Wszystkie pola: Obruśnik, Andrzej Efrem - Katalog OPAC zbiorów

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Tytuł:: Muzeum Prowincji Ojców Bernardynów w Leżajsku
Das Museum der Provinz der Bernhardinerpaters in Leżajsk
Autorzy:: Obruśnik, Andrzej Efrem
Powiązania:: https://bibliotekanauki.pl/articles/1041955.pdf
Data publikacji:: 1997
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:: Kirchendenkmal
Kirchenmuseum
Geistlichkeit
17. Jahrhundert
zabytki kościelne
muzeum kościelne
duchowieństwo
XVII wiek
church antiquity
church museum
clergy
17th century
Opis:: Das Museum der Provinz der Bernhardinerpatres in Leżajsk besteht seit 1971. Das Hauptziel des Museums besteht im Sammeln, Konservieren, Dokumentieren, Aufbewahren und Zugänglichmachen unschätzbarer Erinnerungsgegenstände des Ordens, die von der jahrhundertelangen Geschichte und der vielfältigen Tätigkeit dieser Gemeinschaft zeugen und anhand ausgewählter Beispiele die wichtigsten Bereiche der von den polnischen Franziskanerobservanten für die Nationalkultur erbrachten Leistungen illustrieren. Diese Ziele realisiert das Museum dadurch, daß es seine Sammlungen den nach Leżajsk kommenden Pilgern und Touristen präsentiert, sowie durch die Zusammenarbeit mit anderen, ähnlichen kirchlichen und staatlichen Einrichtungen in Polen und im Ausland, welche u.a. auf dem gemeinsamen Organisieren temporärer Ausstellungen beruht.
Źródło:: Archiwa, Biblioteki i Muzea Kościelne; 1997, 67; 65-97
0518-3766
2545-3491
Pojawia się w:: Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:: Biblioteka Nauki

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Tytuł:: KONSERWACJA XVII-WIECZNYCH MALOWIDEŁ W CELACH NOWICJACKICH KLASZTORU OJCÓW BERNARDYNÓW W LEŻAJSKU
CONSERVATION OF SEVENTEENTH-CENTURY MURALS IN THE NOVITIATE CELLS OF THE BERNARDINE MONASTERY IN LEŻAJSK
Autorzy:: Obruśnik, Andrzej Efrem
Powiązania:: https://bibliotekanauki.pl/articles/536843.pdf
Data publikacji:: 2009
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: klasztor w Leżajsku
klasztor Ojców Bernardynów
malowidła ścienne
polichromia
fresk suchy
konserwacja malowideł
Opis:: One of the essential recent phenomena in the conservation of historical monuments in Poland was the discovery of seventeenth-century murals in the novitiate cells of the Bernardine monastery in Leżajsk. The murals embellish seven interiors with a cross vault, placed along a second- -storey corridor of the western wing of the building. For centuries they had been concealed under later layers lime, sand-lime finish, paint and plaster. The characterstic feature of the murals is great stylistic diversity. The themes of the figural depictions are religious or allegoric, accompanied by plant-geometrical inscriptions. The south wall of cell no. 1 is decorated with traces of a landscape sequence including a figure of a monk, while the west wall – with a drawing of a monk and on the window embrasure – a monogram of the Holy Family. The north wall features the Madonna and Child surrounded by angels, a town panorama and, in many places, fragments of geometric ornaments. The east wall of cell no. 2 displays horizontally arranged lines, a figure of St. Margaret and within the door embrasures – the Golgotha with a figure of Satan and an emblem of death. The south wall contains a figural and genre scene as well as a wreath with the monogram ”IHS”. The west wall features a symbol of the Name of Mary and an outline of a clock. The north wall is decorated with a text of a prayer, fragments of a wreath, a genre scene and a figure of a man. Cell no. 3 displays a predominance of geometrical ornaments. The west wall shows the contour of a Latin cross and a figure of Franciscan, the west wall – a figure of a (statuesque) woman, and the south and north walls – inscriptions and individual figural accents as well as monograms of the names of Jesus and Mary. The east wall of cell no. 4 is adorned with a painted portal, a cornice and a motif of flowers in vases. The upper part of the south wall preserved fragments of inscriptions and a radial gloria with the monogram “IHIS”. The motifs on the west wall include the Golgotha, a clock face and three rosettes. The upper part of the north wall contains a Marian emblem surrounded with a nimbus and flanked by bouquets of flowers in vases, while the lower part is composed of a scene with a monk portraying in front of a cross. In cell no. 5 angels had been painted above the door, with an allegory of death to the left of the door, a figure of monk and an owl within the door embrasures, and the Crucifixion encircled by relics of lesser scenes. The west wall preserved a depiction of the five wounds of Christ while the north wall features fragments of angels and the emblem ”IHS”. Each wall has an inscription along the ceiling arch. The east wall in cell no. 6 is covered with figural, plant-ornament motifs, inscriptions and monograms of Christ and the Mother of God. The left door embrasure is embellished with a figure of a Franciscan, while the south wall has a Marian monogram encircled with a decorative rosette, a wreath, a Latin inscription and lesser monograms. Similar elements are to be found on the west wall. The upper part of the north wall shows two monograms of Christ, a Marian monogram and a monogram of St. Joseph, while the lower one – two wall hangings, a rosette and lesser monograms and genre scenes. In cell no. 7 murals are extant on the east wall. Legible elements include the inscription ”MEMENTO MORI”, fragments of plant-geometrical ornaments and architectural motifs. The murals were executed in the al secco technique. Due to extensive gaps produced by repairs, redesigning and mechanical damage, their state of preservation is highly unsatisfactory. The examination revealed 23 technological strata and 14 chronological ones. The first stage of conservation consisted of disclosing the murals, their fixation, the removal of putties and the reinforcement of the structure of the base as well as supplementing, cleaning and introducing the uniform colour of the original plaster. In the case of certain gaps conservators applied retouching. Niches in the north walls and window embrasures were restored in all cells. The mural in cell no. 1 on the left door embrasure was lifted off the wall by means of the stacco method due to threats connected with repairconstruction undertakings. A fragment with a mural on the east wall to the left of the door in cell no. 3 was removed in a similar way and placed on the west wall. After the conservation, the group stratigraphy of the murals revealed eight technological layers. The titular murals deserve further thorough studies.
Źródło:: Ochrona Zabytków; 2009, 1; 12-37
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Gromadzenie, przechowywanie i upowszechnianie zbiorów w Muzeum Prowincji Ojców Bernardynów w Leżajsku
Die Sammeln, die Aufbewahrung und die Zugänglichmachung der Sammlungen im Provinzialmuseum der Bernhardinerpatres in Leżajsk
Autorzy:: Obruśnik, Andrzej Efrem
Powiązania:: https://bibliotekanauki.pl/articles/1040973.pdf
Data publikacji:: 2003
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:: Symposium
Bernhardinerorden
Klostermuseum
Museumsammlungen
sympozjum
bernardyni
muzeum klasztorne
zbiory muzealne
symposium
Bernardine monk
monastic museum
museum collection
Źródło:: Archiwa, Biblioteki i Muzea Kościelne; 2003, 79; 161-182
0518-3766
2545-3491
Pojawia się w:: Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:: Biblioteka Nauki

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