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    Wyświetlanie 1-4 z 4
    Tytuł:
    Historyczny pierwowzór Serionic z „A Dorio ad Phrygium”
    The historical prototype of Serionice from „A Dorio ad Phrygium”
    Autorzy:
    Zieliński, Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/16729448.pdf
    Data publikacji:
    2020-05-05
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Norwid
    „A Dorio ad Phrygium”
    Serionice
    Ignacy Ścibor Marchocki
    Opis:
    On the basis of analysis of the text of Norwid's poem A Dorio ad Phrygium Jan Zieliński reconstructs Serionice, the place that is described in it; Serionice was a self-proclaimed state in the borderland of the Austrian and Russian partitions. Zieliński proposes the hypothesis that the Minkowce State was the prototype of Serionice; the Minkowce State was established by Ignacy Ścibor Marchocki called Redux. Next he gives a review of literary works and memoirs, Polish and French, written in Norwid's lifetime, where the figure of Marchocki – as one playing the main or only an episodic part – and his Minkowce appear (Sylwester Groza, Klementyna Hoffmanowa nee Tańska, Aleksander Jełowicki, Ludwik Mierosławski, Aleksander Przeździecki, Julian Słowacki). He points to a report signed by the name or pseudonym Bożydar Saszor, published in “Przegląd Europejski” (May 1863) edited by Józef Ignacy Krasicki, as the probable direct source of Norwid's inspiration for writing the poem. The article is concluded with a rhetoric question: “Why has the historical prototype of Serionice been unnoticed for 140 years?”
    Źródło:
    Studia Norwidiana; 2011, 29; 189-200
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Norwid rubaszno-transcendentalny. Głos w sprawie intertekstualności “A Dorio ad Phrygium”
    Norwid, Coarse and Transcendental: The Case of Intertextuality in “A Dorio ad Phrygium”
    Autorzy:
    Samsel, Karol
    Powiązania:
    https://bibliotekanauki.pl/articles/1450736.pdf
    Data publikacji:
    2020-07-15
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    intertextuality
    bawdiness
    transcendence
    modernism
    Cyprian Norwid
    Opis:
    The article revises the existing critical discussion concerning the intertextuality of Cyprian Norwid’s poem “A Dorio ad Phrygium”. The author of the article demonstrates that the piece can be interpreted both from the perspective of the old-Polish intertextuality (his hypothesis concerns Norwid’s inspirational address “from Kochanowski to Rej”) as well as through “self-scrutinizing gestures” of the poet himself, who uses the intertext to refer to his own poetry. By reading the equivocal initial part of the poem, the author traces Norwid’s intertextual affinity with Rabelais, Whitman or Rubens and points to the bawdy and transcendental nature of the work. These tropes explain the earlier radical readings of the poem by Wiesław Rzońca (deconstruction) or Krzysztof Cieślik (anthropology of Ruth Benedict or Clifford Geertz). While keeping these considerations in mind, the author of the article maintains, above all, the inter-textual perspective. The final part of the article juxtaposes the depiction of Serionice from “A Dorio ad Phrygium” with the Dublin of Ulysses and asserts that in both the topography is characteristically multidimensional (early modernist period) and relativistic (late modernist period) in its socio-cultural representation.  
    Źródło:
    Białostockie Studia Literaturoznawcze; 2020, 16; 213-226
    2082-9701
    2720-0078
    Pojawia się w:
    Białostockie Studia Literaturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „A Dorio ad Phrygium” Cypriana Norwida i „apollińskie” wiersze Zbigniewa Herberta. Paralele
    Cyprian Norwid’s ”A Dorio ad Phrygium” and Zbigniew Herbert’s „Apollonian” Poems. Parallels
    Autorzy:
    Inglot, Mieczysław
    Powiązania:
    https://bibliotekanauki.pl/articles/16729017.pdf
    Data publikacji:
    2020-02-24
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Opis:
    The myth about Apollo and Marsyas is the starting-point for the comparisons made in the present paper. The parallel drawn between the poems which are so distant in time but refer to the same tradition is also a contribution to the study of the history of classicism and romanticism in literature. Norwid knew the legend of Apollo and Marsyas very well and his attitude to the former was ambivalent. As a matter of fact, he recognized Apollo as the patron of an important trend in the art of antiquity but he criticized the imitators of Apollonian (i.e. Dorian-classical) art. However, the Troyan-Phrygian-Dionysian trend which Norwid distinguished himself was recognized by him as a „figure” (in the sense Auerbach used this term) of Polish national-folk art. In ”A Dorio ad Phrygium” whose action is set in Poland after the November uprising in 1830, that is ”a good long time after the Troyan war”, the poet recognized Apollonism as a „figure” of all sorts of fossilized conventions in the sphere of art, political systems and fashion. His poem was constructed in the mode of an autothematic expression. The poem discussing the contest between Apollonism and Phrygian art becomes, under the strength of Norwid’s pen, a ground for a literary play: a play on the opposition between realized poetics (folk-styled) and discursive poetics (a parody of the conventions used in the poetry of antiquity). In both poems by Zbigniew Herbert a similar anti-classicistic opposition is found. Both poems are critical to Apollonism as a prototype of universalistic and autocratic tendencies in art. In Norwid’s as well as in Herbert’s poetry, art is interlaced with politics and law. The contest between Apollo and Marsyas is undoubtedly a contest between an autocrat and the people; it is an opposition of the nominal (formal or conventional) and actual (true and factual) form of human existence. Both poems are romantic and in both the poets express their disappointment with classicism. Herbert, like Norwid in his invocation of Apollo, puts a processual construction on the development of art. He seems to say: ”we all start with Apollo, we create according to this imposed convention feeling that our efforts are not without their sense and that art is a means of knowing the world”. But in course of time, Dorian ”is taken the place of ’ by Phrygian. For Herbert this is a chance of originality but this is also a tragedy of the poet’s search in the world where no guide-posts can be found. Norwid criticizes nominalism as well. His poem, however, has no structurally closed construction and therefore it seems to forecast the irresolution of the 20th century poets - exiles from the paradise of the epochs of classical art.
    Źródło:
    Studia Norwidiana; 1983, 1; 49-61
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O Norwidowych poszukiwaniach formy poematu
    About Norwid’s search of the poem form
    Autorzy:
    Kudyba, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/16729528.pdf
    Data publikacji:
    2020-05-07
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    poematy narracyjne Norwida
    Wesele
    Ziemia
    Szczesna
    Epimenides
    Emil na Gozdawiu
    A Dorio ad Phrygium
    Assunta
    Wędrowny Sztukmistrz
    Norwid’s narrative poems
    The Wedding
    The Land
    Emil of Gozdawie
    The Traveling Magician
    Opis:
    Magdalena Woźniewska-Działak’s treatise (Poematy narracyjne Cypriana Norwida. Konteksty literackokulturalne, estetyka, myśl [Narrative poems by Cyprian Norwid. Literary-cultural contexts, esthetics, thought] (Kraków 2014) is devoted to Norwid’s narrative poems. The author justly demands that we pay our attention especially to those poems that are rather signals than fulfillments of the author’s dreams about a full form of the poem. The work refers to the good traditions of the Catholic University of Lublin “school of interpretation of Norwid”, and also is open to new research tools taken from cultural studies. Owing to the efforts made by the Warsaw researcher, the small poems by the author of Assunta get a new splendor and encourage one to read them. Under her pen nearly all of them reveal existential, moral and metaphysical senses anew. The book returns them to our awareness. Well written, the book is likely to find its way to a broad mass of readers of Norwid’s works.
    Źródło:
    Studia Norwidiana; 2015, 33; 303-311
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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