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Wyszukujesz frazę "Bernhard Schlink" wg kryterium: Wszystkie pola


Wyświetlanie 1-6 z 6
Tytuł:
The Problem of Kitsch in the Context of Holocaust Fiction: Jonathan Littell and Bernhard Schlink
Autorzy:
Ghita, Roxana
Ghita, Catalin
Powiązania:
https://bibliotekanauki.pl/articles/545339.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
Kitsch
Holocaust fiction
ethics
aesthetics
literary representation
Opis:
This paper aims to discuss the problem of kitsch within a broader framework encompassing the issues and limits of representation in the case of fictional works dealing with concentration camp trauma. Bernhard Schlink’s The Reader (Der Vorleser, 1995) and Jonathan Littell’s The Kindly Ones (Les Bienveillantes, 2006) have both achieved international acclaim yet also sparked a huge scandal mainly for their narrative choice of embracing the (controversial) point of view of the perpetrator. Some of the harshest critics in Germany have issued condemnations on grounds of kitsch, lack of aesthetic value and moral relativism; even the term ‘Holo-kitsch’ was coined. Yet the label ‘kitsch’ was attached by some voices even to The Hunger Angel (Schaukelatem, 2009), a totally different kind of novel depicting horrendous events in a Soviet concentration camp from the perspective of a Romanian German deported to Ukraine. This is a work of fiction belonging to a Nobel prize laureate famous for her difficult metaphoric style, Herta Müller, and rooted in the poetic prose of German Expressionism. We would like to outline the main points of the debate, drawing both on reception data and on scholarly papers, whilst investigating the various (and often fuzzy) assumptions which seem to be related to the kitsch-concept within the context of Holocaust/Gulag fiction, for example, the extent to which it implies a negative value judgement from an aesthetic perspective and/or an ethically grounded uneasiness about trespassing moral limits of representation.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2016, 6; 107-124
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maxim Biller i Bernhard Schlink o kłamstwie i (całej) prawdzie w niemieckiej literaturze o Holokauście
Autorzy:
Daroch, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1826366.pdf
Data publikacji:
2019-09-16
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
lie
truth
German literature
Holocaust
Opis:
The dispute over German past is not reserved for historians only. You can find both “advocates of German guilt” and “bards of German suffering” (Aleida Assmann) among many German writers. In the following article I ana-lyze essays by Maxim Biller and Bernhard Schlink – authors who each has differ-ent views on such a painful for Germans past.
Źródło:
Conversatoria Litteraria; 2016, 10; 305-312
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Интермедиальные аспекты создания образов в поэтике романов Бернхарда Шлинка Женщина на лестнице и Ольга
Intermedial Aspects of Creating Images in the Poetics of Bernhard Schlink’s Novels The woman on the stairs and Olga
Autorzy:
Sharypina, Tatiana
Powiązania:
https://bibliotekanauki.pl/articles/444152.pdf
Data publikacji:
2019-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Bernhard Schlink
exphrasis
existential situation
novel form
intermediality
intertext
interpretation
poetics
Opis:
The relevance of the chosen topic is determined by the opportunity of con-sidering the issue of intermediality that has a debatable nature according to Russian and foreign researchers. The aim of this paper is to identify the principles of intermedi-ality on the basis of a comprehensive philological analysis of two novels by B. Schlink: The woman on the stairs (2014) and Olga (2018), paying particular attention to the practical aspects of how ecphrasis is realized in the poetics of the above-mentioned works. The research tasks were accomplished based on critical analyses of the concepts formulated by well-known domestic and foreign researchers. As a result of the under-taken study, it was established that the key to the understanding of the ideological and artistic content of the works by B. Schlink are pictorial and photographic examples of ecphrasis having both plot-forming and characterological functions. Moreover, ethical and aesthetic conceptions contained in all works by B. Schlink were analyzed.
Źródło:
Acta Neophilologica; 2019, XXI/2; 113-126
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Die Detektive werden alt. Zum konzeptuellen „Selbstmordversuch“ des Krimis in Bernhard Schlinks Selbs Mord (2011)
Autorzy:
Brylla, Wolfgang
Powiązania:
https://bibliotekanauki.pl/articles/2081210.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
B. Schlink
crime fiction
detective
deconstruction
suicide of the genre
Opis:
The novel Selbs Mord ends up the series of Bernhard Schlink’s detective stories about the private detective Gerhard Selb. Schlink’s last detective novel, unlike the earlier ones, did not meet a warm reception among the critics. Notwithstanding, the reviewers did not take into account a one important feature of the text – both with respect to the content and the structure. Selbs Mord is namely an attempt of a deconstruction, a farewell with the detective novel as a genre. A real suicide of the genre.
Źródło:
Kwartalnik Neofilologiczny; 2017, 3; 380-397
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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