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Wyświetlanie 1-3 z 3
Tytuł:
“Are we not Men?”: Reading the Human-Animal Interface in Science Fiction through John Berger’s “Why Look at Animals?”
Autorzy:
Smolnikov, Andrei
Powiązania:
https://bibliotekanauki.pl/articles/1912438.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
science fiction
animal turn
language
ontology
Opis:
The so-called animal turn in literature has fostered the evolution of animal studies, a discipline aimed at interrogating the ontological, ethical, and metaphysical implications of animal depictions. Animal studies deals with representation and agency in literature, and its insights have fundamental implications for understanding the conception and progression of human-animal interactions. Considering questions raised by animal studies in the context of literary depictions of animals in science fiction, this article threads John Berger’s characterization of the present as a time of radical marginalization of animals in his essay “Why Look at Animals?” through two highly influential science fiction texts: H. G. Wells’s The Island of Doctor Moreau and Philip K. Dick’s Do Androids Dream of Electric Sheep?. Applying Berger’s reasoning to these two novels raises issues of personhood, criteria for ontological demarcation, and the dynamics of power, providing an opportunity to clarify, modify, and refute a number of his finer claims. This process of refinement allows us to track conceptions of human-animal interactions through the literary landscape and explore their extrapolations into various speculative contexts, including the frontiers of science and post-apocalyptic worlds.
Źródło:
New Horizons in English Studies; 2020, 5; 157-171
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Ambiguous Identity of a Dog as a Mongrelized Storyteller in John Bergers King (1999)
Autorzy:
Leleń, Halszka
Powiązania:
https://bibliotekanauki.pl/articles/653585.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
John Berger
point of view
dog as narrator
genre conventions
English dog idioms
post-fantastic characterisation
magic realism
ambiguity of character
Opis:
The dog named King, the central character and narrator of John Berger’s “King” published in 1999, is the offshoot of many apparently incongruent genre conventions as well as the offspring of the ambivalent prejudice and praise of the species encoded in the English idioms. This presentation aims to overview the contributing elements which gave rise to the Bergerian shift in character-narrator shaping and to discuss the function of such perspective for the novelistic format adopted. The discussion points out the central role of the ambiguity of King as a dog, demonstrating the post-fantastic nature of his characterisation rooted in the conventions of magic realism. The patterns used to shape King, the dog, as one of the community and at the same time the Other are discussed. He is a befriended dog who becomes almost a family member for the beggars and, at the same time, he is the other, different species. He is both one of the homeless and at the same time the independent one, the stranger who sees more because of the distance inscribed into his nature of a rambling dog. Such is also the function of the fantastic in his shaping, as it is sometimes not quite clear that he is just a talking dog, derived from the tradition of animal fable. He might as well be taken as a mentally challenged human being who lost his identity. The merging of perspectives on all levels of the novel contributes to the dialogic quality of the narration in the Bakhtinian sense, to which the central ambiguities inscribed in the shaping of the quasifantastic dog add the quality of uncertainty and polyvalence.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2015, 3, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tatar w dialogu z kardynałem
A Tatar in Dialogue with the Cardinal
Autorzy:
Berger, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/52158103.pdf
Data publikacji:
2022-12-31
Wydawca:
Wydawnictwo Księży Werbistów Verbinum
Tematy:
kardynał Władysław Rubin
Maciej Konopacki
Tatarzy polscy
korespondencja
Jan Paweł II
dialog międzyreligijny
Cardinal Władysław Rubin
Polish Tatars
correspondence
John Paul II
inter-religious dialogue
Opis:
Pod koniec 70. lat XX wieku Maciej Konopacki, polski Tatar, muzułmanin, publicysta, nawiązał korespondencję z biskupem (późniejszym kardynałem) Władysławem Rubinem. Wymiana listów trwała do połowy lat 80. W artykule odnajdziemy fragmenty korespondencji, dotyczącej m.in. zamachu na papieża Jana Pawła II oraz choroby i śmierci prymasa Polski kardynała Stefana Wyszyńskiego
In the late 1970s. Maciej Konopacki, a Polish Tatar, Muslim and publicist, entered into correspondence with Bishop (later Cardinal) Władysław Rubin. The exchange of letters continued until the mid-1980s. In the article we can find excerpts from the correspondence concerning, among other things, the assassination attempt on Pope John Paul II and the illness and death of the Primate of Poland, Cardinal Stefan Wyszyński.
Źródło:
Nurt SVD; 2022, 2; 88-96
1233-9717
Pojawia się w:
Nurt SVD
Dostawca treści:
Biblioteka Nauki
Artykuł
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