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    Wyświetlanie 1-5 z 5
    Tytuł:
    Ośrodki i technika produkcji naczyń terra sigillata w świetle zbiorów Muzeum Narodowego w Warszawie
    Autorzy:
    Jastrzębowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1967624.pdf
    Data publikacji:
    1973
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Źródło:
    Roczniki Humanistyczne; 1973, 21, 4; 57-72
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ślady gromadzenia ofiar lub darów w przykościelnych domach w Ptolemais i Cyrene?
    The Traces of Collecting of Sacrifices or Ecclesiastical Gifts in the Houses Close to the Churches in Ptolemais and Cyrene?
    Autorzy:
    Jastrzębowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/614204.pdf
    Data publikacji:
    2008
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Ptolemais
    Cyrene
    archeologia
    dary
    ofiary
    kościół
    Archeology
    ecclesistical gifts
    sacrifices
    church
    Opis:
    Si tratta di cosi dette mangiatoie di pietra, conservate nelle due case tardo antiche di Cirenaica (oggi Libia): casa di Paulos a Tolemaide (6 esemplari) e in una casa anonima (9 esemplari) presso la Basilica Centrale a Cirene. La piu problematica sarebbe la funzione originaria di questi blocchi rettangolari di pietra ricavati dentro e messi in linea, perche gli studi precedenti di molti monumenti simili dell'Africa del Nord (oggi Tunisia e Algeria) non danno la risposta definitiva a questa domanda: se si tratterebbe delle vere mangiatoie per i cavalli oppure dei recipienti per l’annona in natura oppure, nei casi di ambienti cristiani eon le „mangiatoie”, dei recipienti per le offerte di terra dalia parte dei fedeli o per i doni a loro dalla parte della chiesa ai fedeli furono le vere stalle. Le installazioni di Cirenaica, insieme eon le „mangiatoie” del Santuario d’Asclepio di El Bayda, non sono ancora conosciute ne pubblicate, sicuramente non hanno servito ai cavalli. L’ultimo caso sembra il piu chiaro, ed e molto probabile che nelle „mangiatoie” del luogo deponevano le loro offerte portate al dio della Salute dai malati visitatori del santuario. Si puó chiedere se la vicinanza stretta delle chiese, sia a Tolemaide, sia a Cirene, non potrebbe indicare la funzione simile delle „mangiatoie” in queste citta antiche. Purtroppo le fonti scritte cristiane a ąuesto proposito ne taccino oppure non sono ancora scoperte e studiate.
    Źródło:
    Vox Patrum; 2008, 52, 1; 333-342
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The House of Aion in Nea Paphos: seat of an artistic synodos?
    Autorzy:
    Jastrzębowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/2033315.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    triclinium
    mosaics
    paintings
    Dionysus
    Apollo
    Muses
    theater
    associations
    Opis:
    The article presents some archaeological observations based on recent publications and the author’s survey in situ of the so-called “House of Aion” at Nea Paphos in Cyprus. The archaeological context (coins and pottery) dates the last phase of this building to the 320s, its partial destruction to the earthquake of 332/342, and its final annihilation by another quake to 365. The much-discussed mosaic with mythological decoration in the triclinium and the newly analyzed wall paintings in one of the rooms (No. 7), preserving the figures of Apollo and three of the Muses, are typical decorative elements of late antique Roman elite houses. And yet, the layout of the building, the triclinium located at the entrance to the house, and the presence of two rooms with a wooden floor, laid over an earlier water cistern converted into a cellar, possibly a treasury, suggest that the function of the complex was not residential at all. Indeed, the close proximity of the “Villa of Theseus”, which was rebuilt in the same period and converted into the praetorium of the governor of the island in the first half of the 4th century, suggests that the so-called “House of Aion” could have been the seat of a Roman association, probably a synodos of Dionysiac artists (ex-technitai) who presented themselves in the theater of Paphos. Therefore, it would be better to call this building the Synodeion of Late Roman Cyprus.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(2); 339-386
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wall paintings from the House of Aion at Nea Paphos
    Autorzy:
    Jastrzębowska, Elzbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1682773.pdf
    Data publikacji:
    2019-05-14
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Paphos
    House of Aion
    wall paintings
    stratigraphy
    muses
    Thalia
    Urania
    Euterpe
    Opis:
    This paper studies a collection of painted plaster fragments excavated between 1984 and 1989 in the northern part of the so-called House of Aion, that is, three small rooms (Nos 3, 13, 14, 15 and 7). The architectural context of these finds and their dating is first recapitulated: the house was constructed in the second half of the 4th century only to be demolished by a strong earthquake at the end of the century or the beginning of the following one. Most of the plaster pieces were small and of little significance in terms of the remaining colors, but a few from Room 7 were sufficiently well preserved to support a reconstruction of parts of five figural images (three muses, Apollo and a mask) and determine their hypothetical position in this room. Parallels, in painting and floor mosaics, range from Ephesos and Kos in the east to Vichen (Luxembourg) in the west. Based on the iIonographic identification, the 4th century AD Muses from Paphos could be recognized as: a standing Thalia holding a mask, a seated Urania and a standing Euterpe with a double flute in her hand, accompanied by Apollo holding a lyre. Together they constituted typical decoration of a Mediterranean Roman house, common from the early Empire through late antiquity.
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(1); 527-597
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wspólnota za stołem, czyli sceny uczt w późnym antyku
    Fellowship at a Table the Scenes from the Banquets in Late Antiquity
    Autorzy:
    Jastrzębowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1954300.pdf
    Data publikacji:
    2003
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    uczta
    stibadium
    wino
    feast
    wine
    Opis:
    The following scenes from the Roman banquets of the 3rd and 4th centuries have been compared: from Rome where owing to good conditions many such scenes have survived – they were painted on the walls of tombs in underground Christian catacombs or carved on sarcophagi, both pagan and Christian; from Africa Proconsularis, e.g. the scene of the banquet of gladiators on the mosaic of the Roman house from Thysdrus (El Dz˙em, Tunisia); from Palestine also a single example of the preserved scene of a feast from the Roman house in Sefforis (Israel); and from ancient Scytia Minor - an example of the painting from the Christian tomb in Tomis (Constant¸a, Romania). Irrespective of the various character of the presented banquets among pagans of Christians, both a family meal at home; and a tomb banquet held mostly outdoors; or else a gladiator’s banquet before venatio; all these scenes are combined by the same joyful atmosphere and friendly fellowship at a table with the company lying on a semicircular bed, eating bread, fish or chicken, or drinking wine from goblets that was brought to them in jars by slaves.
    Źródło:
    Roczniki Humanistyczne; 2003, 51, 4; 119-134
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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