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    Wyświetlanie 1-8 z 8
    Tytuł:
    О времени детей и подростков (Е. Водолазкин Брисбен, Н. Дашевская Около музыки)
    About the time of children and adolescents (E. Vodolazkin, Brisben, N. Dashevskaya, About music)
    Autorzy:
    Kopac, Tatiana
    Powiązania:
    https://bibliotekanauki.pl/articles/29519436.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    music
    music school
    education
    children
    adolescents
    музыка
    музыкальная школа
    обучение
    дети
    подростки
    Opis:
    The purpose of the article is to consider the influence of music education on the organization of the time of children and adolescents, to emphasize the educational role of music in the period of growing up. “Children’s” fragments of E. Vodolazkin’s novel Brisbane and a collection of stories by the children’s writer N. Dashevskaya About Music, with reference to her other books, are analyzed. The subject becomes a cross-cutting motif of music, which holds together the artistic whole of the texts. It participates in the construction of plots, organization of the system of characters, influences the structural characteristics and lexical composition of texts. The importance of the musical motif lies in presenting to readers the relationship “teacher (master) – student” as a realization of the teenagers’ need for authority.
    Źródło:
    Studia Wschodniosłowiańskie; 2022, 22; 45-61
    1642-557X
    Pojawia się w:
    Studia Wschodniosłowiańskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Польские образы Бориса Лятошинского
    Polish Visions of Boris Lyatoshinsky
    Autorzy:
    Новакович, Мирослава
    Powiązania:
    https://bibliotekanauki.pl/articles/2159819.pdf
    Data publikacji:
    2020-12-13
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    симфоническая музыка
    польская культура
    мемориальный жанр
    symphonic music
    Polish culture
    “memorial” genre
    Opis:
    This article examines the connections of the outstanding Ukrainian composer Boris Lyato-shinsky with Polish culture of the 20th century. These connections can be traced at the genetic level and in the context of his music from the 1950s and 1960s. It is argued that the Polish theme forms a kind of supercycle in the composer’s work, which symbolizes the memory of culture and unites a number of his works with Polish themes. These include the piano “Slavic Concerto” by B.Lyatoshinsky, the symphonic poems “Grazhina” and “On the Banks of the Vistula,” and the “Polish Suite” for a symphony orchestra. This supercycle is associated with the “memorial” genre, which actualizes the “memory” mechanism. In this case, we are talking about the “Polish memory” of B. Lyatoszynski, a characteristic feature of which is the connec-tion with the Polish musical culture, which is present in his works at the intonation, genre, and conceptual level.
    Źródło:
    Ars inter Culturas; 2020, 9; 49-62
    2083-1226
    Pojawia się w:
    Ars inter Culturas
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Спортивная метафора в текстах газетной печати ХV Международного конкурса имени П. И. Чайковского
    The metaphor of sport in the press of The XV International Tchaikovsky Competition
    Autorzy:
    Dzienisiewicz, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/915979.pdf
    Data publikacji:
    2018-12-24
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    metaphor, sport, classical music, competition, Tchaikovsky
    метафора, спорт, классическая музыка, конкурс, Чайковский
    Opis:
    The article presents the analysis of the examples of metaphor of sport in classical music. The material of the above-mentioned phenomenon has been extracted from the press of The XV International Tchaikovsky Competition. The purpose is to describe the examples of sports terminology used as a metaphor in classical music competitions context. The studied material is divided into six lexical-thematic groups. The analysis focuses on Russian nouns, however, the article is complemented with examples of adjectives and verbs. The analyzed material shows that sports terminology can be applied successfully in depicting musical events such as The XV International Tchaikovsky Competition.
    Źródło:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 23-38
    2391-470X
    Pojawia się w:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Культурно-образовательные аспекты концертной деятельности в рамках польско-русско-белорусского сотрудничества
    Cultural and educational aspects of concert-giving activity as part of the Polish-Russian-Belarussian co-operation
    Autorzy:
    Stępniak, Zbigniew
    Powiązania:
    https://bibliotekanauki.pl/articles/1832852.pdf
    Data publikacji:
    2018-12-30
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    музыка вокальная
    бас
    сольный концерт
    образование
    международное сотрудничество
    music vocal
    bass
    recital
    education
    international cooperation
    Opis:
    The author of the present paper is a performing musician (a basso profondo singer), who gives 30–40 recitals per year and co-operates with many cultural organizations and institutions (including the ones in Grodno, Kaliningrad, Irkutsk and Novosibirsk). He usually prepares his concerts himself at all stages of organization, from writing projects, developing programs, selecting accompanying musicians and formulating opening words, to being a comp`ere of the whole event. This is done with a special purpose in mind, that is to introduce the audience to the music, culture, literature and history of the home country of the composers or authors of lyrics of particular pieces. Therefore, the carefelly prepared concerts are to serve an educational role (especially as regards young audience) and to fulfill certain pedagogical tasks.
    Źródło:
    Studia Wschodniosłowiańskie; 2018, 18; 335-346
    1642-557X
    Pojawia się w:
    Studia Wschodniosłowiańskie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    К ВОПРОСУ О МУЗЫКАЛЬНОЙ КУЛЬТУРЕ ПШЕМЫСЛЯ ПЕРВОЙ ПОЛОВИНЫ ХІХ ВЕКА
    Autorzy:
    Новакович, Мирослава
    Powiązania:
    https://bibliotekanauki.pl/articles/566612.pdf
    Data publikacji:
    2016
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    композиторская школа
    церковная музыка
    культурное пограничье
    Литургия
    school of composition
    church music
    cultural borderlands
    liturgy
    Opis:
    The article is devoted to the musical life of Przemysl, which in the first half of the nineteenth century was the area of cultural borderland, where different cultural identities were constructed, particularly Ukrainian. In the Greek Catholic Church the singing school was established, and in 1829 the choir, headed by wellknown Czech composer Alois Nankе was formed. An example for Nankе and his students, among whom was the famous Ukrainian composer subsequently M. Verbitsky, were spiritual choral concerts of the famous Ukrainian composer D. Bortniansky. The music by Bortniansky became an excellent example of creativity for Ukrainian composers of the nineteenth century in Galicia.
    Źródło:
    Ars inter Culturas; 2016, 5; 305-316
    2083-1226
    Pojawia się w:
    Ars inter Culturas
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    МУЗЫКАЛЬНЫЕ ПРЕДПОЧТЕНИЯ КАК ЭЛЕМЕНТ ЖИЗНЕННОГО МИРА МОЛОДЕЖИ
    MUSICAL PREFERENCES AS AN ELEMENT OF THE LIFEWORLD OF YOUTH
    Autorzy:
    Surina, Iryna
    Powiązania:
    https://bibliotekanauki.pl/articles/566403.pdf
    Data publikacji:
    2017
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    музыкальные предпочтения
    молодежные субкультуры
    музыкальные стили
    музыкальный вкус
    музыка
    молодежь
    жизненный мир
    musical preferences
    youth subcultures
    musical styles
    musical taste
    music
    youth
    Lifeworld
    Opis:
    The article discusses the problem of youth’s musical preferences and shaping their musical taste as a part of the lifeworld. Using the definition of lifeworld and musical socialization, the article demonstrates that the lifeworld of youth performs compensatory and stabilizing functions and also alleviates their behavior. It is mainly these functions make that social reality become their “own world”. In the lifeworld, the musical preferences of young people are very important, and quite often turn out to be a means of communication. It should be noted that the music does not only affect the shaping of the lifeworld of young people, thus allowing them to be identified but, above all, separates the “youth world” from the “adult world”. Musical styles begin to serve as a kind of social language, being the stratification criterion for youth subcultures. Musical preferences as part of the process of youth socialization are one of the main manifestations of limiting the living space of young people.
    Źródło:
    Ars inter Culturas; 2017, 6; 239-250
    2083-1226
    Pojawia się w:
    Ars inter Culturas
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Концерт для слушателя с оркестром. Пути развития партиципаторного музыкального искусства
    Concert for the Listener with an Orchestra. Ways for the Development of Participatory Musical Art
    Autorzy:
    Цветковская, Татьяна
    Powiązania:
    https://bibliotekanauki.pl/articles/2147704.pdf
    Data publikacji:
    2020-12-22
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    классическая музыка партиципаторное искусство Фредерик Ржевски
    Александр Радвилович
    Тод Маковер
    Пол Риссман
    classical music
    Alexander Radvilovich
    participatory art
    Frederic Rzewski
    Tod Machover
    Paul Rissmann
    Opis:
    The article is devoted to participatory musical works created in collaboration with the pub-lic. Listeners act as a composer’s creative partners – co-authors and performers. Comparative analysis of different interpretations of the concepts of “musical participation” and “partici-patory music” allows us to highlight the key characteristics of this phenomenon. In addition, the author believes that it is important to substantiate the legitimacy of using the term “partici-patory art” outside of any specific genre, stylistic, or time frames.The study of participatory works leads to understanding of the various tasks that are achie-ved in the process of collective creation. The interaction between the composer and the audien-ce strengthens interpersonal relationships. Listeners are meant to receive a role through which they could show their individuality most clearly; and this condition stimulates the search for new expressive means. As a result, peculiar genre forms emerge. At the same time, listeners comprehend the inner logic of musical art themselves.It is noted that composers retain the traditional genre classification, not deeming it ne-cessary to emphasize audience participation. However, compositions with the participation of the public are becoming a noticeable phenomenon of modern musical life. This generates a pressing challenge – to establish the correspondence of the techniques used in working with the audience to the artistic concept, and to propose a typology of participatory works. Some compositions emerge as an artistic experiment. Others are part of educational projects. Some works are aimed at studying the benefits of cooperation between the composer and the public. Along with the practices considered in the article, there are a number of prospective opportuni-ties that can ensure the fruitful involvement of the public in the creative process. All this allows us to hope that participatory musical art will enjoy further successful development
    Źródło:
    Ars inter Culturas; 2020, 9; 111-124
    2083-1226
    Pojawia się w:
    Ars inter Culturas
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Итальянские капельмейстеры в российской империи второй половины ХVІІІ века и православная церковная музыка
    Italian Bandmasters in the Russian Empire of the Second Half of the XVIIIth Century and Orthodox Church Music
    Autorzy:
    Шумилина, Oльга
    Powiązania:
    https://bibliotekanauki.pl/articles/2159815.pdf
    Data publikacji:
    2020-12-13
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    православная церковная музыка
    вторая половина ХVIII века итальянские капельмейстеры
    хоровые концерты
    церковнославянский текст
    Orthodox church music
    second half of the eighteenth century Italian bandmasters
    choral concerts
    Church Slavonic text
    Opis:
    The article examines the Orthodox church music of Italian composers of the second half of the eighteenth century, who were invited to the capital of the Russian Empire for the post of first court bandmaster. The main duties of the Italian bandmasters were to compose secular music, especially operas for the court theater. The creation of choral concerts for the court choir that took part in church services with the participation of the first persons of the Russian Empire was not included in the contractual obligations. The main purpose of the appeal of Italian ban-dmasters to this area of creativity was to create a new church repertoire, which was closer in style to the European one. The domestic choir directors, brought up on the traditions of the old church singing art, did not cope with this task. The article contains an overview of the hand-written sources in which the sacred music of the Italian bandmasters was discovered.
    Źródło:
    Ars inter Culturas; 2020, 9; 35-47
    2083-1226
    Pojawia się w:
    Ars inter Culturas
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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