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Tytuł:
<i>Badanie kultury. Ludzie, projekty, realizacje</i>
<i>Investigating into Culture. People, Projects, Realisations</i>
Autorzy:
Bednarek, Stefan
Powiązania:
https://bibliotekanauki.pl/articles/466785.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
recenzja
teoria kultury
historia kultury
kulturoznawstwo polskie
Anna Gomóła
Marek Pacukiewicz
Uniwersytet Śląski w Katowicach
book review
cultural theory
history of culture
Polish culture studies
University of Silesia in Katowice
Opis:
Stefan Bednarek's review of the book:Badanie kultury. Ludzie, projekty, realizacje, red. Anna Gomóła, Marek Pacukiewicz, Wyd. UŚ, Katowice 2016, pp. 344.
Stefan Bednarek's review of the book:"Badanie kultury. Ludzie, projekty, realizacje" red. Anna Gomóła, Marek Pacukiewicz, Wyd. UŚ, Katowice 2016, pp. 344,
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2017, 35
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mechanism of Mystification and Demystification at the Point of Contact between the Humanities and Science: Case Study of the Gospel of Jesus’ Wife
Autorzy:
Piwowarczyk, Przemysław
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1012678.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
papyrology
Gospel of Jesus' Wife
Karen King
Opis:
The case of the so-called Gospel of Jesus’ Wife lays bare all the problems of research on early Christian manuscripts. We have here a manuscript of unknown provenance, a private collector wishing to protect his anonymity, an academic institution hungry for media interest, and, last but not least, the ideological bias of a scholar. In the end, the manuscript proved to be a modern forgery. However, we know this without any serious doubt not thanks to laboratory analyses and more traditional paleographic or historical studies. The issue was not resolved until a professional journalist conducted a journalistic investigation. If this method of verification of manuscript authenticity joins the others, it would be an undisputable benefit of this whole four-year-long saga.
Źródło:
Truth and Falsehood in Science and the Arts; 36-45
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Why Is Philosophy Bad for the Soul? Commentary on Al-Ġazālī’s Critique of the Philosophers
Autorzy:
Wilczyński, Karol
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1012729.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
philosophy
erring
Al-Gazali
Islam
Opis:
In this text, two notions described in two works by Al-Ġazālī are analyzed: the notion of “precipitance” (Arabic: tahāfut) and “attachment to authority” (Arabic: taqlīd), which are described in Tahāfut al-falāsifa (English: The Precipitance of the Philosophers) and Al-Munqiḏ min al-ḍalāl (English: Rescuer from Error). I try to show that Al-Ġazālī in his criticism of philosophy focused not only on theoretical issues, but that one of the key parts of his criticism are practical issues concerning the philosophers’ way of life. Pointing to specific examples of using the two aforementioned concepts to overthrow philosophy, I propose a different interpretation of these two late works by Al-Ġazālī.
Źródło:
Truth and Falsehood in Science and the Arts; 46-61
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Illusion and Truth in Theater from the Baroque to Romanticism
Autorzy:
Zatorska, Izabella
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1012975.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
truth
illusion
theater within the theater
mise en abyme
mimesis
Opis:
What does theater, as a metonymy for literature and art, represent in the centuries of transition? French classical theater was aware of difficulties in using the Aristotelian rule of mimesis. The problem of the impossibility of capturing the essence of things, when post-truths were not yet known, was acknowledged, in theory and in practice, by Baroque theater: From the perspective of theatrum mundi, with the use of “theater within the theater” (Shakespeare, Pierre Corneille, Molière), it showed the hidden, disturbing depth of “the norm of the day.” The problem of appearances (Lesage, Marivaux) resulted in the aesthetic and moral reform of Diderot, theoretician and practitioner of drama. Radical in their revolt, the protagonists of Schiller and Musset rejected both any compromise with illusion and the possibility of reforms. At the same time, they longed for the incarnation of the ideal of pure love, and were prepared to destroy others and even themselves if this ideal was to turn out to be a lie. Goodness and responsibility, as the basis for a play, are the values which – according to Father Józef Tischner – promise that Abel’s choice will prevail over Cain’s.
Źródło:
Truth and Falsehood in Science and the Arts; 69-89
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Honesty as a Trait of Non-Civilized Man in the French Image of Southern Slavs at the Turn of the 18th and 19th Centuries
Autorzy:
Sajkowski, Wojciech
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1013001.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Illyrian Provinces
sincerity
falseness
Morlachs
Montenegrins
Enlightenment
Dalmatia
Opis:
The paper deals with the French view on the morality of peoples considered uncivilized, specifically Southern Slavs inhabiting the territories of today’s Croatia and Montenegro. The problem of morality is analyzed first of all in the context of natural honesty, which was attributed to peoples considered uncivilized. The analysis uses not only the testimonies of French authors, but also French-language descriptions that were popular in France during the Enlightenment, especially the works of Alberto Fortis and Stefano Zannowich. These sources shaping the image of the Morlachs (Slavic shepherds living in provincial Dalmatia) or Montenegrins, which were popular in the second half of the 18th century, are compared with documents related to French rule in Dalmatia (1806–1813). The analysis has allowed to show what place the Slavic communities living in the peripheries of Europe at the time had in the Enlightenment’s discussions on the morality of civilized and savage people.
Źródło:
Truth and Falsehood in Science and the Arts; 90-100
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hannah Arendt’s Marranic Evasions and the Truth of Her Cryptotheology
Autorzy:
Zawisza, Rafał
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030840.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
philosophical anthropology
natality
birth
gnosis
secularity
Hannah Arendt
Augustine of Hippo
Opis:
The text is a re-reading of The Human Condition by Hannah Arendt with emphasis on the concept of natality, showing connections between this book from 1958 and the author’s dissertation written three decades earlier. The linking point is the thought of Augustine of Hippo, whose topics Arendt re-wrote into modern language, aiming to ultimately overcome gnosis, of both Christian and modern provenance. The era of nihilism as a modern type of gnosis reduced life to a biological process, a fact Arendt counterbalanced with “the divinity of birth” and, more precisely, with the latent sacredness of spontaneity. However, the operation of overcoming gnosis can only be grasped through careful research on Arendtian language, which is full of nuances. The hypothesis that Arendt worked on concepts as a “philosophical Marrano” helps elucidate the assertion that her secular anthropology is at the same time a cryptotheology.
Źródło:
Truth and Falsehood in Science and the Arts; 172-188
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narration True and False: Dialogical Self Theory in Psychotherapy
Autorzy:
Kałowski, Piotr
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030879.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
dialogical self theory
narration
psychotherapy
Postmodernism
Opis:
Postmodernism denies universal values and emphasizes the role of political power in constructing truth. This creates a challenge for psychotherapy, where the client’s perspective must simultaneously be respected and filtered through a given modality’s theory. The paper discusses the notions of truth and falsity in psychotherapy, presenting dialogical self theory as an approach responding to the aforementioned challenges. Comparing it to the dominant cognitive-behavioral approach, examples of its practical use, especially problems related to identity and its continuity, are described, and the benefits and limitations of the metaphor of therapeutic work as a dialogue or narration are outlined.
Źródło:
Truth and Falsehood in Science and the Arts; 189-204
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth and Untruth in Irony
Autorzy:
Milanowicz, Anna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030891.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
truth
non-literal language
irony
meaning ambiguity
gender
Opis:
The concept of truth in irony should be approached through the lens of the speaker’s beliefs and intentions. However, the experience and emotions of an ironic message’s recipient are not without significance. The proposed approach describes irony as a form of concealment and camouflage. Irony vibrates between “what is said but not intended” and “what is intended but not said.” It balances between the ostensible truth and the ostensible untruth. “Ironic criticism,” also known as “blaming by praise,” appears positive, although its true message is not. The reverse happens to be true for “ironic praise.” From a moral perspective, irony is not virtuous: It violates “truth-telling” and is sometimes clownish. The author’s final considerations on the subject of “Does irony have gender?” are followed by a concise description of gender differences in the use of irony and self-mockery.
Źródło:
Truth and Falsehood in Science and the Arts; 205-211
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
When Does Simulation Enable Us Adequately to Attribute Mental States to Others?
Autorzy:
Smurzyńska, Adrianna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030894.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
mentalization
simulation
differentiation of perspectives
Opis:
The paper discusses issues of taking different perspectives and attributing mental states. The main focus is on the criteria of their adequate ascription. Taking another’s perspective and simulation theory are taken into consideration. The paper considers the results of research on the development of the ability to differentiate perspectives and disorders of this ability in borderline personality disorder. The ability to differentiate one’s own and others’ mental states has been presented as an aspect of social cognition that enables adequate mentalization, by accepting the presence of various perspectives and the possibility of the coexistence of various representations of reality.
Źródło:
Truth and Falsehood in Science and the Arts; 212-220
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth Embodied in Music
Autorzy:
Chęćka, Anna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030905.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
music
truth
interpretation
value
Opis:
This contribution to the discussion on truth in music shows two ways of thinking most often chosen by representatives of the contemporary English-speaking world’s analytic philosophy. The first way assumes seeking truth or falsehood in the actual musical work and its structures, while the other is related to truth in experiencing music, and thus to the sincerity, authenticity of a performance (and especially performers’ faithfulness to the score and to themselves). The text concludes with a literary example of the debate on truth in music. For aestheticists, it can be a source of reflection on metacritical issues of music performance, and for critics – encouragement to verify their own interpretative strategies.
Źródło:
Truth and Falsehood in Science and the Arts; 247-251
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between Science, Art, and Forgery: Latin Textual Criticism as a Case Example
Autorzy:
Axer, Jerzy
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1011771.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
forgery
academic editing
intertext
art
Latin textual criticism
science
Opis:
The methodology and practice of Latin text editing is presented in the paper as an example of a humanities scholar’s work that combines scientific effort with artistic activity, including forgery of works by old masters. Part one outlines the methodological situation in textual criticism in the 1960s and 1970s, when the author was a university student and novice researcher. Next, the author considers what caused changes in editing methodology in subsequent decades and, finally, he comments on present-day debates surrounding the role of the academic editor, with a special focus on the interdisciplinary aspects of this issue.
Źródło:
Truth and Falsehood in Science and the Arts; 21-35
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Validity of Aesthetic Judgments: George Santayana’s Polemics with Tradition
Autorzy:
Grzeliński, Adam
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1013023.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
aesthetic judgement
aesthetic experience
Santayana
Kant
Opis:
The paper discusses issues of the validity of aesthetic judgements in the concept of George Santayana, the author of The Sense of Beauty and Reason in Art. Although Santayana places aesthetic experience as well as experience as such at the center of his analyses, and explicitly opposes the view that aesthetic judgements are supra-individual, I endeavor to demonstrate that his concept is not necessarily contrary to the achievements of 18th-century aesthetics proclaiming the validity of judgements of taste (Shaftesbury, D. Hume, E. Burke or I. Kant). It is true that Santayana’s multifaceted understanding of beauty reveals the limitations of Kant’s aesthetics, but nevertheless, it does not contradict its achievements. The differentiation he made between the beauty of matter, form, and expression suggests a dual meaning of the validity of aesthetic judgements, on the one hand pointing to their universality while on the other referring to the ideals of reason whose sensual representation is available in works of art.
Źródło:
Truth and Falsehood in Science and the Arts; 101-114
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Disengaged Researcher as a Type: Truth and Probability in Studies on Religious Thought
Autorzy:
Rogalski, Michał
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030834.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
truth
probability
intellectual controversy
history of ideas
Catholic modernism
Opis:
The paper discusses the issue of the intellectual historian’s attitude to the subject of his research, especially if it takes the form of an intellectual conflict or controversy. It is a critical analysis of the possibility of assuming an objective attitude towards one’s own research: without any valuation. Based on Aristotle’s remarks on rhetoric, the author shows that the presentation of research results in writing is linked to taking a position towards them and giving them a place and meaning in the context of broader reasoning, which is synonymous with the operation of evaluation. The empirical context of the presented argument is provided by a self-analytical case study: the author’s research on Catholic modernism in Poland. Reflecting on it, the author points to another source of the impossibility of objectivity, hidden in the hermeneutic method of research. Gadamer’s postulate of writing history again and again for the sake of the changing historical context leads to a strong emphasis of the worldview of researchers themselves in their studies.
Źródło:
Truth and Falsehood in Science and the Arts; 161-171
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Music vs. Truth: Illustrative Music in the Context of Musical Aesthetics
Autorzy:
Barska, Joanna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030899.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
musical rhetoric
representation in music
aesthetics of music
Opis:
The paper discusses the problem of musical rhetoric in the Renaissance and the Baroque. In the 16th century, the imitative qualities of music were developed through the concept of imitazione della natura. The relationship between word and music stabilized. Representation was a major function and was inspired by the ancient concept of merging words, harmony, and rhythm. In ancient times, music had become a key to metaphysics and an important educational tool. Thus, specific compositions were related directly to a specific state of the soul, characters and emotions. The author presents the aforementioned concept in later times, i.e. in the Renaissance, when not only theorists but also composers, performers and listeners assigned musical-rhetorical figures to specific meanings. The paper extensively discusses examples of the musical application of different musical-rhetorical figures and how they are used. The author underlines, however, that despite the universalization of musical language, the rhetorical system in music is highly diverse and is subject to individual contextual interpretations.
Źródło:
Truth and Falsehood in Science and the Arts; 221-232
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth of a Painting, Truth of Matter: Robert Rauschenberg, Henryk Streng, and the History of Art
Autorzy:
Słodkowski, Piotr
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030909.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
art history
modernism
intertextualism
new materialism
Holocaust
Opis:
Starting from the issue of truth in painting, the text presents a methodological discussion on inter-image relations. The starting point for this thinking is a radical juxtaposition of two artistic practices: Rauschenberg’s erasures on a drawing by de Kooning and Henryk Streng scratching out the signature on his own paintings. Both these interferences facilitate an analysis of the transition from approaching images intertextually to a research viewpoint that – quite the opposite – enhances the material aspect of visual representations.
Źródło:
Truth and Falsehood in Science and the Arts; 252-258
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
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