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Wyświetlanie 1-3 z 3
Tytuł:
Гессе и Достоевский: коммуникация „зеркальности”
Hesse and Dostoyevsky - “reflection in the Mirror” Communication
Autorzy:
Попова-Бондаренко,, Ирина
Powiązania:
https://bibliotekanauki.pl/articles/1623757.pdf
Data publikacji:
2018-09-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
Artistic communication is a multistep process. Readers’ conversance with Der Steppenwolf, a novel by H. Hesse, realizes at two communication levels. The first one is represented by the surface existentialist world view. The second level is situated deeper. It should include Hesse’s reception of works by F.M. Dostoyevsky, with whom the German writer begins a dialogue. It is obvious that Hesse is much affected by Dostoyevsky’s style in the field of a plot formation, the type of a hero, various techniques and even language peculiarities. Considering of this layer gives an opportunity to notice a conceptual difference among subjects and motives that are at first glance similar. Hence, the effect of original shift and diffraction, or “reflectivity”, arises. The phenomenon forms other communicative strategies and highlights different key points in Der Steppenwolf. The “reflective” subjects are the theme of friendship and contention, venereal passions, play, art and life sense as a whole.
Źródło:
Studia Rossica Posnaniensia; 2008, 34; 37-44
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Коды «мужского» и «не-мужского» в художественном мире Morpho Eugenia А.С. Байетт
Masculine and Non-masculine Codes in the Imaginative Integrity of Morpho Eugenia by A.S. Byatt
Autorzy:
Попова-Бондаренко, Ирина
Powiązania:
https://bibliotekanauki.pl/articles/1833675.pdf
Data publikacji:
2021-11-03
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Opis:
Morpho Eugenia is the first part of the postmodernist novel Angels and Insects by A.S. Byatt. The male world is represented here in abundance by numerous names of famous naturalists, philosophers and poets of the XVII-XVIII centuries and of Victorian England, as well as by the male characters of the novel. It is pointed out that the concepts of “masculine” and “non-masculine” in the novel presuppose double reading, namely, the traditional (Victorian) and posttraditional one (neo-Victorian). In the neo-Victorian interpretation, most of the male characters in the novel are devoid of traditional masculine qualities (honor and dignity, commitment to the cause, inner strength), they bear a stigma of vice (incest), while the “male organization” features of the central female character, non-typical for a Victorian woman (talent, efficiency, perseverance, energy, self-reliance), contribute to the formation of an integral harmonious world of men and women as friends, lovers, like-minded people.
Źródło:
Conversatoria Litteraria; 2021, 15
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Современная поэзия Донбасса как фактор культурной самоидентификации и исторический документ
Autorzy:
Попова, Анна Попова
Попова-Бондаренко, Ирина
Powiązania:
https://bibliotekanauki.pl/articles/1826635.pdf
Data publikacji:
2018-10-08
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
civil lyrics
identity
regional lexicode
Donbass
city
war
he corporeal
destruction
Opis:
The article focuses on the subject/thematic peculiarities of the Donbass poets’poems included in the collectives of civil lyrics, which were published on the territoriesof the unrecognized Republics in the period from 2014 to 2016. Theformal and meaningful markers of the forming Donbass poetic text have beendiscovered. Donbass lexicode (mine, coal, waste banks, steppe etc.) and regionaltoponymy (the names of the cities, districts and streets) are referred to the formermarker, while the motive complexes connected with the “city”, “country/remote area”, “destruction” concepts are ascribed to the latter one.Having appeared at a time of acute ideological confrontation, Donbass poetry acquiresthe character of a mental, poetic and historical document, it becomes anevidence of time and destinies break-up, and, at the same time, of the formationof a new territorial and ideological community – “my Donbass”.
Źródło:
Conversatoria Litteraria; 2018, 12; 109-124
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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