Wszystkie pola: Karolina Světla - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Kříž u potoka Karolíny Světlé
»Kříž u potoka « of the Karolína Svìtlá
Autorzy:: Všetièka, František
Powiązania:: https://bibliotekanauki.pl/articles/908833.pdf
Data publikacji:: 2018-09-11
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: superstitious time
Karolína Světlá
contrastive principle
vertical space
locus horridus
anticipant
mortal framing
local framing
Vorgeschichte
kontrastní princip
vertikální prostor
mortální zarámování
lokální zarámování
pověrečný čas
Opis:: In her novel Kříž u potoka (1868) Karolína Světlá applied a contrastive principle, which is seen mostly in the relationships between her characters. A part of this principle is represented by vertical space completed by a place of horror (locus horridus). The place of horror is twofold in this novel, the latter is related to the anticipant character (a holy old women). The novel is framed in two ways – in a mortal and a local way. The opening of the novel is represented by Vorgeschichte, while the rest of the story is covered in the superstitious time.
Źródło:: Bohemistyka; 2017, 3; 257-265
1642-9893
Pojawia się w:: Bohemistyka
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Tvarosloví »Nemodlence« Karolíny Světlé
Morphology of the »Nemodlence« by Karolína Světlá
Autorzy:: VŠETIČKA, František
Powiązania:: https://bibliotekanauki.pl/articles/909178.pdf
Data publikacji:: 2020-09-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Karolína Světlá
architectonics
synchronic scene
natural background
dynamic props
deviation moment
female intriguer
Gemini
anticipant
convergent principle
architektonika
synchronní scéna
přírodní kulisa
dynamická rekvizita
deviační moment
intrikánka
blíženci
konvergentní princip
Opis:: Karolína Světlá ve svém posledním románě Nemodlenec (1878) klade důraz na výstavbu textu, zdůrazňuje jeho střed a kulminaci. Vedle celkového rozvržení použí- vá prozaička synchronní scény, přírodní kulisy, dynamické rekvizity a deviačního momentu. Z typologie postav uplatňuje figuru intrikána, anticipanta a blíženců. Celý román je vystavěn na konvergentním principu. Morfologické příbuzenství s Karlem Sabinou, Aloisem Jiráskem a Jakubem Arbesem.
In her last novel called Nemodlenec (1878), Karolína Světlá puts emphasis on the text composition with the focus on its centre and its climax. Besides the general layout, the prose writer uses synchronic scenes, natural background, dynamic props and deviation moment. From the character typology she uses the character of an intriguer, an anticipant and a Gemini pair. The whole novel is built on the convergent principle. Morphological relation to Karel Sabina, Alois Jirásek and Jakub Arbes.
Źródło:: Bohemistyka; 2020, 3; 383-393
1642-9893
Pojawia się w:: Bohemistyka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Polish and Czech “literary reciprocity” in the second half of the 19th century: Eliza Orzeszkowa’s reception by the Czechs and Karolina Světlá’s reception by the Poles
Polsko-czeska „literacka wzajemność” w drugiej połowie XIX wieku. Czeska recepcja Elizy Orzeszkowej oraz polska recepcja Karoliny Světlej
Autorzy:: Fournier Kiss, Corinne
Powiązania:: https://bibliotekanauki.pl/articles/635596.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish and Czech literature
literary reciprocity
women’s writing
Eliza Orzeszkowa
Karolina Světla
reception
nation
education
female emancipation
Opis:: The aim of the article is to describe the extraordinarily animated and extensive relationships between Polish and Czech literature in the second half of the 19th century. Literary correspondence is extremely clearly revealed with regard to the Czech writer Karolina Světla and her reception in Poland and the Polish writer ElizaOrzeszkowa together with her reception in Czech. The article attempts to indicate the reasons for their popularity in these neighbouring countries in the last decades of the 19th century. Thus the subsequent reflection explores a shared viewpoint of both writers concerning national questions, combined with the necessity of women’s liberation, including their accessibility to education. By exploring the critical possibilities of literature, Světla and Orzeszkowa were exposing the imperfections of their own nations regarding patriotism and emancipation. At the same time, it is worth stressing that both writers regarded their neighbouring nation as a model.
The aim of the article is to describe the extraordinarily animated and extensive relationships between Polish and Czech literature in the second half of the 19th century. Literary correspondence is extremely clearly revealed with regard to the Czech writer Karolina Světla and her reception in Poland and the Polish writer ElizaOrzeszkowa together with her reception in Czech. The article attempts to indicate the reasons for their popularity in these neighbouring countries in the last decades of the 19th century. Thus the subsequent reflection explores a shared viewpoint of both writers concerning national questions, combined with the necessity of women’s liberation, including their accessibility to education. By exploring the critical possibilities of literature, Světla and Orzeszkowa were exposing the imperfections of their own nations regarding patriotism and emancipation. At the same time, it is worth stressing that both writers regarded their neighbouring nation as a model.
Źródło:: Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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