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Tytuł:
Supstancijalni i diseminirani Matoš
Substantial and Disseminated Matoš
Autorzy:
Medve, Zoltán A.
Powiązania:
https://bibliotekanauki.pl/articles/635778.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Croatian literary modernism
Hungarian literary modernism
language
style
dissemination
Opis:
This paper deals with the literary works of A.G. Matoš. It attempts to demonstrate that in his works a whole period of the Croatian literature modernism is concentrated. It also explores a question: Why cannot the opus of this Croatian author be absorbed into the Hungarian literature? In the Hungarian literature of modernism Matoš would be disseminated first of all because of his strong literary authority and his very special language use. Despite difficulties, the author of this paper finds some parallels between Matoš and the Hungarian authors of modernism. As a coherent and strong author of extraordinary fantasy, languge usage and style, Matoš can be only partly assimilated into the Hungarian literature.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z problematyki modernizmu w literaturze słowackiej
Autorzy:
Hučková, Dana
Powiązania:
https://bibliotekanauki.pl/articles/638621.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Literary Modernism, Slovak Modern School, literary contexts, cultural resonances
Opis:
The problems of modernism in Slovak literature In the literary output of Slovak Modernist authors the period aesthetic universalities of the artistic Modernism, roughly dated 1890–1914, were connected with peculiarities of regional, national literature, traditionally defined by, as well as perceived through the national concept. As a result of national aspect predominance in the previous perception of literature, the Slovak cultural environment may have experienced restructuring of values of the period topics, it happened however, with a the unmistakable granting autonomy to the aesthetic function of literature and individual creative gesture. Slovak Modernism evinces identifiable thematic resonances and contextual proximities with the contemporary European ideological currents and trends. The follwing authors: Ivan Krasko, Janko Jesenský, Ivan Gall, František Votruba, Ľudmila Groeblová, Vladimír Roy, Vladimír Hurban-Svetozárov, Vladimír Hurban-Vladimírov, Martin Rázus, Samo Cambel-Kosorkin, Juraj Slávik-Neresnický abandoned the social-ideological take on literature and started to emphasize the moment of intimacy and sensitivity of production, which was perceived as an individual self-expression, an escape from solitude, the act of confession, and the outcome of a mood and artistic rendition of a unique moment. The starting point was the feeling of sensual deprivation, failure, disappointment, loss, intellectual distress, and crisis. The perception of crises became manifest in vacillation between activity and inertia, harmony and chaos. Revived Romantic poetics with impressionist overtones began to appear sporadically around 1900 and after 1905 (the year Janko Jesenský’s book of poetry, Verše /Verses/ was published), it became widespread, with the culmination of its popularity between 1908–1912. At that point, the revived Romanticism and Impressionism took a noticeably Symbolistic turn. The motifs of decadent stylization became relatively rare. The inclination of late Symbolism towards the grotesque (grotesque-carnival) in the Slovak context is marked by the repeated ironic twist characterizing literarytexts and by seeing life as a farce, carnival or fancy dress ball.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2013, 8, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artur Daniel Liskowacki i liryka nowoczesna
Artur Daniel Liskowacki and modern lyrics
Autorzy:
Skrendo, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2032423.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
literary modernism
lyrics
Artur Daniel Liskowacki
nowoczesność
liryka
Opis:
Tematem artykułu jest twórczość poetycka Artura Daniela Liskowackiego. Kontekstem rozważań jest eseistyka samego Liskowackiego oraz estetyka nowoczesna, zwłaszcza awangardowa i postawangardowa. Liskowacki we własny sposób wykorzystuje zasady estetyki nowoczesnej i doprowadza je do sprzeczności.
The subject of the article is the poetry of Artur Daniel Liskowacki. The context of the considerations is the essays of Liskowacki himself and modern aesthetics, especially avant-garde and post-avant-garde. Liskowacki uses the principles of modern aesthetics in his own way and leads them to contradictions.
Źródło:
Autobiografia Literatura Kultura Media; 2021, 17; 37-45
2353-8694
2719-4361
Pojawia się w:
Autobiografia Literatura Kultura Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Geniusz jutra na atomy rozbity”. O epokowych diagnozach Piotra Chmielowskiego i Antoniego Langego
“The Genius of Tomorrow Smashed into Atoms”. On Piotr Chmielowski and Antoni Lange Diagnosing their Era
Autorzy:
Jauksz, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1534351.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
modernism literary
debates of the Young Poland period
literary criticism
Young Poland’s poetry
generation strife in the late 19th century
Opis:
The article presents an unofficial discussion that took place between one of the most prominent Polish critics of the late 19th century and Antoni Lange, a raising poet of the 90s, whose work had gained little attention from the older colleague. Mentioned briefly in Chmielowski’s Współczesni poeci polscy in 1895, Lange responded to some of the critic’s fterwards. Chmielowski did not respond to that directly, however, his review of Lange’s volume of poetry published at the time and the will to defend his claims using the adversary’s poetry as a pretext shows that the young poet had succeeded in provoking the respected critic to take defensive position. The two writers, discussing an ongoing ‘crisis’ of poetry, present their own perspectives on the roots of the situation. Chmielowski’s claims from the beginning of the 20th century prove that the dispute, unofficial as it was, was won by Antoni Lange.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 141-155
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vzťah náboženstva a umenia v literatúre svetovej a slovenskej moderny
Autorzy:
Bátorová, Mária
Powiązania:
https://bibliotekanauki.pl/articles/776969.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
art and religion
world literature
modernism
Slovak literary modernism
typology
development
historical context
Opis:
The study analyzes the relation between religion and art in the world, and in Slovak modernist literature. It also examines religion and art from the point of view of its scholarly reception in the context of European literature. It builds on the division of artists of religious orientation based on Bernhard Rang’s two types:a) Claudelian and b) Green-ian. A part of the study provides new insights into Slovak literary modernism. Despite the expectation that modernism would exclude Christian works of literature, the opposite happened:modernism tested Christian works of art and emphasized their ability to capture the subtle aspects of human existence. In this way, a weakness of modernism was exposed: its degenerative function when it focuses only on material aspects. A historical overview has shown that Slovak intellectuals were used to living in an alternative cultural environment and nurturing an alternative culture. This experience proved useful to them in the 20th century, particularly after 1945. During communist rule, the underground church played a major role in Poland and in Slovakia. In Slovakia, Catholic dissidents were of great importance to the developments that led to theVelvet Revolution in November 1989.
Źródło:
Slavia Occidentalis; 2016, 73/2; 7-21
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zur Rolle deutschsprachiger Priester-Dichter im „Literaturstreit“ katholischer Journale um 1900
The role of German-speaking priests-writers in the dispute on the “literary modernism“ at the turn of the 20th century.
Autorzy:
Chylewska-Tölle, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1364973.pdf
Data publikacji:
2016-04-19
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
Religion – priests -writers – literary modernism – Christianity
: Religion – Priester -Dichter – literarischer Modernismus – Christentum
Opis:
Die Erneuerung der christlich inspirierten Literatur war am Übergang vom 19. zum 20. Jahrhundert in Europa eine heftig diskutierte und zugleich kontroverse Erscheinung. Das Hauptziel meines Beitrags ist die Überprüfung der Rolle von den drei katholischen Priester-Dichtern Heinrich Federer (1866‒1928), Peter Dörfler (1878‒1955) und Joseph Wittig (1879‒1949) im Streit um den „katholischen Modernismus“ in der Literatur. Es sollen u.a. literarisch-kulturelle Entwicklungen sowie Prozesse in der Herausbildung der geistigen Positionen der genannten Autoren untersucht werden.
The renewal of Christian literature was a vividly discussed and controversial phenomenon in Europe at the turn of the 20th century. The aim of this paper is to present the role of the Catholic priests-writers Heinrich Federer (1866‒1928), Peter Dörfler (1878‒1955) and Joseph Wittig (1879‒1949) in this dispute on “Catholic modernism“ in literature. Literary and cultural development of these writers, as well as the processes of forming their literary profile will be analysed.
Źródło:
Studia Germanica Gedanensia; 2016, 34; 183-194
1230-6045
Pojawia się w:
Studia Germanica Gedanensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kontrasty, deformacje, demontaże. Literackie przetwarzanie form nieliterackich w literaturze polskiej po 1956 roku
Contrasting, Deforming, Dismantling. Literary Processing of Non-Artistic Language in Polish Literature after 1956
Autorzy:
Bukowiecka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/579205.pdf
Data publikacji:
2019
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Polish contemporary literature, literary experiment, modernism, avant-garde, Leopold Buczkowski, Tadeusz Różewicz, Miron Białoszewski
Opis:
The text concerns the expansion of non-artistic forms of language in Polish literature after the “Polish thaw”. They are separated from real context, processed in an experimental, radical and original way and (re)used in the literary work as linguistic, ready-made objects or as a part of artistic recycling. I point out three strategies of language processing: contrasting, deforming and dismantling, which are present in works by three post avant-garde writers: Leopold Buczkowski, Tadeusz Różewicz and Miron Białoszewski. Striving for innovation and experiment, thinking of language with growing suspicion, focusing on its tendency to petrification allows their work to be seen as the continuation of modernist tendencies.
Źródło:
Zagadnienia Rodzajów Literackich; 2019, 62, 2; 163-180
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozterki modernistycznego (nie)istnienia – „ja” entropiczne w prozie Stanisława Przybyszewskiego
Dilemmas of modernist (non)existence – entropic “I” in the prose by Stanisław Przybyszewski
Autorzy:
Badowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/967378.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
modernist literature
literary modernism
“I” in literature
subjectivity in literature
przybyszewski stanisław
literatura modernizmu
„ja” w literaturze
podmiotowość w literaturz
Opis:
The author declares Stanisław Przybyszewski as one of the precursors of the modern recognition of subject as a broken entity, aware of internal contradictions, and therefore unable to constitute itself, unreconciled with being, turning into and enemy of itself. The Young Poland writer portrayed as an exponent of ontological uncertainty that characterised thinking about man and the world throughout the twentieth century. Analysing works from different stages of his career, the author finds that their heroes are not an aftermath of the epidemic of pessimism, but a reflection of a deeper anthropological crisis, one that lead, after Przybyszewski’s death, through Sartre’s existentialism to the postmodern proclamation of “death of the subject.” The author also indicates that Przybyszewski’s characters suffer from vagueness and elusiveness of their own selves, until they lose the sense of self, experiencing a crisis of rationalism and plunging into the cultural matrix.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 33, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Дослідження експресіонізму в сучасному українському літературознавстві
Autorzy:
Radavska, Oksana
Powiązania:
https://bibliotekanauki.pl/articles/1789986.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
expressionism
modernism
literary criticism
literary theory
history of literature
Opis:
The article refers to the work of Ukrainian researchers devoted to expressionism, such as O. Chernenko, M. Moklytsi, A. Biloi, O. Osmak, G. Yastrubetskoyi and others. It defi nes the main directions of research and characterizes researchers by their theoretical concepts, focusing on the names of the writers who are called the representatives of Ukrainian literary expressionism. Attention is paid to the fact that the theories may often be similar but researchers represent diff erent series of names and works. This requires further development of the theory of expressionism and the Ukrainian literature study in this aspect.
Źródło:
Studia Ucrainica Varsoviensia; 2017, 5; 243-251
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A past that has never been present”: The Literary Experience of Childhood and Nostalgia
Autorzy:
Salmose, Niklas
Powiązania:
https://bibliotekanauki.pl/articles/641502.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literary experience
childhood
nostalgia
modernism
aesthetics
Opis:
This essay explores the modernist aesthetic involved in creating a fictive, nostalgic, childhood experience. Evoking the experience of childhood through fiction is as close to actually reliving childhood as we can get. The author argues that it is possible to actually transport the reader into not only the idealized world of childhood, but more so into an embodied experience of childhood through the use of different kinds of narrative and stylistic configurations. In a stylistic and narratological analysis of three modernist novels, Virginia Woolf’s The Waves (1931), Tarjei Vesaas’ The Ice Palace [Is-slottet] (1963) and William Faulkner’s The Sound and the Fury (1929), the author explores the different ways that literature can create (or re-create) the very experience of childhood through literary style. The strategies involved in establishing a fictive experience of childhood extend from narratological choices such as free indirect style, strict focalization through a child in the narrative (which implies limitations in perception and cognitive abilities, as well as in linguistic terms) to the use of a child-like temporality, the hyperbolic use of phenomena, and an emphasis of the sensorial aspects of perception.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 332-351
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Scotland Small? Our Multiform, Our Infinite Scotland Small?" Scotlands Literary Contribution to the Modern World
Autorzy:
Korzeniowska, Aniela
Powiązania:
https://bibliotekanauki.pl/articles/508920.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Scottish Literary Revival
international modernism
, Scottish Vernacular
translation
linguistic/literary experimentation
Opis:
"Scotland Small? Our Multiform, Our Infinite Scotland Small?" Scotland's Literary Contribution to the Modern WorldHugh MacDiarmid’s poem "Scotland Small?" (1943) questions the widespread opinion at the time that Scotland was only a small country geographically with "nothing but heather!", showing how "marvellously descriptive" this may be, but also totally "incomplete". The issue addressed in this article is how Scottish letters, starting with the outstanding and multiform writings of the same Hugh MacDiarmid (Christopher Murray Grieve [1892-1978]) and ending with observations of the international significance of such contemporary Scottish poets as Carol Ann Duffy (b. 1955), the first female to become British Poet Laureate, have contributed to the development and diversity of literature far beyond the borders of Scotland. It is also in looking at the achievements of such diverse writers as Muriel Spark, James Kelman and Ian Rankin as well as poets Ian Hamilton Finlay, Edwin Morgan, Jackie Kay, or the present Scottish Poet Laureate Liz Lochhead, among others, that we can see how significant their literary oeuvre is for a better understanding of the modern world. Emphasis is also placed on the fact that although Scotland is undoubtedly a small country geographically, we can never – in reference to the title of this volume – say it is minor.„Szkocja mała? Nasza wielopostaciowa, bezmierna Szkocja mała?” Literacki wkład Szkocji do współczesnego świataWiersz Hugh MacDiarmid’a Szkocja mała? (1943) kwestionuje ogólnopanującą opinię w pierwszej połowie XX wieku, że Szkocja to tylko mały kraj, gdzie „nie ma nic innego poza wrzosem”, pokazując jednocześnie, że „opis może i jest wspaniały”, ale także wielce „niekompletny”. Temat niniejszego artykułu opisuje, jak literatura szkocka, poczynając właśnie od wybitnej i wielorakiej twórczości MacDiarmid’a (Christopher Murray Grieve [1892- 1978]), a kończąc na międzynarodowym znaczeniu takich współczesnych poetów, jak Carol Ann Duffy (ur. 1955), pierwsza kobieta piastująca funkcję nadwornego poety brytyjskiego monarchy, przyczyniła się do rozwoju i różnorodności literatury daleko poza granicami Szkocji. Uwypuklając osiągnięcia tak różnych powieściopisarzy, jak Muriel Spark, James Kelman i Ian Rankin, czy takich poetów, jak Ian Hamilton Finlay, Edwin Morgan, Jackie Kay czy Liz Lochhead (aktualnie nosząca tytuł Narodowego Poety Szkocji), widzimy jak ważna jest ich twórczość dla lepszego zrozumienia współczesnego świata. Ich wkład do literatury światowej pokazuje, iż powierzchnia Szkocji może jest rzeczywiście mała, ale to, co pochodzi z tego małego kraju, na pewno nie jest bez znaczenia.
Źródło:
Colloquia Humanistica; 2013, 2
2081-6774
2392-2419
Pojawia się w:
Colloquia Humanistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odcienie modernizmu. O lwowskiej krytyce literackiej przełomu XIX i XX w.
Shades of modernism. Lvov literary criticism in the late 19th and early 20th centuries
Autorzy:
Sobieraj, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1389376.pdf
Data publikacji:
2016-03-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literary criticism
modernism
involved culture
life
dynamism
dispute
Opis:
This is a review of Lwowska krytyka literacka 1894-1914. Tendencje i problemy by Katarzyna Sadkowska, an attempted monograph of the most outstanding and most representative literary criticism phenomena observed in modernist Lvov at the end of the 19th and the beginning of the 20th century. The book offers a dominant interpretation strategy typical of the cultural history of literature, presenting the analysed texts in the context of diverse relations. The monograph focuses on the achievements of Ostap Ortwin, Karol Irzykowski, Stanisław Womela and Tadeusz Sobolewski. The author has reconstructed many formerly unknown segments of modernist literary criticism in Lvov.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 26; 241-247
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Manifesty u początków modernizmu ukraińskiego („List otwarty do pisarzy ukraińskich” Mykoły Woronego)
Autorzy:
Nowacki, Albert
Powiązania:
https://bibliotekanauki.pl/articles/2032782.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ukrainian modernism
literary manifesto
literary discussion
modernisation
symbolism
Ivan Franko
Mykola Voronyi
Źródło:
Slavia Orientalis; 2017, LXVI, 3; 481-493
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pojęcie modernizmu w młodopolskiej krytyce literackiej
The Notion of Modernism in the Literary Criticism of Young Poland
Autorzy:
Legutko, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/967345.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Modernism
literary criticism
Young Poland
modernizm
krytyka literacka
młoda polska
Opis:
The notion of modernism in Polish literary criticism at the turn of the 20th century was characterized, as the author of the article proves, by ambiguity. The notion was understood and explained differently and was used in various contexts which quite often contradict each other. This imprecise term referred to many phenomena: from itnietzscheanism and the philosophy of Arthur Schopenhauer, by the meaning of “naked soul” and “art for art’s sake” to the decadent movement, mysticism and symbolism. Even though Young Polish critics (propagators of “new art” as well as its critics) defined modernism in a multi-faceted way (from the point of view of their ideological standpoints and preferred esthetics values) it has been linked by aversion to the name, the awareness of crisis of European culture and middle-class morality and necessity of upgrading art.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 33, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak czytać współcześnie współczesną poezję? Kilka uwag o strategii krytycznej Marjorie Perloff
How to read contemporary poetry in a contemporary way? A few remarks about the critical strategy of marjorie perloff
Autorzy:
Cieślak-Sokołowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/969785.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
literary criticism
contemporary poetry
modernism
late modernism
interpretation
krytyka literacka
poezja współczesna
modernizm
późny modernizm
interpretacja
Opis:
How to Read Contemporary Poetry in a Contemporary Way The article constitutes an attempt to pose a question regarding the modes of reading contemporary poetry; at the same time, it ought to be noted that the term contemporary literature is understood broadly and it denotes primarily changes in the modernist and late-modernist literature. It is, on the one hand, the critical writings of Majorie Perloff – described here against the background of the adventures of the American criticism of the 20th and 21st century, and on the other, a reading of Marcin Świetlicki’s single poem Tak, kawiarniany dekadentyzm – that proved to be convenient fields to pose the above question. The thesis concerning the exhaustion of the intentional critical style and mode of symbolist exegesis is accompanied by an attempt to reconstruct the principles which would make it possible in contemporary times to read closely a work of poetry.
Źródło:
Wielogłos; 2011, 1, 9; 144-155
2084-395X
Pojawia się w:
Wielogłos
Dostawca treści:
Biblioteka Nauki
Artykuł
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