Wszystkie pola: Nowiński, Marian. - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Designing Goddesses: Shakespeare’s "Othello" and Marian Nowiński’s "Otello Desdemona"
Autorzy:: Laskowska-Hinz, Sabina
Powiązania:: https://bibliotekanauki.pl/articles/1033498.pdf
Data publikacji:: 2020-06-30
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Desdemona
William Shakespeare
Othello
Marian Nowiński
Shakespeare in visual arts
Opis:: The article discusses the intertextual relationship between the poster by Marian Nowiński, Otello Desdemona, and the content of Shakespeare’s play, while presenting the most important elements of the plot that are decisive for the portrayal of Desdemona. It also discusses the tradition of female nudes in Western art. This allows to usher out these characteristic features of elements of Desdemona that fashion her into Venus Caelestis and Venus Naturalis. The article focuses on the ambivalence of Nowiński’s poster and discusses the significance of the paintings by Titian, Giorgione, and Fuseli in designing the figure of Desdemona as a goddess.
Źródło:: Multicultural Shakespeare: Translation, Appropriation and Performance; 2020, 21, 36; 135-151
2083-8530
2300-7605
Pojawia się w:: Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:: Biblioteka Nauki

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Tytuł:: 400 lat obecności cudownego obrazu Matki Bożej Pocieszenia (Matki Bożej Czerwińskiej) na Jasnej Górze w Czerwińsku
400 years’ presence of the miraculous painting of our Lady of Consolation (Matki Bożej Czerwińskiej) at Jasna Góra in Czerwińsk
Autorzy:: Nowiński, Janusz
Powiązania:: https://bibliotekanauki.pl/articles/495191.pdf
Data publikacji:: 2013
Wydawca:: Towarzystwo Naukowe Franciszka Salezego
Tematy:: painting of Our Lady of Czerwińsk
Our Lady of Czerwińsk
Czerwińsk
Marian cult
Opis:: The cult of Our Lady in the Czerwińsk church of the Canons Regular dates back to the church’s beginnings. It was dedicated to the Blessed Virgin Mary, which is confirmed in the bull of Pope Hadrian IV from 1155. The patroness of the church and the abbey has always been especially venerated there, as witnessed in the monastery’s liturgy and customs. In 1612, Łukasz of Łowicz was commissioned by the Czerwińsk Canons Regular to do a painting of Our Lady (figs.1, 2) modelled on Our Lady of the Snows (S. Maria Maior, Salus Populi Romani, fig. 1) from the Roman Basilica of Santa Maria Maggiore. Around 1630, the painting was placed on the new high altar. Venerated by the faithful, it came to be known as miraculous. Miracles had been testified to since 1647, and were officially recognized in 1648. The cult of the painting of Our Lady of Czerwińsk in Her sanctuary, called the Jasna Góra of Czerwińsk has continued uninterrupted to this day. On September 6, 1970, the painting was crowned with papal crowns by Cardinal Stefan Wyszyński, Primate of Poland. In the Czerwińsk sanctuary over 100 silver votive plates offered by pilgrims have been preserved (figs. 3 -10), the oldest of them dating from the 1640s
Źródło:: Seminare. Poszukiwania naukowe; 2013, 33; 319-338
1232-8766
Pojawia się w:: Seminare. Poszukiwania naukowe
Dostawca treści:: Biblioteka Nauki