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    Wyświetlanie 1-4 z 4
    Tytuł:
    The King’s speech. La retorica dei re persiani fra Eschilo, Erodoto e Tucidide
    Autorzy:
    Gazzano, Francesca
    Powiązania:
    https://bibliotekanauki.pl/articles/52185679.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Herodotus
    Great King
    Persia
    speeches
    rhetoric
    letters
    Greek historiography
    Opis:
    This paper aims at collecting and investigating, from a rhetorical point of view, the speeches of the Achaemenid kings (from Cyrus to Xerxes) mentioned in Greek sources, with a special focus on Herodotus’ Histories. The many and heterogeneous discourses which this historian attributes to the different Persian kings (dialogues, private conversations, messages, letters and simple speech acts) are analysed and compared, and the research seems to point to some recurrent – and probably well-devised – patterns. The paper also takes into account the poetic speeches of Darius and Xerxes in Aeschylus’ Persians, and the scant evidence (a letter from Xerxes to Pausanias) transmitted by Thucydides.
    Źródło:
    Electrum; 2017, 24; 55-73
    1897-3426
    2084-3909
    Pojawia się w:
    Electrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Grazia Deledda fuori dal canone e dalla storiografia letteraria italiana. Alcune riflessioni sulla sua modernità e sulle ragioni di un’esclusione
    Grazia Deledda Outside the Canon and Italian Literary Historiography: Some Reflections on Deledda’s Modernity and the Reasons for Her Exclusion
    Autorzy:
    Manca, Dino
    Powiązania:
    https://bibliotekanauki.pl/articles/34670837.pdf
    Data publikacji:
    2024-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Deleddian studies
    literary criticism
    literary historiography
    bilingualism
    literature of Italians
    filologia deleddiana
    critica letteraria
    storiografia letteraria
    bilinguismo
    letteratura degli italiani
    Opis:
    In this contribution, I investigate the reasons why many critics have found it difficult to understand the work of Grazia Deledda, a modern writer between two languages and two cultures: Sardinian and Italian. My purpose is to reconsider Deledda, using new critical tools forged by the 20th-century linguistic, aesthetic, and anthropological revolution. Today, it no longer makes sense to speak of Italian literature or Sardinian literature, but of the literary communication of Italians or Sardinians, that is, of polycentric literary systems whose identity has been historically and geographically established through the contribution of multiple languages and multiple cultures.
    Con questo contributo si indagano le ragioni delle difficoltà che molti critici hanno incontrato nel comprendere l’opera di Grazia Deledda, moderna scrittrice tra due lingue e tra due culture, la sarda e l’italiana. Lo scopo è quello di riconsiderarla secondo gli strumenti di una nuova critica figlia della rivoluzione linguistica, estetica, antropologica novecentesca. Oggi non ha più senso parlare di letteratura italiana o di letteratura sarda, quanto semmai di comunicazione letteraria degli italiani o dei sardi, ossia di sistemi letterari policentrici la cui identità si è storicamente e geograficamente affermata grazie al contributo di più lingue e di più culture.
    Źródło:
    Italica Wratislaviensia; 2024, 15.1; 19-43
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Echi della battaglia della Piana dei Merli (1389) nella storiografia e nella cultura italiana
    Echoes of the battle of Kosovo polje (1389) in Italian historiography and culture
    Echa bitwy na Kosowym Polu (1389) we włoskiej historiografii i kulturze
    Autorzy:
    Perillo, Francesco S.
    Powiązania:
    https://bibliotekanauki.pl/articles/1365291.pdf
    Data publikacji:
    2021-05-28
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Balkan Peninsula
    battle of Kosovo Polje
    Lazar Hrebeljanović
    Kosovo Myth
    Serbian popular epic
    Italian historiography
    Półwysep Bałkański
    bitwa na Kosowym Polu
    mit Kosowa
    włoska historiografia
    Opis:
    W czerwcu 1389 roku wojska serbskie i ich sojusznicy zostali pokonani przez Turków na równinie kosowskiej. W krwawej bitwie poległo wielu dzielnych chrześcijańskich bojowników oraz sam książę Lazar Hrebljanović, który został uświęcony przez Kościół prawosławny. Katastrofa wojsk chrześcijańskich utorowała drogę do inwazji osmańskiej na Półwysep Bałkański, ale klęska nabrała wartości mitu dla narodu serbskiego, który przez wieki towarzyszył jego istnieniu jako wzór poświęcenia i miłości do ojczyzny.
    On June 15, 1389 Serbian troops and their allies were defeated by the Turks on the Kosovo field. Many valiant Christian fighters and the Serbian prince Lazar Hrebljanović, who was sanctified by the Orthodox Church, fell in the battle. The disaster of the Christian army paved the way for the Ottoman invasion of the Balkan Peninsula, but the defeat assumed the value of a myth for the Serbian people, which accompanied their existence over the centuries as a model of sacrifice and love of the country.
    Źródło:
    Fabrica Litterarum Polono-Italica; 2021, 3; 117-150
    2658-185X
    Pojawia się w:
    Fabrica Litterarum Polono-Italica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il professionismo delle attrici: stato degli studi e nuove domande
    Being a Professional Actress. An Overview of the Existing Body of Research and New Inquires to Be Made
    Autorzy:
    Megale, Teresa
    Powiązania:
    https://bibliotekanauki.pl/articles/446356.pdf
    Data publikacji:
    2019-11-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    female professionalism
    female leaders of theatre companies
    women’s dramaturgy
    commedia dell’arte
    theatre historiography
    professionismo femminile
    capocomicato femminile
    drammaturgia delle donne
    Commedia dell’Arte
    storiografia teatrale
    Opis:
    In the second half of the 16 th century, the arrival of women on the stage caused a revolution, the effects of which extended to the entirety of modern society. A troupe on the move and always at risk, faced with waves of condemnation, the women actors, nomads by trade, were preceded by a diffidence that was both twofold and simultaneous: towards the principal makings of professional work in the theatrical arts and towards the moral qualities of which they had been regarded as the heralds, not individually but as a social group. The process of deconstructing the artistic identity of these pioneering actresses, who tended to be equated with harlots or to their opposites, that is, virgin actresses, was not limited to the first appearance of women on the professional scene, but, rather, it became a long-standing historical category. The article is concerned with removing prior moral judgments that were stratified over the actresses and freeing the historiographic field from preconceived viewpoints; it is concerned with dismantling misogyny and anachronistic sidelong glances. Between masks and prejudices regarding the perturbing aesthetic perception represented by the entrance of women into the world of art, distinguishing that which separates the actress’s profession from sexual adventures, talent from reputation, art from seduction, is essential to provide new historiographic categories and new coordinates to the study of the commedia dell’arte. In this way, other past experiences come to light: the launch towards professionalism, the role of marriage, and the violence that women underwent are a few of the problematic issues to reconsider and overcome based on prior documentary studies.
    Nella seconda metà del Cinquecento, l’arrivo delle donne in scena provocò una rivoluzione i cui effetti si estesero all’intera società moderna. Sommerse da un’ondata di condanna, le attrici, nomadi per mestiere, furono precedute da una doppia e simultanea diffidenza: verso le potenzialità precipue dell’arte teatrale professionistica e verso le qualità morali di cui sono state ritenute portatrici non singolarmente, ma come gruppo sociale. Il processo di decostruzione dell’identità artistica delle attrici pioniere, assimilate alle meretrici o al loro rovescio, ossia all’attrice vergine, non si è limitato al primo apparire del professionismo femminile, bensì è diventato una categoria storica di lunga durata. Si tratta qui di rimuovere i preventivi giudizi moralistici stratificati sulle attrici e sgombrare il campo storiografico da posizioni preconcette, di smantellare misoginia e anacronistici sguardi obliqui. Fra maschere e pregiudizi circa la perturbante percezione estetica rappresentata dall’ingresso in arte della donna, distinguere ciò che separa il mestiere di attrice dalle vicende sessuali, il talento dalla reputazione, l’arte dalla seduzione è essenziale per dare nuove categorie storiografiche e nuove coordinate allo studio della Commedia dell’Arte. Vengono così alla luce altri vissuti e altre esperienze: l’avvio verso la professione, il ruolo del matrimonio, la violenza subita sono alcuni nodi problematici da riconsiderare e vagliare sulla scorta di preventive indagini documentarie.
    Źródło:
    Italica Wratislaviensia; 2019, 10.2; 15-36
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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