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Tytuł:
Furiosa libido. Ovid on love and madness
Autorzy:
Bielecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1046801.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
madness
love
Ovid
women
Ars amatoria
Opis:
This paper presents Ovid’s views on the concept of love madness. Taking Ars amatoria, in particular the distich (1.281–282) in which the poet blames woman’s love fury on her lust as its research material, the paper investigates how the notion in question has been realized in this “textbook for lovers.” There, Ovid uses the mythological figures of women who committed crimes against social rules to illustrate the said concept; the paper, in turn, juxtaposes it with the narratives in Metamorphoses (the stories of Byblis and Myrrha). Additionally, it makes use of the tale of Iphis, a story not included in Ars amatoria which can nevertheless be also treated as illustrative of how madness can overcome enamored women. The paper both contrasts the above mentioned stories with the narratives showing men’s inclinations to insanity caused by passion and examines the notion of love madness in the context and with regard to the style of Ovid’s works.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 141-151
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Owidiusz: Metamorfozy I 5-363
OVID'S METAMORPHOSES I 5-363 IN WŁADYSŁAW MĄCZKA'S TRANSLATION
Autorzy:
Mączka, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/702745.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ovid
Metamorphoses
Latin poetry
Opis:
A Polish translation of a well-known passage of Ovid’s masterpiece by an army offi cer who died in 1950. In his short introduction Juliusz Domański tries to establish some facts pertaining to the life of this forgotten personage, his wife’s uncle.
Źródło:
Meander; 2008, 63, 1-4; 129-141
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Graphic illustrations of Ovid’s Metamorphoses : A selection of the most important executions
Autorzy:
Giełdoń-Paszek, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2138817.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Ovid
graphics
illustrations
the Metamorphoses
Opis:
Ovid’s Metamorphoses has inspired artists of various disciplines almost from the very moment of its creation. The poem has been the literary canvas of many paintings. It was particularly popular in the early modern period. Its numerous editions from the Middle Ages were decorated first with miniatures, and, after the invention of printing, with illustrations, made in the technique of woodcut, copperplate engraving, and etching. The composition of scenes known from the poem was based on a simultaneous and multi-thread narration and also, later, focused on one specific moment of the selected episode. The authorship of the illustrations found in early editions remains anonymous. The graphic designers of 16th c. and later editions are known by name: Jörg Wickram, Virgilio Solis, Bernard Solomon, Hendrick Goltzius, Francis Cleyn, Salomon Savery, Godfried Maes, and in the 20th c. Pablo Picasso. Ovid’s poem continues to be interpretated, as evidenced by the works of, for example, Kiki Smith and the Polish queer artist Mikolaj Sobczak.
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2022, 64, 2; 64-79
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ovid's 'Art of Love' I 41-134 in Three Translations
Autorzy:
Zagorski, M.
Wrotkowski, W.
Skwara, E.
Powiązania:
https://bibliotekanauki.pl/articles/702553.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
OVID ('ART OF LOVE') - POLISH TRANSLATION
Opis:
The same passage of Ovid's manual for lovers is given here in three Polish translations: by Mariusz Zagorski (who supplied his translation with notes), Wojciech Wrotkowski and Ewa Skwara.
Źródło:
Meander; 2005, 60, 4; 428-436
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oparte na mitologii adynata w wygnańczych elegiach Owidiusza
MYTHOLOGICAL ADYNATA IN OVID’S ELEGIES WRITTEN IN EXILE
Autorzy:
Puk, Marlena
Powiązania:
https://bibliotekanauki.pl/articles/702741.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ovid
adynata
Latin poetry
Opis:
The article discusses Ovid’s use of adynata based on mythological themes in his last collections of elegies: Tristia and Ex Ponto.
Źródło:
Meander; 2008, 63, 1-4; 142-150
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Remarks on Ovid and the Golden Age of Augustus
Uwagi o Owidiuszu i złotym wieku Augusta
Autorzy:
Łukaszewicz, Adam
Powiązania:
https://bibliotekanauki.pl/articles/1045750.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Augustus
golden age
exile
Metamorphoses
lurida aconita
Opis:
Publius Ovidius Naso was an outstanding poet of the Augustan age who after a period of successful activity was suddenly sent to exile without a formal judicial procedure. Ovid wrote frivolous poems but inserted into his works also the obligatory praises of Augustus. The standard explanation of his relegation to Tomis is the licentious content of his Ars Amatoria, which were believed to offend the moral principles of Augustus. However, the Ars had been published several years before the exile. The poet himself in his Pontic writings mentions an unspecified error and a carmen, pointing also to the Ars, without, however, a clear explanation of the reason for his fall. The writer of the present contribution assumes that the actual reason for the relegation of the poet without a trial were the verses of his Metamorphoses and especially the passage about the wicked stepmothers preparing poison. That could offend Livia who, according to gossip, used poison to get rid of unwanted family members. Ovid was exiled, but the matter was too delicate for a public justification of the banishment. When writing ex Ponto the poet could not explicitly refer to the actual cause of his exile.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 37-56
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Love, Despair, and Resiliency: Ovid’s Contributions to an Interactionist Analysis of Intimate Relations
Autorzy:
Prus, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2106937.pdf
Data publikacji:
2013-07-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ovid
Ovidius
Love
Relationships
Sexuality
Intimacy
Romantic
Symbolic Interaction
Influence
Ethno-historical
Opis:
Ovid (Ovidius – Publius Ovidius Naso; 43 BCE-18 CE) is well known in classical studies and poetic circles for his insightful portrayals of heterosexual relations. However, his The Art of Love and related texts have received scant attention from those in the social sciences. Ovid’s writings on love may be best known for their advisory and entertainment motifs, but this same set of texts also provides an extended and comparatively detailed set of observations on heterosexual interchanges, as well as some remarkably astute analysis of interpersonal relations more generally. Developed within a symbolic interactionist frame (Mead 1934; Blumer 1969; Strauss 1993; Prus 1996; 1997; 1999), this paper gives particular attention to the processes by which people engage others in romantic contexts, make sense of their experiences with one another, deal with an assortment of third-parties, and manage wide ranges of related emotional sensations as they work their ways through aspects of the broader relationship process (from preliminary anticipations and initial encounters to terminations and re-involvements of relationships). It is in these respects that this paper considers the more distinctive ethnographic potential of Ovid’s depictions of love in the Roman classical era. As an instance of ethno-history, Ovid’s considerations of people’s involvements with love, sex, and romance, as well as the varying emotional states that people experience along the way, add some highly instructive cross-cultural and trans-historical dimensions to more contemporary, generic examinations of affective relationships. Using Ovid’s materials as an ethno-historical database with which to assess contemporary interactionist notions of “developing relationships,” this paper concludes with a consideration of the implications of Ovid’s works and contemporary interactionist studies for research on intimate relationships, emotionality, and influence work.
Źródło:
Qualitative Sociology Review; 2013, 9, 3; 124-151
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Exempla z „Metamorfoz” Owidiusza w „Okręcie błaznów” Sebastiana Branta
Exempla from Ovid’s “Metamorphoses” and Sebastian Brant’s “The Ship of Fools”
Autorzy:
Lam, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2012475.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Owidiusz
Sebastian Brant
intertekstualność
Ovid
intertextuality
Opis:
From among around four hundred examples taken from the Bible, mythology and history, which in Sebastian Brant’s The Ship of Fools are designed to instruct and caution, more than twenty come from Ovid’s Metamorphoses. Brant does not make references to Ovid’s work and he mentions the poet only once, as the author of Ars amatoria (buler kunst), which brought Ovid nothing but misfortune.Most of them appear in Chapter XIII On Seduction (Von buolschaft) and single ones in Chapters: XXVI, LIII, LX, LXIV and LXVII. The references are allusive and abridged, they concern pathetic consequences of wicked or rash love, jealousy and hatred as well as self-loving and foolhardy imprudence. They stand as codes, which can not be deciphered without knowing the source and it implies that Brant either assumes the reader has the required knowledge or appeals to gain it. It is also possible that he refers to common at that time didactic modifications of Metamorphoses. Problematic and often tragic illustration of human fortunes in Ovid’s work is reduced in Brant’s satire to parenetic formula, which intrigues and is expressed with vivid and crude language. The most explicit example of dissonance between Brant’s and Ovid’s intention is a truly clown like character − Marsyas, who with obstinacy plays bagpipes, a clownish instrument, whereas in Metamorphoses he enraptured people playing his aulos and his death as martyr is mourned by not only nymphs and shepherds, but also by nature. The rights of the genre, in this case of moral satire, proved to be stronger than philosophical meaning of mythological message.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 165-176
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Why Ovid? Postmodern Alternative Biographies of the Great Poet
Dlaczego Owidiusz? Postmodernistyczne biografie alternatywne wielkiego poety
Autorzy:
Gawarecka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1045694.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
exile of Ovid
historical metafiction
intertextuality
actualization of ancient tradition
counterfactual fiction
Opis:
Article analyses a literary portrait of Publius Ovidius Naso in the novels Naso the Poet (1969) by Jacek Bocheński, An Inexplicable Story or the Narrative of Questus Firmus Siculus by Josef Škvorecky (1998) and The Last World. A Novel with an Ovidian Repertory by Christoph Ransmayr (1988). 
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 119-133
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pandarus Quotes Ovid in Geoffrey Chaucer’s Book One of Troilus and Criseyde
Pandarus cytuje Owidiusza w pierwszej księdze „Troilusa i Criseydy” Geoffreya Chaucera
Autorzy:
Bobrowski, Antoni
Powiązania:
https://bibliotekanauki.pl/articles/1045743.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Heroides
Geoffrey Chaucer
Troilus
Troy
Opis:
The medieval epic poem Troilus and Criseyde by Chaucer describes the history of unhappy love with the Trojan War in the background. The story is constructed in the convention of courtly love, and the author draws abundantly from a range of plot motifs preserved in the ancient literary tradition. The article discusses the way of intertextual use of Ovid’s Heroides 5 in the course of events told in Book One of the poem.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 71-83
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’hypotypose dans les Métamorphoses d’Ovide
Hypotyposis in Ovid’s Metamorphoses
Hypotypoza w Metamorfozach Owidiusza
Autorzy:
Koźluk, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/683309.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
przemiana
ludzkie ciało
anatomia
hypotypoza
krew
retoryka
Owidiusz
transformation
human body
anatomy
hypotyposis
blood
rhetoric
Ovid
Opis:
Metamorfozy Owidiusza stanowią doskonały materiał do badań nad figurami retorycznymi, a w szczególności nad hipotypozą (euidentia). Występująca bowiem często w towarzystwie innych figur (enumeratio, accumulare res, comparatio, gradatio) hipotypoza, odgrywa wyjątkową rolę w owidiańskiej narracji, a zwłaszcza w momencie kluczowym dla każdej przemiany, jakim jest płynne przejście jednego bytu w drugi. W niniejszej pracy zostały prześledzone głównie fragmenty, które zarówno w sposób dokładny (perspicuitas), jak i przekonujący (persuasio) ukazują zmieniające się ludzkie ciało z punktu widzenia fizjonomii i anatomii. Historie Dafne, Myrry, Ocyrhoé, Aglauros czy Niobe, to tylko niektóre przykłady, które posłużyły do analiz w celu zbadania, na czym polegała istota hypotypozy w momencie przemiany. Celem artykułu było również ukazanie, w jaki sposób łaciński poeta korzystał z tej silnej pod względem natury figury retorycznej (figura ad delectandum), aby wzbudzić u czytelnika jak najgłębsze przeżycia (mouere).
Ovid’s Metamorphoses are an excellent text for the study of figures of speech, and in particular over hypotyposis (euidentia). Often hypotyposis, occurring in the company of other figures (enumeratio, accumulare res, comparatio, gradatio), plays a unique role in ovidian narrative form, especially at the key time of change – metamorphosis, which is the passage of one being to another. This article has traced mainly fragments that accurately (perspicuitas) and convincingly (persuasio) show the change of the human body, from the point of view of physiognomy and anatomy. Stories of Daphne, Myrrh, Ocyrhoé, Aglaulus or Niobe, are just some examples that were used for analysis to investigate what is the essence of hypotyposis at the time of change. The main aim of this article was to show the way, which was used by Ovid, the Latin poet, to stir in the reader the strongest of feelings (mouere).
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Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2016, 11; 9-24
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ovid and Statius, Thebaid 6.54–78. Necessary Allusions or a Metapoetic Dialogue?
Owidiusz i Stacjusz, Tebaida 6.54–78. Aluzje konieczne czy metapoetycki dialog?
Autorzy:
Pierzak, Damian
Powiązania:
https://bibliotekanauki.pl/articles/1045758.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Statius
Ovid
intertextuality
allusion
Opheltes
aetiological poetry
Opis:
Statius’ description of the funeral games held in honor of the baby Opheltes contains several utterances reminiscent of Ovid. The paper aims to show that these should not be read as the so-called necessary allusions, but rather as the poet’s complex dialogue with his predecessor.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 57-70
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pushkin and Ovid
Puszkin i Owidiusz
Autorzy:
Schade, Gerson
Powiązania:
https://bibliotekanauki.pl/articles/1045695.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
‘docufiction’
Tynyanov
Stendhalian
Pnin
Propertius
Opis:
Alexander Pushkin knew what he shared with Ovid. Both were exiled, having enjoyed a splendid life, both were highly gifted, and not too shy of erotic adventures – of which they speak amply in their poetry. The Russian formalist Tynyanov pointed at such similarities, inventing the literary genre of ‘docufiction’.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 105-117
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ibis Owidiusza − analiza literacka poematu
Ovid’s Ibis − a Literary Analysis
Autorzy:
Zając, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2119784.pdf
Data publikacji:
1992
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The poem, written in exile, is among Ovid’s less well-known works. Following, as indicated by the writer himself, the literary tradition of invective pieces in the style of Archilochus and a lost poem of the same title by Callimachus, Ibis comprises several hundred verses of mythological malediction against the poet’s enemy in Rome. The piece, composed into a brace structure in accordance with the rules of rhetoric, consists of several distinct thematic units. The largest part (more than half of the poem) contains sequences of curses linked only by mental association. Ovid makes ample use of rhetorical devices. As in his earlier works, also in Ibis he plays with words, constructing ever more complex variations. The poem, different as it is from Ovid’s all other output, is an intriguing piece of writing. It is possible to read it as a parody an uncommon form of consolation in disguise.
Źródło:
Roczniki Humanistyczne; 1992, 39-40, 3; 47-71
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Sacred and the Poetic: The Use of Religious Terminology in Ovid’s Words
Sacrum słowem sławione – terminologia religijna w twórczości Owidiusza
Autorzy:
Kaczor, Idaliana
Powiązania:
https://bibliotekanauki.pl/articles/1045765.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Latin poetry
Roman religion
Roman divination
Roman religious festivities
Opis:
The article investigates Ovid’s use of religious terminology and imagery, in particular in the Fasti and the Metamorphoses. As an educated Roman citizen, Ovid was conversant with Roman ritual practices and frequently drew on facets of the Roman religious experience in his writing, exploring topics such as ritual performance, religious nomenclature, festivals, customs and traditions. In the article, I argue that Ovid’s treatment of religious material is deliberately uneven. The poet, well-versed in the Roman ritual nomenclature, nevertheless flaunted his technical competence only in the rite-oriented Fasti: in his other works, above all in the myth-laden Metamorphoses, he abandoned drier technical details for artistic flair and poetic imagery, unconstrained by traditional practices of Roman piety. The mythological setting of the latter poem gave Ovid a chance to comment upon universal truths of human nature, espousing the prevailing Roman belief that maintaining good relations with the gods (pax deorum) through collective piety would win Rome divine favour in all her initiatives.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 17-35
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 45

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