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Wyświetlanie 1-10 z 65
Tytuł:
Ritualistic Depositions: The Monarchs’ Death Scenes in Richard II and Henry IV Part Two
Autorzy:
Wiśniewska, Dorota J
Powiązania:
https://bibliotekanauki.pl/articles/600709.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Anglica; 2007, 7
1427-9673
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Anglica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947)
Autorzy:
Krontiris, Tina
Powiązania:
https://bibliotekanauki.pl/articles/648279.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
Henry V and Richard II made their first and only appearance on the Greek stage in the turbulent 1940s. The first was performed in March 1941, just before the arrival of the German nazis, and the second in November 1947, a year after the problematic referendum on the future of the Greek monarchy and in the midst of the Greek civil war. The producer in both times was the state-funded National Theatre of Greece. The article argues that the national stage appropriated these plays in order to influence public sentiment about current historical events (World War II and restoration of monarchy), but it failed to make an impact in either case. The reasons for the failure are traced in the interrelationship of historical context, staging style, and audience needs.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2007, 4
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“With mine own tears I wash away my balm”: The King’s two bodies in Shakespeare’s Richard II and King Lear.
Autorzy:
Lejri, Sélima
Powiązania:
https://bibliotekanauki.pl/articles/605574.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Opis:
The aim of this paper is to delineate the representation of kingship in Tudor and Stuart England and its articulation in Shakespeare’s political drama, through the examples of Richard II (1599) and King Lear (1606), two illustrative plays of the respective eras. Conceived of as two-bodied, the sovereign is, from early medieval times, positioned in an uneasy liminal state whereby his natural body is also the incarnation of the mystical concept of the everlasting Body politic. Anxieties over this seemingly unbreakable continuity of mystical kingship become nonetheless palpable as Queen Elizabeth I lies dying, leaving no heir to the throne of England. The first Stuart monarch hence reinforces the doctrine of The Divine Right of Kings by confidently advancing the unique precedence of godhead over manhood in the monarch. Set in this context, Shakespeare’s two political figures question the validity of the king’s impregnable nature as they grapple with their human condition exposed to all mortal ills. When Richard II’s “tears wash away (his) balm” and his meta-physiological body withal, Shakespeare exposes the frailties underneath the fiction of the monarch’s two-bodied nature parodied in King Lear as “every inch a king”.
Źródło:
Lublin Studies in Modern Languages and Literature; 2014, 38, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“This England”: Re-Visiting Shakespearean Landscapes and Mediascapes in John Akomfrah’s The Nine Muses (2010)
Autorzy:
Calbi, Maurizio
Powiązania:
https://bibliotekanauki.pl/articles/647934.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
John Akomfrah
Migration
Archive
Media Interference
Rhizomatic Shakespeare
Postcolonial Shakespeare
Home and Hospitality
Englishness
Richard II
Hamlet
Opis:
The paper will offer a reading of John Akomfrah’s The Nine Muses (2010), a 90-minute experimental feature film that has been defined as “one of the most vital and original artistic responses to the subject of immigration that British cinema has ever produced” (Mitchell). It will focus on the multifarious ways in which the film makes the “canonical” literary material that it incorporates, including Shakespeare, interact with rarely seen archival material from the BBC regarding the experience of Caribbean and South Asian immigrants in 1950s and 1960s Britain. It will argue that through this interaction the familiarity of Western “canonical” literature re-presents itself as an uncanny landscape haunted by other stories, as a language that is already in itself the “language of the other” (Derrida). In particular, it will claim that Shakespearean fragments are often used in an idiosyncratic way, and they repeatedly resonate with some of the most fundamental ethical and political issues of the film, such as the question of England as “home” and migration. The paper will also argue that the decontextualization and recontextualization of these fragments makes them re-emerge as part of an interrogation of the mediality of the medium, an interrogation that also offers insights into the circulation of Shakespeare in the contemporary mediascape.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2017, 15, 30; 59-75
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Writing and Rewriting Nationhood: "Henry V" and Political Appropriation of Shakespeare
Autorzy:
Minami, Hikaru
Powiązania:
https://bibliotekanauki.pl/articles/39759277.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
'King Henry V'
'Henry IV'
'King Richard II'
'Cymbeline'
Brexit
national identity
populism
nationalism
adaptation and appropriation
Laurence Olivier
Kenneth Branagh
Opis:
Shakespeare’s Henry V is often regarded as a nationalistic play and has been appropriated for political spin and propaganda to enhance the sense of national unity. Shakespeare captures the emerging nationalistic feeling of the Tudor era in Henry’s emphasis on national history and pride, but various parts of the text suggest a more diverse and complex figures of the king and his subjects than a war hero and the united nation. Such complexity, however, is often ignored in political appropriation. Laurence Olivier’s film adaptation during WWII glamorizes the war and defines the English nation as a courageous “band of brothers” through its presentation of Shakespeare’s play a shared story or history of national victory. Kenneth Branagh’s film in 1989, on the other hand, captures the ugliness of war but it still romanticizes the sacrifice for the country. In 2016, Shakespeare was made part of the Brexit discourse of growing nationalism at the time of the EU referendum. Brexit was imagined as a victory that will bring back freedom and sovereignty the country once enjoyed, and Shakespeare was used to represent the greatness of Britain. Shakespeare’s text, however, depicts the war against the continent in a more skeptical than glorifying tone. The war scenes are scattered with humorous dialogues and critical comments and the multi-national captains of Henry’s army are constantly at odds with one another. Shakespeare thus provides us with a wider view of nationhood, resisting the simplifying force of politics.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 25, 40; 115-131
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sexual Politics: Mapping the Body in Marguerite Duras’s L’Amant
Autorzy:
Gray II, Richard J.
Powiązania:
https://bibliotekanauki.pl/articles/700955.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
In L’Amant (1984), through the juxtaposition of traditional male/female sexual roles, Marguerite Duras painted a gynocentric portrait of sexual politics. By depicting a series of encounters in diverse parts of the Indochinese (Vietnam) landscape, Duras’s novel described the sexual “coming of age” story of her female protagonist’s. Each Vietnamese setting became a visual and sensory metaphor for the various developmental stages of the protagonist. In this essay, I contend that Duras’s use of contrasting settings serves to “flesh out” the sexual politics conveyed in the novel. Herein, I examine the geographic locations illustrating the sexual politics of the novel, including the Mekong River signifying the female protagonist’s rite of passage, Cholon, the city where the girl experiences sexual liberation and a struggle with the established authority, the lover’s apartment where the couple consummates their relationship, and finally, France representing the land of wealth to which the protagonist will eventually return. Key words: autobiography, Judith Butler, Cholen (Cholon), colonisation, crossing, gender, juxtaposition, Marguerite Duras, Julia Kristeva, liberation, liminal space, mapping the body, Mekong, Kate Millett, Other, post-colonial, prostitution, sexploitation, sexuality, sexual politics.
Źródło:
Romanica Silesiana; 2013, 8, 1
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A POLISH POPE AND AN AMERICAN PRESIDENT: 1979–1989
Autorzy:
FAFARA, RICHARD J.
Powiązania:
https://bibliotekanauki.pl/articles/507434.pdf
Data publikacji:
2014
Wydawca:
International Étienne Gilson Society
Tematy:
John Paul II
Ronald Reagan
Polska
Communism
Opis:
The author examines the shared religious and intellectual conviction, toughness, and an abhorrence of communism of Pope John Paul II and President Reagan that contributed to the demise of that system in Poland. The author discusses similarities between these two men; their approaches to communism; their meetings beginning in 1982; the hypothesis of a “holy alliance,” and concludes that based on available evidence to date, a strong case can be made that the Pope and Reagan jointly did more than any others to bring about the fall of communism, the collapse of the Soviet Union, and the end of the Cold War.
Źródło:
Studia Gilsoniana; 2014, 3: supplement; 497-522
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Brief Military History of the Later Reign of Šāpur II
Autorzy:
JACKSON BONNER, Michael Richard
Powiązania:
https://bibliotekanauki.pl/articles/517482.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Šāpur
wars
Sasanid
Huns
Opis:
This is a brief history of the wars of Šāpur II from the middle of the fourth century to the death of that king in the year 379. These conflicts represent the military operations of the Sasanid state at its height before a gradual decline under the successor to Šāpur II.
Źródło:
Historia i Świat; 2017, 6; 97-105
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 65

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