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Wyszukujesz frazę "Fontane, Theodor" wg kryterium: Wszystkie pola

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    Wyświetlanie 1-7 z 7
    Tytuł:
    Beobachtungen zum Herstellen eines Kriegsbuches. Der preußisch-österreichische Krieg von 1866 bei Theodor Fontane
    Some remarks on making of a war book. The Austro-Prussian War of 1866 by Theodor Fontane
    Autorzy:
    Pacholski, Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/559719.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    Theodor Fontane
    war reporting
    the Austro-Prussian War of 1866
    Battle of Königgrätz (Hradec Králové)
    Opis:
    This paper contains several remarks on Theodor Fontane’s Der deutsche Krieg von 1866 (The German War of 1866), which is the second work from the series of the three so-called war books by the future author of Effi Briest. In these books he presents in minute detail the story of the German Unification Wars. The following aspects are described in this article: the genesis of the above-mentioned work and Fontane’s working method and the structure of his war book of 1866. Using some examples the author of this paper shows Fontane’s handling with citations from foreign and his own previously published texts. At last author of this article gives some information about the (almost missing) reception of The German War of 1866.
    Źródło:
    Orbis Linguarum; 2019, 53; 133-144
    1426-7241
    Pojawia się w:
    Orbis Linguarum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Cécile – starsza siostra Effi Briest
    Cécile – the elder sister of Effi Briest
    Autorzy:
    Pacholski, Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/649145.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Theodor Fontane
    Berlin novels
    Cécile
    Gustave Flaubert
    Madame Bovary
    bovarysme
    Opis:
    This paper deals with Theodor Fontane’s novel Cecile published in 1886. This novel is the first part of the unofficial trilogy of the so-called Berlin novels, which also include Irrungen, Wirrungen (Trials and Tribulations, On Tangled Paths) and Stine. Among these three novels, Cecile is the only one which has not been translated into Polish. In each of these novels, the central motif is misalliance, which in two cases (Cecile and Stine) leads to a tragic end. The motif of a duel, in turn, in which the husband kills the lover or the admirer of the heroine links Cecile to Effi Briest – the most famous of Theodor Fontane’s works. This article attempts to interpret the novel in the context of the similarities between Cecile and Emma Bovary, the protagonist of the masterpiece by Gustave Flaubert and from the perspective of bovarysme –a term coined by Jules de Gaultier. In the analysis, what is important is not only the characterization of Cecile as a character but also the discussion of the role of a letter in the plot of the novel, a letter being a motif used by Fontane in an interesting and surprising way.
    -
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 219-238
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Komödiantinnen und die Gesellschaft. Ein Beitrag zu der Frauenkonzeption bei Theodor Fontane anhand von ausgewählten Romanen
    Autorzy:
    Gałecka, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/606157.pdf
    Data publikacji:
    2009
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Theodore Fontane
    Opis:
    The article „Farce-player and the society. Contribution to the concept of woman in the two novels of Theodor Fontane” concerns the matter, how the woman of the 19 century copies with the role of spouse, what it means to her to submit to the demands of the society. That’s why she puts on a mask, she begins to play-act. The analysis of the novels shows what influence has play-acting on the heroines. The life of Effie Briest ends tragically, but Melanie from “L’adultera” succeeds in throwing away the mask and to restore herself as authentic individual.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2009, 33; 21-32
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bilder von Gutsherrschaft im Werk von Karl von Holtei, Gustav Freytag, Theodor Fontane, Valeska Gräfin Bethusy-Huc
    Autorzy:
    Bonter, Urszula
    Powiązania:
    https://bibliotekanauki.pl/articles/559807.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    Karl von Holtei
    Gustav Freytag
    Theodor Fontane
    Valeska Gräfin Bethusy-Huc
    lordship of the manor
    Opis:
    Imaged lordship of the manor: Karl von Holtei; Gustav Freytag; Theodor Fontane; Valeska Gräfin Bethusy-Huc This paper analyses how the lordship of the manor was depicted in the novels by four popular authors from the long 19th century (Karl von Holtei; Gustav Freytag; Theodor Fontane; Valeska Gräfin Bethusy-Huc). It also emphasises the coexistence of opposing concepts during this period of time.
    Źródło:
    Orbis Linguarum; 2018, 50; 525-538
    1426-7241
    Pojawia się w:
    Orbis Linguarum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Musée imaginaire: Fontanes Gemäldegalerie
    Musée imaginaire: Fontanes picture gallery
    Autorzy:
    Fischer, Hubertus
    Powiązania:
    https://bibliotekanauki.pl/articles/927340.pdf
    Data publikacji:
    2017-04-05
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Theodor Fontane
    picture
    visual memory
    pictorial perception
    English arts
    Dusseldorf School of Painting
    Opis:
    This paper tends to explore ,Fontane's picture gallery' referring to its genesis, characteristic and effect. In doing so the art critic Fontane is improving a distinctive image as an expert especially of English art und of the at that time in Germany leading Dusseldorf School of Painting (Düsseldorfer Malerschule). Furthermore it will be set out how the writer Fontane is acting in his work with pictures and pictorial perception. Eventually there is a suggestion for recovering ,Fontane's picture gallery' to make it possible for the contemporary audience to read Fontane's works in a wider and subtly differentiated manner.
    Źródło:
    Studia Germanica Posnaniensia; 2016, 37; 109-120
    0137-2467
    Pojawia się w:
    Studia Germanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Za dużo światła, to niedobrze, ale takie przytłumione, to w sam raz”: motyw zdrady małżeńskiej w niemieckim realizmie poetyckim na podstawie „Effi Briest” Theodora Fontanego
    “Too much light is not good, but this subdued light is just right”: The Motif of Marital Betrayal in German Poetic Realism – on the Example of „Effi Briest” by Theodor Fontane.
    Autorzy:
    Jabłkowska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/649150.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    The Motif of Marital Betrayal
    The German Poetic Realism
    Theodor Fontane
    Effi Briest
    Opis:
    This article examines the concept of German Realism, also known as poetic realism or bourgeois realism, using the example of the motif of marital betrayal. Theodor Fontane’s Effi Briest is the most widely known literary work that portrays infidelity and the punishment inflicted on the wife who breaks her marriage vows. The novel is often compared to Madame Bovary and Anna Karenina. It depicts not only the young wife’s affair but also its consequences: divorce, losing the rights to her child, social isolation and finally her premature death, caused by her “anguish”. A superficial reading suggests that Fontane was inspired by the literature of European Realism and Naturalism; however, even a cursory comparison of Flaubert’s and Fontane’s works reveals the distinctive features of German Realism. It is this specificity of the mid-19 century German novel that constitutes the main focus of this article. The key aesthetic category characteristic of the German 19th century prose was “humour”, defined by Wolfgang Preisendanz as finding the connection between two seemingly unrelated things. Fontane wrote about the “beautifying veil”, which makes it possible to portray extreme social problems in a poetic way, never directly. The reader must uncover aspects of the literary work which evoke the dilemmas of a world on the verge of modernity.
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    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 197-218
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zum Adelsverständnis der Realisten des 19. Jahrhunderts im deutsch-polnischen Bereich (Theodor Fontane, Gustav Freytag, Marie v. Ebner Eschenbach)
    Autorzy:
    Załubska, Cecylia
    Powiązania:
    https://bibliotekanauki.pl/articles/938028.pdf
    Data publikacji:
    2018-10-29
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    The names of the three writers mentioned in the title are representative for German realism of the 19th century. Their understanding of nobility was different as their social origins differed. The first two of them - Fontane and Freytag, both from the bourgeoisie spheres knew mainly the Prussian nobility, and obviously the Polish nobility, too, and Marie v. Ebner Eschenbach, a noblewoman by origin, was in the circles of Austrian aristocracy and hence comes her perfect knowledge of these circles. All three of them had a particular attitude towards Polish questions. Theodor Fontane was known for his liking of noblemen and great families which at the end of the last century, during the expansion of big industry and the growth of importance of the developing bourgeoisie, did not bring him recognition. A totally different point of view of nobility and Poles is presented by Gustav Freytag who was born at the Polish-German border (in Kluczbork). The one-sided subjective image which he draws in his novels, first of all in the best-seller Owes and has fulfills a tendentiously aimed task of slandering Poles, Polish economy (Polnische Wirtschaft) and of course of Polish nobility. The Austrian noblewoman, Marie von Ebner Eschenbach was the most competent person of all the three writers mentioned here as she knew the nobility from the inside. Her coming from the German-Slavic nobility (she was born the countess of Dubsky from the border of Bohemia and Moravia) did not let her become a chauvinist. In her prosa she is against the privileges of the nobility who are shown by her in a distorting mirror of the satire, and she shows the life of rural people with some fondness.
    Źródło:
    Studia Germanica Posnaniensia; 1991, 17; 125-146
    0137-2467
    Pojawia się w:
    Studia Germanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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