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Wyświetlanie 1-15 z 317
Tytuł:
Skąd widma w pracowni artysty? Próba interpretacji cyklu obrazów Piotra Stachiewicza.
Where are the phantoms in the artists’s atelier from? An attempt to interpret the cycle of paintings by Piotr Stachiewicz.
Autorzy:
Bagińska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/560151.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Piotr Stachiewicz
Opis:
The cycle Phantoms in the Atelier is probably the only artistic expression of Piotr Stachiewicz (1858–1938) on the topic of an artist and creation. Stachiewicz was famous most of all for his religious and genre scenes, press and book illustrations and separately edited graphic cycles of which The Queen of Heaven. Legends about God’s Mother of 1893 is the best known. The discussed in this article cycle Phantoms in the Atelier was executed in two versions: the first was completed in 1883–1885 and the following one in ca. 1903. These dates seem to be important in Stachiewicz’s life – they indicate the beginning and the peak of his artistic career. The cycle comprises five paintings entitled: Muse, Irony, Melancholy, Doubt and Solace. Each of them depicts an unreal character – a phantom in the artist’s studio, and these are as follows: Fame, a jester, a genius, Fury and death. The critics of those times had no doubt as the meaning of Stachiewicz’s cycle is concerned. In a review of 1903, when the paintings were shown in Munich, it was stated that they depicted the eternal struggle of an outstanding individual with life obstacles. The phantoms were identified as outer elements which destroyed the art- ist’s actions: jealousy, stupidity, lack of understanding. A thorough analysis of these pictures allows us to propose a hypothesis that the reality presented by Stachiewicz refers to the author’s inner world – the crisis resulting from inability of creation. Every painting may be a metaphor of the artist’s passivity which leads to his death as a creator. Stachiewicz’s work finds its place among popular in Polish painting at the turn of the 19th c. scenes of an artist’s death in his studio. Here belong paintings that remain in realistic convention and fulfill a strong social purpose (e.g. Wacław Koniuszko, In the Atelier, 1885) and symbolic presentations, in which, similarly to the discussed cycle, unreal characters appear (e.g. Jacek Malczewski, Artist’s Death; Antoni Kamieński, An Unfinished Work, 1900). In the context of Stachiewicz’s immense artistic “fertility” and big popularity of his works, choosing the subject of creation crisis and the artist’s death seems to be an ambiguous gesture, which is not confirmed by the painter’s real situation. We can suspect that in the paintings the author, known from his numerous actions promoting his own art, made used the topic of an atelier so quick on the uptake only to make his artistic activity reliable. Just like in the case of a watercolour by Julian Fałat, Two Worlds of 1909, the cycle may be judged as the effect of following a popular convention, an expression of a peculiar game played by the artist with the audience.
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2013, 1(27); 36-52
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Piotr Świercz, Jedność wielości. Świat, człowiek, państwo w refleksji nurtu orficko-pitagorejskiego, Katowice 2008, Wydawnictwo Uniwersytetu Śląskiego, ss. 374.
Autorzy:
Osek, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/613239.pdf
Data publikacji:
2009
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Piotr Świercz
pitagorejczycy
Opis:
nie dotyczy
Źródło:
Vox Patrum; 2009, 53-54; 749-755
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sepulkralność i zacieranie granic. Imperatywy poezji Piotra/Petera Lachmanna
Autorzy:
Chojnowski, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/2090163.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Piotr (Peter) Lachmann
Opis:
This article analyzes the poetic imagery of the bilingual, Polish-German, author Piotr (Peter) Lachmann. The key images of his poems bring into focus the problem of keeping up the ties between the world of the living and the world of the dead. Lachmann’s term for this kind of remembrance, made possible by the abundance of pictorial records (photography, fi lm) that transcend the linear axis of time, is ‘sepulchral humanism’. While examining the relations between sacrum and profanum in Lachmann’s verse, the article also notes their contamination by depictions that draw on the aesthetics of disgust and ugliness. Finally, the article discusses the German themes in Lachmann’s poetry and his intellectual bond with Tadeusz Różewicz, a poet and playwright with a better understanding of German culture than most Polish writers of his (post-war) generation.
Źródło:
Ruch Literacki; 2017, 6; 591-612
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inwentarz majątku ruchomego burmistrza sieradzkiego Piotra Zamojskiego z 1581 r.
Inventory of Movable Property of the Sieradz Mayor, Piotr Zamojski from 1581
Autorzy:
Szymczak, Alicja
Szymczak, Jan
Powiązania:
https://bibliotekanauki.pl/articles/1205215.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Piotr Zamojski herbu Jelita
Opis:
Piotr Zamojski, a nobleman and a Sieradz burgehr (nobilis et famatus) was one of the most notable Sieradz citizens in the second part of the 16th century. He was a juror (1570–1572), a councilor (1575/1576), a landvogt (1577/1578) and the Sieradz mayor (1578/1579). He manufactured and sold various liquors, including beer and booze. He traded in salt, iron and leather and also acted as a pawnbroker offering burghers lawns on their houses and land. The inventory was catalogued on 27 December of 1581. It contains a list of objects from 5 chests deposited in the parish church as well as objects found in individual rooms of the house, animals in a stable and grains in a barn. Movable properties listed in the inventory include clothes, jewelry, farm equipment, equipment for booze manufacture. The inventory comprised all the things from the house and the farm. Their number which was exceptional compared to other burgher inventories is undoubtedly a sign of Piotr Zamojski’s wealth. A big part of the wealth was Agnieszka’s dowry or was from the house of her uncle, canon Franciszek. What seems certain is the fact that Piotr Zamojski inherited his vast collection of books. It included not only books typical for a clergyman, but a big collection of books confirming a humanistic inclination of the owner. Some of them were probably bought by Piotr Zamojski, e.g. books concerning municipal law. The inventory also included various objects offered by the Sieradz gentry due to unpaid taxes. Among those things given to a tax-collector were even family signet rings!
Źródło:
Zeszyty Wiejskie; 2014, 19; 375-388
1506-6541
Pojawia się w:
Zeszyty Wiejskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fr. Piotr Dębski (1968–2020)
Autorzy:
Poźniak, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/570441.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
Tematy:
Piotr Dębski
memory
musicologist
Opis:
Pro Memoria
Źródło:
Folia Organologica. International yearbook of organ and organ music; 2020, 3; 146-146
2657-6082
2719-3284
Pojawia się w:
Folia Organologica. International yearbook of organ and organ music
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Św. Piotr biskupem Rzymu?
Saint Peter – the bishop of Rome?
Autorzy:
Pałucki, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/611917.pdf
Data publikacji:
2008
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Piotr
Rzym
Peter
Rome
Opis:
The primacy of the Bishop of Rome is an essential, if not a fundamental element of the unity of Church and belongs to the mainstream of ecclesiology throughout its whole history. It is anchored in the study of the doctrine of the New Testament and from the very beginning, starting from the oldest patristic sources, such as the Epistle of Saint Clement of Rome to Corinthians and Ignatius of Antioch’s Epistles, there have been utterances indicating Saint Peters extraordinary role in the universal Church and the significance of his stay in Rome and the foundation of the local Christian community there. The Church Fathers also emphasize that Peter is present in all fundamental events related to the foundation of the Church and it was him who was entrusted with the care for its unity by Jesus. The first writers who start to describe Peter as the Bishop of Rome are Tertullian and Cyprian, who teaches that the Bishop’s authority is like the Apostles’ authority and uses the term cathedra Petri referring to Rome. Although Saint Irenaeus attributes the foundation of the Roman Church to Peter and Paul, in the course of years, especially after the transfer of the Capital of the Empire to Constantinople, he also puts the name of Peter at the top of the list of Roman Bishops. Many biblical scholars and patrologists also emphasize that Paul never laid claim to be the Bishop of Rome.
Źródło:
Vox Patrum; 2008, 52, 2; 819-826
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Memory of the late Father Piotr Dębski
Autorzy:
Szymanowicz, Maria
Powiązania:
https://bibliotekanauki.pl/articles/570411.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
Tematy:
Piotr Dębski
memory
musicologist
Opis:
Pro Memoria
Źródło:
Folia Organologica. International yearbook of organ and organ music; 2020, 3; 145-145
2657-6082
2719-3284
Pojawia się w:
Folia Organologica. International yearbook of organ and organ music
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Leiturgiarion" Piotra Mohyły z 1629 i 1639 roku. Studium porównawcze
Peter Mohyła’s Leiturgiarion from 1629 and 1639. Comparative study
Autorzy:
Płoński, Roman Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/951178.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Piotr Mohyła
prawosławie
Leiturgiarion
Opis:
The present publishing tradition in principle does not use the qualification the Leiturgiarion in tytular of liturgical books. Only Orthodox Church in Romania is except here. Polish editions of this books however appear here very curiously. The Orthodox Church in Poland did not continating tradition editing the Leiturgiarion(according to Peter Mohyla’s Leiturgiarion) and also the Sluzhebnik (according to present of Bulgarian, Russian, Serbian contemporary editions). Fact this is interesting surely both for alone orthodox, as also the totality of Polish publishing market and the represented by him traditions. We have however to deal with separate editions of individual texts of services in concrete languages (church-slavonic, polish). Archieratikon is edition about summary character surely, edited in Warsaw in 1944 year. It was only edition compilation – parallel edition of texts of Liturgy (the Mass) by St. John the Chryzostom and St. Basil the Great, as one text with parallel proper columns every form of service, edited at Warsaw in 1924 year we can with regard recognise for linking to edition extradition vanetian – gorazdan – mohylian with regard on formula of given book. All edited text of orthodox Liturgy (the Mass) have the monothematic character. They are editions of only one, closely definite form of this service.
Źródło:
Studia Wschodniosłowiańskie; 2014, 14; 89-104
1642-557X
Pojawia się w:
Studia Wschodniosłowiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Piotr Szymanek (1895–1975) ps. „Semko”, „Piotr”
Piotr Szymanek (1895–1975) alias “Semko”, “Piotr”
Autorzy:
Gmitruk, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/1043197.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Piotr Szymanek (1895–1975)
Opis:
The paper presents the biography of Piotr Szymanek, a youth and peasant movement activist who came from Radomsko area. Since 1918 he belonged to the Polish Peasant Party “Liberation”. Since 1931 he was a secretary of the Regional Board of Polish Peasant Party in Piotrków and a member of Province Board of the party in Lodz. During the German occupation he co-organized resistance movement in Piotrków and Radomsko area. He cooperated with the Armed Combat Union and a squad of the Home Army of Stanisław Karliński “Burza”. Later he was an active member of the Peasant Party “Roch”, he was also a soldier of Peasants’ Battalions. After merging Peasants’ Battalions and the Home Army he was nominated the regional chief officer of Peasant Safety Guard. Since 1945 he was a member of Supreme Council and Supreme Executive Committee of Peasant Party in Lodz, between 1946–1949 he had a function of a vice-president of Supreme Executive Committee of Peasant Party. Between 1947–1950 he occupied the position of Lodz provincial governor. In the years 1956–1959 he was a member of the United People’s Party and between 1957–1958 he was the chairman of the Board of the Province People’s Council in Lodz. Between 1957–1965 he was a member of the parliament of the Polish People’s Republic.
Źródło:
Zeszyty Wiejskie; 2016, 22
1506-6541
Pojawia się w:
Zeszyty Wiejskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sławomir Czerwiński i wychowanie państwowe, praca zbiorowa pod red. Piotra Gołdyna
Autorzy:
Magdalena, Rzepka,
Powiązania:
https://bibliotekanauki.pl/articles/892391.pdf
Data publikacji:
2018-11-15
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Sławomir Czerwiński
Piotr Gołdyn
Opis:
-
Źródło:
Kwartalnik Pedagogiczny; 2018, 63(3 (249)); 174-180
0023-5938
Pojawia się w:
Kwartalnik Pedagogiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stojąc przed zamkniętymi drzwiami. Franz Kafka Piotra Dumały
Standing in front of a closed door. Piotr Dumała’s Franz Kafka
Autorzy:
Kościelski, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/1391834.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Piotr Dumala
Franz Kafka
door
narration
animation
Piotr Dumała
drzwi
narracja
film animowany
Opis:
Directed by Piotr Dumala, Franz Kafka is a very unusual example of a biographical movie. The film is composed of carefully thought-out poetic images which, according to the director himself, reflect the “psychic landscape” of the title character. Thus scenes inspired by Kafka's life and his Diaries intertwine with episodes that refer to his literary works. Dumala shows deep understand-ing of the writer’s characteristic way of depicting reality and the unusual perspective of narration indicates his thorough knowledge of Kafka’s works. Dumala draws on this heritage and creates an emotional portrait of the writer, while at the same time providing a universal reflection on the human condition.
Źródło:
Przestrzenie Teorii; 2015, 24; 275-291
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hołd cieniom wieszcza o Skargowej mądrości, czyli krakowskie obchody setnej rocznicy urodzin Zygmunta Krasińskiego
Autorzy:
Daszyk, Krzysztof K.
Powiązania:
https://bibliotekanauki.pl/articles/640610.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Piotr Skarga
Zygmunt Krasiński
Krakow
Opis:
The year 1912 – that is a time when dreams of regaining national sovereignty and launching new irredentist activities began to be reborn in the Polish society (in connection with the political turmoil in Europe auguring an imminent outbreak of the “great war”), was associated with a few important historical anniversaries, namely: the 300th anniversary of the death of Rev. Piotr Skarga, the 100th anniversary of the death of Hugo Kołłątaj, the 100th anniversary of the birth of Zygmunt Krasiński and Józef Ignacy Kraszewski, and finally the 100th anniversary of the expedition of Napoleon’s Great Army on Moscow; it was particularly the latter event that was being associated with the hopes of ‘resurrecting’ Poland within its pre-partition borders. The above-mentioned anniversaries created an excellent opportunity for the Poles to manifest – wherever possible – that is chiefly on the territory of autonomous Galicia and among the émigré circles – their patriotic feelings. For the individual political factions, these jubilee celebrations constituted an excellent pretext to intensify the struggle for the proverbial “rule of the souls”. In the year 1912 in Kraków it was primarily the memory of the author of Nie-Boska komedia and Irydion (23 February), and secondly (25–27 September) that of the author of the famous Kazania sejmowe /Diet Sermons/, that were being celebrated. The latter of the two celebrations had, above all, the character of a religious holiday. Whereas in connection with the homage paid to the memory of Zygmunt Krasiński, there appeared clear accents and allusions as well as ideologicalpolitical polemics, no scholar researching the post-partition history of the Poles can pass by with indifference. To put things in a nutshell, for the Kraków conservative-conciliatory circles which eagerly took over patronage over the organization of the celebrations associated with the 100th anniversary of the birth of the “third national poet-bard”, this holiday became an excellent opportunity to recall the warnings of the author of Nie-Boska komedia against the dire consequences of all socially radical ideologies (in the contemporary Galician realities, this meant above all, a warning against the socialists grouped around Ignacy Daszyński) and also against propagating the idea of “deed-work” rather than “deed-struggle” (as all irredentists who were then setting up unions and Polish Rifle Squads seemed to require).
Źródło:
Prace Historyczne; 2012, 139; 69-94
0083-4351
Pojawia się w:
Prace Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Piotr Szulkin: katastrofy logosu i absurdy istnienia
Piotr Szulkin: The Catastrophes of Logos and the Absurdities of Existence
Autorzy:
Konefał, Sebastian Jakub
Powiązania:
https://bibliotekanauki.pl/articles/31341083.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Piotr Szulkin
dystopia
filozofia
philosophy
Opis:
Piotr Szulkin był jednym z najważniejszych twórców polskiego kina ostatniej dekady PRL, który w intrygujący sposób próbował także tworzyć „kino osobne” w realiach wolnej Polski. Niestety, autor ten do dziś nie doczekał się w naszym kraju dedykowanej mu monografii akademickiej ani antologii tekstów naukowych poświęconych jego dziełom (filmy, teatry telewizji, opowiadania literackie i obrazy). Z kolei artykuły popularnonaukowe na temat kina Szulkina skupiają się najczęściej na odczytaniach tego fenomenu polskiej kultury w kluczach politycznych, historiozoficznych bądź związanych z poetyką dystopii. A przecież zarówno fantastyczno-naukowa tetralogia reżysera, jak i kilka innych jego produkcji kinowych oraz telewizyjnych to pozycje, które wykraczają daleko poza te perspektywy. Filmy Szulkina można bowiem uznać za arcyciekawe przykłady kreatywnego czerpania z różnych tradycji myśli frankofońskiej (m.in. Foucault, Derrida, Baudrillard), estetycznych postaw poetyki absurdu i groteski (z Beckettem na czele), a także z tez wybranych antropologów i socjologów kultury (Girard czy Bauman). Oprócz tego typu tropów w swoim filmoznawczym upamiętnieniu zmarłego niedawno reżysera Konefał stara się również odnaleźć wątki i strategie narracyjne z dzieł Piotra Szulkina, które mogą się wydawać interesujące dla młodszego pokolenia widzów, nieznającego jego twórczości (autor bazuje tu na opiniach studentów gdańskiego filmoznawstwa oraz norweskich doktorantów z Arktycznego Uniwersytetu w Tromsø).
Piotr Szulkin was one of the most important creators of the Polish cinema of the last decade of the Polish People’s Republic, who in an intriguing way tried to create a “separate cinema” in the realities of free Poland. Unfortunately to this day, no academic monograph or anthology devoted to his work (film, TV theatre, literary stories and paintings) was published in Poland. On the other hand, popular science articles on the subject of Szulkin’s cinema focus most often on the readings of this phenomenon of Polish culture in political or historiosophical contexts or related to the poetics of dystopia. And yet, both Szulkin’s science-fiction tetralogy, as well as several of his other cinema and television productions, are items that go far beyond these perspectives. Szulkin’s films can be regarded as some very interesting examples of creative drawing from various traditions of francophone thought (including Foucault, Derrida, Baudrillard), aesthetic attitudes of the poetics of absurd and grotesque (with Beckett at the top), and also from selected anthropologists and sociologists of culture (Girard or Bauman). In addition to this kind of tropes in his film studies commemoration of the recently deceased director, Konefał also tries to find narrative threads and strategies from works by Piotr Szulkin, which may seem interesting to the younger generation of viewers who do not know his work (the author relies here on the opinions of students of Gdańsk film studies and Norwegian PhD students from the University of Tromsø).
Źródło:
Kwartalnik Filmowy; 2018, 104; 216-227
0452-9502
2719-2725
Pojawia się w:
Kwartalnik Filmowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O krakowskim pomniku Adama Mickiewicza raz jeszcze.
Autorzy:
Okoń, Waldemar
Powiązania:
https://bibliotekanauki.pl/articles/560102.pdf
Data publikacji:
2006-01-01
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Adam Mickiewicz
Kraków
Piotr Szubert
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2006, 1(1); 18-31
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 317

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