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Tytuł:
Awangardowa cyberpoezja?
Avant-garde cyberpoetry?
Autorzy:
Świeściak, Alina
Powiązania:
https://bibliotekanauki.pl/articles/511561.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
cyberpoetry
Polish poetry
avant-garde poetry
Opis:
The article discusses cyberpoetry as a category of avant-garde writing. The author proves that cyberpoertry should not be regarded as modern avant-garde writing, because modern culture does not follow the avant-garde cultural and aesthetic norms (such as novelty, originality). The fact that cyberpoetry applies some avantgarde aesthetic tools (collage and montage) must be regarded as non- avant-garde continuation.
Źródło:
Postscriptum Polonistyczne; 2014, 2(14); 111-123
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Andere Stimmen – Protest gegen Krieg und Gewalt in der polnischen und ukrainischen Dichtung über den Ersten Weltkrieg
Autorzy:
Alois, Woldan,
Powiązania:
https://bibliotekanauki.pl/articles/897173.pdf
Data publikacji:
2019-09-24
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
World War I
Polish poetry
Ukrainian poetry
protest against war
Opis:
Polish and Ukrainian poetry on World War I have much in common: they were written mainly by soldier-poets, young men fighting in the Polish Legions or the Ukrainian Sich Riflemen. This poetry is, first of all, a patriotic legitimation of the war as a way of regaining political independence. Heroism and suffering for the fatherland are dominating issues. Nevertheless, besides this pathetic gesture, we can find voices that point out the horror of war and question it at all. Such criticisms is expressed by certain motives, which appear in both the Legions’ and the Sich Riflemens’ poetry, like: fratricide, lists from soldiers to their families at home, devastation of nature and culture, autumn and death, as well as pacifist notions. These voices do not form any dominant discourse in the poetry on World War I, but they are not to be ignored, as they mark a common place in the Polish and Ukrainian literature at this time, which has not been researched until now.
Źródło:
Przegląd Humanistyczny; 2019, 63(1 (464)); 7-25
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genius, Appropriation and Transnational Collaboration in Ezra Pound’s Cathay
Autorzy:
Vali, Abid
Powiązania:
https://bibliotekanauki.pl/articles/889010.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
American literature
modernist poetry
imagism
Ezra Pound
Cathay
Classical Chinese poetry
Opis:
When we discuss the cross-cultural relationships of Euro-American modernists we often fall between the poles of either celebrating the ‘coming together of traditions’ or suspiciously decrying the power play involved. A case in point is the divergent critical understanding most often posited of Ezra Pound’s relationship to the materials he produced from Ernest Fenollosa’s notes – notably Classical Chinese poetry in the form of Cathay (1915). The first position is Hugh Kenner’s who holds that its meaning, its primary function, was as an anti-WWI volume, rather than as any representation of Chinese poetry or an extension of Imagism (1971, 202–204). In seeming opposition to this vision of an ideal aesthetic come at by the application of genius, we have those who highlight the source material of Fenollosa’s notes to discuss various modes of Pound as translator. Interestingly, these critics, who resist the Kennerian celebration of Poundian genius and insist that Pound is engaged here in an act of translation, “essentially [...] appropriative” (Xie 232), or otherwise, also reinforce a reading whereby “the precise nature of the translator’s authorship remains unformulated, and so the notion of authorial originality continues” (Venuti 6). This is the issue I wish to address when we study the disparities between Fenollosa’s notes and the Cathay poems, i.e. Pound’s own choices with regard to those poems’ content, as a key chapter in the study of transnational collaboration.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 97-110
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antologia Miłosza
Anthology of Czesław Miłosz’s Poetry
Autorzy:
Olejniczak, Józef
Powiązania:
https://bibliotekanauki.pl/articles/511756.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
poetry,
anthology
Opis:
The author of the article offers insights into the process of preparing an anthology of Czesław Miłosz’s poetry by composing a list of major challenges that either a scholar or a critic undertaking such task must face. Paradoxically, the author stresses the fact that either a mere synthesis or a complete anthology of Miłosz’s oeuvre is rendered impossible by its sheer magnitude, plurality of poetic voices, generic diversity and thematic richness. In con-clusion, the author enumerates the most important features of Miłosz’s poetry, such as its unrelenting subjectivity (as in the case of the strong, subjective poetic voice, always rooted in poet’s autobiography) and numerous and persistent dichotomies: intuitive seer versus labouring artisan; mystic versus hard working rationalist; Darwinist versus naturalist; roman-tic versus anti-romantic; detached historian versus a subject of history musing over its meaning, and last but not least, an erudite poet versus a naive, spontaneous one.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 201-209
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W poszukiwaniu błękitnego kwiatu, czyli o romantycznym ideale Bildung w Henryku von Ofterdingen Novalisa
Autorzy:
Malwina, Rolka,
Powiązania:
https://bibliotekanauki.pl/articles/892550.pdf
Data publikacji:
2018-04-30
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Novalis
personality
forming
poetry
reflection
Opis:
The main aim of the paper is reconstruction of the concept of Bildung (considered as forming the man’s personality) in an educational novel entitled Henry von Ofterdingen written by Novalis (Friedrich von Hardenberg). Novalis’s novel – inspired by Goethe’s Wilhelm Meister Lehrejahre – is one of the most original early romantic works which prove the importance of the idea of Bildung for German culture at the beginning of the 19th century. In the first part of the text the author discusses the literary image of Bildung presented in the plot of the novel and then indicates its inner contradiction. In the second part of the article the author reconstructs the philosophical roots of this ideal regarding Novalis’s notion of Bildung in light of the thought of German idealism (transcendental philosophy of Immanuel Kant and Johann Gottlieb Fichte in particular) because the theory of romantic progressive poetry (elaborated most fully by Friedrich Schlegel) originates there. The perspective taken in the paper allows the author to reveal the universal significance of the inner contradiction of the romantic idea of forming man’s personality as a sign of the fundamental crisis of the modern ideal of humanity.
Źródło:
Kwartalnik Pedagogiczny; 2018, 63(1 (247)); 9-23
0023-5938
Pojawia się w:
Kwartalnik Pedagogiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja poezji Bolesława Leśmiana w Bułgarii
Autorzy:
Aleksandrova, Steliana
Powiązania:
https://bibliotekanauki.pl/articles/681456.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
poetry translation
reception
Polish poetry
Bolesław Leśmian
przekład poetycki
recepcja
polska poezja XX wieku
Opis:
The article examines the reception of Bolesław Leśmian’s translated works in Bulgaria: the main characteristics of his poetry, the poems that have been translated in Bulgarian. It points out the difficulties in translating XX century Polish poetry in Bulgarian.
Artykuł poświęcony jest recepcji przekładów poezji Bolesława Leśmiana w Bułgarii: głównym cechom jego poetyckiego warsztatu oraz formalnym charakterystykom tekstów przetłumaczonych na język bułgarski. Autorka wskazuje na trudności na które napotykają w Bułgarii tłumacze polskiej poezji dwudziestowiecznej.
Źródło:
Zeszyty Cyrylo-Metodiańskie; 2015, 4
2449-8297
Pojawia się w:
Zeszyty Cyrylo-Metodiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłosz: Self-Reflection as the Topic of a Poetic Description
Autorzy:
Stelmaszczyk, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/648860.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
Three Winters
poetry
Opis:
Czesław Miłosz’s poetry displays two reverberating topics which may be defined as contradictory existence and world experiences. One of those is the admiration for the beauty of the world and awe consequent upon capturing the simultaneous existence of individual entities (Amazement), whilst the other is the topic of the lack of fulfilment, torment, the feeling of lack of authenticity, blame, and shame (This).Miłosz depicted his “I” (represented by various personae), the split between individual consciousness, a strong sense of individuality, distinct from the commune of ordinary people (a strand salient in the pre-war volume Three Winters), at the same time nurturing a feeling of strong bonds with the society.The poet’s self-reflection holds for both topics, while the autobiographic discourse is orientated to the questions about the functions of the poetic language and about the status and sense of poetry, thereby addressing the self-topicality.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 38, 8
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Power of Poetic Praxis in the Literature of Pat Mora and Ana Castillo
Autorzy:
Graf, Amara
Powiązania:
https://bibliotekanauki.pl/articles/653549.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Chicana
poetry
politics
Castillo
Mora
Opis:
Chicana literary work is predominantly characterized by poetry. Lyrical poetic phrases are interwoven into Chicanas’ short stories, novels, theoretical, and critical essays. Why poetry? What is distinct about poetry as a literary genre or the process of writing poetry that facilitates Chicanas’ self-expression? Various Chicana writers refer to the process of writing poetry as essential to the (trans)formation of identity and society. Poetry allows Chicanas to transform their own identities and to re-define the contours of the world by creating a new or distinct reality from which to act. Collectively, Chicana writers produce a corpus of literary work that is characterized by the commingling of poetry, theory, and criticism. In this article I illustrate that these three phenomena are inextricably linked and that theoretical and critical essays written by and about Chicanas often grow out of and through their more creative, poetic literary work. My analysis focuses primarily on two Chicana authors, Pat Mora and Ana Castillo, and examines how their poetry exemplifies and contextualizes some of their abstract claims and critical theories, as well as how the blending of poetry, theory, and criticism functions as a powerful tool to create socio-political change both in the academy and beyond.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2015, 3, 2
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Słów kilka o mistrzu pokonanej rozpaczy
A Few Words about the Master Who Conquered Despair
Autorzy:
Sabo, Roman
Powiązania:
https://bibliotekanauki.pl/articles/511441.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
function of poetry
Opis:
Why does Miłosz so often suggest in his poetry that he has concealed something essential from his readers? What is the intended meaning of the frequent phrase of Miłosz’s: if only I told you all about myself? Why this persistent reference to some unnamed feature, truth, wisdom, revelation? Is this, as some critics tend to believe, a part of a creative strategy, some sort of a subversive play with the reader? Is this a strategy employed in order to create a dark counter¬ argument to luminous poetry of grateful existence? Or is it, as the author of the article suggests, a deliberate strategy to entice the reader to undertake a meticulous contemplation of Miłosz’s attitude towards the social function of poetry? Sabo suggests that Miłosz, who due to historical and social reasons, put so much stress on the utility aspect of the poetic vocation, was actually a poet who was most interested in a pure poetry unyoked from any specific cause, except the cause of relentless expression of gratitude.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 155-164
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“I see it in my motion, have it not in my tongue”: The Slavic Sounds of Shakespeare Translations
Autorzy:
Cetera-Włodarczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/888951.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
William Shakespeare
Slavic translations
organic poetry
Opis:
The paper sets to explore the specificity of the Slavic translations of Shakespeare with some special emphasis on the prosodic features of Slavic languages. Preceded by a general discussion of the sounds and rhythms of Slavic languages, the paper presents the historical overview of the translations strategies used by translators to deal with the challenges of Shakespeare’s iambic pentameter. Here some of the most important shaping factors are discussed such as the pressure of the Neoclassical and Romantic models or the influence of Schlegel’s doctrine of organic poetry. Secondly, the paper accounts for the establishment of the national canons of Shakespeare’s translations and their impact on the subsequent attempts at translation.
Źródło:
Anglica. An International Journal of English Studies; 2016, 25/3; 119-131
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sny oświeconych o szczęśliwym społeczeństwie (z zawartości czasopism rosyjskich drugiej połowy XVIII – początku XIX wieku)
Autorzy:
Magdalena, Dąbrowska,
Powiązania:
https://bibliotekanauki.pl/articles/902216.pdf
Data publikacji:
2018-11-07
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
dream
Enlightenment
utopia
poetry
prose
society
ruler
Opis:
The article presents the literary descriptions of dreams, which were published in the Russian periodicals of the Enlightenment period: 1. The happy society: a dream by Alexander Sumarokov (“Trudolubivaya pchela”, 1759), 2. A dream by Sergey Domashnev (“Poleznoye uveselenye”, 1761), 3. A dream by Ivan Bakhtin, A dream by Timofey Voskresensky and A dream by Ivan Trunin (“Irtysh, prevrashchaiushchiisia v Ippokrenu”, 1789–1790). The works present an image of a good ruler, a happy society and an educational role of poetry.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2018, 11; 140-153
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetic Lithuania of Miłosz
Autorzy:
Berkan-Jabłońska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/648885.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
poetry
poetic images of Lithuania
Opis:
The article deals with the images of Lithuania found in Czesław Miłosz’s poetry. The novels and essays have only been used to confirm the conclusions drawn from the interpretation of selected poems. Despite the frequently-declared unwillingness of the author of Dolina Issy (The Valley of the Issa) to accept and use any autobiographical elements in literature, the land of his childhood has always been present in all the poet’s works. The explanation of this fascination with nostalgia seems to be unsatisfactory. The author of the article perceives the poetic images of Lithuania created by the uprooted immigrant as a symbol of his inner, not purely geographical, settlement. The subject of the discussion is the ever-changing perception of the Eastern-Borderland, which corresponds to particular stages of the protagonist’s journey through life. The starting point is the experience of eviction. It modifies the originally idealized vision of the “little homeland” and makes the hero’s attempt to reject or “amputate” it. The poems from the Światło dzienne (Daylight) collection surprise the reader by a hostile attitude towards the poet’s youth spent in Lithuania and the perception of those early memories as some destructive forces threatening the artist. It is only after a many years’ quest that the borderland heritage is appreciated and conquered again. Now, however, it acquires a different, more symbolic form. The cycle Miasto bez imienia (A Town without a Name) and the poem Gdzie wschodzi słońce i kędy zapada (Where the Sun Rises and Sets) are evidence of a gradual transformation. The faithful recreation in the poet’s memory of particular places and people changes into the construction of some outside religious space, built from the traces of the real world. Lithuania changes into a perfect reality, a Super-Land, capable of retaining the past and combining it with the present. It is a prop freeing the poet from the waste land of Urizen.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 38, 8
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mit Złotego Wieku we wczesnoromantycznej Bildungsgeschichte albo o aporiach programu wychowania rodzaju ludzkiego w historiozofii Novalisa
Autorzy:
Malwina, Rolka,
Powiązania:
https://bibliotekanauki.pl/articles/897272.pdf
Data publikacji:
2019-11-27
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poetry
history
Golden Age
development
Enlightenment
Christianity
Opis:
The subject of the article is reconstruction of assumptions and postulates of Novalis’s education program of the human race aimed at indication of the distinctive features of early Romantic historiosophy as its dependence on Enlightenment thought. Examination of both these aspects in their interpenetration allows revealing the inner contradictions of Novalis’s project determining its utopian character, which manifests itself in the vision of the Golden Age as an expression of the Romantic “new mythology”.
Źródło:
Przegląd Humanistyczny; 2019, 63(3 (466)); 7-17
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zenon Przesmycki wśród młodopolskich „wskrzesicieli” Norwida
Autorzy:
Wiesław, Rzońca,
Powiązania:
https://bibliotekanauki.pl/articles/897349.pdf
Data publikacji:
2018-05-25
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Zenon Przesmycki
Norwid
"Chimera"
modern Polish Poetry
Opis:
The author argues that a role of Zenon Przesmycki in the process of bringing back Cyprian Norwid to the Polish literary life is slightly overestimated. At the turn of the 19th and the 20th centuries on the Polish lands, the reception of French symbolism took place, which determined the perception of the author of Vade-mecum working in Paris (since 1849) as a great precursor of intellectual “visual poetry”. However, by making Norwid a strictly Romantic poet, the generation of the Young Poland artists effectively distanced themselves from artistic borrowings associated with Baudelaire, Verlaine, etc., thus obtaining the effect of the “nativeness” of modern Polish poetry at that time.
Źródło:
Przegląd Humanistyczny; 2017, 61(4 (459)); 79-91
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między językiem a temperamentem tłumacza: „dyskretna forma” wierszy Zbigniewa Herberta w przekładach niemieckich i angielskich
Autorzy:
Maciej, Stanaszek,
Powiązania:
https://bibliotekanauki.pl/articles/902248.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Zbigniew Herbert
translation
translator
poetry
poetic form
Opis:
The present paper is an attempt to describe the rendering of the ‘discreet poetic form’ of several of Zbigniew Herbert’s poems from the volume Raport z oblężonego Miasta in their English and German translations. Comparing the translators’ achievements in this respect and the semantic costs of such efforts, the author tries to reconstruct their priorities, assess their translational skills – and find the reasons for their different or similar performances.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2016, 9; 140-186
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
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