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Tytuł:
„Poza wierszem i prozą, poza intencją i uzasadnieniem”. O granicach wierszowości w serii przypisów do utworu Zmieniał się język
“Beyond Poem and Prose, beyond Intention and Reason”. At the Limits of Poemness in a Set of Notes on The Changing Language
Autorzy:
Cieślak-Sokołowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/942582.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
Opis:
The article attempts to outline such a concept of critical reading which would take into consideration the deconstructive practice of American critics, which could be applied to the interpretation of Polish modern poetry. My aim is to present the concept of continuity, rather than schism, between New Criticism (the meaning of a poem cannot be determined, the meaning is ambiguous, paradoxical and ironic, held together by the “organic” unity of the poem) and deconstruction (indeterminacy in the poem is the function of its structure). The reading of Czeslaw Milosz’s poem Zmieniał się język proves to be a convenient field for the above statements.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czym jest Miłoszowskie „to”. O ciemnych epifaniach Czesława Miłosza
Autorzy:
Grodzki, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/2090157.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Czesław Miłosz
Opis:
The article is devoted to probably one of the most important themes in Czesław Miłosz’s poetry: a persistent, untiring effort to express, or at least point to, the poet’s experience of dark epiphanies. They are, in his own words, momentary illuminations bringing to light the ontological core of various horrors of human existence and of nature, red in tooth and claw, as well as the enigmatic presence of metaphysical evil in the laws that make for order in our material world. Some of those epiphanies reveal to the poet his destiny: he is to become a witness of the horrors of the twentieth century. However, not all of those auguries are uniformly grim; there are some that suggest his prospects may well be bright. That ambivalence is refl ected in Miłosz’s own attitude towards those sudden fl ashes of insight and revelation. He certainly does not resolve it in his poetry, where the ambivalence of the epiphanic moments is expressed and concealed by the pronoun ‘it’.
Źródło:
Ruch Literacki; 2017, 6; 613-627
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interpretacja jako zadomowienie. Kilka myśli o czytaniu (wierszy)
Interpretation As Feeling Settled a Few Thoughts About Reading (Poems)
Autorzy:
Antoniuk, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1933608.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
interpretacja
znaczenie
poeta Czesław Miłosz
interpretation
meaning
Czesław Miłosz's poetry
Opis:
The article is a suggestion for an interpretation of Czesław Miłosz's poem Biel (Whiteness) (coming from the volume Miasto bez imienia (A Town Without a Name). The accepted methodology of interpretation tries to find and define the zone of mediation between the ideal of comprehensive reading, striving after integrating and structuralizing the global meaning of the work, and the suggestions coming from post-structuralist philosophy of reading texts. The author's own interpretation of the poem has been taken into consideration; a comparative reading of Biel has been suggested as well as of a Miłosz's later poem Powrót do Krakowa w roku 1880 (Return to Krakow in 1880). This comparison is supposed to serve showing different strategies of creating texts and meanings used by the author of Nieobjęta ziemia (The Unencompassed Earth). At the same time, at the background, a commentary to Miłosz's poem becomes an opportunity to construct a meta-interpretative reflection. Looking at his own reading the author formulates remarks concerning the process of reading and comprehending, he introduces and analyzes the metaphor of “interpretation as feeling settled”.
Źródło:
Roczniki Humanistyczne; 2011, 59, 1; 203-217
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Późne arcydzieła Miłosza
Autorzy:
Kuczera-Chachulska, Bernadetta
Powiązania:
https://bibliotekanauki.pl/articles/624351.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
wiersze późne
Opis:
In the last lyric Czesław Miłosz raises the themes somehow similar to those which appear in Mickiewicz’s Lozanne lyric: their characteristic feature is also the similarity between the attitudes and formalsolutions. The aesthetic category of the “Lozanne issue” to a great extent builds an extremely brave shape of Miłosz’s late lyric.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 81-90
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niedziela w Brunnen po latach
Autorzy:
Zieliński, Jan
Powiązania:
https://bibliotekanauki.pl/articles/624353.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
David Ricardo
Opis:
The author compares two visions of Europe, seen from Switzerland: one by the English economist David Ricardo, who was here in 1822, the second one by Czesław Miłosz, visiting this country in 1953. Link between both is Ricardo’s future Polish translator, at the same time brother of Miłosz’s maternal grandfather. Miłosz’s essay is discussed in the frame of the idea of the „liberation of Eastern Europe”, launched by his editor, Jerzy Giedroyc, in the early fifties, and of Arthur Koestler’s call for an European Legion of Liberty. After comparison of the text of Sunday in Brunnen with the iconographic programme of the parochial church in Brunnen the author comes to the conclusion that Miłosz wrote a work of fiction rather than a documentary report on his visit in this small place in Switzerland. Brunnen can be seen as an exemplum.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 91-100
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drzwi do pokoju
Autorzy:
Kudyba, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/624355.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
liryka
duchowość
Opis:
Czeslaw Milosz’s poem Późna dojrzałość describes the experience of spiritual breakthrough. His past time hero feels incomplete. Full--time starts for him at the time of “awakening”. However, deep experience of “me” leads eventually beyond ego – towards the relations with others. The protagonist recognizes both a personal value of himself and of the others. It is the dignity of a “child of the King”, it has its source not so much in axiology, as in the ontology. The described spiritual breakthrough does not solve world’s problems, but introduces a new perspective of their understanding. It allows – thanks to a deep experience of hope – to anticipate the future harmony. Internal doors allow the hero to look into something which will become complete at the end of time, yet it now exists in the form of announcement hidden in the structure of reality.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 57-67
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antynomie religii mitologicznej. Kilka uwag na marginesie Traktatu teologicznego Czesława Miłosza
Autorzy:
Koehler, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/624369.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Traktat teologiczny
Opis:
The Noble Prize winner, Czeslaw Milosz in the last years of his life wrote a religious poem „The theological treatise”. In my paperI try to understand a religious dimension of a person who is the narrator of the poem. This is the voice of an experienced person who tries to find his way between two oppositions: the so called Polish catholicism (which is stereotypised as „mass” catholicism, unreflective, superficial etc) and a religion of a modern intellectual (with his religious hesitations, opposition to the catholic „mob” etc).I try to throw some light on a narrator’s perspective going back to some Molosz’s texts from the past. I hope the paper will be interesting to the scholars and others who are trying to solve the fascinating problem of the religious dimenssion of Czeslaw Milosz’s poetry.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 15-30
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Najnowsze bułgarskie przekłady Czesława Miłosza
New Bulgarian Translations of Czesław Miłoszs Works
Autorzy:
Bachnewa, Kalina
Powiązania:
https://bibliotekanauki.pl/articles/511311.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz
Bulgarian perception of Miłosz
Opis:
Significant for the history of the reception of the Polish poet in Bulgaria are the book published in the Czesław Miłosz year: It (translated by Silvia Borisova and Kamen Rikev). The volume It is discussed from the point of view of the faithfulness of the translation of the poet’s specific philosophical interests. The translation of Native Realm is also of significance to the Bulgarian perception of Miłosz. The artistic value of the translation (Родната Европа, 2012) done by Margreta Grigorova and Mira Kostova is considered with reference to the various meanings of the notion of what it means to be European.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 163-175
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hiob Miłosza
Autorzy:
Szczepan-Wojnarska, Anna M.
Powiązania:
https://bibliotekanauki.pl/articles/624363.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Hiob
Księga Hioba
Opis:
Miłosz’s poetry asks numerous questions concerning an idea ofguilt, forgiveness and suffering nevertheless it never provides easy answers, rather multiplies them creating an atmosphere of overwhelming inescapable responsibility. This essay examines the problem of suffering and its implications in relation to figure of biblical Job that appears in Miłosz oeuvre repeatedly and undergoes a kind of thepoet’s interpretation in Miłosz’s translation of the Book of Job. The main thesis of my considerations is that various strategies of approaching the problem of suffering applied by Miłosz culminate in the conviction that the Joban deepest pain is his uniqueness, his being incomparable to anyone else. The only faith that can sustain in the context of WWII is “a faith through thankfulness” despite evil that ruled the world at that time.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 43-55
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz i Walt Whitman: przekład jako prawdziwa obecność
Czesław Miłosz and Walt Whitman: translation as an authentic presence
Autorzy:
Van Nieukerken, Arent
Powiązania:
https://bibliotekanauki.pl/articles/1533706.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
Walt Whitman
modernism
postmodernism
Opis:
Miłosz’s later poetry attempts to overcome the (post)modernist gap between the author as a textual effect and the subject of autobiography. An important stage on this road was his poetry book (in fact, a long poem in its own right) Nieobjęta ziemia [Unattainable Earth]. Its form is clearly dialogical. The collection mixes authorial poems with various examples of “heteroglossia”. Particularly striking is the prominent presence of Walt Whitman’s poetry. Whitmanian poetics assume that fully experiencing reality presupposes the existence of a community. The task of poetry consists in conceiving artistic structures that, when they are “concretized”, allow the reader to participate in such a community. Nieobjęta ziemia tries to come to terms with the Whitmanian challenge. The poetical subject in this somewhat modified example of the modern “sylva rerum” experiences its link with the “other” by an individual reception of artifacts that point to the communal essence of humanity. Nieobjęta ziemia , realizing community in the field of poetics “performatively”, incorporates these artifacts into the text. Particularly important seems to be the role played by poems translated by Miłosz himself (they are explicitly labeled as translations), and that represent the human condition called by Whitman “en masse”.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 217-231
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Czerwcowy sen o śniegu, śladzie, twarzy”. Wiersz Czesława Miłosza –próba czytania
“A June Dream about Snow, a Trace, a Face”. A Poem by Czesław Miłosz – an Attempt to Read It
Autorzy:
Antoniuk, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1389778.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetry by Czesław Miłosz
representation
versology
Opis:
The article is an attempt at a close reading of the poem 17 czerwca (“17 June”) by Czesław Miłosz. The author starts with a versological analysis, supposed to indicate in what way the poet achieved the tonal effects in the text. The interpretation that has been conducted makes visible a semantic unsolvability, which—according to the author—is born in the poem and, once discerned, cannot be easily neutralized.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 229-242
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Ale pachniały zioła…”. Kilka uwag o Orfeuszu i Eurydyce Czesława Miłosza
“Ale pachniały zioła…”. A Few Comments on Orpheus and Eurydice by Czesław Miłosz
Autorzy:
Brzozowski, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/942585.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
wiersz "Orfeusz i Eurydyka"
Opis:
The text is an attempt to prove that the descent to the underworld that the poem depicts (written after Carol’s death) led the Old Poet-Orpheus to absolute, completely objective and maximally interiorized knowledge of loss. The knowledge is of certain weight to the author, who only a few years earlier wrote a dramatic poem entitled ‘It’ (‘To’) and made it the first text of his poetic book under the same title. Unlike the case of the ancient Orpheus, or other later Orpheuses, that knowledge is not, however, the character’s final destination. The ending of the poem allows the reader to assume that — typically of Miłosz — it is an opening to the grand epiphany of existence.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tomistyczne źródła poetyckiej estetyki Czesława Miłosza
Autorzy:
Bałdyga, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/623903.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
czesław miłosz
tomasz z akwinu
estetyka
Opis:
Thomist Sources of Czesław Miłosz’s Poetic Aesthetics The article shows the essays and poetry of Czeslaw Milosz in the context of Aquinas expressions about beauty. The fondness of the concrete, visibility, the realistic world and giving justice to these parts in the poetry and art hadto lead to rejection of the poetry of a pure form and abstraction. Milosz – as a hunter grasping the reality – protects the word which is connected with reality. He put the existence in the centre of his poetical world. The realistic and objective existence was a basic experience for him. This experience was noted down in his work. Thus, the inspiration by saint Thomas Aquinas affected his artistic choices. In the work of the poet, it is visible that the texts of Aquinas had been his set books for many years. This tasting of the philosopher’s work can be best seen in the comparison of the writing practice of Miłosz with the particular matters coming from Summa Theologiaeor Art and Wisdom of Maritain (the contemporary Thomist read by Miłosz).
Źródło:
Colloquia Litteraria; 2018, 25, 2; 57-111
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motywy oczu, ślepoty i światła w późnej twórczości Czesława Miłosza
Autorzy:
Dobrzyńska, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/624357.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
motyw oczu
motyw ślepoty
Opis:
The subject of the examination here is a late period of Miłosz’sliterary output (volumes: „Druga przestrzeń” and „Wiersze ostatnie”). While discussing the motif of eyes, blindness and light the author brings up a general and serious problem of the poet’s vision in his final poems: he uses this theme in existential and metaphysical contexts.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 69-80
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przekroczyć dualizm. Dialog gnostycyzmu i buddyzmu zen w twórczości Czesława Miłosza na przykładzie Dalszych okolic
Beyond Dualism. Dialogue of Gnosticism and Buddhism Zen in Czesław Miłosz’s poetry illustrated through the example of Dalsze okolice
Autorzy:
Brenskott, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/971235.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Zen
Gnosticism
Czesław Miłosz
internal dialogicality
Opis:
This work is dedicated to the dialogue of two religious traditions in the work of Czesław Miłosz. It is an attempt to answer the question of relations between Gnosticism and Zen, and their role in Dalsze okolice, but also throughout Miłosz’s poetry. These two different types of spiritual experience, both reaching beyond the Christian view, are united in the work of Czesław Miłosz under the category of “internal dialogicality”, and — central to each — the issue of duality of subject and object of cognition. Milosz’s conflict between Gnosticism highlighting the problem of alienation in the world of nature and the Zen mind which is trying to cross this alienation, turns out to be an interesting example of dialogue between Western and Eastern philosophy. The dichotomous strucutre of this work allows the author to elaborate on the theoretical model of these relations, and then with the help of it, interpret the poetry of Czesław Miłosz.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 1(125); 53-66
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 111

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