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    Wyświetlanie 1-13 z 13
    Tytuł:
    Giovan Battista Fagiuoli, Diariusz podróży do Polski, tłumaczenie, opracowanie naukowe i wstęp Małgorzata Ewa Trzeciak, wstęp Wojciech Tygielski, Wydawnictwo Muzeum Pałacu Króla Jana III w Wilanowie, Warszawa 2017, pp. 171
    Autorzy:
    Prola, Dario
    Powiązania:
    https://bibliotekanauki.pl/articles/28409298.pdf
    Data publikacji:
    2017
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Travel literature
    Odeporic literature
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 262-264
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Messina nei racconti di viaggio polacchi nel corso dei secoli: il doppio volto della città
    Autorzy:
    Tylusińska-Kowalska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2083478.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    travel
    Messina
    earthquake
    culture
    description
    Opis:
    Messina in the stories of Polish travelers over the course of centuries: the double face of the city – The article presents Messina’s ‘verbal postcards’ left by Polish participants in the Grand Tour and travelers who visited Sicily in later times. Travelers whose accounts are widely known, such as Anonymous (1595), Michał Borch, Julian Ursyn Niemcewicz, Chrystian Kamsetzer (XVIII c.), Zygmunt Krasiński (nineteenth century), but also less well-known ones such as writer Zofia Sokołowska, arriving in Sicily in the tragic year of the earthquake (1908), left descriptions from their stays in Messina about the emotional charge they felt, one closely related to the historical moment in which they arrived on the island. This will therefore be a thorough analysis of a fragment of the Sicilian journey concerning Messina left by some Polish travelers, taking into account their professions, areas of interest and the period in which they were in Sicily.
    Źródło:
    Kwartalnik Neofilologiczny; 2019, 2; 205-212
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mario Puccini tra Italia e Argentina
    Autorzy:
    Traina, Giuseppe
    Powiązania:
    https://bibliotekanauki.pl/articles/2083477.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    literature
    travel
    Italy
    Argentina
    cultural mediation
    Opis:
    Mario Puccini between Italy and Argentina – The Italian writer Mario Puccini travelled to Argentina in 1936 to attend the Pen Club Congress. In the essay, the results of Puccini’s stay in Argentina are studied for the first time in Italy: books, stories, articles, translations, correspondences, unrealized projects. Puccini is confirmed as an important cultural mediator in relations between Italy and the Spanish-speaking nations.
    Źródło:
    Kwartalnik Neofilologiczny; 2019, 2; 198-204
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tra Danimarca, Svizzera e Italia. La visione poliprospettica del viaggio nella prima fase della produzione migrante di Elvira Dones
    Between Denmark, Switzerland, and Italy. The Multiaspectual Vision of Travel in the Early Migrant Works by Elvira Dones
    Autorzy:
    Karp, Karol
    Powiązania:
    https://bibliotekanauki.pl/articles/16036772.pdf
    Data publikacji:
    2018-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Dones
    migrant literature
    travel
    depression
    body
    beast
    Opis:
    The article aims to analyze the problem of travel writing, define its typology and discuss the outcomes of travelling as they are unfolded in the first phase of Elvira Dones’s migrant writings. It addressess three phenomena: travelling to Denmark, travelling to Sweden and travelling to Italy, outlining the influence of space on the lives of the characters. The theoretical foundation derives from research by T.W. Adorno, G. Bataille, E. Grosz, S. Hurn, I. Illich, M. Marzano, S. Mezzadra, M. Midgley, M.C. Nussbaum and P. Ricoeur.  
    Źródło:
    Studia Europaea Gnesnensia; 2018, 17; 131-152
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le feste patronali come un elemento della sicilianità: il punto di vista dei viaggiatori stranieri
    Autorzy:
    Walendziak-Genco, Ewelina
    Powiązania:
    https://bibliotekanauki.pl/articles/2083455.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    patronal festivals
    Sicily
    foreign travelers
    travel
    patron saint
    Opis:
    Celebrating patron saints as an element of the Sicilian character: the foreign travelers point of view – This article will look at descriptions of some patronal festivals in Sicily drawn from the works of the most important foreign travelers and will try to show how such celebrations represent a fundamental aspect of Sicilianity.
    Źródło:
    Kwartalnik Neofilologiczny; 2019, 2; 213-221
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sopravvivere al cataclisma: il Sud d’Italia dopo il sisma del 1783 nei racconti di viaggio del Grand Tour
    Autorzy:
    Tylusińska-Kowalska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2083354.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Sicily
    Calabria
    travel
    earthquake
    description
    Sycylia
    Kalabria
    podróż
    trzęsienie ziemi
    opis
    Opis:
    The article presents a disastrous in the consequences earthquake between Sicily and Calabria described by different travelers of Grand Tour after 1783 and analyses the style and method of commenting these historical, tragic events. Several Polish intellectuals and politicians, disappointed in t he situation in the country had chosen the Southern Italy (Sicily, Calabria) and Malta as Destination of their travel. Who arrived there after the terrible earthquake and observed in Messina and/or Reggio Calabria the ruins of these important towns leaved very emotional description in their travel reports. The purpose of the article is to compare different human reactions as well as different ways of describing, from many points of view, the situations they found and observed.
    Artykuł podejmuje analizę opisów uczestników podróży oświeceniowych w ramach Grand Tour tragicznego w skutkach trzęsienia ziemi, jakie miało miejsce na Sycylii I w Kalabrii w roku 1783. Każdy z podróżników polskich, którzy bezpośrednio lub też w odległości kilku lat po tej katastrofie znaleźli się w jej obszarze na swój sposób przedstawia zgliszcza, ruiny i dewastacje zarówno świątyń, jak i zabudowań mieszkalnych. Celem artykułu jest prześledzenie różnych punktów widzenia, zestawienie i skomentowanie emocjonalnych, lecz także niekiedy niesłychanie praktycznych obserwacji zastanej sytuacji zarówno w Messynie, jak i/lub w Reggio di Calabria, czasem ubarwionej przekazem literackim ujętych w formę listów lub pamiętników z podróży, cennych w aspekcie zarówno ‘ludzkim’, jak i poznawczym.
    Źródło:
    Kwartalnik Neofilologiczny; 2018, 4; 465-477
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    August Fryderyk Moszyński, un illuminista polacco in viaggio tra Padova e Venezia
    August Fryderyk Moszyński, A Polish Illuminist Traveling Between Padua and Venice
    Autorzy:
    Łukaszewicz, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/37504828.pdf
    Data publikacji:
    2023
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    August Fryderyk Moszyński
    Enlightenment
    Italian journey
    travel writing
    death in Venice
    Opis:
    Redatto in francese, il diario del viaggio attraverso Francia e Italia (1784–1786) del conte August Fryderyk Moszyński (1731–1786) – architetto, collezionista ed erudito, appassionato di arte e scienze, importante figura dell’Illuminismo polacco, collaboratore e amico del re Stanislao II Augusto – è una vera e propria miniera di informazioni per i ricercatori che si occupano del XVIII secolo. Lo scopo di questo articolo è quello di integrare o chiarire informazioni sulle ultime settimane di vita del conte trascorse a Padova e Venezia, e le circostanze della sua morte, nonché di scoprire se sia stato un promotore della cultura polacca durante il suo viaggio in Veneto. L’analisi del suo diario permette l’identificazione di elementi riguardanti reali o ipotetici legami tra la cultura della Serenissima e quella della Confederazione Polacco-Lituana, così come un confronto tra la vita politica e culturale dei due paesi. Citazioni tratte dal diario sono state rapportate ad altre fonti dell’epoca, grazie alle quali è stato possibile stabilire, tra l’altro, che Moszyński visitò Padova sulla strada per Venezia, intorno al 22 maggio 1786, e tornò in quella città per vedere la gara di cavalli a Prato della Valle il 27 giugno 1786. Documenti d’archivio conservati a Varsavia e a Venezia hanno consentito a loro volta di stabilire con certezza le circostanze della morte (luogo, data, causa) e della sepoltura (data, luogo) del viaggiatore.
    Written down in French, the diary of a journey through France and Italy (1784–1786) by Count August Fryderyk Moszyński (1731–1786) – architect, collector, and erudite man, passionate about art and science, an important figure of the Polish Enlightenment, collaborator, and friend of King Stanislaus II Augustus – is a veritable mine of information for the researchers of the 18th century. The aim of this article is to supplement or clarify information on the last weeks of the Count’s life he spent in Padua and Venice, and the circumstances of his death, as well as to find out if he was a promoter of Polish culture when he travelled in the Veneto region. The analysis of his travel diary made it possible to identify elements concerning real or hypothetical links between the culture of Serenissima and that of the Polish–Lithuanian Commonwealth, as well as comparisons between the political and cultural life of the two countries. Selected entries from the diary have been juxtaposed with other sources from the period, thanks to which it has been established, among other things, that Moszyński visited Padua on his way to Venice, around 22 May 1786, and returned to that city to watch the horse races at Prato della Valle on 27 June 1786. By using and interpreting archival documents kept in Warsaw and Venice, it was possible to definitely establish the circumstances of the traveller’s death (place, date, cause) and burial (date, location).
    Źródło:
    Perspektywy Kultury; 2023, 41, 2/1; 89-104
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le visite a Padova di Waleria Tarnowska
    Waleria Tarnowska’s visits to Padua
    Autorzy:
    Zych, Tadeusz
    Powiązania:
    https://bibliotekanauki.pl/articles/37504655.pdf
    Data publikacji:
    2023
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    Waleria Tarnowska
    Jan Feliks Tarnowski
    Padua
    Antonio Canova
    grand tour
    travel journal
    Opis:
    Nel 1803–1804 Waleria Tarnowska, nata Stroynowska, e suo marito Jan Feliks Tarnowski, viaggiarono attraverso l’Italia. Lo scopo del viaggio era quello di acquistare opere d’arte, che sarebbero dovute diventare la base per la creazione di una collezione nella loro dimora familiare di Dzików. Durante il viaggio, la coppia visitò le più importanti città, incontrando gli scienziati più in vista e artisti. Visitarono inoltre due volte Padova, con i suoi importanti monumenti. Tuttavia, fu la famosa università a impressionarli maggiormente. Parlarono con i professori del tempo e visitarono l’orto botanico dell’università. Durante il soggiorno, durante il quale acquistarono numerosi dipinti e sculture, Waleria Tarnowska tenne un giornale, conservato sino ad oggi, il quale testimonia delle sue impressioni ed emozioni.
    In 1803–1804 Waleria Tarnowska, née Stroynowska and her husband Jan Feliks Tarnowski travelled around Italy. The purpose was to purchase works of art, which were to become the basis for building a collection at their family home in Dzików. During the trip, the couple visited all the most important cities, meeting with prominent figures of scientific life and artists. They also visited Padua with its most important monuments twice. However, the biggest impression was made by the famous university, where they held talks with the professors of the time and visited the university’s botanical garden. During the journey, which resulted in purchasing numerous paintings and sculptures, Valeria Tarnowska kept a journal, preserved to this day, which is a testimony to her impressions and emotions.
    Źródło:
    Perspektywy Kultury; 2023, 41, 2/1; 241-248
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il centro, la via, la strada: tre cronotopi nella narrativa polacca post 1989
    Autorzy:
    Prola, Dario
    Powiązania:
    https://bibliotekanauki.pl/articles/2084120.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    literary space
    city
    chronotope
    labyrinth
    travel
    przestrzeń literacka
    miasto
    chronotop
    labirynt
    podróż
    Opis:
    This essay concerns the fiction works of some Polish writers who made their literary debuts after 1989 (A. Stasiuk, P. Siemion, W. Kowalewski, Z. Kruszyński, K. Varga). Analysis of the urban space in their novels and tales based on three chronotopes (Bachtin) – center, street, road – serves to define certain characteristics of the hero and of the literary narrative mode. In the Polish literary city of the post-socialist era, there is now no trace of the flâneur: replaced with the figure of a wanderer or fugitive, the hero of Polish literary fiction is lost in urban centers that take on the unique characteristics of the labyrinth. In this can be sought the reason behind the revived popularity of the theme of travel in the new Polish prose.
    Esej dotyczy belektrystycznej twórczości niektórych pisarzy debiutujących po 1989 roku (A. Stasiuk, P. Siemion, W. Kowalewski, Z. Kruszyński, K. Varga). Analiza przestrzeni miejskiej w ich powieściach i opowiadaniach na podstawie trzech chronotopów (Bachtin) – centrum, ulica, droga – pozwala zdefiniować pewne cechy bohatera literackiego oraz sposób narracji. W polskim literackim mieście epoki postsocjalistycznej już nie ma śladu flâneura: zastąpiony postacią wędrowca lub uciekiniera, bohater polskich fikcji literackich gubi się w ośrodkach miejskich, które przyjmują specyficzne cechy labiryntu. W tym można doszukiwać się przyczyny ponownego powodzenia i przywrócenia wartości paradygmatu podróży w nowej polskiej prozie.
    Źródło:
    Kwartalnik Neofilologiczny; 2020, 4; 501-515
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dalla Sicilia alla Spagna, dalla Spagna alla Sicilia: Leonardo Sciascia scrittore di viaggio
    From Sicily to Spain, from Spain to Sicily: Leonardo Sciascia as a Travel Writer
    Autorzy:
    Pioli, Marco
    Powiązania:
    https://bibliotekanauki.pl/articles/1929925.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Leonardo Sciascia
    Sicily
    Spain
    voyage
    travel literature
    Sicilia
    Spagna
    viaggio
    scrittura di reportage
    Opis:
    The outbreak of the Spanish Civil War represented a pivotal moment in Leonardo Sciascia’s ideological development, as it pushed him towards an anti-fascist passion that would make him an engagé writer over the years. In fact, the news of Lorca’s assassination and Ortega y Gasset’s volumes had a lasting influence on the writer: he began to read Spanish and about the Spanish world, thus discovering Spain and its language, literature, and culture. In fact, it was a rediscovery, since, in the eyes of the Sicilian author, the common Arab domination and the long Spanish hegemony in Sicily had already connected the island and the peninsula in an intricate web of “similarities.” The present article aims to examine the distinctness of Sciascia’s Sicilian-Spanish imaginary that is present in the reports that he published after his numerous trips to the Iberian land starting in the 1950s. After having often been dismissed as paraliterary, those works will be analysed as travel writing so as to better appreciate them. Ore di Spagna, the volume that collects most of those journalistic articles, will be considered as one of the best examples of reporting in the 20th century, far beyond the boundaries of essay production.
    Lo scoppio della Guerra civile spagnola rappresentò un momento decisivo per la maturazione ideologica di Leonardo Sciascia, in quanto le sue vicende lo spinsero verso quella passione antifascista che nel tempo lo avrebbe reso uno scrittore engagé. Tuttavia, dal triennio rivoluzionario arrivarono anche le notizie dell’assassinio di Lorca, i volumi di Ortega y Gasset - su cui Sciascia iniziò a leggere il castellano, e poi il mondo -, dunque la scoperta della Spagna, della sua lingua, della sua letteratura e della sua cultura. In realtà, si sarebbe trattato di una riscoperta, poiché, agli occhi dell’autore, la comune dominazione araba e la lunga egemonia spagnola in Sicilia avevano già saldato l’isola alla penisola in un intricato intreccio di “somiglianze”. Il presente studio intende esaminare le peculiarità di questo immaginario siculo-spagnolo attraverso una presentazione dei reportage pubblicati da Sciascia a seguito dei numerosi viaggi intrapresi in terra iberica a partire dagli anni Cinquanta. Trattandosi di pagine spesso allontanate dal genere che meglio può valorizzarle, si procederà, infine, a una loro valutazione in chiave odeporica e si stabilirà che Ore di Spagna, il volume che raccoglie la maggior parte di quei pezzi giornalistici, può superare i confini del compendio saggistico nella direzione dei migliori esiti reportistici novecenteschi. Parole chiave: Leonardo Sciascia, Sicilia, Spagna, viaggio, scrittura di reportage
    Źródło:
    Italica Wratislaviensia; 2020, 11.2; 119-135
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il poeta sotto la tenda: reminiscenze ungarettiane e sereniane nei versi d’esordio di Nelo Risi
    The Poet in His Tent: the Influences of Giuseppe Ungaretti and Vittorio Sereni on Nelo Risi’s Early Works
    Autorzy:
    Lattarulo, Salvatore Francesco
    Powiązania:
    https://bibliotekanauki.pl/articles/446437.pdf
    Data publikacji:
    2015-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    exile
    imprisonment
    war
    travel
    tent
    identity
    homecoming
    esilio
    prigionia
    guerra
    viaggio
    tenda
    identità
    ritorno
    Opis:
    L’Esperienza (Experience, 1948) can truly be considered the first stage of Nelo Risi’s (b. 1920) poetic career. However, this early work of his was poorly received when it first came out. Some poems of this collection were included in two later editions of a book by the title Polso Teso (Strained Wrist), in the section entitled Le Vacche Magre (Lean Cows). This editorial decision marked the author’s willingness to use his first real poetic work as the starting point of his solid and personally chosen literary journey. However, as a detailed analysis of L’Esperienza reveals, the lyrical onset of the author is still heavily influenced by the literary tradition. As a result, the first section of the book, La Tenda (The Tent), comprises elements borrowed from Giuseppe Ungaretti’s Il Porto Sepolto (The Buried Harbour) and Vittorio Sereni’s Diario d’Algeria (Algerian Diary). All of this is in stark contrast with the author’s actual aim, which is to distance himself from literature in order to embrace reality. In particular, the common topos of ‘tent’, which is a narrow and precarious space, becomes the sign of the poet’s permanent condition of imprisonment and also exile after the war. Therefore, homecoming is a problematic occurrence because it is very difficult for the poet to return, to come back to himself and thus regain his primary identity.
    L’esperienza (1948) è, di fatto, la tappa iniziale dell’itinerario poetico di Nelo Risi (Milano 1920). Questa opera giovanile ha ricevuto scarsa attenzione nel tempo. Alcune liriche della raccolta confluiscono nelle due edizioni del libro successivo, Polso teso, dando vita a una sezione intitolata Le vacche magre. Tale scelta editoriale è il segno della volontà dell’autore di considerare il suo primo vero lavoro poetico come un punto solido e irrinunciabile del proprio percorso letterario. Un’analisi puntuale de L’esperienza evidenzia che il battesimo lirico dell’autore risente di suggestioni della tradizione letteraria. In particolare, nella prima sezione del libro (La tenda) si trovano elementi tratti da Il porto sepolto di Giuseppe Ungaretti e da Diario d’Algeria di Vittorio Sereni. Tutto ciò contrasta con il proposito espressamente dichiarato dell’autore di imboccare la strada dell’antiletterarietà a favore dell’aderenza alla realtà. In particolare, il topos accomunante della ‘tenda’, cioè uno spazio ristretto e precario, diventa il segno della permanente condizione di prigionia ed esilio del poeta anche dopo la guerra. Pertanto il ritorno è un’evenienza problematica dal momento che per il poeta reduce è realmente difficile riconciliarsi con il proprio sé, riconquistare la sua identità originaria.
    Źródło:
    Italica Wratislaviensia; 2015, 6; 113-134
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Antiturismo e scrittura di viaggio in se non la realtà di Tommaso Landolfi
    Autorzy:
    Bruni, Raoul
    Powiązania:
    https://bibliotekanauki.pl/articles/2084033.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Tommaso Landolfi
    travel literature
    tourism
    Italian economic boom
    criticism of modernity
    literatura podróżnicza
    boom ekonomiczny
    krytyka nowoczesności
    Opis:
    Se non la realtà, published in 1960, collects travel stories written by Tommaso Landolfi during the 1950s. Among the texts contained in the collection you can find stories, articles, micro-reports on various – also less known – Italian cities. The writer chooses alternative routes to mass tourism, which he strongly criticizes. Anti-tourism practiced by Landolfi is also reflected in his literary style, adopting strategies unusual for travel literature, such as combining literary and non-fiction fiction, numerous allusions and quotes, and esoteric illuminations. Unlike other authors of travel reports from the 1950s, such as Pasolini or Piovene, Landolfi criticizes the euphoria associated with the development of Italy during the economic boom, anticipating some of the topics of Guido Ceronetti’s Un viaggio in Italia.
    Zbiór Se non la realtà, opublikowany w 1960 roku, obejmuje relacje z podróży spisywane przez Tommaso Landolfiego w latach pięćdziesiątych. Wśród zawartych w zbiorze tekstów można znaleźć opowiadania, artykuły, mikroreportaże dotyczące różnych – również mniej znanych – miast włoskich. Pisarz wybiera trasy alternatywne wobec turystyki masowej, którą ostro krytykuje. Antyturystyka, którą uprawia Landolfi, odzwierciedla się także w jego stylu literackim, przejawiającym cechy nietypowe dla literatury podróżniczej, jak łączenie fikcji literackiej i non-fiction, liczne aluzje i cytaty, iluminacje ezoteryczne. W przeciwieństwie do innych autorów reportaży podróżniczych z lat pięćdziesiątych, jak Pasolini czy Piovene, Landolfi krytykuje euforię związaną z rozwojem Włoch w czasach boomu ekonomicznego i zapowiada tym samym niektóre tematy podjęte później przez Guida Ceronettiego w Un viaggio in Italia.
    Źródło:
    Kwartalnik Neofilologiczny; 2020, 4; 527-537
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lungo le rotte dell’Ecumene. Il viaggio verso il Levante dell’inglese Sir George Wheler (1675–1676)
    Along the Routes of the Ecumene: The Journey of Sir George Wheler to the Levant (1675–1676)
    Autorzy:
    Castaldini, Alberto
    Powiązania:
    https://bibliotekanauki.pl/articles/1038357.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    travel literature
    George Wheler
    Ecumene
    Balkans
    Ottoman Empire
    letteratura di viaggio
    george wheler
    ecumene
    balcani
    impero ottomano
    Opis:
    The article presents the French edition—printed in The Hague in 1723— of a significant example of travel literature from the end of the 17th century: A Journey into Greece (1682) by Sir George Wheler (1651–1724). The book made a profound mark on the studies of archeology, epigraphy, and the numismatics of the Balkans, Greece, and the Byzantine world. The article illustrates the significant data collected by the English traveler, botanist, scholar of classical antiquity, and clergyman, relating to the cultural and confessional mosaic in the space of southeastern Europe. His descriptions should be interpreted as a representative portrait of the remains of the ancient Euro‑Mediterranean ecumene. The traveler-churchman’s spirit of observation and sensitivity made Wheler a model author in the scholarly travel literature of the 17th century.
    L’articolo presenta l’edizione in lingua francese, stampata a L’Aia nel 1723, di un significativo esempio di letteratura di viaggio della fine del secolo XVII: A Journey into Grece (1682) di Sir George Wheler (1651–1724). Il testo è profondamente segnato da studi in archeologia, epigrafia e numismatica dell’area balcanica, della Grecia e del mondo bizantino. L’articolo illustra i rilevanti dati raccolti dal viaggiatore, botanico, studioso di antichità e pastore inglese, con riferimento al mosaico culturale e confessionale dello spazio del Sud-Est europeo. Le sue descrizioni dovrebbero essere interpretate come un rappresentativo ritratto dei resti dell’antica ecumene euromediterranea. Lo spirito di osservazione, la sensibilità del viaggiatore e dell’ecclesiastico fanno di Wheler un autore emblematico nella letteratura colta di viaggio del Seicento.
    Źródło:
    Perspektywy Kultury; 2020, 30, 3; 197-210
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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