasada generatywna w badaniach nad pamięcią społeczną
Yuri Lotman’s Concept of the Semiotic Memory of Culture as a Generative Principle in the Study of Social Memory
Autorzy:
Winiarski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1373007.pdf
Data publikacji:
2017-10-10
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
culture
social memory
semiotics of culture
semiosphere
language
social structure
sociology of culture
Yuri Lotman
kultura
pamięć społeczna
semiotyka kultury
semiosfera
język
struktura społeczna
socjologia kultury
Jurij Łotman
Opis:
For sociologically oriented research into memory, the finding of connections between cultural mechanisms of constructing the past and their socio-structural effects is important. In this context, a principle linking phenomena of memory, culture, and social structure should be of use. This article is devoted to Yuri Lotman’s concept of the semiotic memory of culture, which the author believes could serve as a generative rule for this type of research in the sociology of culture. In the case of studies on social memory, Lotman’s concept constitutes a methodological bridge between phenomena of social memory and the transmission of culture, enabling the question of how the memory of the individual participates in collective memory to be answered.
Źródło:
Kultura i Społeczeństwo; 2017, 61, 4; 147-167
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ECO I BARAŃCZAK – DWA SPOSOBY MÓWIENIA O KULTURZE POPULARNEJ W EUROPIE ŚRODKOWEJ
Eco and Barańczak: two ways of speaking about popular culture in Central Europe
Autorzy:
TELICKI, MARCIN
Powiązania:
https://bibliotekanauki.pl/articles/776923.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Umberto Eco
Stanisław Barańczak
popular culture
semiotics
rhetoric
culture criticism
Opis:
The author’s academic goal is to check the effects of a parallel drawn between culture theoreticians known to the audience as writers. Both Umberto Eco (Apocalypse Postponed, Superman in Mass Culture) and Stanisław Barańczak (Incapacitated Reader) presented in their writing measured, non-elitist views of figments of collective imagination by referring to structuralism and semiotics – professional tools applied in literary criticism and cultural studies. The article offers a diagnosis of the position of the texts in question at the time of their origin. It also shows the reception of the ideas of the Polish and Italian literary critics and their creative continuations. A closer look at the specific theories related to terminology (mass culture – elitist culture), the role of the media and concealed rhetoric mechanisms leads to questions about the perspective of research into culture in the courseof dynamic changes.
Źródło:
Slavia Occidentalis; 2018, 75/2; 35-42
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O statusie badań semiotycznych w dobie kultury cyfrowej
The status of semiotics research in the era of digital culture
Autorzy:
Szczęsna, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1391481.pdf
Data publikacji:
2018-05-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
semiotics
semiopoetics
kinetic figures
digital text (cybertext)
digital poetics
Opis:
This article proves the need to develop semiotics research focused on digital text, whose basic unit is the digital sign and which differs from other signs in its nature and structure. The changes that have taken place in the structure of the sign result in changes in the sphere of text and discourse. In turn, these mean that research in semiotics, stylistics, poetology, rhetoric and aesthetics (with mutual awareness of how they interact, exert an influence and interlock) cannot be credible without taking account of and updating semiotics research. The article puts forward the thesis that the development in the forms of sign-organisation of the message, new ways of using textualis, the significant contribution of representational layer in shaping textual structure and the communicative situation all lead to the crystallisation of semiopoetics. Examples of its categories and research problems are kinetic figures (adjection, reduction, permutation, transformation, atomisation); functional homonyms; new ways of versification and narration. Discovering the sphere of semiopoetics allows one not only to reflect on newly established models of semiotics, or update poetics, but also to take a new look at texts produced using past technologies and notice previously overlooked aspects.
Źródło:
Przestrzenie Teorii; 2017, 28; 139-156
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Semiotyczne aspekty przekazu digitalnego. U podstaw literatury cyfrowej
Semiotic aspects of digital text. The base of digital literature
Autorzy:
Szczęsna, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1391839.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
semiotics
digital culture
literary hypertext
link
cursor
interface
semiotyka
kultura cyfrowa
hipertekst literacki
kursor
interfejs
Opis:
This paper focuses on the influence of the semiotic organization of the digital message on the creation of aesthetic meanings in digital art. It presents  modifications in the sphere of text presen-tation and focuses on functions that it play in creation of literary meanings. Moving, sound created, changing shape and color texture is the place of creation of meanings as well as the inter- action of the semantic of the texture and the semantic of words. New digital tools, e.g. program-ming, the interface are important part of new semiotic code that shapes literature (e.g. linking facilitates the creation of new forms of plots, the interface is a part of literary discourse, the cursor is both the medium of meanings and the tool of text working). The paper concludes that digital technologies redefine the ontology of the literary text and art discourse.
Źródło:
Przestrzenie Teorii; 2015, 24; 49-72
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Translating Semiotic “Polyphony” of Texts as a Culture-Formative Creation.Based on the Example of Bulgakov’s The Master and Margarita
Przekład semiotycznej „polifonii” tekstów jako działanie kulturotwórcze: na przykładzie Mistrza i Małgorzaty Bułhakowa
Autorzy:
Squillace, Caterina
Powiązania:
https://bibliotekanauki.pl/articles/1955538.pdf
Data publikacji:
2021-12-29
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
Bułhakow
polifonia
przekład
struktura tekstu
semiotyka
Bulgakov
polyphony
semiotics
text-structure
translation
Opis:
“The Master and Margarita” is generally considered Mikhail Bulgakov’s literary masterpiece. It is a “melting pot” of literary genres, motives, themes, imagery and intertextual references. All these elements cooperate in creating a “polyphonic” novel, in Bakhtin’s sense of the word, not only when it comes to the different nature and “voice” of single characters but also with reference to the “poly-structured” construction of the text itself. The paper will illustrate the peculiarity of Bulgakov’s novel and the semiotic and semiosic character of his creation. The adjective “semiosic” derives from “semiosis” as defined, among others, by C.S. Peirce, who stresses the meaning-making “power” of some semiotic processes. The paper aims also at answering the question why this novel has been translated several times into Polish and Italian since 1967 (when the first edition of the novel was published in Western Europe). Due to the very specific construction of the plot and of the formal aspects of the novel, translators had to deal with a significant number of problems of “untranslatability” that they could solve only by using their creative potential. It was Roman Jakobson who through his linguistic analysis reached the conclusion that for the untranslatable—poetry for example—“Only creative transposition is possible”. Using creativity translators were also able to discover further interpretations of Bulgakov’s literary work and to perform a culture-formative act as their efforts offer new points of view on reality and its perception, wider knowledge of the social life not only in Soviet times but in a more universal perspective as well as new models of text and literariness. That’s why a novel like Bulgakov’s masterpiece has been translated so many times and it is still translated in the two languages selected for the purposes of this research and all over the world. And this is also the reason why it can be considered a meaning-generative and culture-formative text even if its first edition appeared in 1940.  
Powieść „Mistrz i Małgorzata” jest powszechnie uważana za arcydzieło literackie Michaiła Bułhakowa. Jest ona mieszanką gatunków literackich, motywów, tematów, obrazów i odniesień intertekstualnych. Wszystkie elementy, o których wyżej mowa współdziałają w tworzeniu powieści „polifonicznej”, w ujęciu Bachtina, nie tylko gdy chodzi o odmienny charakter i „głos” pojedynczych postaci, ale także o odniesienie do „wielopoziomowej” konstrukcji samego tekstu. Artykuł zilustruje cechy charakterystyczne powieści Bułhakowa oraz semiotyczny charakter tego utworu, w tym jego zdolność do generowania znaczeń, a więc „semiozy” zdefiniowanej m.in. przez C. S. Peirce’a jako „moc” znaczeniotwórcza niektórych procesów semiotycznych. Autorka niniejszej pracy postara się też znaleźć odpowiedzieć na pytanie, dlaczego powieść ta była wielokrotnie tłumaczona na język polski i włoski od 1967 roku, kiedy to pierwsze wydanie powieści ukazało się w Europie Zachodniej. Ze względu na bardzo specyficzną konstrukcję fabuły i formalne aspekty powieści tłumacze musieli zmierzyć się ze znaczną liczbą problemów „nieprzekładalności”, które mogli rozwiązać jedynie wykorzystując swój potencjał twórczy. Roman Jakobson omawiając kwestię nieprzekładalności stwierdził, że dla tego, co nieprzetłumaczalne – na przykład poezji – „możliwa jest tylko twórcza transpozycja”. Dzięki kreatywności tłumacze mogli także odkryć dalsze interpretacje literatury Bułhakowa, tworzyć i wykonać akt kulturotwórczy, ponieważ ich wysiłki oferują nowy punkt widzenia na rzeczywistość i jej postrzeganie, szerszą wiedzę o życiu społecznym nie tylko, gdy chodzi o czasy radzieckie, ale w bardziej uniwersalnej perspektywie. Ponadto mogli stworzyć także nowe modele tekstu i literackości. Dlatego powieść Bułhakowa była tłumaczona tak wiele razy i nadal jest tłumaczona na dwa wybrane przez autorkę artykułu języki (włoski i polski). I jest to również powód, dla którego można nadal uznać „Mistrza i Małgorzatę” za dzieło tekstotwórcze i kulturotwórcze, mimo że jego pierwsze wydanie ukazało się w 1940 roku.
Źródło:
Półrocznik Językoznawczy Tertium; 2021, 6, 2; 158-169
2543-7844
Pojawia się w:
Półrocznik Językoznawczy Tertium
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Semiosis in History. The Emergence of Alter-Culture
Autorzy:
Sonesson, Göran
Powiązania:
https://bibliotekanauki.pl/articles/41169187.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Instytut Filozofii i Socjologii PAN
Tematy:
cognition
semiotics
empathy
altruism
bio-cultural coevolution
Opis:
Following upon Merlin Donald’s claim that human specificity emerges in history, and not exclusively in evolutionary time, it will be suggested that the diversified means of producing semiosis created by human beings account for the spread of empathy and altruism not only beyond the kin group, but to humankind in general. This amounts to treating other cultures as different from us, but still able to enter into communication with us (as an Alter), as opposed to treating these cultures as being part of nature, and thus only susceptible to being communicated about (as an Alius). Starting out from the theory of bio-cultural evolution defended by Peter J. Richerson and Robert Boyd, as well as from the multi-level selection theory of Elliott Sober and David Sloan Wilson, we try to lay bare the way in which semiotic structures play a role for transforming cultural evolution, contrary to biological evolution, into human history. We inquiry into what makes the existence of Alter-culture possible, if, as Sober and Wilson have claimed, armed with game theory, an altruistic society (an Ego-culture in our terms), is only possible in opposition to another group in relation to which group egoism rules (that is, in our terms, an Alius-culture). We will follow Michael Tomasello in arguing for the primacy of games of cooperation, rather than competition, while adding an historical dimension, which serves to explain how such cooperation can be extended beyond the primary group (our Ego-culture). However, we will insist on the importance of multiple semiotic resources for the boot-strapping of empathy and altruism, as well as on the genesis of this process in cultural encounters, as reflected in the spirit of the Enlightenment.
Źródło:
Filozofia i Nauka; 2019, 7, 1; 13-34
2300-4711
2545-1936
Pojawia się w:
Filozofia i Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jan Kalwin „dla opornych”. Popularyzacja kalwinizmu w internetowych i pozainternetowych sferach kultury popularnej
John Calvin “for dummies”. Popularisation of Calvinism in the Internet and extra-Internet spheres of pop culture
Autorzy:
Skowronek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/520788.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
John Calvin
popularisation
Internet
pop culture
semiotics
Opis:
The article tries to describe in what ways John Calvin is presented in texts and images in the Internet and in pop culture. The author examines private websites about John Calvin, linguistic texts, drawings, comic strips and gadgets associated with him. She indicates some functions of semiotic changes of the reformer and extra-religious contexts in which he appears. The personality of the 16th century reformer and theologian has at least two functions: in the religious context it is “a symbol of resistance” against such phenomena as consumerism and hedonism and in the context of humour and satire, the message is incompatible with orthodox religious texts.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2014, 6, 1 "Edukacja kulturowa. Ujęcie monograficzne"; 147-160
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nazwy własne jako symptomy kultury (na przykładzie tytułów poradników autoterapeutycznych)
Proper Names as Symptoms of Culture (based on The Example of Auto-Therapeutic Guide Books Titles )
Autorzy:
Skowronek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/971879.pdf
Data publikacji:
2016-12-01
Wydawca:
Polska Akademia Nauk. Instytut Języka Polskiego PAN
Tematy:
semiotyka
psychoanaliza
symptomy kultury
tytuły
poradniki psychologiczne
semiotics
psychoanalysis
symptoms of culture
titles
psychological guidebooks
Opis:
The article discusses the issue of proper names defined as symptoms of culture. The first part is of a theoretical character and develops the theory of symptomatology of culture in the context of semiotics (Ch. Peirce), psychology and psychoanalysis (S. Freud and J. Lacan), and onomastics. Symptomatology of culture is a practice of interpreting a certain group of texts of culture and extracting common qualitative traits within them. This is especially in the case of those traits specific to them and often encountered, which could testify to particular serious and deeply-rooted social phenomena leading to their appearance. In the empirical part the author presents a way of using (onymic) symptomatology in practice to research modern culture. She uses the examples of popular psychological and auto-therapeutic guidebooks and treats them as linguistic symptomatic forms of the most significant linguistic and cultural phenomena along with their social causes and functions which are often dysfunctional or abnormal in character. The analysis comprises the most typical conceptual and syntactic constructions encountered in the group.
Źródło:
Onomastica; 2016, 60; 47-67
0078-4648
Pojawia się w:
Onomastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The role of clothing in the pre-bourgeois ambience of Kersnik’s novels
Autorzy:
Perović, Ana
Powiązania:
https://bibliotekanauki.pl/articles/628516.pdf
Data publikacji:
2013
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Janko Kersnik, habitus, bourgeoisie, semiotic theory, cultural semiotics, clothing culture
Opis:
The article focuses on the analysis of women’s and men’s clothing appearances in the pre-bo-urgeois ambience of Kersnik’s novels. Particular clothing items and clothing appearances indicate the presence of specifi c spiritual and social characteristics, typical for the cultural and historical environment in which the two literary works were created. The methodological approach of the analysis in terms of theory is based on general semiotic theory (Eco, Lotman), cultural semiotics (Barthes), literary theory and literary history, Lotman’s symbol theory, clothing culture, discourse analysis and Bourdieu’s theory of habitus. The article discusses separately the clothing appearan-ces of male and female characters. The descriptions of clothing appearances reveal the socio-histo-rical background of the literary works as well as many other abstract categories such as characters’ mental states, their ideologies, political beliefs, positive and negative character attributes as well as their moral virtues and vices. Clothes as part of the pre-bourgeois habitus try to establish a balance between the urban and the rural, between prestige and humility, between refi nement and coar-seness. Irony is often a result of the contrast between the physical determinants and the associate variable, i.e. the clothing. The author uses a range of various clothing appearances to characterize and mock different classes of people; the trivial conversations about fashion denote the banality of social life; the differences between the “true” bourgeoisie and those who strive to reach and fi t into that social class are already strongly indicated in the descriptions of their external appearances.
Źródło:
Journal of Education Culture and Society; 2013, 4, 1; 267-280
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między tekstami. Interferencje sztuk jako przykład relacji intertekstualnej
Between texts. Interference of the arts as an example of an intertextual relationship
Autorzy:
Palion-Musioł, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/29520338.pdf
Data publikacji:
2023-12-18
Wydawca:
Uniwersytet Bielsko-Bialski
Tematy:
transpozycja sztuk
semiotyka
intertekstualny dialog
tekst kultury
interferencje sztuk
transposition of arts
Semiotics
intertextual dialogue
texts of culture
interference of arts
Opis:
The article focuses on intertextual relationships observed between literature and painting. The visual and linguistic systems comprising these art forms belong to different semiotic codes, which materialise through secondary modelling systems. The modelling systems, in turn, consist of relational signs and are governed by rules allowing for alternative modes of combination. The relational signs are ontologically discrete and, as a result, have a greater connotative than denotative potential. The rules of combination are restricted by literary genres, composition, and a painting perspective that constitute the macrostructure of a text. The aim of the article is to present how languages and visual signs express the same mental operations and establish an intertextual dialogue in a literary and visual text. The premise of the study is the assumption that a word and a picture are equivalent and translatable. Therefore, the grounds for their description should be the composition of signs and its relationship with other texts of culture, not the form that constitutes them
Źródło:
Świat i Słowo; 2023, 41, 2; 179-195
1731-3317
Pojawia się w:
Świat i Słowo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book review : Wiggins, Bradley E. (2019). The Discursive Power of Memes in Digital Culture Ideology: Semiotics, and Intertextuality. New York: Routledge.
Autorzy:
Martínez-Cardama, Sara
García -López, Fátima
Powiązania:
https://bibliotekanauki.pl/articles/2098509.pdf
Data publikacji:
2022-08-11
Wydawca:
Krakowskie Towarzystwo TERTIUM
Źródło:
The European Journal of Humour Research; 2022, 10, 2; 170-173
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncentryczność. Wieczność miasta w świetle semiotyki kultury
Concentricity. The Eternity of the City from the Semiotics of Culture Perspective
Autorzy:
Machtyl, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1042063.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
semiotyka
miasto
wieczność
centrum
ontologia
semiotics
city
eternity
centre
ontology
Opis:
There are two ways of considering the eternity presented in this paper: the eternity as a fundamental value, in the context of sacrum, and the eternity expressed as a temporal phenomenon. The author collates linguistic and semiotic view with the ontological and metaphysical one. The text is built on two axes: theoretical and methodological optic founded by authors representing Tartu-Moscow Semiotic Group on the one hand, and the metaphysical way of describing the presence. There is one notion that combines these two approaches: the centre. The text presents characteristic relations betweencultural system and its centre (centres), as well as the centre as a place of presenceand sense (according to the Western metaphysics) or, in contrary, as a “sacred nothing” (according to the Eastern metaphysics). The last part of the article discusses some Old Testament texts presenting Babylon and Jerusalem. Author refers mainly to the conceptsof Lotman, Toporow, Barthes and Derrida.
Źródło:
Zeszyty Naukowe Centrum Badań im. Edyty Stein; 2016, 15; 258-268
1895-2984
Pojawia się w:
Zeszyty Naukowe Centrum Badań im. Edyty Stein
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Не)Пересекая рубежи: читатель на пограничье смыслов
(Not) Crossing Borders: Reader on the Borderland of Meanings
Autorzy:
Legeza, Sergej
Powiązania:
https://bibliotekanauki.pl/articles/1376041.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
popular culture
borderland
the “Other” figure
post-soviet fantastic literature
reader-text
interaction
semiotics of text
Opis:
The article discusses the transformation of the Other’s concept in Post-Soviet popular culture, as well as the transformation of perception of “Self” and “Other” due to the emergence of real (state) and cultural borders and demarcations, which appear during the reader-text interaction. The paper explores such novels as M. Galina’s “Autochthony” and “The Little Glusha”, and V. Arenev’s “Gunpowder of the Dragon Bones”, to identify the types of the reader’s comprehension. The readers, in their turn, are divided into groups, which identify “Self” and “Other” in accordance with the division, represented in the novels. The author of the paper explores the version of the time gap (the comprehension of M. Galina’s “The Little Glusha”), as well as the different comprehension of the above-mentioned concepts by Russian and Ukrainian readers, regarding the social and cultural distances between these countries. The presented study explains the awareness of the Other’s concept, as well as recognition of Self, which is represented from the outside of the actual cultural tradition.
Źródło:
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture; 2019, 1, 1; 109-121
2658-154X
Pojawia się w:
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 30

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies