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Wyszukujesz frazę "Chmielowski, Piotr" wg kryterium: Wszystkie pola


Wyświetlanie 1-15 z 15
Tytuł:
O potrzebie powrotu do źródeł
The need to go back to basics. A review of W sprawie przełomu pozytywistycznego. Spory krytyczne wokół „Zarysu literatury polskiej z ostatnich lat szesnastu” Piotra Chmielowskiego by Tadeusz Budrewicz and Tomasz Sobieraj
Autorzy:
Kowalczuk, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/1389383.pdf
Data publikacji:
2016-03-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
breakthrough
dispute
criticism
Piotr Chmielowski
Opis:
The article presents deliberations on the rules of problematisation of the dissertation, introducing critical texts collected in an anthology and a selection thereof. Attention has been paid to the arguments confirming the culture-forming impact of Zarys literatury polskiej z ostatnich lat szesnastu by Piotr Chmielowski, the issues related to the Positivist breakthrough and the related changes in his worldview. Another discussed topic is the criteria and strategies in the 19th century polemics.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 26; 231-240
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak objąć poetów nakazem pracy. Eliza Orzeszkowa i Piotr Chmielowski wobec Działu pieśni Leonarda Sowińskiego
How to impose compulsory work scheme on poets? Eliza Orzeszkowa and Piotr Chmielowski and “Dział pieśni” by Leonard Sowiński
Autorzy:
Okulicz-Kozaryn, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/1534372.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Leonard Sowiński
poetry written after the January uprising
Positivist literary criticism
journalism of Eliza Orzeszkowa
Piotr Chmielowski’s history of literature
campaign against poetry
tendentious literature
utilitarianism
counter-utilitarianism
Opis:
Condemning the hostile attitude of modern poets towards both the manifestations and the very idea of civilizational progress, Eliza Orzeszkowa, in her extensive article Listy o literaturze. Wiek XIX i tegocześni poeci written in 1873, and then Piotr Chmielowski in his Zarys literatury polskiej ostatnich lat szesnastu, illustrated their arguments with a number of poems, including the sonnet Dział pieśni by Leohnard Sowiński. R. Okulicz-Kozaryn starts with reminding his readers that the controversies over the right of poets to put themselves over society, formulate opinions and judgments of civilization and their attempts to promote such values as scientism or utilitarianism, had had a long tradition at the time. By embarking on it, however, Orzeszkowa and Chmielowski appealed to practices of a particular kind, namely to disregard completely the message of a poem and to focus on exploiting it only to support their own arguments. The author of the article analyses the mechanism behind this manipulation and claims that Orzeszkowa, followed by Chmielowski, had even removed some words from the poem that could have been interpreted by the then reader as a sign of affiliation to the  acrificed part of his life for these values being sentenced to exile and the following social degradation for his participation in the freedom movement at the turn of the 1850s and 1860s. In the heat of the ideological struggle, Orzeszkowa and Chmielowski did not argue for their own belief and did not even enter into polemics with the most important message in the poem. The truth is that L. Sowiński did not question the civilizational march forward of the mankind but rather showed that, contrary to what the positivists claimed, utilitarianism was just an appetite for enjoying the achievements of progress and maximizing pleasure and was not its diving force, being more like a parasitic residue and a baggage.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 85-96
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Piotr Chmielowski o Wiktorze Gomulickim – na podstawie kolejnych wydań Zarysu literatury polskiej i innych wypowiedzi krytyka
Piotr Chmielowski on Wiktor Gomulicki –based on the successive editions of “Zarys literatury polskiej” and other judgments of the critic
Autorzy:
Zajkowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1534354.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Piotr Chmielowski
Wiktor Gomulicki
literary criticism of the second half of the 19th c.
poetry of the second half of the 19th c.
Opis:
The article presents a catalogue of commentaries and critical remarks made by Piotr Chmielowski on the poetry of Wiktor Gomulicki (penname Fantazy). The article attempts to reconstruct the set of criteria and the system for evaluation applied by the critic in dealing with the successive collections of poems written by Fantazy. These criteria are indicative of rather one-sided and petrified perception of Gomulicki’s poems by the critic maintained and expressed in the successive editions of his Zarys literatury polskiej z ostatnich lat szesnastu. Still, the commentaries given by Chmielowski contain some interesting precognitions and intuitions that proved to be substantial in reevaluation of the opinions on the poetry of the nineteenth century in general made by present-day literary critics. Additionally, there seems to be a particular dialogue between the critic and the poet going on for years that could have influenced the alternations in the workshop and the thematic scope in the poems of the latter.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 109-123
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poeta źle wychowany. Opinia Piotra Chmielowskiego o Mironie i jej konsekwencje
Ill-mannered poet. Piotr Chmielowski’s opinion on Miron and its consequences
Autorzy:
Karpow, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1534369.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Positivist criticism
“accursed poets”
debate on positivist poetry
Opis:
Piotr Chmielowski, one of the most important literary critics and historians of the literature of the Positivist period, had an enormous role in shaping the opinion on the literary output of Aleksander Michaux (pen-name Miron). The critic contributed much to strengthen the negative image of the poet by discrediting his works using unfounded and groundless accusations of their non-original character, or by a selective choice of citations aimed to ridicule the author, among others. The accusations forwarded by Chmielowski, mainly those referring to the alleged anachronism or even Miron’s dislike of progress, were simplyichaux reflected well the universal resentment of Positivist critics towards contemporary poets and testified to a particular understanding of the goals of lyric poetry and the principles governing it. Any literary output that did not fulfill the requirements of utilitarianism was supposed to be shunned and removed beyond the mainstream of the Polish literature of the time. The conviction on low artistic merit of the poetic output of the Positivist period, formed as early as the latter half of the nineteenth century, has lingered among a sizeable number of modern readers of literature.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 97-108
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Znikający punkt zwrotny. Piotra Chmielowskiego kłopoty z periodyzacją „najnowszej literatury polskiej”
Vanishing turning point. Piotr Chmielowski’s difficulties with periodization of the “recent Polish literature”
Autorzy:
Wedeman, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1534418.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
positivist breakthrough
abolition of serfdom
January uprising
strife of the old and the young press
Scientism
revival of Enlightenment thinking
Opis:
[An outline of the literature of the last sixteen years] written by Piotr Chmielowski was designed in the author’s intention as a sketch of “rather journalistic than historical features”. The above is clearly indicated by the forewords written by the author to its successive four editions published between 1881 and 1898. Still, despite its lack of pretentions, the book acquired with time the status of a fully-fledged instructive approach to Polish literature of the Positivist period. A closer look at the text with regard to the proposed periodization reveals, however, a number of flaws and aporias committed by Chmielowski, particularly in establishing boundary dates of the proposed literary period. The present article attempts to prove that the source for the inaccuracies and inconsistencies of the solutions proposed in Zarys is not so much in their makeshift or the pro tem nature, but rather in the aggressively promoted ideology, represented by Chmielowski, that completely disregarded the nature of literary phenomena.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 47-59
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Formacyjny charakter "Zarysu literatury polskiej z ostatnich lat szesnastu" Piotra Chmielowskiego
Piotr Chmielowski’s Outline of Polish literature during the last sixteen years as a generational work
Autorzy:
Sobieraj, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/564474.pdf
Data publikacji:
2012-04-04
Wydawca:
Akademia Pomorska w Słupsku
Opis:
The article deals with" Zarys literatury polskiej z ostatnich lat szesnastu" ("Outline of Polish literature during the last sixteen years"), the famous book by Piotr Chmielowski, the most representative Polish literary critic of the Positivism epoch. It was published in 1881. The au-thor tried to delineate the Polish positivist movement that appeared after defeat of the Polish insurrection of 1863. "Zarys literatury polskie"j is a representative example of the positivist criti- cal discourse. Chmielowski succeeded in constructing a model of history of Polish literature in the second half of the 19th century. Both esthetic and ideological values promoted by the crit-ic were undoubtedly significant part of the positivist world-view.
Źródło:
Świat Tekstów. Rocznik Słupski; 2011, 9; 73-82
2083-4721
Pojawia się w:
Świat Tekstów. Rocznik Słupski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dziewiętnastowieczne ratowanie ciągłości. Poezja Adama Asnyka w refleksji Piotra Chmielowskiego
On saving continuance the nineteenth century style. Poetry of Adam Asnyk in the reflections of Piotr Chmielowski
Autorzy:
Osiński, Dawid Maria
Powiązania:
https://bibliotekanauki.pl/articles/1534353.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
nineteenth centuryness
continuity
generationness
Positivism
modernism
form
thought
nineteenth century poetry
poetry of A. Asnyk
groundbreakingness
transience
literary criticism
Opis:
The article attempts to reveal a reconstruction of Piotr Chmielowski’s critical thought regarding the poetical works written by Adam Asnyk (pen-name E...ly). The starting point for the discussion is a set of variations for different editions of Zarys literatury polskiej as well as other works of the critic elucidating the specificity, importance and the character of the poetry of E…ly. The article attempts to show why it was just the figure of the poet that was necessary and constituted a model figure for revealing the attempts of saving continuance of not only Polish poetry but also national culture and heritage. In his critical reflection, Chmielowski tries to find continuity between the Romantic paradigm and the post-January insurgency paradigm that was to define the obligations and the status of poetry, as well as to identify, uphold important question for Chmielowski himself as to why it was necessary to find among the generation of post-insurgency Poles a figure that would resemble Ignacy Kraszewski, a man-institution, and thus provide an exemplary model, necessary and much needed model figure in upholding and maintaining national consciousness and in preserving continuity. It is the culture and literature of the latter half of the nineteenth century that Chmielowski investigates in search of poetry and the poet as an icon of the nineteenth centuryness and modernity in the post-January insurgency non-poetical times. Asnyk can be seen, in Chmielowski’s terms, as an icon of the modern poet, a keystone figure who straddled the line between what can be consolidated and what was left to be saved in order to preserve the paradigm of Romantic poeticalness and the necessity for adjusting to new cultural circumstances and contemporary expectations on the part of receivers.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 125-140
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Geniusz jutra na atomy rozbity”. O epokowych diagnozach Piotra Chmielowskiego i Antoniego Langego
“The Genius of Tomorrow Smashed into Atoms”. On Piotr Chmielowski and Antoni Lange Diagnosing their Era
Autorzy:
Jauksz, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1534351.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
modernism literary
debates of the Young Poland period
literary criticism
Young Poland’s poetry
generation strife in the late 19th century
Opis:
The article presents an unofficial discussion that took place between one of the most prominent Polish critics of the late 19th century and Antoni Lange, a raising poet of the 90s, whose work had gained little attention from the older colleague. Mentioned briefly in Chmielowski’s Współczesni poeci polscy in 1895, Lange responded to some of the critic’s fterwards. Chmielowski did not respond to that directly, however, his review of Lange’s volume of poetry published at the time and the will to defend his claims using the adversary’s poetry as a pretext shows that the young poet had succeeded in provoking the respected critic to take defensive position. The two writers, discussing an ongoing ‘crisis’ of poetry, present their own perspectives on the roots of the situation. Chmielowski’s claims from the beginning of the 20th century prove that the dispute, unofficial as it was, was won by Antoni Lange.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 141-155
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Piotra Chmielowskiego argumenty przeciw poetom i poezji (w Zarysie literatury z ostatnich lat szesnastu)
Piotr Chmielowski’s arguments against poets and poetry (as presented in “Zarys literatury z ostatnich lat szesnastu”)
Autorzy:
Ratajczak, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/1534416.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literary criticism
poetry
progress
utilitarianism
evolutionism
Opis:
The article discusses the arguments against poetry that were used in Piotr Chmielowski’s Zarys literatury polskiej z ostatnich lat szesnastu [An outline of the literature of the last sixteen years] by its author. The critic’s intention was to diminish the significance of poetry and, in effect, to push poetry to the margin of literary life. To achieve that, Chmielowski presented a number of examples where modern poetry was not capable of grappling with the problems and challenges of the modern world. Chmielowski also instilled a vision in which writing poems itself appeared to be atavistic and as a relic of an earlier stage of evolution. Since lyric poetry made a particular core of literature, to challenge its position in literature in the name of progress made it possible to question all traditional “authorities”. The author of Zarys indicated examples testifying to the vitality of the novel and future possibilities in the development of this particular genre, whereas his formulated accusations against poetry and poets included their general bad condition (physical, mental and psychical). In addition, Chmielowski accused poetry of insincerity and untruthfulness. With regard to the poetics of the discussed poems, Chmielowski just limited himself to briefly formulated allegations and objections of their rhetoricality and epigonic character.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 75-84
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wartościowanie poezji w Zarysie literatury polskiej z ostatnich lat szesnastu Piotra Chmielowskiego. Kilka punktów widzenia
Valuation of poetry in “Zarys literatury polskiej z ostatnich lat szesnastu” by Piotr Chmielowski. A handful of perspectives to consider
Autorzy:
Kowalczuk, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/1534417.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetry
evaluation
evaluative discourse
exclusion
suffering
Opis:
The article analyses the mode of establishing and recording the process of poetry valuation in Zarys literatury polskiej z ostatnich lat szesnastu [An outline of the literature of the last sixteen years] written by Piotr Chmielowski, as well as the textual strategies of the author that modeled the transformations in the discourse of the author. It is proved in the article that in the Chmielowski’s disquisitions the problem of evaluation is just as important as the evaluation as a problem. The evaluation of poetry conducted by the critic was an element of self-identification of the generation of ”young poets” that he himself represented, as well as a proof for their longing for grand poetry, discomfort resulting from lack of authority figures and difficulties in expressing one’s own or/and national suffering. The use of the so-called ”argument of poetry” has been recognized here as a distinctive feature of Chmielowski’s idiolect that serves to dynamize his critical writings.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 61-74
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Krytyka czystego rozumu
Autorzy:
Kant, Immanuel
Współwytwórcy:
Sekuła, Aleksandra
Kotwica, Wojciech
Chmielowski, Piotr
Choromańska, Paulina
Data publikacji:
2015-12-14
Wydawca:
Fundacja Nowoczesna Polska
Tematy:
Rozprawa
Epika
Oświecenie
Opis:
Publikacja zrealizowana w ramach projektu Wolne Lektury (http://wolnelektury.pl). Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego.
Źródło:
Immanuel Kant, Krytyka czystego rozumu, tłum. Piotr Chmielowski, red. Henryk Struve, skład główny w Księgarni E. Wende i Sp. Warszawa 1904.
Dostawca treści:
Wolne Lektury
Książka
Tytuł:
Lata nauki Wilhelma Meistra
Autorzy:
Goethe, Johann Wolfgang von
Współwytwórcy:
Kępska, Monika
Kotwica, Wojciech
Chmielowski, Piotr
Choromańska, Paulina
Data publikacji:
2023-09-14
Wydawca:
Fundacja Wolne Lektury
Tematy:
Powieść
Romantyzm
Epika
Opis:
Publikacja zrealizowana w ramach biblioteki Wolne Lektury (www.wolnelektury.pl). Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego pochodzących z Funduszu Promocji Kultury – państwowego funduszu celowego
Źródło:
Johann Wolfgang von Goethe, Wilhelm Meister (obie części), tłum. Piotr Chmielowski, nakł. i druk S. Lewentala, Warszawa 1893.
Dostawca treści:
Wolne Lektury
Książka
Tytuł:
Lata wędrówki Wilhelma Meistra, czyli wyrzekający się
Autorzy:
Goethe, Johann Wolfgang von
Współwytwórcy:
Kępska, Monika
Sekuła, Elżbieta
Chmielowski, Piotr
Choromańska, Paulina
Data publikacji:
2024-03-21
Wydawca:
Fundacja Wolne Lektury
Tematy:
powieść
Epika
Romantyzm
Opis:
Publikacja zrealizowana w ramach biblioteki Wolne Lektury (www.wolnelektury.pl). Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego pochodzących z Funduszu Promocji Kultury – państwowego funduszu celowego.
Źródło:
Johann Wolfgang von Goethe, Wilhelm Meister (obie części), tłum. Piotr Chmielowski, nakł. i druk S. Lewentala, Warszawa 1893.
Dostawca treści:
Wolne Lektury
Książka
Tytuł:
Real values of local resistance coefficients during water flow through a pipe aerator with filling
Autorzy:
Kalenik, Marek
Chalecki, Marek
Wichowski, Piotr
Kiczko, Adam
Chmielowski, Krzysztof
Świętochowska, Martyna
Gwoździej-Mazur, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/28411645.pdf
Data publikacji:
2023
Wydawca:
Instytut Technologiczno-Przyrodniczy
Tematy:
Bialecki rings
local resistance coefficient
pipe aerator
pressure difference
volumetric water flow
Opis:
The paper presents the results of studies on local resistance coefficients (ζ). The study used pipe aerators with filling made according to the Polish patent PL235924. The hydraulic investigations were performed in real working conditions of a water treatment plant in a testing rig built in the Scientific and Research Water Station of the Warsaw University of Life Sciences (SGGW). The investigation encompassed two plastic pipe aerators of an internal diameter 101.6 and 147.6 mm with steel Białecki rings of 12 and 25 mm in diameter. Measurements of pressure difference (Δp) in the investigated aerators were performed at volumetric water flows (Q) selected from the range 2-20 m3∙h-1 with the interval 2 m3∙s-1. The values of ζ were determined according to the PN-EN 1267:2012 standard. The investigation showed that the ζ depends both on an internal diameter of the plastic pipe aerator and the diameter of Białecki steel rings. The values of ζ increase with a decrease of the internal diameter of the pipe aerator and a decrease of the ring diameter.
Źródło:
Journal of Water and Land Development; 2023, 59; 174--182
1429-7426
2083-4535
Pojawia się w:
Journal of Water and Land Development
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz Arabów w osiemnastowiecznej Rzeczypospolitej w świetle Nowych Aten B. Chmielowskiego i Świata we wszystkich częściach większych i mniejszych... W.A. Łubieńskiego
The Image of the Arabs in 18th-century Poland in the Light of "New Athens" by B. Chmielowski and "The World in all its Larger and Smaller Parts" by W.A. Łubieński
Autorzy:
Borkowski, Mikołaj Piotr
Powiązania:
https://bibliotekanauki.pl/articles/578257.pdf
Data publikacji:
2016
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
the image of Arabs
Polish printed books
the history of the Oriental studies in Poland
Opis:
The vast majority of the works concerning the image of the Islamic peoples in pre-partition Poland is based predominantly, or even exclusively, on the image of the Ottoman Turks. The following paper concerns the image of Arabs/Saracens in two 18th-century printed Polish geographical compendiums: Nowe Ateny (New Athens) by Benedykt Chmielowski, and Świat we wszystkich swoich częściach… (The World in All Its Parts…) by Władysław Aleksander Łubieński. Both these works contain some information on the Arabs/Saracens, both Medieval (7th–15th century) and Early Modern (16th–18th century). The Arabs are known to the authors not only as the ‘inventors’ of Islam, opponents of the crusaders, or nomadic brigands of the Near East, but also as poets, scientists and philosophers.
Źródło:
Przegląd Orientalistyczny; 2016, 1-2; 31-43
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-15 z 15

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