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Wyświetlanie 1-15 z 12208
Tytuł:
“. . .delivered from the lie of being truth”: The Affective Force of Disinformation, Stickiness and Dissensus in Randy Ribay’s Patron Saints of Nothing
Autorzy:
Pacheco, Vincent
De Chavez, Jeremy
Powiązania:
https://bibliotekanauki.pl/articles/2032757.pdf
Data publikacji:
2021-11-22
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
affective feedback loops
stickiness
dissensus
Randy Ribay
Patron Saints of Nothing
Opis:
Waged in 2016, Philippine President Rodrigo Duterte’s war on drugs has claimed over 20,000 lives according to human rights groups. The Duterte administration’s own count is significantly lower: around 6,000. The huge discrepancy between the government’s official count and that of arguably more impartial organizations about something as concretely material as body count is symptomatic of how disinformation is central to the Duterte administration and how it can sustain the approval of the majority of the Philippine electorate. We suggest that Duterte’s populist politics generates what Boler and Davis (2018) call “affective feedback loops,” which create emotional and informational ecosystems that facilitate smooth algorithmic governance. We turn to Patron Saints of Nothing, a recently published novel by Randy Ribay about a Filipino-American who goes back to the Philippines to uncover the truth behind the death of his cousin. Jay’s journey into the “heart of darkness” as a “hyphenated” individual (Filipino-American) allows him access to locally networked subjectivities but not its affective entanglements. Throughout the novel, he encounters numerous versions of the circumstances of Jun’s demise and the truth remains elusive at the end of the novel. We argue that despite the constant distortion of fact and fiction in the novel, what remains relatively stable or “sticky” throughout the novel are the letters from Jun Reguero that Jay carries with him back to the Philippines. We suggest that these letters can potentially serve as a form of “dissensus” that challenges the constant redistribution of the sensible in the novel.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 84-96
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« “Nous sommes biches” par vocation ». Vocation (?) d’une demi-mondaine d’après les mémoires de Céleste Mogador, de Cora Pearl et de Rigolboche
Autorzy:
Stępińska-Kucza, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/20874674.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
vocation
courtesan
prostitution
memoirs
liberty
demi-mondaine
courtisane
mémoires
liberté
Opis:
The present paper aims to explore the topic of the vocation of a courtesan in the 19th-century France, by analyzing memoirs of tree demi-mondaines of the time: Céleste Mogador, Cora Pearl and Rigolboche. Does such a vocation exist ? If yes, how can we define this notion? The first part tries to show that prostitution isn’t chosen by women because of the their inclination to debauchery, but is the result of the failed education and parental abandonment. The second part focuses on the importance of independence in the courtesan’s life, as a part of their vocation, and the manner to gain it.
Źródło:
Cahiers ERTA; 2023, 35; 27-44
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« À quoi bon se parler avec la voix quand on se peut parler avec l’âme ? » Le silence dans les textes narratifs de Marie Krysinska
« À quoi bon se parler avec la voix quand on se peut parler avec l’âme ? » Silence in Marie Krysinska’s Narrative Texts
Autorzy:
Wierzbowska, Ewa M.
Powiązania:
https://bibliotekanauki.pl/articles/483697.pdf
Data publikacji:
2017
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
silence
discours mental
quasi-mutisme
complicité
Krysinska
Opis:
Literature is filled with silence, which, being polysemic, is a medium much harder to decipher than a word, whose semantic bearing capacity is more limited. To explore silence is to try to gain access to something most intimate, something that does not want to – or cannot – appear in verbal form. In Krysinska’s selected texts one observes silence on two levels, the narrative level and the story level. In most cases, we are dealing with a communicative silence. On the story level, characters use silence as an efficient way of achieving their goals or they are forced into silence by external factors. In many cases silence is imposed on the characters, it is not their choice, for in the given situation they could not utter even a single word. On the narrative level it is the narrator who condemns characters to the role of quasi-mutes, for any statements from characters are relatively rare. The narrator does not allow them to speak freely, he uses reported speech. He exercises active control over the reader, skilfully directing their reception and forcing them to accept his point of view.
Źródło:
Quêtes littéraires; 2017, 7; 105-113
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« À voix haute ou silencieuse » : Dans le nu de la vie de Jean Hatzfeld et les médiations du témoignage
Mediating testimonial narratives in Jean Hatzfeld’s Dans le nu de la vie
Autorzy:
Kuhn-Kennedy, Fleur
Powiązania:
https://bibliotekanauki.pl/articles/1627893.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Testimonies have a sociological function: in order to achieve their goal, they have to be heard and validated by the group, and to become part of a collective narrative about the past. Even though they tell a personal story, they always relate both with other narratives about the same historical event and with their envisioned public, thus engaging in a dialogue with the society for which the narrative is meant. The case of Jean Hatzfeld’s Dans le nu de la vie offers an example of a publication of testimonial texts where verbal exchanges were actually involved in the process of formulating, sharing and writing traumatic individual experiences. The object of this article is to analyse how the mediation of the author, who listens to the survivors’ stories and inserts them in his own work, gives rise to a shared narrative where different voices both combine and confront each other.
Źródło:
Cahiers ERTA; 2015, 8; 89-100
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Adieu, les résolutions! » — ou plutôt au revoir et à bientôt La fascination ambiguë de la transgression itérative dans le roman La coscienza di Zeno d’Italo Svevo
Autorzy:
Kauß, Anja
Powiązania:
https://bibliotekanauki.pl/articles/700611.pdf
Data publikacji:
2010
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The article investigates into the conflict of virtue and ‘pleasure principle’ in Italo Svevo’s novel La coscienza di Zeno (1923). Throughout his life, the main character of this novel, Zeno Cosini, sees himself confronted with the demand of leading a virtuous life corresponding to the definition given by his social environment. Engaging himself into this project with resolutions which are equally categorical, firm and ready to be turned round to their opposite, more pleasant side, Zeno Cosini denies his inevitable progression on the slippery slope, his resolutions providing the promising basic condition for his various forbidden pleasures, which at the same time allow him to fathom out the borders and limits of good and evil. The more he digresses from his aim, the more he insists on increasingly exacerbated resolutions, for his emphatic obstinacy concerning his project of being “actively virtuous” allows him to indulge more and more in iteratively “last” deviations from his project which is obviously far beyond his possibilites. Nevertheless, Zeno Cosini manages to wash his hands off by making a virtue out of necessity. Thus, strokes of fate (for instance being diagnosed as having a mortal disease) appear to him as a relief or a blessing, and, looking back, he uses his entire life failure as a shelter from further demands of “reason”. In order to justify (also to himself) his recidivous existence, Zeno Cosini pleads the apparent powerlessness of the modern individual in the face of life which appears to him as per se contingent, ambivalent and full of imponderabilities. He thus delegates the moral responsibility to life itself which he judges to be “original”. From this point of view adapted cynically to his needs, Zeno Cosini realizes that what can be conceived as an “illness” is by no means his vice, his recidivism or his bad conscience, but life itself - which can be catered for with a great deal of good will, analyzed and fathomed out conscientiously via transgression - according to him, is nothing but a manifestation of illness - moreover, an incurable and mortal one - for which there is no remedy, but which can at least be truffled with transgressions. Key words: Transgression, contingency, ambivalence, irony.
Źródło:
Romanica Silesiana; 2010, 5
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Aimer religieusement le monde et la vie » : la réponse de Pierre Leroux au contemptus mundi
Autorzy:
Szymański, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1912423.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Pierre Leroux
romantisme
contemptus mundi
religion
philosophie de la vie
philosophie comme manière de vivre
souverain bien
Romanticism
philosophy of life
philosophy as a way of life
highest good
Opis:
Dans son ouvrage De l’humanité, de son principe et de son avenir (1840), Pierre Leroux cherche à établir la « vraie définition de la religion », en visant à une synthèse des traditions religieuses de l’humanité et de la philosophie moderne. Aucune des réponses philosophiques que l’homme a tenté jusqu’ici de donner à la question du bonheur et du souverain bien (stoïcisme, épicuréisme, platonisme, christianisme) ne peut être jugée comme satisfaisante. Entre matérialisme qui méprise l’esprit d’un côté et spiritualisme qui méprise la nature et le monde de l’autre, Leroux cherche une troisième voie : « Aimer religieusement le monde et la vie ». Sa philosophie, qui est à la fois une manière de vivre et une réflexion herméneutique sur l’humanité, conduit à l’application véritable et socialement organisée du principe de l’amour, et dépassant égoïsme et altruisme dans la solidarité, permet de libérer la nature et la vie du mépris qui pesait sur elles pendant des siècles.
In his book De l’humanité, de son principe et de son avenir (1840), Pierre Leroux seeks to establish the “true definition of religion”, aiming at a synthesis of the religious traditions of humanity and modern philosophy. None of the philosophical answers that man has hitherto attempted to give to the question of happiness and of the highest good (Stoicism, Epicureanism, Platonism, Christianity) can be judged as satisfying. Between materialism that despises the spirit on one side and spiritualism that despises nature and the world on the other, Leroux seeks a third way: “To love religiously the world and life”. His philosophy, which is at the same time a way of life and a hermeneutic reflection on humanity, leads to real and socially organized application of the principle of love, and – transcending in solidarity the opposition between selfishness and altruism – makes it possible to free nature and life from the contempt that weighed down on them for centuries.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2020, 15; 151-161
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Almanach des honnêtes gens » (1788) de Sylvain Maréchal, ou penser un calendrier révolutionnaire avant la Révolution
Almanach des honnêtes gens (1788) by Sylvain Maréchal, or Thinking about a Revolutionary Calendar before the Revolution
Autorzy:
Matyaszewski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1775511.pdf
Data publikacji:
2020-11-03
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Sylvain Maréchal
calendar
Revolution
dechristianisation
Opis:
The article presents the history and analyses the form of Almanac des Honnêtes Gens [Almanac of Good People] by Sylvain Maréchal (1750–1803), published a year before the Revolution. This work is pioneering in relation to the revolutionary calendar of 1793 — it proposes a very similar idea of breaking with the Christian calendar and introducing a new system of values and for measuring time in human history. In his Almanac, Sylvain Maréchal replaces the names of saints and patrons of the Catholic Church with those of philosophers, artists, writers, and politicians who, because of their lives and works, deserve eternal memory of their posterity. The idea of “new saints”, symbols of human wisdom and the power of the spirit, anticipates the dechristianisation movement and the idea of a “new time” that was soon to be promoted by the Revolution.
Źródło:
Wiek Oświecenia; 2020, 36; 85-111
0137-6942
Pojawia się w:
Wiek Oświecenia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Autour de Patrick Chamoiseau ». Études réunies et présentées par Tomasz Swoboda, Ewa Wierzbowska et Olga Wrońska. Cahiers de l’Équipe de Recherches en Théorie Appliquée (ERTA), T. 1. Sopot, Fundacja Rozwoju Uniwersytetu Gdańskiego, 2008...
Autorzy:
Jarosz, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/700591.pdf
Data publikacji:
2009
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Źródło:
Romanica Silesiana; 2009, 4
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Aux ordres de l’époux obéir, c’est le droit essentiel des épouses »: le mariage dans les écrits de la princesse Franciszka Urszula Radziwiłł (1705-1753)
"Obedience to one's husband is a wife's first duty": the subject of marriage in the writings of Princess Franciszka Urszula Radziwiłł
Autorzy:
Judkowiak, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1051593.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
This article deals with the issue of love, marriage and motherhood, which dominates the work of the first Polish female writer to be at once both a poetess and a dramatist. It offers a reconstruction of the biographical context that strongly influences many of Radziwiłłowa’s utterances on this subject and sheds light on more general matters, such as the juridical and social situation of women in the Polish-Lithuanian Commonwealth.
Źródło:
Studia Romanica Posnaniensia; 2011, 38, 1; 67-79
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« C’est trahison de se marier sans s’espouser » – Montaigne et sa conception du mariage
"It is treachery to marry without espousing" - Montaigne and his concept of marriage
Autorzy:
Szeliga, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1051594.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
This article is an attempt to look into an issue, many times undertaken by critics, of Montaigne’s attitude towards marriage. Major reflections on the subject are described by the author of the Essays in the chapter « Upon some verses of Virgil » (III, 5). However, comments scattered around other places, often contradictory in their nature, create a picture full of ambiguities.
Źródło:
Studia Romanica Posnaniensia; 2011, 38, 1; 13-21
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« C’est vraie et bonne amour que de pere et de mere ». La peinture des relations familiales dans Les Narbonnais et dans leur mise en prose
Autorzy:
Pudo, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/638257.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Opis:
The author analyses the picture of family relationships in the 13th-century epics belonging to the cycle of William of Orange (Narbonnais), comparing it to the one presented in corresponding fragments of the 15th-century prose adaptation of this cycle, and alluding to the real, historical functioning of medieval families. At the level of mutual communication between the members of Narbonne family, some attenuation of the expression of anger can be noticed, by means of eliminating the invectives and other irrespectful forms. The same tendency appears in presenting other types of Narbonne family’s behaviour: in the adaptation, they are deprived of the epic vehemence and brutality (Aymeri doesn’t hit his wife, and his son doesn’t threaten him with his sword). In both versions, the family is strongly paternalistic, and the count dominates his wife as well as his sons. Nevertheless, whereas the epic song is concerned mainly by the differences between the maternal and paternal vision of their sons’ education, the adaptation focuses on the generation conflict. Finally, one can notice a change in the place of the family in the system of values: in the song, the social values are more important (position, wellness, welfare of the lineage as a whole), whereas the prose author seems to value more the relationships between family members defined as unique, irreplaceable creatures.
Źródło:
Romanica Cracoviensia; 2009, 9, 1
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Car on ne saurait mieux dire » : la mémoire des noms et des visages dans l’œuvre de Romain Gary
Autorzy:
Viron, Sébastien
Powiązania:
https://bibliotekanauki.pl/articles/20874580.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
Gary
face
name
memory
imagination
visage
nom
mémoire
Opis:
We will examine the largely ethical vocation of Romain Gary's memorial writing project, which leads it to metamorphose itself into a literary tomb of the forgotten dead. We will then discuss, from a more narratological point of view, how this memory emerges untimely in the narrative and sometimes frees itself from it to signify the transcendent character of the name and the face. Finally, we will show that Gary goes beyond the somewhat naive vision of the memory as a mere recorder of events or images by associating it with the imagination to give it a poetic and counter-historical use.
Źródło:
Cahiers ERTA; 2022, 32; 70-87
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Ces orgies d’inspirations ». Le destin du peintre d’après le "Journa"l de Félix Ziem
“These orgies of inspiration”. The Destiny of the Painter According to the Journal of Félix Ziem
Autorzy:
Sokołowicz, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/20874699.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
Félix Ziem
diary
painter
destiny
journal intime
peintre
destin
Opis:
The present paper focuses on the diary of the French painter Félix Ziem (1821-1911) and inquires the destiny of the painter emerging from his writings. Basing on the theories of diary writing (B. Didier, A. Girard, J. Lis), it shows how the artist represents his profession. The analyses convey that three elements are necessary for Félix Ziem to fulfill the destiny of the painter: hard work, dreamy contemplation of nature and travels. Those elements are described in detail in the three consecutive parts of the paper. The conclusions display a self-confident artist, influenced by Romantic aesthetics, who consciously constructs in his diary a testimony of his life as an example of painter’s destiny.
Źródło:
Cahiers ERTA; 2023, 35; 61-80
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Cest La Vie Qui Exagere »' : Quelques Remarques a Propos De La Mort De Balzac Dans La 628-E8^ D'octave Mirbeau
"It is life that exaggerates": some remarks on Balzac's death in Octave Mirbeau's novel La 628-E8
Autorzy:
Vareille, Arnaud
Powiązania:
https://bibliotekanauki.pl/articles/1052935.pdf
Data publikacji:
2005-10-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
In the novel La 628-E8 declaring his disgust with art, as if looking for a confirmation of his feeling, Octave Mirbeau dedicates three subchapters of his work to Balzac, in order to create a biography, taking into account only the figure of the writer as a man, leaving out his oeuvre. But while the text seems to be a farewell with literature and with its effect of artificiality, praising the virtues of the text-document containing elements which are exclusively the author's own, a fragment which describes Balzac's death makes the word emerge in all its complexity: the word as an evidence of reality or as an invention. Thus, through its nature of elusiveness, it becomes a reconciliation between literature and life.
Źródło:
Studia Romanica Posnaniensia; 2005, 32; 185-194
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Chaque esprit est maçon » : l’Art Royal et l’idée de religion universelle dans la littérature française du XIXe siècle
"Each Mind is a Mason": the Royal Art and the Idea of Universal Religion in 19th Century French Literature
"Każdy duch jest murarzem": Sztuka królewska i idea religii uniwersalnej w literaturze francuskiej XIX wieku
Autorzy:
Szymański, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/683340.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Sztuka królewska
wolnomularstwo
XIX wiek
Francja
religia uniwersalna
Royal Art
Freemasonry
19th century
France
universal religion
Opis:
Wolnomularska Sztuka królewska, łącząca naukę i filozofię z poszukiwaniem duchowym i moralnym doskonaleniem, promieniuje na cały XIX wiek, który jest spadkobiercą zarówno racjonalistycznej myśli oświeceniowej jak i XVIII-wiecznego iluminizmu. Jedną zaś z kluczowych dla wolnomularstwa idei jest „religia co do której wszyscy są zgodni”, o której mówią Konstytucje Andersona. Idea religii uniwersalnej, już to odwołująca się do pierwotnego objawienia już to przyjmująca postać religii naturalnej, posiada liczne odmiany w XIX wieku, które kształtują się w zetknięciu z literaturą romantyczną (Pani de Staël), utopiami społecznymi (saint-simonizm) czy humanitaryzmem (Pierre Leroux). Artykuł ma na celu przedstawienie roli odegranej w tym procesie przez wolnomularzy oraz oddźwięku jaki ich twórczość znalazła w refleksji innych autorów na temat religii.
Masonic Royal Art, combining science and philosophy with spiritual research and moral improvement, radiates throughout the whole 19th century, which is the successor of both rationalist Enlightenment thought and 18th century illuminism. One of the key ideas of Freemasonry is the “Religion in which all Men agree” mentioned in Anderson’s Constitutions. The idea of a universal religion, referring to a primal revelation or taking the form of natural religion, has numerous variations in the 19th century, formed in contact with romantic literature (Madame de Staël), social utopias (Saint-Simonianism) or humanitarianism (Pierre Leroux). The aim of the article is to show the role played in this process by Freemasons and the influence they have exerted on other authors reflection on religion.
-
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2018, 13; 19-31
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 12208

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