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Tytuł:
Hermann Hesse i jego magiczne mosty
Hermann Hesse and His Magical Bridges
Autorzy:
Wieczorkiewicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/951573.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
journey
Asia
East
topos
Herman Hesse
Opis:
This article discusses Hermann Hesse’s short trip to Asia in 1911 and its peculiar symbolism. The trip created an area of references which he used in his writing. He transformed experience of this trip and expectations connected therewith artistically and philosophically, building a special variation of the topos of the way to the East. This topos was widely employed in the times of counterculture, which had transformed it in its own way, but it is still vital today.
Źródło:
Białostockie Studia Literaturoznawcze; 2014, 5
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Benedict Hesse’s Teaching on Conjugal Abstinence
Autorzy:
Ozorowski, Mieczysław
Powiązania:
https://bibliotekanauki.pl/articles/2149958.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Benedict Hesse
conjugal chastity
conjugal abstinence
virginity
castration
spousal dress
Opis:
This article focuses on conjugal abstinence in the teaching of the great Polish theologian, Benedict Hesse, who lived and worked in Cracow during the fifteenth century. In his work Commentary on the Gospel of St. Matthew, Hesse focuses his discussion on chastity and conjugal abstinence in the context of several other subjects, including: the superiority of virginity over marriage; the superiority of virginal chastity over conjugal abstinence; the issue of assessing the pleasure of conjugal sexual intercourse; matters pertaining to modesty of the spouses and their exterior appearance; as well as castration for the Kingdom of Heaven. The issues that Hesse raises in relation to chastity and conjugal abstinence might bring a smile to a contemporary reader’s face, since they seem mostly anecdotal and basic. This article is not a complete and systematic lecture on conjugal abstinence.
Źródło:
Rocznik Teologii Katolickiej; 2021, 20; 49-71
1644-8855
Pojawia się w:
Rocznik Teologii Katolickiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka bez końca
Autorzy:
Fer, Briony
Powiązania:
https://bibliotekanauki.pl/articles/909482.pdf
Data publikacji:
2019-05-07
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Eva Hesse
studioworks
art object
materiality
thing
Opis:
Translation into Polish of a text, orginally published in English, by the British scholar Briony Fer. It concerns the “studioworks” by the American artist Eva Hesse. The article discusses the difficulty of classifying and naming elements of Hesse’s objects which are produced or remain as an effect of her work in her studio. It also focuses on “minor”, lesser known and difficult to classify work by Hesse.
Źródło:
Artium Quaestiones; 2018, 29; 259-287
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Andrea HESSE: Zur Grammatikalisierung der Pseudokoordination im Norwegischen und in den anderen skandinavischen Sprachen (review)
Autorzy:
Horbowicz, Paulina
Sobkowiak, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/1177335.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Andrea Hesse
Zur Grammatikalisierung der Pseudokoordination im Norwegischen und in den anderen skandinavischen Sprachen
review
Źródło:
Folia Scandinavica Posnaniensia; 2010, 11; 206-211
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Гессе и Достоевский: коммуникация „зеркальности”
Hesse and Dostoyevsky - “reflection in the Mirror” Communication
Autorzy:
Попова-Бондаренко,, Ирина
Powiązania:
https://bibliotekanauki.pl/articles/1623757.pdf
Data publikacji:
2018-09-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
Artistic communication is a multistep process. Readers’ conversance with Der Steppenwolf, a novel by H. Hesse, realizes at two communication levels. The first one is represented by the surface existentialist world view. The second level is situated deeper. It should include Hesse’s reception of works by F.M. Dostoyevsky, with whom the German writer begins a dialogue. It is obvious that Hesse is much affected by Dostoyevsky’s style in the field of a plot formation, the type of a hero, various techniques and even language peculiarities. Considering of this layer gives an opportunity to notice a conceptual difference among subjects and motives that are at first glance similar. Hence, the effect of original shift and diffraction, or “reflectivity”, arises. The phenomenon forms other communicative strategies and highlights different key points in Der Steppenwolf. The “reflective” subjects are the theme of friendship and contention, venereal passions, play, art and life sense as a whole.
Źródło:
Studia Rossica Posnaniensia; 2008, 34; 37-44
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Albert Hesse – profesor prawa gospodarczego i statystyki na Uniwersytecie Wrocławskim (1921–1945)
Albert Hesse – professor of economic law and statistics, on Vratislavian University (1921–1945)
Autorzy:
Kruszewski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/697617.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Opolski
Tematy:
Germany
Weimar Republic
Third Reich
national economy
statistics
Silesia
Halle University
University of Wroclaw
Opis:
Albert Hesse was one of the most eminent German professors of economic law and statistics. He was educated at the University Hale-Wittenberg, but spent most of his life, as a researcher in Wroclaw (1921–1945). In the period of Weimar Republic, he became one of the most prominent specialists, in his fields of research. He was engaged in various activities, connect ed with international organisations and on the forum of the League of Nations. What is more, he was also, initially, a worker, and then the co-director of East Europe Institute in Wroclaw, though in 1933, after the Nazis had taken over the power, he lost this position. The time of the Third Reich, was the beginning of Hesse’s end as a researcher as threads of the national socialist ideology appeared more and more often in his academic work, which contributed to a decline in his prestige. Nonetheless, there was no solid evidence of his possible harmfulness to anybody, which allowed him to continue teaching in the postwar Germany.
Źródło:
Opolskie Studia Administracyjno-Prawne; 2017, 15, 2; 147-159
2658-1922
Pojawia się w:
Opolskie Studia Administracyjno-Prawne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przyczynek do historii i ikonografii Ołtarza Gwarków Hansa Hessego w kościele św. Anny w Annabergu
The iconography and history of Bergknappschaftsaltar arising from the Hans Hesse´s workshop
Autorzy:
Huczmanová, A.
Powiązania:
https://bibliotekanauki.pl/articles/122247.pdf
Data publikacji:
2015
Wydawca:
Politechnika Wrocławska. Wydział Geoinżynierii, Górnictwa i Geologii. Instytut Górnictwa
Tematy:
Annaberg
Hesse Hans
Ołtarz Gwarków
prorok Daniel
Miners’ Altar
prophet Daniel
Opis:
W artykule omówiono historię powstania kościoła św. Anny w Annabergu. Na tle historii miasta autorka przedstawia ikonografię Ołtarza Gwarków (Bergknappschaftsaltar) w kościele św. Anny w Annabergu, namalowanego przez warsztat Hansa Hessego, po 1521 roku. Głównym ikonograficznym tematem ołtarza jest legenda proroka Daniela zapisana w „Nützlich Bergbüchleyn“ Ulricha Rüleina von Calw. Ukazana ona została na tle szybów wydobywczych oraz warsztatów zajmujących się wzbogacaniem rudy i biciem monet.
Afterwards rich silver veins were discovered under the Schrekenberg Mountains (1491-1492) as well as settlement related to the other activities. The silver and tin mining industry in the Ore Mountains range began in the early 12th century. With the further settlement of the Ore Mountains in the 15th century new rich ore deposits were eventually discovered around Schneeberg (1470-1477) and Annaberg (1491-1492). In 1496, a settlement was found on the site of the “Schreckenberg” silver mine called the New Town. Master Ulrich Rülein von Calv helped during its location. This settlement was promoted to the status of a city by the decision of Duke Georg der Bärtige and the new town was named Annaberg. The city centre was going to be St. Anne´s Church founded by the Duke which was meant to become the heart of the Saint’s cult in the Ore Mountains. Conrad Pflüger, who started the building in 1499, participated in the construction, and Jacob Heylmann von Schweinfurt completed the project in 1525. This church, ranking itself among the most important late gothic buildings, was a clear manifesto of Duke´s wealth and power ever since it was erected. The interior is decorated with three gorgeous altars including the Bergknappschaftsaltar with the reverse side adorned with paintings originating from the Hans Hesse´s workshop (past 1521). The central idea of these paintings, dedicated to mining industry at first glance, is the legend of the prophet Daniel that was very popular in the German milieu (its literary adaptation written by Ulrich Rülein von Calw was reprinted several times – one of them not long before the discussed paintings came into existence). The legend itself talks about the angel giving Daniel advice on where the underground concealed treasure (precious metals) could be found. Master Rülein added the character of Daniel´s apprentice Knapius to whom, in this adapted version, Daniel handed over all his knowledge on mining industry. Apart from the figures of an angel, the prophet Daniel and his apprentice Knapius we can see St. Wolfgang, saint patron of mineworkers, walking among miners with his attribute, an axe. The remainder of the altar-boards are dedicated to particular mining operating procedures. The “predella” depicts the process of cleaning silver which is an important evidence of women’s role in the mining industry. The left altar wing bears the image of people at a melting furnace and the left wing is a mint with the scene of mintage. In the background of the middle panel there are the gallows reminding the viewer to follow laws and warning that any law breaking shall be deservedly punished. The message of the Bergknappschaftaltar was closely connected to important events in history. The city, as well as its ruler, refused to accept Martin Luther´s ideas and held on the ‘old’ faith while at the same time, the local society had to face up the huge expansion of the recently founded city of Jáchymov which, following in the footsteps of the family of Earl Šlik, adopted the Luther´s doctrine from it onset. Today the Bergknappschaftaltar can be understood as an expression of the Annaberg mining workers’ respect to traditions on two levels, the sacred and the profane.
Źródło:
Hereditas Minariorum; 2015, 2; 139-144
2391-9450
2450-4114
Pojawia się w:
Hereditas Minariorum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ulrich Hesse, Tor! Historia niemieckiej piłki nożnej, przekład Piotr Żelazny, Wydawnictwo Kopalnia, Otwock 2014, ss. 368
Autorzy:
Kita, Agnieszka Maria
Powiązania:
https://bibliotekanauki.pl/articles/687741.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Źródło:
Studia z Historii Społeczno-Gospodarczej XIX i XX Wieku; 2014, 13
2450-6796
Pojawia się w:
Studia z Historii Społeczno-Gospodarczej XIX i XX Wieku
Dostawca treści:
Biblioteka Nauki
Artykuł
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