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Tytuł:
La questione del dono nella poesia di Eugenio Montale
The gift in the poetry of Eugenio Montale
Autorzy:
Malicka, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/1051637.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Montale's poetry
Opis:
The purpose of this article is to present a new interpretation of Eugenio Montale’s early poems from the perspective of the gift theory which, ever since the publication of Bronisław Malinowski’s Argonauts of the Western Pacific and Marcel Mauss’s anthropological study Essai sur le don, has become one of the most fruitful interdisciplinary conversations among anthropologists, philosophers, scholars and economists. The paper is focused on the genesis of gift in Montale which coincides, in a certain way, with Heidegger’s concept of Dasein thrown into the world which has alredy been given to it. The analysis of different passages from Mediterraneo session will then appear as a new interpretative horizon of Montale’s poetry governed by the immense power of gift that interacts within the triadic relation: refuse – receive – repay.
Źródło:
Studia Romanica Posnaniensia; 2010, 37, 1; 117-129
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La poesia di Karol Wojtyła: un itinerario ascetico
Karol Wojtyła’s Poetry: an Ascetic Journey
Autorzy:
Fava Guzzetta, Lia
Powiązania:
https://bibliotekanauki.pl/articles/1731482.pdf
Data publikacji:
2020-12-28
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Karol Wojtyła
Jan Paweł II
twórczość literacka
poezje
krytyka i interpretacja
John Paul II
literary work
poetry
criticism and interpretation
Opis:
Poezja Karola Wojtyły: wędrówka ascetyczna Artykuł jest swego rodzaju wędrówką po twórczości poetyckiej Karola Wojtyły – Jana Pawła II, wędrówką ascetyczną, a jednocześnie niezmiernie bogatą, w ślad za osobą z zewnątrz, wolną od naszego rodzimego kontekstu historyczno-kulturowego, zatem i otwartą na nieograniczone perspektywy interpretacji. Praca ukazuje uniwersalny charakter dorobku poetyckiego Karola Wojtyły, kładzie akcent na nowe elementy percepcji tejże poezji i w innym świetle ukazuje znaczenia wersów, wciąż tak bardzo aktualnych i niezmiennie adresowanych do człowieka, który także (a może zwłaszcza) dziś boryka się z odwiecznymi dylematami. Już we wczesnych utworach literackich obecne są (i na trwale pozostaną) dwa głębokie wymiary: dusza słowiańska oraz intelektualna klasyczność, które staną się charakterystyczne również dla talentu komunikacji ekumenicznej i wizji teologicznej Kościoła u Jana Pawła II. W przejściu od młodzieńczych sonetów do hymnów można dostrzec nie tylko rozwój stylistyczny i głębię przesłania, ale przede wszystkim podążanie w kierunku świadomej religijności, kontemplacji, w kierunku kapłaństwa, które rodziło się w szczególnie dramatycznych czasach drugiej wojny światowej. Z kolei w okresie kapłańskim wybory poety naznaczone są pragnieniem zrozumienia kondycji człowieka oraz zauważanie miłości Boga w stosunku do stworzenia. Kontemplacja staje się coraz bardziej modlitwą, a z modlitwy rodzi się dialog. Twórczość literacka Karola Wojtyły jawi się jako opowieść o własnym doświadczeniu wewnętrznym oraz odsłania duchową antropologię. La poesia di Karol Wojtyła: un itinerario ascetico L’itinerario poetico di Karol Wojtyła viene esplorato nel suo evolversi a partire dalle Poesie Giovanili che privilegiano inizialmente la forma del Sonetto per passare all’Inno e alla Ballata. Successivamente vengono sperimentate forme più complesse ed aperte che riescono a fondere e superare il confine poesia / prosa in linea con le poetiche della modernità letteraria tra XX e XXI secolo. L’evoluzione del linguaggio poetico si svolge parallelamente all’approfondirsi della vicenda personale ed interiore del poeta sulla via della progressiva crescita di una esperienza mistica singolare ed insolita. Egli, per la sua capacità di immergersi ed immedesimarsi sia nella drammaticità storica del suo e del nostro tempo, sia nella ricerca inesausta di una verità che vada oltre «il magro fiume della storia» per rispondere alla sete di Assoluto dell’uomo, percorre una scala di Ascesi sempre più intensa le cui tappe in progress lasciano preziose tracce nei testi poetici, i quali acquisiscono via via una dimensione di iconicità sempre più significativa. Nell’ultima opera Trittico Romano (l’unica a firma Giovanni Paolo II) il poeta, sacerdote e mistico, giunge all’approdo della pura «visione» del progetto divino iscritto nella «policromia» stessa dell’affresco michelangiolesco della Cappella Sistina, assumendolo come vera, immensa Icona di «Immagine e Somiglianza», consegnata agli uomini dal pittore, messaggio e contemporaneamente «chiave di lettura», attraverso cui l’Invisibile si manifesta nel Visibile. Senza dubbio possiamo considerare Karol Wojtyła uno dei più grandi protagonisti della poesia religiosa fra i due secoli.
L’itinerario poetico di Karol Wojtyła viene esplorato nel suo evolversi a partire dalle Poesie Giovanili che privilegiano inizialmente la forma del Sonetto per passare all’Inno e alla Ballata. Successivamente vengono sperimentate forme più complesse ed aperte che riescono a fondere e superare il confine poesia / prosa in linea con le poetiche della modernità letteraria tra XX e XXI secolo. L’evoluzione del linguaggio poetico si svolge parallelamente all’approfondirsi della vicenda personale ed interiore del poeta sulla via della progressiva crescita di una esperienza mistica singolare ed insolita. Egli, per la sua capacità di immergersi ed immedesimarsi sia nella drammaticità storica del suo e del nostro tempo, sia nella ricerca inesausta di una verità che vada oltre «il magro fiume della storia» per rispondere alla sete di Assoluto dell’uomo, percorre una scala di Ascesi sempre più intensa le cui tappe in progress lasciano preziose tracce nei testi poetici, i quali acquisiscono via via una dimensione di iconicità sempre più significativa. Nell’ultima opera Trittico Romano (l’unica a firma Giovanni Paolo II) il poeta, sacerdote e mistico, giunge all’approdo della pura «visione» del progetto divino iscritto nella «policromia» stessa dell’affresco michelangiolesco della Cappella Sistina, assumendolo come vera, immensa Icona di «Immagine e Somiglianza», consegnata agli uomini dal pittore, messaggio e contemporaneamente «chiave di lettura», attraverso cui l’Invisibile si manifesta nel Visibile. Senza dubbio possiamo considerare Karol Wojtyła uno dei più grandi protagonisti della poesia religiosa fra i due secoli.
This article is a kind of journey through the poetic work of Karol Wojtyła / John Paul II – a wandering that is ascetic, yet extremely rich – in the footsteps of an outsider, a person free from our native historical and cultural context, and hence open to the unlimited possibilities of interpretation. This work shows the universal character of Karol Wojtyła’s poetic output; it emphasises new elements in the perception of that poetry, while showing the meaning of the verses in a different light, verses still relevant and invariably addressed to man, who is also (and maybe especially) struggling with eternal dilemmas today. The early literary works already contained two profound dimensions: the Slavic soul and intellectual classicism, which would also become a feature of John Paul II’s talent for ecumenical communication and his theological vision of the Church. In the transition from youthful sonnets to hymns, we can notice not only the stylistic development and depth of the message, but, above all, a move towards conscious religiousness, contemplation, towards the priesthood, a move which was born in the very dramatic time of the Second World War. As a priest, on the other hand, his poetic choices were marked by a desire to understand the condition of man and to see God’s love for His creation. This contemplation becomes increasingly more like a prayer, and dialogue is born out of prayer. Karol Wojtyła’s literary work appears as a story about his own inner experience and reveals a spiritual anthropology.
Źródło:
Roczniki Humanistyczne; 2020, 68, 1 Special Issue; 11-31
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il destino di un ri-traduttore di poesia. Cronaca del “mio” Machado
Autorzy:
Lefèvre, Matteo
Powiązania:
https://bibliotekanauki.pl/articles/2120408.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
re-translation
poetry translation
translations of Antonio Machado
Oreste Macrì
Spanish poetry in Italy
retranslacja
przekład poetycki
tłumaczenia Antoniego Machado
poezja hiszpańska we Włoszech
Opis:
In this article, we address the issue of poetic translation and re-translation, beginning from a theoretical approach and, then, contextualizing it by the Italian versions of Antonio Machado’s poetry during the 20th century and the last decades. In the first part, we underline the most important elements that make poetic (re-)translation an autonomous, creative and original “literary genre”. In the second part, we compare Machado’s translations by Oreste Macrì to the ones newly realized by the author of the present article in terms of language, strategies and editorial target.
W niniejszym artykule rozpatrzona została kwestia poetyckiego przekładu i retranslacji, rozpoczynając od teoretycznego podejścia poprzez jej kontekstualizację na podstawie włoskiego tłumaczenia poezji Antoniego Machado w ciągu XX wieku i ostatnich dziesięcioleci. W pierwszej części przedstawiono najważniejsze elementy czyniące poetycką (re)translację niezależnym, kreatywnym i oryginalnym “gatunkiem literackim”. W drugiej części porównane zostały pod względem języka, strategii i docelowych odbiorców tłumaczenia Machado dokonane przez Oreste Macri z tłumaczeniami zrealizowanymi na nowo przez autorkę niniejszego artykułu.
Źródło:
Kwartalnik Neofilologiczny; 2022, 2; 185-197
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tradurre Montale. Il problema del “correlativo oggettivo”
Autorzy:
Miszalska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/2081242.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Montale’s poetry
polish translations
objective correlative
Opis:
Translating Montale. The problem of “objective correlative” – The presence of “objective correlative” in two first Montale’s poetry books requires specific translation strategies. In this article, we analyse Polish translations of two famous Montale’s poems: Meriggiare pallido e assorto and La casa dei doganieri, focusing on nouns which can have value of “objective correlatives”. Although the translators seem to follow closely the originals, they actually change some words regarding very specific objects. What is more they do not deal with deictic elements crucial for the grid of relations between the things and the lyrical subject, indispensable for reconstructing his sentimental and emotional world. And in fact neither of translators notice that a very closed reading of Montale’s poetry renouncing any interpretation seems to be the only possible and acceptable one.
Źródło:
Kwartalnik Neofilologiczny; 2017, 4; 445-455
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tradurre il genere: Madame Intuita di Izabela Filipiak
Autorzy:
Amenta, Alessandro
Powiązania:
https://bibliotekanauki.pl/articles/2081240.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
gender
queer
poetry translation
Izabela Filipiak
contemporary Polish literature
Opis:
Translating gender: Madame Intuita by Izabela Filipiak – Based on camp aesthetics, masquerade, irony and intertextuality, the poetry volume Madame Intuita (2002) by the Polish writer Izabela Filipiak aims to dismantle gender stereotypes and patriarchal linguistic codes. When translating her poems, both grammatical and social gender issues should be taken into due account. In the paper, the author analyses his own Italian translation of Filipiak’s poems (published in 2007) to explain the strategies used to preserve gender elusiveness, gender specification, and gender fluidity, as they play a key role in the writer’s poetic imaginary.
Źródło:
Kwartalnik Neofilologiczny; 2017, 4; 528-538
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trascrizione e traduzione: esperienze parallele in musica e poesia
Autorzy:
Masi, Leonardo
Powiązania:
https://bibliotekanauki.pl/articles/2081248.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
translation
poetry
transcription
Polish literature
music and literature
Opis:
Transcription and translation: parallel experiences in music and poetry – Referring to some personal experiences and some statements by Norman Davies, Umberto Eco and Fabio Scotto, the author tries to find analogies between translating poetry and transcribing music. Before and behind the performer’s work, the translator and the transcriber deal with important issues such as timbre and tone, which are not less important than parameters easier to define and more debated (rhythm, phonics). The translator of poetry should “think for poetry”, paraphrasing the title of Leibowitz’s book about transcription Thinking for orchestra.
Źródło:
Kwartalnik Neofilologiczny; 2017, 4; 467-476
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Salvare l’insalvabile. La poesia di Nino de Vita fra traduzionee autotraduzione
Autorzy:
Malicka, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/2081230.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
translation
self-translation
poetry
alterity
hermeneutics
Opis:
To save the unsavable. The poetry of Nino De Vita: Translation and Self-Translation – The article reflects upon the argument of translation and self-translation referring to the Sicilian poet Nino De Vita, who translates his own texts from the Marsala dialect into Italian. Moreover, the article aims to compare two translation solutions of De Vita’s texts, wherein besides respecting the sense of otherness and exoticism of the original version, one of the most distinctive traits of the Sicilian dialect emerges: the vowel sound ‘u’.
Źródło:
Kwartalnik Neofilologiczny; 2017, 4; 488-496
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tradurre poesia per bambini. Osservazionisull’edizione polacca delle fi lastrocche di Gianni Rodari
Autorzy:
Nicewicz-Staszowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2081245.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
translation
translator
poetry
children
Rodari
Opis:
Poetry for children in translation. Comments on the Polish issue of Gianni Rodari’s poems – As I. Even-Zohar has observed, “in spite of the broad recognition among historians of culture of the major role translation has played in the crystallization of national cultures, relatively little research has been carried out so far in this area” (1990: 45). The verdict of the Israeli scholar still seems to hold true today with regard to the translation of children’s literature, especially poetry, even if that situation is slowly changing. Invariably, however, poetry is less frequently translated than prose, as shows the example of the greatest 20th-century Italian children writer, G. Rodari. The aim of this paper – preceded by an introductory theoretical treatise – is to discuss a unique collection of Rodari poems translated into Polish by J. Minkiewicz and published in 1956.
Źródło:
Kwartalnik Neofilologiczny; 2017, 4; 456-466
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Venezia nella poesia di Jarosław Iwaszkiewicz
Venice in the poetry of Jarosław Iwaszkiewicz
Autorzy:
Prola, Dario
Powiązania:
https://bibliotekanauki.pl/articles/1929894.pdf
Data publikacji:
2021-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Venice
Iwaszkiewicz
Keats
Blok
Salome
Venezia
Salomè
Opis:
The article explores the problem of the representation of Venice in Jarosław Iwaszkiewicz’s poetry, starting from the short series “Tram Tickets,” from the mid-1920s, to the masterful “Ode on the Destruction of Venice,” a true farewell and poetic testament of the writer. This study seeks to define the characteristics of the city’s genius loci, tracing the relationships between romantic historicism, perceptual poetics, and the decadent aestheticism of Iwaszkiewicz. For the poet, Venice constituted a complex palimpsest where every added word necessarily had to be negotiated with a complex and cumbersome tradition of texts and images; every attempt to define the nature of the city implied a Sisyphean effort to find a pure and non-conditioned look. For this reason, he was convinced that Venice could be described only indirectly, through the rhetorical tools—similes, synaesthesia, metaphors —offered by poetic language. Iwaszkiewicz’s representation of Venice appears to be rooted in particular in the modernist tradition and in its complex network of cultural and symbolic references. The essay highlights the influence of John Keats and Aleksandr Blok, as well as the specific interpretation of the figures of Endymion and Salome, symbols of eternal youth and beauty, the myths on which the poetics of the Polish writer was based. Among all the cities that are reflected in Iwaszkiewicz’s works, Venice is the one that best expresses his conception of the crisis of European civilisation, awareness of the end of a historical period, and hope of a future palingenesis.
L’articolo affronta il problema della rappresentazione di Venezia nella produzione lirica di Jarosław Iwaszkiewicz a partire dalle brevi poesie del ciclo “Biglietti del tram”, della metà degli anni Venti, sino all’Ode sulla distruzione di Venezia, scritta alla fine della sua vita, vero e proprio commiato e testamento poetico dello scrittore. Nello studio si cerca di definire le caratteristiche del genius loci della città, tracciando i rapporti tra lo storicismo romantico, la poetica percettiva e l’estetismo decadente dello scrittore. Per Iwaszkiewicz, Venezia si poneva come un complesso palinsesto dove ogni parola aggiunta doveva necessariamente venire negoziata con una complessa e ingombrante tradizione di testi e di immagini, ogni tentativo di definizione implicava la fatica sisifea di ritrovare uno sguardo puro, originario, non condizionato. Per questa ragione era convinto che Dario Prola 196 Venezia potesse venire descritta al meglio solo in modo indiretto, attraverso gli strumenti retorici - similitudini, sinestesie, metafore - offerte dal linguaggio poetico. La rappresentazione di Venezia di Iwaszkiewicz appare radicata in particolare nella tradizione modernista e nella sua complessa rete di riferimenti culturali e simbolici. Nel saggio si mette in evidenza l’influenza di John Keats e di Aleksandr Blok, la specifica interpretazione delle figure di Endimione e di Salomè, simboli dell’eterna giovinezza e della bellezza, i miti su cui si fondava la poetica dello scrittore polacco. Tra tutte le città che trovano espressione nella sua letteratura, Venezia è quella che meglio esprime la sua concezione della crisi della civiltà europea, la consapevolezza della fine di una fase storica, la speranza di una prossima palingenesi.
Źródło:
Italica Wratislaviensia; 2021, 12.1; 177-196
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Giovanni Pietro Arrivabene. Poeta e teologo
Giovanni Pietro Arrivabene. Poet and theologian
Autorzy:
Bologna, Orazio Antonio
Powiązania:
https://bibliotekanauki.pl/articles/967158.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Pietro Arrivabene
poetry of 15th century
reception
Opis:
The author in this short essay introduces to the academic and scientific community an unpublished poem of Peter Arivabene, a learned poet who lived in the second half of the fifteenth century. The codex, which contains the poem is kept in the Library of Palazzo Piccolomini in Pienza, where Prof. Orazio Antonio Bologna saw it for the first time on October 12th, 2012. Becoming acquainted with the contents of the codex and believing to give a valuable contribution to the knowledge of the poet, he transcribed, translated and published the contents of the codex. In this study, for the first time, Giovanni Pietro Arrivabene is mentioned as a poet, because Humanism and Renaissance’s scholars already knew him but only as the secretary of Cardinal Francesco Gonzaga and as the abbreviator and secretary in the Vatican curia from 1482, where he remained until 1491 under the popes’ service. The long poem, begun around 1459 when the poet was about 20 years old, was completed after the diet of Mantua, which ended on January 19th, 1460. The fine poem reveals a deep and refined culture even though there are uncertainties and redundancies peculiar to youth.
Źródło:
Collectanea Philologica; 2014, 17
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sull’allegoresi simbolica del primo pitagorismo
On Symbolic Allegoresis of the First Pythagoreans
Autorzy:
Domaradzki, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/938307.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Pythagoras
the Pythagoreans
symbol
allegory
allegoresis
mythology
poetry
Opis:
The present paper argues that the early Pythagoreans contributed significantly to the development of ancient hermeneutics. The article builds on the assumption that even if the thinkers did not deal with allegoresis directly, the very manner of articulating their thought was, nevertheless, quite conducive to the growth of allegorical interpretation. Thus, at least indirectly, Pythagoreanism must have played an important role in the development of allegoresis. The paper identifies two crucial aspects of Pythagorean influence on the allegorical tradition. Firstly, the Pythagoreans made a very specific use of the poetry of Homer and Hesiod as well as of the traditional mythology in general. Secondly, the teachings of Pythagoras were expressed in terms of various ambiguous symbols that required special exegesis. Both these factors must have contributed considerably to the development of allegoresis: the idiosyncratic use of conventional mythology, on the one hand, and the enigmatic nature of the Pythagorean symbols, on the other, must have provoked extensive search for the latent (i.e., “allegorical”) meaning of the “messages” in question.
Źródło:
Peitho. Examina Antiqua; 2013, 4, 1; 93-104
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’animalità nella poesia di Jolanda Insana
The Animality in the Poetry of Jolanda Insana
Autorzy:
Malicka, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/1048391.pdf
Data publikacji:
2018-11-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
animal
sound
voice
trace
territory
Opis:
The scope of the article is to reflect upon the argument of animality in the work of the Sicilian poet Jolanda Insana (1937-2016) which represents one of the possible interpretive keys of her works. The analytical part of the paper contains an analysis from the anti-anthropocentric perspective of some fragments of the section Bestia clandestina included in the volume Turbativa d’incanto (2012).
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 3; 35-47
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Come tradurre Białoszewski? Considerazioni a margine di alcuneversioni italiane, francesi e russe
Autorzy:
Pascale, Lucia
Powiązania:
https://bibliotekanauki.pl/articles/2081220.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Miron Białoszewski
poetry
translation
Polish
Italian
French
Russian
Opis:
How to translate Białoszewski? Remarks on selected Italian, French and Russian translations – The article aims at analysing the translation of Miron Białoszewski’s poetry through the comparison of the Italian, French and Russian versions of some of his works. Before dealing with this matter, some brief references are made to the author’s biographical profile and poetics – which are an indispensable premise to study his poems. Then the reception of Białoszewski as a poet in Italy, France and Russia is shortly considered.
Źródło:
Kwartalnik Neofilologiczny; 2017, 4; 477-487
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Da rugiada a ruggine. Poesia dialettale e ambiente: Pasolini, Zanzotto, De Vita
From dew to rust. The dialectal poetry and the environment: Pasolini, Zanzotto, De Vita
Autorzy:
Malicka, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/43665612.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetry
dialect
environment
diversity
ecocriticism
Opis:
The scope of the present article is to reflect upon the question of the environment within the context of the discussion concerning the use of dialect in the poetry of Pier Paolo Pasolini, Andrea Zanzotto, Nino De Vita and other poets from Sicily. Commencing from the concept of ‘diversity’, as intended by Pasolini as the disappearance of the rural world, which occurs in step with the eclipses of dialectal variety, the essay will demonstrate how the environment – the crucial focus of the poetry of the above mentioned poets – converges concepts of dialects, territoriality and animality. The ecocritical method, which is applied in this study, enables one to signal the urgency to reflect upon the situation of contemporary poetry, in particular of Sicilian poetry, which has its roots in Nino De Vita’s poetic works, inextricably tied to the place, the natural and the cultural context of the island. The new Sicilian poetry does not cancel ‘diversity’, which on the contrary is capable of confronting environmental issues – at times also beyond the island’s borders – and it feeds from the lymph, from the root of the dialect.
Źródło:
Studia Romanica Posnaniensia; 2022, 49, 3; 31-47
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La poesia di Giovanni Pietro Arrivabene
The Poetry of Giovanni Pietro Arrivabene
GIOVANNI PIETRO ARRIVABENE POESIS
Autorzy:
Bologna, Orazio Antonio
Powiązania:
https://bibliotekanauki.pl/articles/648580.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Phoebus
ianitor
Perseus
fortuna
Pontifex
Pius
-
Opis:
Per breuem et luculentam uestigationem auctor primus de Ioannis Petri Arriuabeni poesi agit. Poeta enim illa floruit aetate, qua per doctissimos uiros humanae litterae sunt funditus renouatae. In doctissimis illis uiris fuit et Ioannes Petrus Arriuabenus, qui, cum duo scripsisset carmina, postremis his saltem temporibus, minime poeta memoratur. Auctor, innumeris inquisitionibus perfectis, duo tantum Ioannis Petri Arriuabeni inuenit carmina, quorum alteri In Pii summi Pontificis Laudem, Gonzagis titulus est alteri. Poeta uero, cum in Pontificis familiam ascisci uellet, magistro fortasse hortante atque opitulante, longum contexuit carmen, cui epistolam poeticam, imparibus modis confectam, haud fortuito praemisit. Auctoris sententia, nullum est dubium, quin Franciscus Philelphus, apud quem Ioannis Petrus Arriuabeni doctrinam sibi atque eruditionem comparauit, uel epistolam uel carmen, antequam pontifici traderentur, legerit atque emendauerit. Quod, ut par est, ex quibusdam eiusdem Philelfi epistolis cogitur. De quibus epistulis et notitiis alias.
With this brief study, first the author deals with the poetry by Giovanni Pietro Arrivabene. In fact, for the first time he has published a long Latin poem of the poet preserved in a single manuscript in Pienza, in the library, which was of Pio II. The poet, who lived during the Renaissance, had a very careful preparation at the school of Francesco Filelfo, the most appreciated humanist after Enea Silvio Piccolomini. With the Carmen in Pii Pontificis laudem… Arrivabene hoped to enter in the courtyard of the Pope; but Pius II, even though he appreciated the poem, written on fine parchment, didn’t take the young poet into account, who was only twenty years. The scholar, on the one hand, thought back to the formation and the aspirations of the young poet, on the other the cultural character of his age, in which Giovanni Pietro Arrivabene spent his life. Short, but useful hints are devoted to the wonderful court of Mantua, where the poet spent twenty years at the service of the cardinal Francesco Gonzaga.
-
Źródło:
Collectanea Philologica; 2016, 19; 45-61
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 38

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