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Wyszukujesz frazę "Arcadian myth" wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
SKRWAWIONE ZIEMIE, SPALENI LUDZIE – O POWSTANIU I FUNKCJO NOWANIU ARKADYJSKIEGO MITU CZECH ORAZ O JEGO DEKONSTRUKCJI W TRYLOGII HUSYCKIEJ ANDRZEJA SAPKOWSKIEGO
BLOODLANDS AND BURNED PEOPLE: REMARKS ON THE EMERGENCE AND FUNCTIONS OF THE ARCADIAN IMAGE OF BOHEMIA IN POLISH LITERATURE AND ITS DESTRUCTION IN SAPKOWSKI’S HUSSITE TRI
Autorzy:
Hanczakowski, Michał
Powiązania:
https://bibliotekanauki.pl/articles/690277.pdf
Data publikacji:
2019
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Central Europe; Andrzej Sapkowski; Mariusz Szczygieł; Arcadian myth; John Hus
Europa Środkowa; Andrzej Sapkowski; Mariusz Szczygieł; mit arkadyjski; Jan Hus
Opis:
The main aim of the article is to examine the representation of Bohemia in contemporary Polish literature. The first part of the text focuses on the early stage of its mythologization, in which Czech lands became a point of reference for Polish writers in the times of the emergence of the term “Central Europe” in Polish discourse. The author presents the concepts taken from Milan Kundera’s and Josef Kroutvor’s essays as critical in shaping the perception of Bohemia as a land where, unlike in Polish historical discourse, history does not serve a source of trauma. This Arcadian vision of Czech history is strongly present in Mariusz Szczygieł’s texts, which can be seen as playing the key role in the mythologization of Czech lands in Polish imagination. The second part of the text concentrates on the historical narrative in Andrzej Sapkowski’s Hussite Trilogy and its references to the history of Central Europe. In the trilogy Bohemia and Silesia are consistently presented as bloodlands and a source of trauma, not only in contemporary times but in medieval history as well.
The main aim of the article is to examine the representation of Bohemia in contemporary Polish literature. The first part of the text focuses on the early stage of its mythologization, in which Czech lands became a point of reference for Polish writers in the times of the emergence of the term “Central Europe” in Polish discourse. The author presents the concepts taken from Milan Kundera’s and Josef Kroutvor’s essays as critical in shaping the perception of Bohemia as a land where, unlike in Polish historical discourse, history does not serve a source of trauma. This Arcadian vision of Czech history is strongly present in Mariusz Szczygieł’s texts, which can be seen as playing the key role in the mythologization of Czech lands in Polish imagination. The second part of the text concentrates on the historical narrative in Andrzej Sapkowski’s Hussite Trilogy and its references to the history of Central Europe. In the trilogy Bohemia and Silesia are consistently presented as bloodlands and a source of trauma, not only in contemporary times but in medieval history as well.  
Źródło:
Prace Polonistyczne; 2019, 74; 93-114
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W poszukiwaniu straconej wsi. Wątki rustykalne w wybranych tekstach Andrzeja Stasiuka
In Search of Lost Countryside. Pastoral Themes in Selected Works by Andrzej Stasiuk
Autorzy:
Całbecki, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/951668.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Andrzej Stasiuk
Arcadian myth
pastoral theme
nostalgia
elegy
Opis:
The article discusses different approaches towards the theme of pastoral in tree narratives by Andrzej Stasiuk: Opowieściach galicyjskich (translated as Tales of Galicia), Jadąc do Babadag and Nie ma ekspresów przy żółtych drogach. Because the works were published over the period of two decades, one may detect the dynamic changes in how the countryside is portrayed. In the early 1990s Stasiuk incorporates Arcadian myth in his descriptions of provincial life but, at the same time, subverts its potential to bring happiness. The conviction that country life is submitted to nature and as such governed by instincts seems dominant. Stasiuk’s characters in Tales of Galicia follow the paths of Arcadian shepherds. The author pursues this way of reading pastoral in the following years. Furthermore, his interest in Central Europe in the collection Jadąc do Babadag extends his idyllic vision. It reaches beyond post-soviet agricultural farms of Lower Beskids to the territory which stretches from the Baltic to the Adriatic. The entire region in its pastoral realm seems to follow laws of nature. Stasiuk’s recent narratives, however, indicate that this gigantic countryside of Central Europe is gradually shrinking and disappearing. His writings assume the tone of elegy and nostalgia.
Źródło:
Białostockie Studia Literaturoznawcze; 2016, 9
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
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