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    Wyświetlanie 1-19 z 19
    Tytuł:
    Image Acquisition and Visualisation in DOOCS and EPICS Environments
    Autorzy:
    Perek, P.
    Wychowaniak, J.
    Makowski, D.
    Orlikowski, M.
    Napieralski, A.
    Powiązania:
    https://bibliotekanauki.pl/articles/397971.pdf
    Data publikacji:
    2012
    Wydawca:
    Politechnika Łódzka. Wydział Mikroelektroniki i Informatyki
    Tematy:
    DOOCS
    EPICS
    HEP
    MicroTCA
    rozproszony system sterowania
    akwizycja obrazów
    wizualizacja
    kamera
    przetwarzanie danych
    distributed control system
    image acquisition system
    visualization
    cameras
    data processing
    Opis:
    The High Energy Physics (HEP) experiments, due to their large scale, required performance and precision, have to be controlled by complex, distributed control systems. The systems are responsible for processing thousands of signals from various sensors of different types. Very often, one of the data sources applied in such systems are visible light/infrared cameras or other imaging sensors, which provide substantial information about studied phenomena. High data throughput for camera systems require dedicated mechanisms for data collecting and processing. Moreover, the images from cameras should be also available to system operator. It needs the support from both operator panels interface and control application which should provide data in the dedicated format. The paper presents two different approaches to image distribution, processing and visualisation applied in distributed control systems. Discussed is the issue of support for cameras and image data implemented in the Distributed Object Oriented Control System (DOOCS) and an example control system designed to the needs of image acquisition system on the base of the Experimental Physics and Industrial Control System (EPICS) environment.
    Źródło:
    International Journal of Microelectronics and Computer Science; 2012, 3, 2; 60-66
    2080-8755
    2353-9607
    Pojawia się w:
    International Journal of Microelectronics and Computer Science
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ilias and Odyssey: Two Epics, Two World Views
    Ilias und Odyssee: zwei Epen, zwei Welten
    Autorzy:
    Szlezák, Thomas Alexander
    Powiązania:
    https://bibliotekanauki.pl/articles/633589.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    The different world views of the authors of the Iliad and the Odyssey are illustrated by selection of verses used by both poets. The role of the gods in the Odyssey precludes the tragic conception of human life that is characteristic of the Iliad.
    Źródło:
    Peitho. Examina Antiqua; 2017, 8, 1; 39-52
    2082-7539
    Pojawia się w:
    Peitho. Examina Antiqua
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Furies et Muses dans la Thébaïde de Stace
    Autorzy:
    Delarue, Fernand
    Powiązania:
    https://bibliotekanauki.pl/articles/559761.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    Statius
    Thebaid
    latin epics
    allegory
    Furies
    Muses
    « Longinus »
    Seneca
    Opis:
    Furies and Muses in the Thebaid of Statius The Thebaid, by the Latin poet Statius, is at the crossroads between the traditional epic and the later “Psychomachiae”. Muses and Furies are fully fictional characters, yet they “symbolise” also inspiration and murderous madness. Thus, far from being outdated, this mythological epic refers to contemporary occupations.
    Źródło:
    Orbis Linguarum; 2018, 50; 187-197
    1426-7241
    Pojawia się w:
    Orbis Linguarum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Figura žreca u Dežmanovu „Ljutovidu”
    Figure of Žrec in Dežman’s Ljutovid
    Autorzy:
    Brunčić, Dubravka
    Powiązania:
    https://bibliotekanauki.pl/articles/636120.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    discourse
    magic
    performative
    Croatian epics
    Ivan Dežman
    Opis:
    This article analyses a construction of figure of žrec in the introductory canto of historical epic Ljutovid written by Croatian romantic writer Ivan Dežman. Žrec is a religious-magical figure  which comprises  functions  of  priest, prophet  and  magician.  By  applying  reviewed readings of Austin’s speech acts theory, the article focuses on the performative dimension of žrec’s prophetic utterances, different types of prophetic speech and their effects of national integration. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2013, 4
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Klasyczny epos perski — tradycja i świadomość autorska
    Classical Persian Epics — Conscious Authorship and Tradition
    Autorzy:
    Krasnowolska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/971278.pdf
    Data publikacji:
    2016
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Persian epos
    continuation
    innovation
    conscious authorship
    Opis:
    The article explores the concept of authorship in early (10th−11th century A.D.) classical Persian epic poetry, it uses examples of three representative works: Ferdousi’s Šāhnāme, Asadi’s and Gorgāni’s Vis-o Rāmin. As the analyzed passages show, all three authors, in spite of their works being based on the existing, traditional sources, have a strong sense of their individual authorship. They understand their role as saving pre-Islamic Iranian patrimony from oblivion, as a modernization of literary language and style and finally, as a search for their personal fame. An attempt at discovering inner senses of the inherited literary material, beyond its external meaning, seems to be another aspect of their authorial creativity.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2016, 59/119 z. 3; 95-105
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mahabharata w literaturze polskiej. Przekłady, tłumaczenia, inspiracje
    The Mahabharata Epic in Polish Literature. Translations and Inspirations
    Autorzy:
    Milewska, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/579284.pdf
    Data publikacji:
    2016
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Mahabharata
    translation
    Indian epics
    Opis:
    The article covers the topic of the more than one hundred years old tradition of translations of fragments of the Indian epic Mahabharata to Polish. The works of professional indologists like Jan Leciejewski, Helena Willman-Grabowska, Andrzej Ługowski, Halina Marlewicz, Iwona Milewska, Marek Mejor and Joanna Jurewicz are discussed in detail. All these translations are unquestionably direct ones whereas this directness is not certain in regard to the ones which were prepared by Antoni Lange, a famous Polish poet and by Antoni Kałuski. This problem of direct and non-direct translations is indicated in the article. But for the presentation of the tradition of Polish translations of the fragments of the Mahabharata it provides some information on the potential influence given to Polish poets based on the stories coming from this Indian epic. One can definitely trace such influences in the works of Jan Kasprowicz and Bolesław Leśmian.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2016, 59/119 z. 3; 135-148
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tureccy i bałkańscy „singers of tales” – „jarzmo” inspiracji czy epicka dwubiegunowość?
    Autorzy:
    Ayşen Kaim, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/677831.pdf
    Data publikacji:
    2011
    Wydawca:
    Polska Akademia Nauk. Instytut Slawistyki PAN
    Tematy:
    Balkan epics
    folk singer
    Turkish folk culture
    Opis:
    Turkish and Balkan “singers of tales” – a yoke of inspiration or epic independence?The research material is mostly based on the works of Albert Lord and Milman Parry, Karl Reichl, Ilhan Basgoz, Pertev Boratav. Epic singers played a significant part in spreading national spirit, be it Turkish or Slavic. The Balkan artists called guslar used a one-string instrument called gusle while a Turkish minstrel ozan and ashik usually used a two-stringed instrument called kopuz or saz. The typical stage for their activities were coffeehouses. Oral epics were transmitted by word of mouth from one singer to another, sometimes by way of formal training based on the transmission of repertoire and technique from master to apprentice. Representative of both traditions was the use of metrics and formulaic style. The song was orally composed in performance, with the audience’s participation. The musical aspect facilitated memorisation. The text to be learned by heart was a story in a song. Although the Turkish and Balkan epic traditions developed independently of each other, the effect of Turkish conquest on the Balkan epic tradition is evident, especially in the style of those singers who perform in borderland (in Kosovo and northern Albania). The Turkish occupation itself became the subject of many epics, reinforcing the national identity of the local population. However, oriental influences also emerged in some formal characteristics, such as the length of the songs, the ornamentation and stylised oriental images and the transformation of separate ballads and short narratives into epic cycles. In both cases for performers themselves this artistic activity became “a way of life”.
    Źródło:
    Slavia Meridionalis; 2011, 11
    1233-6173
    2392-2400
    Pojawia się w:
    Slavia Meridionalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sędziwi ojcowie – Laertes i Priam w epopejach Homera
    Old fathers – Laertes and Priam in epics of Homer
    Autorzy:
    Stępniewska, Alicja
    Powiązania:
    https://bibliotekanauki.pl/articles/613271.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Laertes
    Priam
    Homer
    Opis:
    Subject of the article are experience and sufferings two fathers – Laertes, King of Ithaca and Priam, King of Troy. They both had that experience in its old age, but in different dimension. Son of the first of fathers – Odys has disappeared without tidings, but he came back to Ithaca after twenty years of wandering, to the great joy of longing father. The son of the second of fathers – Hector was killed in a duel with Achilles. The aged Priam in difficult conversation with his son’s killer is reminding Achilles the suffering of his aged father Peleus, who is living in loneliness, to break heart of Achilles. Due to well-aimed arguments, particularly adduction for the feckless old age of the father, aged Priam reaches intentional point – gets corpse of his son back.
    Źródło:
    Vox Patrum; 2011, 56; 61-72
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Female and male attractiveness as depicted in the Vanaparvan of the Mahābhārata
    Autorzy:
    Milewska, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/943972.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
    Tematy:
    sanskrit literature
    indian epics
    mahābhārata
    beauty
    female and male attractiveness
    Opis:
    This paper deals with the bodily attractiveness of heroines and heroes, as described in one of the two most important epics of India. The basis for this analysis is the love stories and episodes included in the main plot of the Vanaparvan, the third book of the Mahābhārata. The stories from this book have been taken into consideration due to their numerous occurrences, which are a sufficient ground for generalizations. Many characteristic features of their protagonists are repeated in different sub‑stories. Also, the images of female and male characters, princesses, queens and kings are presented and discussed in detail. The external beauty of such female heroines as Damayantī, Sāvitrī, Sukanyā, Suśobhanā and Sitā; as well as the attractiveness of two semi‑goddesses, called Apsarases, are described and analysed. The names of the Apsarases discussed in the context of female beauty are Urvaśī and Menakā. Besides this, the image of an unnamed courtesan is discussed, as it is the most detailed description of a female character and probably follows the ideal of female beauty as shown in the Mahābhārata. As far as the male protagonists are concerned, the images of heroes such as Nala, Bhīma, Aśvapati, Rāma and Daśaratha are taken into consideration. The examples of male attractiveness also include features of the five main heroes of the Mahābhārata: the Paṇḍava brothers.
    Źródło:
    ARGUMENT: Biannual Philosophical Journal; 2015, 5, 1; 111-126
    2083-6635
    2084-1043
    Pojawia się w:
    ARGUMENT: Biannual Philosophical Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Desine gentilibus iam inservire poetis…” (versus XI 9). Chrześcijańscy epicy w bibliotece Izydora z Sewilli
    „Desine gentilibus iam inservire poetis…” (versus XI 9). Christian epics in the Isidore’s of Seville library
    Autorzy:
    Krynicka, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/613407.pdf
    Data publikacji:
    2013
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Izydor z Sewilli
    starożytna łacińska poezja chrześcijańska
    chrześcijańscy epicy
    centon
    parafraza biblijna
    Isidore of Seville
    ancient Latin Christian poetry
    Christian epics
    biblical paraphrase
    Opis:
    Isidore of Seville (560-636) is rightly considered to be one of the most important teachers of the medieval Europe. He wrote numerous didactic works on catholic doctrine, biblical exegesis, history, grammar, natural sciences etc. Isidore was neither a scientist nor an independent thinker, but indeed he was a genius of compilation. He spent his youth in the famous library of the bishops of Seville, where he stored knowledge by studying Holy Scriptures and works of classic and Christian authors. This library was destroyed, but we could strive to recreate its catalogue reading the books written by Isidore. In his Versus in bibliotheca Isidore tells us about authors he knew. We find among them Christian poets – Prudentius, Iuvencus, Sedulius, Avitus Viennensis. In Etymologiae Isidore presents to the reader Dracontius, and in De viris illustribus he admires talents of the centonist Proba. Isidore’s knowledge of Christian epics and the high regard he had for them tell us a lot not only about literary tastes of the well-educated bishop, but about the culture of reading of inhabitants of Visigothic Spain in the seventh century as well.
    Źródło:
    Vox Patrum; 2013, 60; 191-207
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poza strukturą. Metonimia i tradycyjne obrazy w eposach Homera
    Beyond the Structure: Metonymy and Traditional Images in Homeric Epics
    Autorzy:
    Soliński, Jędrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/2231472.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Homer
    structure
    oral epic
    metonymy
    type-scene
    Opis:
    The article discusses the question of traditional images in Greek epic poetry, which are based on metonymy, coexisting with themes and type-scenes and stabilising the epic song. Firstly, I present a sketch of oral theory, originally presented by M. Parry and A. Lord. Secondly, I deal with the question of the type-scenes in Homeric epics and Russian oral epic songs—the middle element of A. Lord’s oral song structure. After that, I move on to cognitive theory and its application to Homeric epics, especially in the matter of cognitive scripts as a basis for the construction of type-scenes. Furthermore, I connect cognitive theory with M. Nagler’s Gestalt, A. N. Sabynin’s DRK-structures and J.M. Foley’s traditional referentiality, which are based on a metonymy. On that basis, I present some examples of traditional images of “house” in the Odyssey, which consist of recurrent elements, such as “megaron,” “bedroom,” “wife,” “children,” etc. The singer evokes the traditional image of the “house” using metonymy. The analysis of examples reveals that these images, regardless of the exact words used by the singer, are stable—just as the type-scenes built on M. Clark’s basic scaffolding.
    Źródło:
    Academic Journal of Modern Philology; 2020, 10; 223-235
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rozwój pojęcia λόγος we wczesnej myśli greckiej. Część I: Epika i liryka
    The Development of the λόγος Concept in the Early Greek Thought. Part I: Epics and Lyrics
    Autorzy:
    Narecki, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/1963569.pdf
    Data publikacji:
    1996
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Opis:
    The paper is the first part of a longer cycle; its subject matter is the evolution of the λόγος concept in early Greek epics and lyrics, namely in Homer's and Hesiod's poems, in Homeric Hymns, and in the texts of lyrical poets who had been writing since the beginning of the seventh century B.C. until the times of Heraclitus of Ephesus, in whose thought λόγος plays a prominent role as a technical term. On our list we find the following names in a chronological order: Archilochus, Tyrtaeus, Semonides of Amorgos, Alcman, Stezychor, Alcaeus, Xenophanes, Ibycos, Theognis, Anacreon, Hipponax, Simonides, Bacchylides, Pindar and Ion of Chios. There is an urgent need in science to trace the development of the word λόγος, for it enables the contemporary researchers to understand Greek texts. The word in question plays a particular role in Heraclitus, and later in Plato and Aristotle, in the thought of Stoics, Philon of Alexandria or Plotinus, to mention just the most prominent figures. The word played a principal role to the extent that in some texts written by the above mentioned philosophers we deal even with an idea or doctrine of λόγος. However, before λόγος had come to be the key word of a philosophical concept at least three- four centuries passed. It is this period of time, in principle omitted in modern studies, that constitutes the space which contains our studies. Their aim is above all to 1) find the primitive sense of λόγος through etymological analysis, 2) interpret and define its semantic development, 3) turn our attention to the philosophical meaning of λόγος, i.e. a meaning in which the rational element prevails: λόγος as a manifestation, result or tool of the activity of human intellect. At the bases of all the meanings of λόγος we find their etymological, that is rational and declarative (enunciative) value of the core leg- of the word λέγω from which the verbal noun λόγος is derived. In Homer's poems we deal with a transition from the act of "collecting", which lego primarily means, to "speaking", that is from the rational and distributive value to the declarative value. In the same way as somewhat physically traversed a certain number of objects to collect them, he may perform the same action in a discursive manner, that is he may by means of reason traverse (trace) some series of words, to bind them in the act of "speaking". Now "speaking" (similarly as "collecting") becomes, starting from Homer, a synthetic action, derived from the etymological meaning of λέγειν and binding the two semantic values: rational and declarative. It is from these two that the history of the development of the concept λόγος begins, and − as our studies have proven − these values decide about the character of the majority of distinguished meanings. However, in the latter meanings there prevails the element of expression. No wonder that about the destination of λόγος decides its communicative function, a function of conveying some contents clad in various forms, dependent on the purpose which the poet has assumed. Λόγος may take on the following forms: speech, story, history, tale, maxim, lecture, work, appeal, statement, instruction, lesson, verdict, composition, and treatise. The poet may deliberately mislead people, deceive or conceal the truth, as it takes place especially in the early epic of Homer and Hesiod (αἱμύλιοι λόγοι), or later in the poetry of Theognis (σκολιὸς λόγος). In the case of Stezychor, Alcaeus, Bacchylides and Pindar, who stress the true character of applied λόγος, we find its clear contrast to falsehood (οὐκ ἔτυμος, οὐκ ἀπάλαμνος, οὐκ ὑπόκλοπος or in opposition to ψεῦδος, μῦϑος). Their predecessor in this respect was Hesiod in whose writings the word λόγος, used for the first time in singular, takes on the form of a true "story", well and wisely composed, therefore it extremely diverges from the hitherto, well-known mythical stories. It seems that in the true Hesiod's λόγος (= story) there is made manifest one of the characteristic features of his poetry, i.e. its didactic aspect. It is the same aspect which we find later in the λόγος of Alcaeus, Xenophanes, Ibycos, Anacreon and, above all, in Pindar. The latter uses λόγος as a real fact and, accordingly, attempts to give credence to it in many ways. Pindar gives it the form of a "true counsel, lesson and statement", and poses before his addressee, as worthy of imitation, a life wisdom bearing non-temporal dimension. From the dawn of its history λόγος has played, due to its peculiar primitive meaning, the function of a means of communication. We bear in mind here the relation: poet−recipient (reader), and that is why this function bears also an entertaining and aesthetic character. This takes place in such meanings of λόγος as "speech" − nice, sweet, delusive (e.g. in Homer, Hesiod, Theognis: μαλακοί, α ἱ μύλιοι λόγοι), long (μακρὸς λ. − Semonides), right (δίκαιοι λ. − Bacchylides), "story, history, tale, legend, poetic or prosaic work, appeal, apology" (Hesiod, Archilochus, Alcaeus, Ibycos, Theognis, Anacreon, Simonides, Bacchylides, and Pindar). The only testimony of some devaluation of λόγος is its application by Theognis in the sense of "affair, object". This isolated case may be a testimony that λόγος was often used daily language, though we are short of broader premisses in the shape of a greater number of texts from that period, i.e. the 6th century B.C. Nevertheless the new meanings of λόγος, as early as Theognis' poetry, support the thesis that λόγος becomes a more and more popular and fashionable concept. Its semantic field is rich and capacious, therefore it is a proper word to create new shades of meaning. The most interesting among them are those in which the rational element prevails or is entirely dominant, excepting its expressive (i.e. enunciative) character. Tracing chronologically the list of the meanings of λόγος, we find its first use in Tyrtaeus in the idiomatic expression ἐν λόγῳ τιέϑναι, where λόγος is translated as "value, recognition, respect". Further we have "arguments" in Stezychor and Theognis. This meaning is, as it seems, a development of a "rhetorical" (that is persuasive) function of "tricky words", reaching back to the very origins of literature, that is in Homer and Hesiod. Λόγος in Theognis merits our particular attention; there it is a "ratio, relation, proportion". This meaning paves the way for the Pythagorean, Plato's and Aristotle's mathematic or geometric "proportion". The use of λόγος by Theognis to denote an "ability to reason, to think" is equally interesting and has a purely rational character. It denotes the processes which occur inside man, in his intellect. The following three meanings of λόγος in Pindar's poetry are a visible manifestation of its (i.e. reasons's) activity. We have in mind here: 1) "number", 2) "essence" or else "principle" as the leading idea expressed in a maxim, and 3) "justification" or, in other words, "cause, reason". It seems that Pindar's poetry is perhaps the best proof, having an etymological justification, twofold character of the development of the concept λόγος. On the one hand there is the whole range of meanings which bear a typically expressive character: λόγος as a widely understood verbal statement (although this does not in the least mean that there is no rational element); on the other hand one may notice an opposite tendency to express, by means of the same word, the rational grounds of the same statement in the form of "thinking, calculating and justifying", the activities which human intellect performs. The conclusions presented here cannot claim a right to be exhaustive and complete, for their basis is only the texts of epics and lyrics, coming from the early period of the development of Greek literature. We have some reasons, however, to assume that the preserved fragments of the Presocratics, whose analysis we shall make in a further paper, will confirm the above conclusions. The latter conclusions in fact come down to a statement that the Greek oratio has always been subordinated to its ratio.
    Źródło:
    Roczniki Humanistyczne; 1996, 44, 3; 21-51
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Human machine interface for piezo control system
    Autorzy:
    Plewiński, P.
    Makowski, D.
    Mielczarek, A.
    Napieralski, A.
    Powiązania:
    https://bibliotekanauki.pl/articles/398067.pdf
    Data publikacji:
    2017
    Wydawca:
    Politechnika Łódzka. Wydział Mikroelektroniki i Informatyki
    Tematy:
    human machine interface
    HMI
    High Energy Physics
    Qt
    Qt Quick
    QML
    EPICS
    BOY
    MicroTCA
    interfejs człowiek-maszyna
    fizyka wysokich energii
    Opis:
    The increasing complexity of scientific experiments puts a large number of requirements on the systems, which need to control and monitor the hardware components required for the experiments. This article discusses three different technologies of developing Human Machine Interface (HMÏ) for the Piezo Control System (PCS) developed at the Lodz University of Technology (TUL). The purpose of the PCS system is compensating the detuning of a superconducting accelerating structure caused by the Lorentz force. A set of full-custom HMI operator interface was needed to operate the prototype device. In order to select the technology, which would best suit the requirements; the interface was designed and developed in native Qt, Qt Quick and EPICS. The comparison was made and their advantages and drawbacks are presented.
    Źródło:
    International Journal of Microelectronics and Computer Science; 2017, 8, 4; 155-160
    2080-8755
    2353-9607
    Pojawia się w:
    International Journal of Microelectronics and Computer Science
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Podawanie akcji i traktowanie czasu w Quidamie
    Action Arrangement and Time Treatment in Quidam
    Autorzy:
    Fieguth, Rolf
    Powiązania:
    https://bibliotekanauki.pl/articles/1807326.pdf
    Data publikacji:
    2020-01-02
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Cyprian Norwid
    epika wierszowana
    struktury narracyjne
    traktowanie czasu epickiego
    typologia i alegoria
    versified epics
    narrative structures
    treatment of epical time
    typology and allegory
    Opis:
    Artykuł jest preprintem jednego z rozdziałów książki autora na temat Quidama Cypriana Norwida (1863). Quidam to wierszowany utwór narracyjny (poemat), którego akcja jest umiejscowiona w Rzymie cesarza Hadriana w czasie żydowskiego powstania Bar-Kochby (132-135 n.e.). Akcja ta, podawana w sposób niekonwencjonalny, wyposażona została w cechy alegoryczne i typologiczne, ciągle wskazując też pośrednio a dobitnie na XIX-wieczną Europę i Polskę. Są tam czytelne aluzje do europejskich struktur państwa policyjnego, wieloetnicznych społeczeństw masowych, kryzysów religijnych, powstań, konfliktów wojennych, despotów jowialnych i neurotycznych. Rzym II wieku, a z nim XIX-wieczna Europa i Polska są charakteryzowane jako zagrożone przez głęboko ukryty kryzys na wszystkich szczeblach społeczeństwa, który konkretnie przejawia się też w zakresie intymnego życia prywatnego. Poeta sprowadza ten kryzys do sekretnego metafizycznego zwrotu w historii świata, który dokonuje się stopniowo od momentu zejścia Chrystusa na ziemię, nie dobiegając końca w XIX wieku. Tematowi kryzysu odpowiada w poemacie kryzysowy i krytyczny stan środków i sposobów literackiej prezentacji świata w kryzysie. W artykule analizowane jest niezwykłe opracowanie w Quidamie czasu i materiału narracyjnego. Utwór zawiera elementy na kilka różnych nowel albo na większą powieść historyczną, albo też na paraboliczną epopeję chrześcijańską i humanistyczną. Zarysowują się w tym materiale różne wątki zdarzeniowe, ale wątki te są rozkawałkowane, ich zaś fragmenty są dziwnie z sobą przemieszane. Nie dziwi wówczas, że także chronologia poematu wykazuje cechy uszkodzenia: w obliczu bezczasowej wieczności Boga i Jego planu zbawienia ludzkości ludzki historyczny czas zarówno II, jak i XIX wieku musi mieć kształt ułomny. Znika w ten sposób wszelka konwencjonalna hierarchia narracyjna, a w zamian wyłaniają się paradoksalne paralele i kontrasty między osobami, sytuacjami i epokami. Nic i nikt nie jest tu raz na zawsze wtórny czy nieważny. W końcu wszyscy ludzie poematu, nie tylko syn Aleksandra z Epiru, centralna postać poematu, okazują się w różnym stopniu nieświadomymi nosicielami prawdy Chrystusowej. Fakt ten jednak ani ich zbytnio nie uszlachetnia, ani nie uszczęśliwia.
    The article is a preprint of a chapter of the book of the author on Cyprian Norwid’s Quidam (1863). Quidam is a narrative rhyming verse (poem), whose action is located in the Rome of the Emperor Hadrian, during the Jewish revolt of Bar-Kochba (132-135 AD). This action, presented in an unconventional way, is equipped with allegorical and typological features, still pointing indirectly, but clearly, on the nineteenth-century Europe and Poland. It contains clear allusions to the European structures of the police state, multi-ethnic mass societies, religious crises, uprisings, military conflicts, jovial and neurotic despots. The Rome of the second century, and along with it, the nineteenth-century Europe and Poland are characterized as endangered by a deeply hidden crisis at all levels of society, which manifests itself concretely also in intimate private life. The poet brings the crisis to a secret metaphysical turn in the history of the world, which takes place gradually since the descent of Christ on earth, but not ends in the nineteenth century. To the topic of the crisis in the poem corresponds the critical state of means and methods for the literary presentation of the world in crisis. The article analyzes the remarkable development of time and narrative material in Quidam. The poem contains elements adequate for several different short stories or a larger historical novel, or a Christian and humanistic parabolic epic. Different event topics are presented in this material, but these topics are split up, and their pieces are strangely intermingled with each other. Therefore, it is not surprising that the chronology of the poem has the characteristics of damage: in the face of the timeless eternity of God and His plan of salvation for mankind, human historic time must be defective for both the second and the nineteenth century. In this way, any conventional narrative hierarchy disappears, and instead, paradoxical parallels and contrasts between individuals, situations and eras emerge. Nothing and no one is here forever secondary or unimportant. Ultimately, not just the son of Alexander of Epirus, the central figure of the poem, but all men of the poem appear to be in varying degrees unconscious carriers of the truth of Christ. However, this fact does not ennoble them too, nor make them happy.
    Źródło:
    Roczniki Kulturoznawcze; 2014, 5, 3; 89-109
    2082-8578
    Pojawia się w:
    Roczniki Kulturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Modelativni potencijal kletve u usmenoj epici
    On the Modelative Potentials of the Curse in Oral Epics
    Autorzy:
    Detelić, Mirjana I.
    Delić, Lidija D.
    Powiązania:
    https://bibliotekanauki.pl/articles/635986.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    oral epic poetry
    functions of the curses
    mother’s curse
    mother’s milk
    parent’s curse
    girl’s curse
    Opis:
    This paper offers an analysis of (prevalently feminine) curses which come to being within the text of the epic songs. This specific form of cursing is particularly pointed in the curses by mother’s milk. Both in tradition and in the epics, these curses are equal to taboo, which means that nobody dares disobey them: such is the deep belief in their efficiency. Because there is no discrimination in the epics about who can or cannot make a curse (everybody can: narrator/singer, protagonists, antagonists, heroes and their foes, messengers, mothers, wives, godmothers, sisters, brothers, fairies, forests, etc.), focusing on the parental and lovers’ curse is necessary for the sake of congruence. This will  help in spotting the interactive patterns in the structure of epic songs more accurately. The analysis is done on the corpus of approximately 1500 epic songs described at the end of this paper.
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 3
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Текстово-образна унiврсалiя як реалiя фольклорно-пiенново дискурсу (на прикладi мовноструктурної органiзацїї думового епосу)
    Autorzy:
    Петрiвна Беценко, Тетяна
    Powiązania:
    https://bibliotekanauki.pl/articles/615560.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    language doom epics
    text-shaped universal
    folk communication tool
    folk improvisation formula
    folklore symbol
    Opis:
    The aim of the paper is to define the concept of text-shaped universals in the works of the Ukrainian national heroic epic. The text-shaped universals are analyzed to determine the relationship between them and the formulas and different text components. The author considers the texts and imaginative universals as a system and as a linguistic model. She looks at them, trying to determine what the building blocks of text-shaped structures and what the essential features of the analyzed structures are like. She analyzes the function of folk improvisation understood as a verbally-shaped folk instrument of communication.
    Źródło:
    Stylistyka; 2013, 22; 123-151
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Narrative strategies of the Romantic “philosophical epics” in the piano works of Franz Liszt (Analysis o/Sposalizio, Valee D’Obermann, Ballade No. 2 and the Sonata in B minor)
    Autorzy:
    Grabocz, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/780389.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    musical signification
    musical semiotics
    narrative strategy
    signifieds in music
    character variation
    formal variation
    complex sonata form
    narrative analysis
    Opis:
    The article explains how ideas, characters and images borrowed from literary works and of fine arts are represented in Liszt’s the piano works of (i.e. with the help of motives, themes and narrative strategies). I. The first level of analysis concerns the typology of basic elements in the new lisztian forms: A. Four types of musical motives or figures and their signifieds (semes). B. Sixteen types of musical themes with their signifieds (classemes). C. Considering the great parts or sections of a piece we discovered seven types with their signifieds (isotopies). II. The second level of analysis consists in the presentation of three types of narrative strategies. The narrative strategy would mean the conscious organization of concatenation of the above mentioned signifying elements. A. The “figurative strategy” refers to the formal variation [‘Formalvariation” in German] of onetheme, or of one “thematic complex” (theme introduced and followed by expressive describing motives or refrain), for example: Sposalizio. B. The “simple narrative strategy” consists in a succession of character variations [‘Charaktervariation’], i.e. variation in the musical genre, in the signified of one musical theme (for example: Vallee d’Obermanri). C. The “complex narrative strategy” describes the structures which combine sonata form, cyclical sonata in four movements and variation form. This strategy implies that a whole thematic complex (exposition) is submitted to different stages of the character variation (for example: Dante sonata, Sonata in B minor, 2nd Ballade in B minor, etc.).
    Źródło:
    Interdisciplinary Studies in Musicology; 2015, 14; 113-135
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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