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Wyświetlanie 1-15 z 2025
Tytuł:
"[…]względnie w innym porcie [...]". Młodzieńcze inspiracje Piotra Zaremby
"[…] alternatively in an other harbour […]". Piotr Zaremba’s juvenile inspirations
Autorzy:
Kubiak, Szymon Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1375470.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
Modernism
Wilhelminism
Around 1800 Style
urban planning
transport
reconstruction of cities
monuments
medieval heritage
Urban Landscape
nationalism
Polish Western Thought
modernizm
wilhelminizm
styl około 1800
urbanistyka
komunikacja
odbudowa miast
zabytki
dziedzictwo średniowieczne
pejzaż miejski
nacjonalizm
polska myśl zachodnia
Opis:
Urbanistyka, architektura i ogólnie pojęta kultura wizualna powojennego Szczecina zajmuje w debacie nad kształtem nowoczesnej metropolii miejsce wyjątkowe. Jak w soczewce zbiegły się tu problemy polityczne, związane ze zmianą przynależności państwowej aglomeracji i budową nowego systemu politycznego tzw. Polski Ludowej, z ogólnoeuropejskimi zagadnieniami reformy artystycznej. Kluczową rolę w tym procesie odegrał Piotr Zaremba (1910–1993), pełniący, jako pierwszy polski prezydent miasta, nie tylko funkcję głównego lokalnego polityka, ale i – ze względu na wykształcenie i doświadczenie zawodowe – pierwszego lokalnego planisty. To właśnie decyzje Zaremby nadały kierunek zakresowi i charakterowi odbudowy zrujnowanej dawnej substancji oraz kreacji nowych struktur przestrzennych. W artykule podjęto próbę odpowiedzi na pytanie o ich formalne i ideowe źródła, sięgające początku lat 30. XX wieku – okresu studiów na Politechnice Lwowskiej, a także praktyki inżynieryjnej w modernizującym się i wytwarzającym nową tożsamość postwilhelmińskim Poznaniu okresu międzywojennego. Podróże i lektury młodego projektanta oraz klimat intelektualny narodowo-demokratycznego, a po części rewizjonistycznie-prawicowego środowiska wpłynęły po 1945 roku na rozwój nowego polskiego miasta.
Urbanism, architecture and broadly defined visual culture of postwar-Szczecin take a unique place in the discussion on the shape of modern metropolis. Like in a lens, there were coincided the political problems connected to the change of the nationality of the agglomeration and to building of the so-called People’s Poland’s new political system, with the all-European problems of artistic reform. Piotr Zaremba (1910–1993) has fulfilled the crucial role in this process being as the first Polish president of the city not only the main local politician, but also due to his education and professional experience – the first local urban planner. Those were his decisions that directed the range and the character of the reconstruction of ruined old substance and the creation of new space structures. This paper makes an attempt to give an answer to the question of their formal and ideological origins dating back to the early 30s: the time of Zaremba’s study at the Lviv Technical College as well as the engineering practice in the modernizing and generating a new identity Post-Wilhelminist Poznań of interwar period. The journey, the lectures of the young designer and the intellectual atmosphere of national-democratic and partially revisionistrightist environment influenced the development of the new polish city after 1945.
Źródło:
Autobiografia Literatura Kultura Media; 2014, 3, 2; 177-189
2353-8694
2719-4361
Pojawia się w:
Autobiografia Literatura Kultura Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A Proverb a Day Keeps Boredom Away.” Anti-Proverbs, Twisted Proverbs, Perverbs and Other Animals
Autorzy:
Mandziuk, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/601295.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
perverbs, anti-proverbs, quasi-proverbs, twisted proverbs, paremiology, linguistic modifications, conceptual metaphor
Opis:
What hides behind such mysterious terms as perverbs, anti-, quasi-, and twisted proverbs? What is their status in modern paremiology? Do bona fide proverbs influence their modified versions or vice versa? Do modified proverbs belong to the proverbial family or are they completely distinct linguistic formations? These are some of the many que,stions concerning perverbs, anti-, quasi- and twisted proverbs, ubiquitous nowadays in newspapers, advertisements, cartoons, or health campaigns. As an illustration, the present paper deals with such sayings as No body is perfect; An onion a day keeps everyone away; Man proposes, mother-in-law opposes; He who laughs last, thinks slowest; Where there is a will, there is a war and others. By providing a glimpse into the goldmine of stylistic and conceptual devices used in their creation, this paper attempts to unveil the mechanisms that contribute to the emergence of the novel meanings found in modified proverbs.
Źródło:
New Horizons in English Studies; 2016, 1
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„A wonderfully good imitation of other occasions”, czyli o imitacji, tworzeniu i fatycznej funkcji języka w opowiadaniu Psychologia Katherine Mansfield
“A Wonderfully Good Imitation of Other Occasions”: About Imitation, Creation and the Phatic Function of Language in Psychology by Katherine Mansfield
Autorzy:
Wawrzyńska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/444595.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
the phatic function
reception of a literary text
autothematism
Opis:
The study focuses on Katherine Manfield’s short story entitled Psychology. A detailed analysis and interpretation aim at clarification what is missing in the story, as while reading the story one may feel the lack of something. The main character (“she”) has two guests who are parallel to each other and thus the story can be divided into two parts. Thanks to the second visit (of her female friend) the main character regains the peace of mind, which was ruined by man’s (the first guest’s) deviating from the established code of conduct in their relationship. Definitely, in the text the dominating function is the phatic function of language. However, it does not work as an introduction to a conversation but it is the conversation itself. The story builds a world in which there is no real contact between the characters and it may be interpreted as a reflection of a superfluous reading of a literary work of art. Nonetheless, the story invites the reader to the more careful reception of the literary text, paradoxically, by means of, among others, such a simple plot, a visible discrepancy between the open dialogues and the utterances of “secret selves”, autothematic allusions and the lack of the diachronic dimension.
Źródło:
Acta Neophilologica; 2013, XV/2; 225-235
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Arystokraci nędzy”, czyli Kazimiery Alberti opowieść o odrzuconych
„The Aristocracy of the Poor”, or Kazimiera Alberti’s narrative about the Rejected
“Signori nella miseria” o il racconto di Kazimiera Alberti riguardo gli emarginati
Autorzy:
Pospiszil, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/784424.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Kazimiera Alberti
Polish interwar literature
the Other
rejection
social issues
cultural hybrids
letteratura polacca tra le due guerre
straniero/altro
rifiuto
problemi sociali
ibrido culturale
odrzucenie
Opis:
L’articolo si concentra sulla descrizione, presente in quasi tutte le opere di Kazimiera Alberti tra le due guerre, dell’analisi letteraria dei problemi sociali. Ciò che è evidente in questo lavoro è la “gerarchia” delle persone che soffrono per le disuguaglianze sociali, economiche, etniche o legate al sesso. Questa “gerarchia” può essere paragonata ai gironi dell’inferno, sebbene in questo caso il livello della sofferenza non dipende dai peccati commessi ma dal grado di rifiuto della società. L’ Alberti colloca gli ibridi culturali ed etnici nel più profondo cerchio dell’inferno – sono visti come stranieri (e spesso non come esseri umani) da entrambe (o più) culture / comunità da cui provengono.
The paper focuses on an undercurrent analysis of social problems present in almost all Kazimiera Alberti’s work written in an interwar period. A kind of “hierarchy” of people suffering from social, economic, ethnic and gender inequality is evident in Alberti’s works. This “hierarchy” could be considered as hell circles, although a gradation of pain and misery depends on a level of social rejection, not on committed sins. Alberti puts cultural and ethnic hybrids in the deepest circle of hell – those people are perceived as others/aliens (and often not as human beings) by both (or more) cultures/communities, they are “made” from.
Źródło:
Fabrica Litterarum Polono-Italica; 2019, 1; 71-95
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Beka z nienormalsów”, czyli satyryczny obraz niepełnosprawnych w kulturze masowej
Laughing at brainsicks – satiric image of disabled in mass culture
Autorzy:
Grzybowski, Przemysław Paweł
Powiązania:
https://bibliotekanauki.pl/articles/920159.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
The Other
outsiders
laugh
integration
mass culture
intercultural education
Opis:
In most societies disabled people are subject to taboo, in terms of laughing at their weaknesses, failures, inadequacies and differnt situations connected with their disability. However, they are becoming a more frequent ligtsome topic of different forms in mass culture (from television to the Internet) – interesting especially when they laugh at themselves. The article deals with the situations of laughing at Other in this context together with the examples of films, shows and educational projects.
Źródło:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2014, 6; 9-32
2300-391X
Pojawia się w:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Children of war” - biographies other than the usual
Autorzy:
Felińska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/14441314.pdf
Data publikacji:
2023-03-31
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
CBOW
war
children
biographical method
Opis:
The subject matter tackled by Jakub Gałęziowski in his latest book Nieopowiedziane biografie. Polskie dzieci urodzone z powodu wojny [Untold biographies. Polish children born because of war — CBOW] includes testimonies of people who were conceived during the Second World War. An important aspect, however, is that these children were born from unions between the occupants and local women. The act itself may have been voluntary or forced, and the book refers only to the latter. The book is an important attempt to fill a large research gap that could not be filled for many years, due to communist rule in Poland as well as the women themselves or surrogate families concealing the truth.
Źródło:
Kultura i Społeczeństwo; 2023, 67, 1; 231-234
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Ci, co pomarli, widzą nas, widzą nasze grzechy i nasze cierpienia”, czyli o Głosie z tamtego świata Stanisława Różewicza
‘Those who have died see us, see our sins and our suffering’: The voice from the other world of Stanisław Różewicz
Autorzy:
Śmiałowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/921255.pdf
Data publikacji:
2017-08-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stanisław Różewicz
Tadeusz Różewicz
Kornel Filipowicz
screenwriting
hope
fraud
faith
acting
Opis:
Stanisław Różewicz’s The voice from the other world is one of these masterpieces od polish cinematography, which draws inspiration from the authentic case: two fraudsters impersonate a doctor and quack medium. But at the same time Różewicz’s movie has become an artistic event showing the drama of frauders’ victims – people struggling with pain, loneliness and lack of hope. Formation of concept of The voice from the other world and the analysis of its following realization’s stages are the attempt to describe the essence of Stanisław Różewicz’s unique style and his sensitivity as a director.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 161-177
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Conservative Progression”. The influence of the Modern Movement on Hungarian architectural education during the interwar period
Autorzy:
Karácsony, Rita
Vukoszávlyev, Zorán
Powiązania:
https://bibliotekanauki.pl/articles/398571.pdf
Data publikacji:
2019
Wydawca:
Politechnika Białostocka. Oficyna Wydawnicza Politechniki Białostockiej
Tematy:
edukacja architektoniczna
okres międzywojenny
modernizm
architectural education
other modern
Interwar period
Opis:
The influence of the Modern Movement was increasingly felt in Hungary from the end of the 1920s. As time passed, architectural education also needed to respond to these changes. How did the professors, who designed in historical styles, react to the new situation, and how did the students respond? Who were the people who first stimulated interest in modern architecture, and who did they inspire? What kind of institutional or structural modifications did all these initiatives bring about at the Architectural Faculty of Budapest Technical University? There are three noteworthy episodes in the history of introducing modern approaches at the Faculty. The first event of great significance was the establishment of the Department of General Building Design in 1922 besides the three long-standing historical departments: the Departments of Ancient, Middle and Modern Ages. This began a disengagement with the era of historicism. However, students in the older years continued to receive their design assignments from the historical departments, and were expected to design in historical styles taught by the professors. Thus architectural education could be considered conservative even by the end of the 1920s. On the other hand, some students were able to bring progressive modernism directly to the University. At the student exhibition held in 1927, a few “brave” drawings independent of any department appeared among the designs in historical styles. These included a design by György Rácz inspired by Le Corbusier that was showcased thanks to the curator, a student named György Masirevich. Farkas Molnár – who returned from the Bauhaus school – submitted a design influenced by modern German architecture. Within a few years Masirevich, Rácz and Molnár joined CIAM, and then its subgroup: CIRPAC. It was not only students, but also some professors who played an indisputable role in ushering in modern architecture, even if their work and teaching methods could generally be regarded as examples of “conservative progression”. The third and most important date of the investigated period was 1930, when architectural education began to be given high priority. That year another student exhibition was organised by a professor, Iván Kotsis, which was linked to the 12th International Congress of Architects held in Budapest. Plans designed by students in the modern spirit constituted the majority at that exhibition. It was in the same year that professor Hültl as the Rector of the University voiced his opinion on modern architecture: according to him, modernism should not be used for certain types of buildings; however, he did not want to oppose all new directions in architecture. This duality of approach can well be detected in his private practice. Therefore it was the so-called “other modern” rather than progressive modernism that became institutionalized at the Faculty due to the influence of some professors whose aim was to comply better with local circumstances and materials. To achieve this it was indispensable to get the knowledge of the past, so teaching history of architecture remained a significant part of the curriculum. It was Professor Kotsis and his colleagues who laid out this path and their heritage was still prevalent after WWII.
Źródło:
Architecturae et Artibus; 2019, 11, 3; 42-53
2080-9638
Pojawia się w:
Architecturae et Artibus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Das Digitale Familiennamenwörterbuch Deutschlands“
“Online Dictionary of Surnames in Germany”
Autorzy:
Heuser, Rita
Scheller, Andrea
Powiązania:
https://bibliotekanauki.pl/articles/1928211.pdf
Data publikacji:
2018-11-10
Wydawca:
Polska Akademia Nauk. Instytut Języka Polskiego PAN
Tematy:
nazwiska
słownik
cyfrowa baza danych
współpraca z innymi projektami nazwiskowymi
surnames
dictionary
digital database
cooperation with other surname projects
Opis:
The paper presents the longterm project “Online Dictionary of Surnames in Germany” (“Digitales Familiennamenwörterbuch, DFD”), its conception, main objectives, and its technical realisation. By means of representative examples, the paper depicts how the project works along the catego- ries of conflation, validation, specification or revision of etymologies so far proposed in standard references and the development of new ones. Exploiting new digital resources — especially with the help of new findings in surname geography, the surname stock can be captured and analysed allencompassing and systematically.Surnames of foreign origin like English, French, Italian, Slavic, Baltic or Turkish are also considered. The importance of Slavic roots in German surnames is exemplified by the name Novak (‛new settler’) which ranks position 156 in the total frequency of German surnames.The article’s outlook discusses the importance and possibilities for future cooperation with surname projects in other countries like Poland, with a longterm perspective for a European network of surname dictionaries.
Źródło:
Onomastica; 2018, 62; 281-290
0078-4648
Pojawia się w:
Onomastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Diabeł w swojej postaci” Jana Bohomolca. Obrazy kultur pozaeuropejskich i współczesna paralela
Magic of the wild people. Images of other cultures in Jan Bohomolec’s ‘diabeł w swojej postaci’
Autorzy:
Kowalewska, Danuta
Powiązania:
https://bibliotekanauki.pl/articles/690187.pdf
Data publikacji:
2013
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Jan Bohomolec
przesąd
magia
religia
„dobry dzikus”
superstition
magic
religion
‘noble savage’
Opis:
The author of the paper attempts to present the other side of Jan Bohomolec’s (1772–1777) text — Diabeł w swojej postaci (Devil As It Is), which has already been an object of research reflection. The paper describes images of other cultures included in Bohomolec’s dissertation and contemporary phenomena which seem to be parallel to the phenomena described by the Jesuit. The Author has noticed that the examples of magic activities in Bohomolec’s book are subordinated to educational value of the dissertation. Exemplification from non-European countries illustrates a thought that similar or identical behaviours are common in many cultures and places. They also bear out that superstitions are an across-theboard phenomenon. In the second part of the paper, the Author focuses on contemporary cultural trends in the context of popularity of magic. She considers timeliness and anachronism of some of the Bohomolec’s approaches and his wrong prognosis.
Źródło:
Prace Polonistyczne; 2013, 68; 43-61
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Die eine aus dem Westen, die andere aus dem Süden“. Eine kleine Studie zu Fibeln in der Vekerzug-Kultur
‘One from the west, the other from the south’. A short study on fibulae in Vekerzug culture
Autorzy:
Kozubová, Anita
Powiązania:
https://bibliotekanauki.pl/articles/3142746.pdf
Data publikacji:
2023-08-09
Wydawca:
Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie
Tematy:
Eastern Hungary
Southern Slovakia
Hallstatt and Early La Tčne periods
Vekerzug culture
fibulae
costumes
interregional contacts
mobility
Opis:
This study deals with the finds of fibulae from the Hallstatt period sites of the Vekerzug culture from Eastern Hungary and Southern Slovakia. The majority of the fibulae come from graves, the rest are either stray or settlement finds. Providing a more complex overview of the fibulae was at the centre of our interest, focused mainly on a cultural and spatial analysis, their possible relation to the specific gender or age category of the burial individuals and on possible importance of the fibulae for the costumes of the Vekerzug culture. Two main origin groups of the fibulae were identified, namely the fibulae of the Hallstatt type and the fibulae of Balkan origin. The fibulae were predominantly found in the graves of adult females. Their costumes do not differ from the female costumes of the Vekerzug culture without fibulae.
Źródło:
Materiały i Sprawozdania Rzeszowskiego Ośrodka Archeologicznego; 2022, 43; 135-158
0137-5725
Pojawia się w:
Materiały i Sprawozdania Rzeszowskiego Ośrodka Archeologicznego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Entre encantados e outras criaturas sobrenaturais”: A identidade linguístico-cultural híbrida do Brasil e da Argentina em narrativas orais
“Between encantados and other supernatural creatures”. The hybrid linguistic-cultural identity of Brazil and Argentina in oral narratives
Autorzy:
Figueira-Cardoso, Samuel
Dubin, Mariano
Powiązania:
https://bibliotekanauki.pl/articles/45681550.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Warszawski. Ośrodek Studiów Amerykańskich
Tematy:
narrativas orais
lenda
identidade
cultura
hibridismo
oral narratives
legend
dentity
culture
hybridity
Opis:
As narrativas orais estão presentes em todas as culturas conhecidas. Na América Latina, as culturas e povos são mestiços, híbridos, nascidos de séculos de influência e imposição linguística e cultural dos colonizadores europeus e o contato com diferentes contingentes populacionais. O artigo tem como objetivo discutir as narrativas orais afiliadas ao lendário argentino e brasileiro como práticas sociocomunicativas reveladoras dessa identidade híbrida, que como tal deve ser entendida como parte constitutiva da identidade cultural dos falantes que as produzem. Para tanto, recorremos aos estudos da linguagem e culturais que advogam por uma noção interativa e socio-historicamente situada da língua e estudos da narração, a identidade e o discurso ficcional, ao mesmo tempo que, buscamos construir um percurso que possibilite a discussão de alguns conceitos que julgamos relevantes para o estudo. A metodologia adotada é de natureza qualitativa de cunho interpretativista, tendo como objeto de análise narrativas orais e escritas retiradas de dois corpora, um recolhido na periferia urbana de Buenos Aires e o outro no interior de Santarém, Pará, Brasil.
Oral narratives are present in all known cultures. In Latin America, cultures and peoples are mestizos, hybrids, born of centuries of influence and linguistic and cultural imposition of European colonizers and contact with different population contingents. The paper aims to discuss the oral narratives affiliated with the legendary Argentine and Brazilian as socio-communicative practices that reveal this hybrid identity, which as such must be understood as a constitutive part of the cultural identity of the speakers who produce them. To this end, we anchor ourselves to language and cultural studies that advocate an interactive and socio-historically situated notion of language and reflections on narration, identity, and fictional discourse. At the same time, we seek to build a path that allows the discussion of some concepts that we consider relevant to this study. The methodology adopted is of a qualitative nature of an interpretive nature, having as the object of analysis oral and written narratives taken from two corpora, one collected on the urban peripheries of Buenos Aires and the other in the interior of Santarém, Pará, Brazil.
Źródło:
Revista del CESLA. International Latin American Studies Review; 2022, 30; 37-56
1641-4713
Pojawia się w:
Revista del CESLA. International Latin American Studies Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Euphoria, Anarchy, Sobering Up”: The 1990s in the Memories of Alternative Czech Rock Musicians (and other Members of the Alternative Czech Rock Music Scene)
„Euforia, anarchia, trzeźwienie”: lata 90. xx w. we wspomnieniach czeskich alternatywnych muzyków rockowych (i innych członków alternatywnej czeskiej sceny muzycznej)
Autorzy:
Fikarová, Lucie
Powiązania:
https://bibliotekanauki.pl/articles/31803957.pdf
Data publikacji:
2022
Wydawca:
Ośrodek Pamięć i Przyszłość
Tematy:
muzyka rockowa
muzyka alternatywna
Czechosłowacja
Republika Czeska
lata 90. XX w.
historia mówiona
rock music
alternative music
Czechoslovakia
the Czech Republic
1990s
oral history
Opis:
This article focuses on how the members of the alternative Czech rock music scene experienced the 1990s. It is based on oral history interviews with rock musicians as well as with music club managers, concert promoters, a music manager, and a publicist. The aim of the article is to out line the possible narratives of these actors about the era of the 1990s and map whether these narratives remain the same for the entire decade.
Artykuł skupia się na tym, jak lata 90. przeżywali członkowie alternatywnej czeskiej sceny rockowej. Opiera się na wywiadach ustnych z muzykami rockowymi, a także z menadżerami klubów muzycznych, promotorami koncertów, menadżerem muzycznym i publicystą. Celem artykułu jest zarysowanie możliwych narracji tych aktorów o epoce lat 90. oraz odnotowanie, czy narracje te pozostają niezmienne przez całą dekadę.
Źródło:
Wrocławski Rocznik Historii Mówionej; 2022, 12; 142-162
2719-7522
2084-0578
Pojawia się w:
Wrocławski Rocznik Historii Mówionej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Far more fair than black”: Othellos on the Chilean Stage
Autorzy:
Baldwin Lind, Paula
Powiązania:
https://bibliotekanauki.pl/articles/1033511.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
Othello
Chilean theatre
blackface
Moor
Other
Opis:
This article reviews part of the stage history of Shakespeare’s Othello in Chile and, in particular, it focuses on two performances of the play: the first, in 1818, and the last one in 2012-2020. By comparing both productions, I aim to establish the exact date and theatrical context of the first Chilean staging of the Shakespearean tragedy using historical sources and English travellers’ records, as well as to explore how the representation of a Moor and of blackness onstage evolved both in its visual dimension — the choice of costumes and the use of blackface—, and in its racial connotations alongside deep social changes. During the nineteenth century Othello became one of the most popular plays in Chile, being performed eleven times in the period of 31 years, a success that also occurred in Spain between 1802 and 1833. The early development of Chilean theatre was very much influenced not only by the ideas of the Spaniards who arrived in the country, but also by the available Spanish translations of Shakespeare; therefore, I argue that the first performances of Othello as Other — different in origin and in skin colour — were characterised by an imitative style, since actors repeated onstage the biased image of Moors that Spaniards had brought to Chile. While the assessment of Othello and race is not new, this article contrasts in its scope, as I do not discuss the protagonist’s actual origin, but how the changes in Chilean social and cultural contexts can reshape and reconfigure the performance of blackness and turn it into a meaningful translation of the Shakespearean Moor that activates audiences’ awareness of racism and fears of miscegenation.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2020, 22, 37; 139-170
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Francis Bacon czyli Diego Velázquez na fotelu dentystycznym” – malarskie i inne cytaty jako „dodatek” do rozpraszającego się życia
“Francis Bacon or Diego Velázquez in a dentist’s chair” – pictorial and other kinds of quotations as an addition to a disintegrating life
Autorzy:
van Nieukerken, Arent
Powiązania:
https://bibliotekanauki.pl/articles/1391049.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poezja polska
Tadeusz Różewicz
tematyzowanie niemożliwego
analiza performatywna
Opis:
The mature poetry of Tadeusz Różewicz seems to be at odds with both modernist and postmodern literary tenets. It undeniably makes abundant use of intertextuality (including self-quotations), but in spite of this [post]modernist tendency it does resist self-referential impersonality. Różewicz again immerses allusions to images, texts and other artifacts – which, according to formalist and structuralist interpretations, should disengage themselves from an artist’s biography in order to achieve aesthetic autonomy – in the current of life, devoid of an innate sense and always identical to itself. In fact, life cannot be apprehended by art, and precisely, Różewicz tries to thematize this impossibility by producing texts or rather poetical acts that could be classified as self-effacing artifacts. He even succeeded in discrediting the modernist epiphany (which has a double status, i.e. as a poetical device and a window on the transcendent) by replacing it with loquacious anticlimaxes. The fragmentary, disintegrating form of his later poetry (the long poem “Francis Bacon or Diego Velázquez in a dentist’s chair” is a perfect – or rather consciously imperfect – implementation of this form) does not pretend to be a representation of a human being’s disintegrating existence. This poetry is, above all, an existential act, or – in other words – a performance, and not a self-sufficient work of art.
Źródło:
Przestrzenie Teorii; 2014, 21; 59-76
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 2025

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