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Wyszukujesz frazę "Mahler, Robert" wg kryterium: Wszystkie pola


Wyświetlanie 1-4 z 4
Tytuł:
Kom el-Dikka 2014: human bones from Area U
Autorzy:
Mahler, Robert
Okularczyk, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/1706237.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
bioarchaeology
anthropology
medieval
Islamic
cemetery
Kom el-Dikka
Alexandria
Egypt
Opis:
Archaeological excavations of the medieval Islamic burial ground in the northern part of area U on the Kom el-Dikka site in Egyptian Alexandria, carried out from 2012 to 2014, yielded a total of 98 graves. Of these, 75 contained human skeletal remains. The minimum number of individuals (MNI) was 156. The article presents preliminary studies on this sample. The scope of the investigation was limited, however, owing to the poor state of preservation of the bone material.
Źródło:
Polish Archaeology in the Mediterranean; 2016, 25; 64-86
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dongola. Seasons in 2012–2013/ Appendix: The skeletal remains from the sanctuary of Anna in the Monastery on Kom H
Autorzy:
Godlewski, Włodzimierz
Mahler, Robert
Powiązania:
https://bibliotekanauki.pl/articles/1727900.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Dongola
citadel
Funj
Throne Hall
Mosque Building
SWN
Building B.I/B.X
B.V
monastic church
crypt
sanctuary of Anna
monastery gates
Opis:
The four seasons, two in 2012 and two in 2013, carried out in ancient Dongola by an expedition from the Polish Centre of Mediterranean Archaeology, University of Warsaw, were devoted to continuing excavations in a number of areas: the fortifications on the Citadel and houses from the Funj period (17th–18th century) outside of the fortifications; site SWN on the Citadel, including Building B.I (Palace of Ioannes) and Building B.V (church); and the monastery complex on Kom H, encompassing the monastic church, sanctuary of Anna, gates to the monastery for monks and laity, finally the commemorative building of the Dongolan bishops with three crypts where the third of the crypts was revisited to study the burials from an anthropological perspective. In late 2013, a new Qatar–Sudan Archaeological Project (No. 10) was launched with fieldwork concentrated on the Mosque Building and within the Citadel.
Źródło:
Polish Archaeology in the Mediterranean; 2015, 24(1); 325-343
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Crypt 3 in the Northwest Annex of the Monastery on Kom H in Dongola: report on the exploration in 2012
Autorzy:
Mahler, Robert
Godlewski, Włodzimierz
Danys-Lasek, Katarzyna
Czaja, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1727899.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Dongola
monastery (HDONG)
crypts
burials
textiles
Northwest Annex
pottery
Opis:
Archaeological exploration of Crypt 3 in the commemorative burial complex in the Northwest Annex of the Monastery on Kom H in Dongola in 2012 completed the process of investigation of the three crypts, discovered in the mid-1990s but not fully excavated at the time. Crypt 3, built together with Crypt 2, hosted remains of five individuals. Remains of textiles and grave furnishings were also discovered, among them an oil lamp and part of a broken amphora. Crypt 3 constituted an integral part of a commemorative complex consisting of a naos, two sanctuaries with altars and screens, and a prothesis with altar.
Źródło:
Polish Archaeology in the Mediterranean; 2015, 24(1); 352-367
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Looking out fo r the Horizon The music of Gustav Mahler in the light of the theory of the aesthetic of reception by Hans Robert Jauss
Autorzy:
Mika, Bogumiła
Powiązania:
https://bibliotekanauki.pl/articles/780179.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Hans Robert Jauss
Gustav Mahler
musical reception
horizon of expectations
genre
symphony
Opis:
The theory of the aesthetic of reception proposed by Jauss in the field of literature can be applied to research into the reception of the music of Gustav Mahler. In creating his symphonies ‘with every means of accessible technique’, the composer achieved what might be described as a reinterpretation of the conception of selected genres. In this way he disturbed the traditional ‘horizon of expectations’ of the potential audience, and significantly distanced himself from it. The most important consequence of this was the lack of understanding of his music by a section of his contemporary audience. Mahler justified the rightness of his own creative intuition with the famous sentence ‘my time will come’. In her article the author presents the fundamental theses of Jauss’s aesthetic of reception relating to his understanding of the ‘horizon of expectations’. She also indicates the manner in which Mahler distanced himself from that ‘horizon’, and how in individual symphonies he contributed to the expansion and reinterpretation of conceptions of genres which had previously been based on knowledge shared by the composer and the listener.
Źródło:
Interdisciplinary Studies in Musicology; 2014, 13; 189-202
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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