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    Wyświetlanie 1-4 z 4
    Tytuł:
    Functions of screen space in shots by Mieczysław Jahoda in the example of his first feature films: Zimowy zmierzch and Pętla
    Autorzy:
    Maron, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1047223.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Mieczysław Jahoda
    art of cinematography
    film space
    Stanisław Lenartowicz
    Wojciech J. Has
    Polish Film School
    Opis:
    The text is devoted to discussing the formation methods and the functions of screen space in shots by Mieczysław Jahoda in the films Zimowy zmierzch (directed by S. Lenartowicz) and Pętla (directed by W.J. Has). Mieczysław Jahoda is presented as one of the main initiators of stylistic changes in the films of Polish School in the mid 1950s. The analysis concerns the camera means applied by Jahoda in order to obtain screen effects: light, frame composition, photographic optics and perspective transformation. The film shots by Mieczysław Jahoda are characterized by an exceptional ability to evoke mental space, emotions, memory and imagination via the shapes of screen space. Their feature is a special esthetization aimed at creating the atmosphere of films, as well as symbolic and cultural references.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 129-142
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tyrteusz Teofila Lenartowicza i Tyrtej Cypriana Norwida na tle powstańczych motywów pieśni patriotycznej okresu zaborów
    Teofil Lenartowicz's Tyrteusz and Cyprian Norwid's Tyrtej Versus the Insurrection Motifs of the Polish Patriotic Songs of the Partition Era
    Autorzy:
    Inglot, Mieczysław
    Powiązania:
    https://bibliotekanauki.pl/articles/2116713.pdf
    Data publikacji:
    2000
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Opis:
    Generally speaking, people in Poland invoked the figure of Tyrtaeus during pro-independence risings or shortly after their fall. Norwid did the same. Norwid saw Tyrtaeus first of all as a teacher of modern national consciousness and an awakener of socially minded imagination, and only in second place as a military leader. It was in this spirit that he translated the Greek poet's elegy. Viewed in such light, Norwid's tragedy Tyrtej represents a lesson in the modern way of thinking about the relations between the individual and society. The unfinished state of Norwid's work makes it impossible to judge where the balance of the arguments lay in the conflict between the two sides. One could agree that some features of Spartan society were reminiscent of the tsarist system. Yet one might just as well regard Norwid's Sparta as a critical depiction of the old Sarmatist Poland, the Poland of noblemen's unruliness, noblemen's bravado and... noblemen's inanity. Against such a background the idealised Athens appeared as a republic based on the popular element and proclaiming the democratic ideals of equality of all citizens and respect for God-given truths. It is difficult to say whether Norwid knew Sen grobów, but he must have felt uneasy about that poetic apotheosis of the insurgents' martyrdom. For that reason in the same year (1865) he began to reflect critically on the ideological context of the risings, subjecting it to sharp criticism. The drama Tyrtej, together with his previously mentioned lyrical poems, mainly the ode Do spółczesnych, is the mainstay of Norwid's important and instructive teaching on modern patriotism.
    Źródło:
    Studia Norwidiana; 2000, 17-18; 49-69
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Jupiter and Beyond the Infinite. 2001: Odyseja kosmiczna Stanleya Kubricka
    “Jupiter and Beyond the Infinite”. 2001: A Space Odyssey by Stanley Kubrick
    Autorzy:
    Kozłowski, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/1047197.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Mieczysław Jahoda
    art of cinematography
    film space
    Stanisław Lenartowicz
    Wojciech J. Has
    Polish Film School
    Opis:
    The article deals with the relationship between film and painting, as well as the sciences (physics, cosmology) of the 20th century. It introduces the historical context important for the time when Kubrick’s film was made, and addresses the issue of abstraction in cinema, contemporary painting and cosmology, confronting artistic and scientific ideas (the models of the Universe). The starting point for the detailed analysis was “autonomous abstract film” (Alicja Helman), which as a film inside a film combines various cinematic types and genres. The analysis of takes and sequences of this film inside a film made it possible to decipher the director’s idea, which is expressed in intra-film references. The particular results of the research were compared with the possible iconographic context (Gerhard Richter). The inclusion of a diagnosis obtained on the basis of materials examined in the Kubrick Archives in London (Kamil Kościelski), and references to cultural tradition (Plato), supplement the aforementioned considerations in an important way.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 117-128
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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