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Tytuł:
Музыкальный интерес в структуре эстетического сознания детей дошкольного возраста
Interest in Music as a Part of the Young Children’s Aesthetic Consciousness Structure
Autorzy:
Boyakova, Ekaterina
Powiązania:
https://bibliotekanauki.pl/articles/461625.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Spraw Społecznych
Tematy:
early childhood
interest in music
the structure of interest
musical and aesthetic consciousness
music lessons
music game
Opis:
The article deals the educational problems of the interest in music in early childhood. The structure of children’s interest includes the emotional and intellectual components. Emotional component in early childhood is a leader. Interest in music is part of the musical and aesthetic consciousness, influences on music lessons and aesthetic development. The game is the best method of interest’s development. The greatest effect is achieved in games based on synesthesia.
Źródło:
Labor et Educatio; 2015, 3; 337-354
2353-4745
2544-0179
Pojawia się w:
Labor et Educatio
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
О времени детей и подростков (Е. Водолазкин Брисбен, Н. Дашевская Около музыки)
About the time of children and adolescents (E. Vodolazkin, Brisben, N. Dashevskaya, About music)
Autorzy:
Kopac, Tatiana
Powiązania:
https://bibliotekanauki.pl/articles/29519436.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
music
music school
education
children
adolescents
музыка
музыкальная школа
обучение
дети
подростки
Opis:
The purpose of the article is to consider the influence of music education on the organization of the time of children and adolescents, to emphasize the educational role of music in the period of growing up. “Children’s” fragments of E. Vodolazkin’s novel Brisbane and a collection of stories by the children’s writer N. Dashevskaya About Music, with reference to her other books, are analyzed. The subject becomes a cross-cutting motif of music, which holds together the artistic whole of the texts. It participates in the construction of plots, organization of the system of characters, influences the structural characteristics and lexical composition of texts. The importance of the musical motif lies in presenting to readers the relationship “teacher (master) – student” as a realization of the teenagers’ need for authority.
Źródło:
Studia Wschodniosłowiańskie; 2022, 22; 45-61
1642-557X
Pojawia się w:
Studia Wschodniosłowiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Методологические аспекты научных исследований в области музыкальной педагогики
Autorzy:
Туравец, Н.P.
Powiązania:
https://bibliotekanauki.pl/articles/2148189.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
social life
music
pedagogy
Opis:
At the present stage of development of a society characterized by social instability, as an important factor in the effectiveness and harmony of the activity of the teacher, changes in thinking occur in correlation with changes in the motives of the teacher’s behavior and his value orientations. The predominance of positive motivation determines the style of the teacher’s behavior: he takes into account the objective conditions of activity to a greater extent, actively seeks a way out of difficult situations, adequately responds to failures, turns out to be more inventive in creating a program to achieve the goal.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 3(24); 137-141
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
НОТЫ КАК СЕМИОТИЧЕСКИЙ ФЕНОМЕН В ТИПОЛОГИЧЕСКОМ АСПЕКТЕ (ОПЫТ КЛАССИФИКАЦИИ ЗНАКОВ МУЗЫКАЛЬНОГО ПИСЬМА)
NOTES AS A SEMIOTIC PHENOMENON IN THE TYPOLOGICAL ASPECT (THE EXPERIENCE OF CLASSIFICATION OF THE MUSIC WRITING SIGNS)
Autorzy:
Шип, Сергей Васильевич
Powiązania:
https://bibliotekanauki.pl/articles/566630.pdf
Data publikacji:
2016
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
музыкальное письмо
семиотический феномен
ноты
музыкальное образование
music writing
semiotic phenomenon
notes
music education
Opis:
In the article music writing is considered from a semiotic point of view, the universal typology of music writing is proposed, the specific means of musical notation inherent in classical European noteline writing and some new graphical tools of music recording are discussed, the necessity of studying the notes for the practice of music education is proved.
Źródło:
Ars inter Culturas; 2016, 5; 335-348
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Музыка в романе Евгения Водолазкина Брисбен
Music in the novel Brisbane by Evgeny Vodolazkin
Autorzy:
Kopac, Tatiana
Powiązania:
https://bibliotekanauki.pl/articles/52683087.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
music descriptions
audibility
sound
affect
eternity
Opis:
The author of the article examines the role of music in Evgeny Vodolazkin’s novel Brisbane, analyzing individual manifestations of the widely understood intermediacy. The musical code of the text is expressed in audibility of the sounds the world of the novel is filled with, and in musical ecphrasis (the profession of the protagonist, professional vocabulary and slang, references to musical compositions; descriptions of the world of music through the prism of the characters’ perception). These techniques perform plot and semantic functions, combine two equal plot plans, and constitute the image of the protagonist and other important characters. Fragments with musical ecphrasis have a vivid narrative, emotionally saturated (“moments of explosion”). The main emotional codes (or affects) find expression in the selection of musical compositions that assert the dramatic direction of the narrative. Music in the novel expresses the hero’s inner state, his relationship to the world, and symbolizes the metaphysical breakthrough experienced by the hero: from love and sound, to silence and eternity.
Źródło:
Studia Rossica Posnaniensia; 2023, 48, 1; 23-36
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lili Lalauna
Autorzy:
Tošović, Branko
Powiązania:
https://bibliotekanauki.pl/articles/1008771.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Opolski
Tematy:
Andrić
lyrics
poem
verse
music
versification
Opis:
The paper is dedicated to the text Lili Lalauna – most extraordinary and most enigmatic poem of Ivo Andrić. The analysis consists of two parts. The first discusses the phonetic-phonological, stylistic, versificational and semantic structure of the verses. The second part deals with their setting to music by composer Rada Radivojeviæ and interpretation of actress Vjera Mujoviæ and actors Goran Sultanoviæ and Aleksandar Sreèkoviæ Kubura.
Źródło:
Stylistyka; 2016, 25; 513-528
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Моцартовский фестиваль во Львове
Mozart Festival in Lviv
Autorzy:
Новакович, Мирослава
Powiązania:
https://bibliotekanauki.pl/articles/566506.pdf
Data publikacji:
2020-01-10
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Mozart Festival
classical music
academic symposium
Opis:
This article discusses the importance of hosting the LvivMozArt Festival in Lviv (Ukraine). It is shown how within the short period of its existence (three years) the festival has tended to develop rapidly and received meaningful sponsorship. Attention is focused on its art director and founder, conductor Oksana Lyniv, who has set herself the goal of organizing a classic festival with non-standard formats, but with a high-quality performance of classical music. It is noted that a distinctive feature of the LvivMozArt festival is the combination of different formats: live art performance, academic symposium, chamber and symphony concerts, and opera. This article analyzes the literary bias of the academic symposium entitled “Literary Impressions in Music”, which was attended by prominent scholars from Ukraine, Austria, Germany and Poland. It is argued that the biggest event of the festival was its opening. The concert was dedicated to the 125th anniversary of the birth of the Austrian writer Joseph Roth and the memory of the Holocaust victims.
Źródło:
Ars inter Culturas; 2019, 8; 335-340
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Аксиологическая парадигма музыкального произведения
Autorzy:
Rusak, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1929475.pdf
Data publikacji:
2021-12-14
Wydawca:
Wyższa Szkoła Gospodarki w Bydgoszczy. Wydawnictwo Uczelniane
Tematy:
perception of music
axiologization of musical work
cognitive functions
of music
discourse in a special text
linguoculturology
Opis:
The main purpose of the article is to analyse the phenomenon of axiologization of a musical work and the process of creation and perception of music. The aim of the study is to identify the correlation between the cognitive functions of music and the way in which its values are conveyed by the composer, the work itself, the performer/musicologist and the listener. The object of the research was the evaluative components of the interaction between participants in the scheme given above and responses to the theme of music, contained in the scientific monograph of the musicologist Heinrich Neuhaus Тhe Art of Piano Playing. The relevance of the study manifested the need for expand the knowledge base about the cognitive processes of music perception. The analysis revealed that the axiological component is present at every stage of the perception of a musical work and is associated with the cognitive sphere of human activity. The concept of performing a musical work requires the use of special means of expression, including metaphors, comparisons and associations. Moreover, social and philosophical functions of axiologization of music have been revealed in the article. They were investigated from an anthropocentric perspective in the terms of value interaction between musical art and human world and vice versa.
Źródło:
Heteroglossia- studia kulturoznawczo-filologiczne; 2021, 11; 181-190
2084-1302
Pojawia się w:
Heteroglossia- studia kulturoznawczo-filologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Звук в контексте малой литературы. Философия музыки в произведениях Сигизмунда Кржижановского
Sound in the Context of Minor Literatures. Philosophy of Music in the Works of Sigizmund Krzhizhanovsky
Autorzy:
Łaniewski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2031493.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
minor literature
schizoanalysis
Sigizmund Krzhizhanovsky
postsymbolism
philosophy of music
Źródło:
Slavia Orientalis; 2020, LXIX, 1; 61-75
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Чудесный вальс Булата Окуджавы в польских переводах
Chudesnyi vals of Bulat Okudzhava in Polish translations
Autorzy:
Kotlarek, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/22610744.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
translations
music
poetic images
metaphors
Bulat Okudzhava
Chudesnyi vals
Opis:
The article is a comparative analysis of three Polish translations of the Russian bard’s (Bulat Okudzhava’s) poem Chudesnyi vals translated by Irena Piotrovska and two different versions by Vitold Voroshilski. The author of this article concentrates on similarities and differences between the original text and its translations, as well as on poem’s musical aspects. The author also investigates how patterns and processes of lexical change determine and affect modification of poetic images and metaphors, concentrating especially on metamorphosis of a man into a plant shown in one of Okudzhava’s poems.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2010, 3; 194-202
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cтруктура художественного пространства в автобиографическом очерке Марины Цветаевой Мать и музыка
The Structure of Artistic Expanse in Marina Tsvetaeva’s Autobiographical Essay Mother and Music
Autorzy:
Бетко, Ирина
Powiązania:
https://bibliotekanauki.pl/articles/2031100.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
structure
artistic expanse
Marina Tsvetaeva
the autobiographical essay 'Mother and Music'
Źródło:
Slavia Orientalis; 2020, LXIX, 4; 799-811
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Значение эмоционального интеллекта в художественной деятельности
The role of emotional intelligence in artistic activity
Autorzy:
Гильманова, Наиля
Powiązania:
https://bibliotekanauki.pl/articles/443119.pdf
Data publikacji:
2011
Wydawca:
ADVSEO
Tematy:
EMOTIONAL INTELLIGENCE
MUSICAL (ARTISTIC) ACTIVITY
MUSIC PERCEPTION
EMOTIONAL IMPACT
ARTISTIC COMMUNICATION
Opis:
The paper identifies and substantiates the role and importance of the category of emotional intelligence in artistic activity, nature and characteristics of artistic activity as an example of musical activity. The definition and essence of emotional intelligence is described. Its structural components are viewed. Aspects of musical activity are presented. The significance of emotional intelligence in artistic activity is stressed.
Źródło:
General and Professional Education; 2011, 2; 5-9
2084-1469
Pojawia się w:
General and Professional Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Польские образы Бориса Лятошинского
Polish Visions of Boris Lyatoshinsky
Autorzy:
Новакович, Мирослава
Powiązania:
https://bibliotekanauki.pl/articles/2159819.pdf
Data publikacji:
2020-12-13
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
симфоническая музыка
польская культура
мемориальный жанр
symphonic music
Polish culture
“memorial” genre
Opis:
This article examines the connections of the outstanding Ukrainian composer Boris Lyato-shinsky with Polish culture of the 20th century. These connections can be traced at the genetic level and in the context of his music from the 1950s and 1960s. It is argued that the Polish theme forms a kind of supercycle in the composer’s work, which symbolizes the memory of culture and unites a number of his works with Polish themes. These include the piano “Slavic Concerto” by B.Lyatoshinsky, the symphonic poems “Grazhina” and “On the Banks of the Vistula,” and the “Polish Suite” for a symphony orchestra. This supercycle is associated with the “memorial” genre, which actualizes the “memory” mechanism. In this case, we are talking about the “Polish memory” of B. Lyatoszynski, a characteristic feature of which is the connec-tion with the Polish musical culture, which is present in his works at the intonation, genre, and conceptual level.
Źródło:
Ars inter Culturas; 2020, 9; 49-62
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Спортивная метафора в текстах газетной печати ХV Международного конкурса имени П. И. Чайковского
The metaphor of sport in the press of The XV International Tchaikovsky Competition
Autorzy:
Dzienisiewicz, Maria
Powiązania:
https://bibliotekanauki.pl/articles/915979.pdf
Data publikacji:
2018-12-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
metaphor, sport, classical music, competition, Tchaikovsky
метафора, спорт, классическая музыка, конкурс, Чайковский
Opis:
The article presents the analysis of the examples of metaphor of sport in classical music. The material of the above-mentioned phenomenon has been extracted from the press of The XV International Tchaikovsky Competition. The purpose is to describe the examples of sports terminology used as a metaphor in classical music competitions context. The studied material is divided into six lexical-thematic groups. The analysis focuses on Russian nouns, however, the article is complemented with examples of adjectives and verbs. The analyzed material shows that sports terminology can be applied successfully in depicting musical events such as The XV International Tchaikovsky Competition.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 23-38
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Культурно-образовательные аспекты концертной деятельности в рамках польско-русско-белорусского сотрудничества
Cultural and educational aspects of concert-giving activity as part of the Polish-Russian-Belarussian co-operation
Autorzy:
Stępniak, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/1832852.pdf
Data publikacji:
2018-12-30
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
музыка вокальная
бас
сольный концерт
образование
международное сотрудничество
music vocal
bass
recital
education
international cooperation
Opis:
The author of the present paper is a performing musician (a basso profondo singer), who gives 30–40 recitals per year and co-operates with many cultural organizations and institutions (including the ones in Grodno, Kaliningrad, Irkutsk and Novosibirsk). He usually prepares his concerts himself at all stages of organization, from writing projects, developing programs, selecting accompanying musicians and formulating opening words, to being a comp`ere of the whole event. This is done with a special purpose in mind, that is to introduce the audience to the music, culture, literature and history of the home country of the composers or authors of lyrics of particular pieces. Therefore, the carefelly prepared concerts are to serve an educational role (especially as regards young audience) and to fulfill certain pedagogical tasks.
Źródło:
Studia Wschodniosłowiańskie; 2018, 18; 335-346
1642-557X
Pojawia się w:
Studia Wschodniosłowiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 25

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