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Wyszukujesz frazę "Adam Wiśniewski-Snerg" wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
If Machines Want to Dream... Adam Wiśniewski-Snerg on Ethical Consequences of There Being No Substantial Distinction between Humans and Robots
Autorzy:
Jocz, Artur
Powiązania:
https://bibliotekanauki.pl/articles/781481.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
robot
mannequin
gnosis
Gnosticism
Mechanism
humanity
Adam Wiśniewski-Snerg
Polish science fiction of the 1970s
Bruno Schulz
Opis:
Adam Wiśniewski-Snerg (1937-1995) was a Polish science fiction writer. In his novel Robot (1973), he made an attempt at a literary visualization of a machine acquiring human identity. In this article I would like to follow the ethical consequences of such situations in created literary worlds. It is worth remembering, however, that these artistic worlds often serve to test non-literary reality. In his novel, Wiśniewski-Snerg also dealt with the problem of human feelings (e.g. moral dilemmas) in a thinking machine, which is formed in the image and likeness of a human being. Such literary reflection is valuable, partly because it enters into an interesting dialogue with the work of Bruno Schulz (1892- 1942), one of the most important Polish writers of the 20th century. It is also one of the first attempts in Polish literature to address the issue of sentient machines, and is a kind of preview of contemporary dilemmas connected with the work on the creation of artificial intelligence. An example of such a dilemma is the issue of the sentient machine’s perception of the tasks imposed on it by the human-constructor. Perhaps it will start to experience them as a kind of unethical oppression. In Wiśniewski-Snerg’s writing this problem of is, of course, expressed in a metaphorical way.
Źródło:
Ethics in Progress; 2019, 10, 2; 45-51
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O trzech zegarach. Relatywistyczne fabuły w polskiej fantastyce naukowej (Lem — Huberath — Snerg)
Of Three Clocks. Relativist Plots in Polish Science Fiction (Lem — Huberath — Snerg)
Autorzy:
Kukulak, Szymon Piotr
Powiązania:
https://bibliotekanauki.pl/articles/520030.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Stanislaw Lem
Adam Wisniewski-Snerg
Marek S. Huberath
science fiction
social fiction
dystopian fiction
time dilatation
Opis:
The article compares three science-fiction novels written by Polish writers representing three successive generations — Stanisław Lem’s Return from the Stars (1959), Adam Wiśniewski-Snerg’s Robot (1973), and Marek S. Huberath’s Nest of Worlds (1998)—that utilize the time dilation phenomenon as a basis for the plot. In each novel, time dilation serves also as a building block for a higher layer of meaning. In Lem’s—as a grim prediction about the fate of real-world astronautics at its birth; in Snerg’s—as association with his ‘theory of superbeings’; and in Huberath’s—as a part of solipsistic construction of the author’s own multiverse permeated with Christian themes to which the author often refers to in his other texts. This proves not only the unwavering popularity of the motif itself but also its flexibility which allows to adapt it to different needs and aesthetics that the evolution of the genre imposes.
Źródło:
Creatio Fantastica; 2018, 2(59); 39-56
2300-2514
Pojawia się w:
Creatio Fantastica
Dostawca treści:
Biblioteka Nauki
Artykuł
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