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    Wyświetlanie 1-4 z 4
    Tytuł:
    Le mie passeggiate con Aristotele
    My Walks With Aristotle
    Autorzy:
    Berti, Enrico
    Powiązania:
    https://bibliotekanauki.pl/articles/938447.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Aristotle’s Year in Poznan
    an overview of Enrico Berti’s works
    Opis:
    In connection with the ongoing celebration of Aristotle’s Year that has been announced by UNESCO, the Poznan Archaeological Reserve – Genius Loci organized a series of lectures “Walks with Aristotle” that refer to the famous name of the Peripatos school. This invitation has been accepted by one of the greatest scholars of Aristotle, Professor Enrico Berti from the University of Padua, who has been publishing for more than 50 years various studies on the philosophy of the Stagirite as well as on the history of philosophy. Recently, his very instructive book, entitled Aristotle’s Profile, has appeared in Polish translation (Poznań 2016). Professor Berti’s presentation provides an overview of his most important achievements. Included in these are his forthcoming works: his new translation and commentary on Aristotle’s Metaphysics as well as his monograph Aristotelismo which reconstructs the diverse interpretations of Aristotle’s doctrines through centuries: from logic to epistemology, from physics to psychology and zoology, from metaphysics to ethics and politics and lastly from rhetoric to poetics.
    Źródło:
    Peitho. Examina Antiqua; 2016, 7, 1; 55-68
    2082-7539
    Pojawia się w:
    Peitho. Examina Antiqua
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La preparazione degli sposi al matrimonio: una panoramica pastorale-giuridica
    The preparation of the couple to the Christian marriage: a pastoral-legal overview
    Autorzy:
    INTERGUGLIELMI, ANTONIO
    Powiązania:
    https://bibliotekanauki.pl/articles/660982.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Famiglia
    matrimonio
    catecumenato
    Sinodo
    tribunali
    pastorale
    Rota Romana
    Family
    marriage
    catechumenate
    Synod
    courts
    pastoral
    Roman Rota
    Opis:
    This brief analysis is inspired by the words of Pope Francis in his speech addressed to the officials of the Tribunal of the Roman Rota on 22nd January 2016: "a fortiori, pastoral urgency involving all Church structures is leading us toward a shared intention to provide adequate preparation for marriage in a kind of new catechumanate. "  In light of the recent reform of the process for the declaration of nullity of marriage, we have studied in deep both the need for a link between the pastoral and judicial praxis - for the purpose of "proper preparation" of engaged couples for marriage - and the new needs that the reality of family demands.  So we have seen that from the court cases that the most frequent ones leading to the declaration of matrimonial nullity could be avoided and even forewarned by an effective preparation of engaged couples, with a true journey of rediscovery of the faith.  It is also clear from our research as the need for an ongoing tutoring for married couples in the first few years of marriage, is not only in conformity with the norms of the CIC, but for some time emerged in the documents of the Pastoral Family of the Holy See.
    Questo breve studio trae spunto dalle parole di Papa Francesco nell’Allocuzione alla Rota Romana del 22 gennaio 2016 : “..l’urgenza pastorale, che coinvolge tutte le strutture della Chiesa, spinge a convergere verso un comune intento ordinato alla preparazione adeguata al matrimonio.” Alla luce della recente riforma del processo per la dichiarazione di nullità matrimoniale abbiamo approfondito sia la necessità di un collegamento tra la prassi pastorale e quella giudiziaria, ai fini di una “adeguata preparazione” dei fidanzati al matrimonio, sia le nuove esigenze che la realtà della famiglia richiede. Così abbiamo visto come dalla giurisprudenza dei Tribunali emerge che le cause più frequenti che portano alla dichiarazione di nullità matrimoniale potrebbero essere evitati e anche prevenuti da un efficace preparazione dei fidanzati, con un vero percorso di riscoperta della fede.   Emerge inoltre dalla nostra ricerca come l’esigenza di un accompagnamento delle coppie nei primi anni di matrimonio, sia non solo conforme alle norme del CIC, ma già da tempo emersa nei documenti della Pastorale famigliare della Santa Sede.  
    Źródło:
    Prawo Kanoniczne; 2016, 59, 1; 105-118
    2353-8104
    Pojawia się w:
    Prawo Kanoniczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il professionismo delle attrici: stato degli studi e nuove domande
    Being a Professional Actress. An Overview of the Existing Body of Research and New Inquires to Be Made
    Autorzy:
    Megale, Teresa
    Powiązania:
    https://bibliotekanauki.pl/articles/446356.pdf
    Data publikacji:
    2019-11-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    female professionalism
    female leaders of theatre companies
    women’s dramaturgy
    commedia dell’arte
    theatre historiography
    professionismo femminile
    capocomicato femminile
    drammaturgia delle donne
    Commedia dell’Arte
    storiografia teatrale
    Opis:
    In the second half of the 16 th century, the arrival of women on the stage caused a revolution, the effects of which extended to the entirety of modern society. A troupe on the move and always at risk, faced with waves of condemnation, the women actors, nomads by trade, were preceded by a diffidence that was both twofold and simultaneous: towards the principal makings of professional work in the theatrical arts and towards the moral qualities of which they had been regarded as the heralds, not individually but as a social group. The process of deconstructing the artistic identity of these pioneering actresses, who tended to be equated with harlots or to their opposites, that is, virgin actresses, was not limited to the first appearance of women on the professional scene, but, rather, it became a long-standing historical category. The article is concerned with removing prior moral judgments that were stratified over the actresses and freeing the historiographic field from preconceived viewpoints; it is concerned with dismantling misogyny and anachronistic sidelong glances. Between masks and prejudices regarding the perturbing aesthetic perception represented by the entrance of women into the world of art, distinguishing that which separates the actress’s profession from sexual adventures, talent from reputation, art from seduction, is essential to provide new historiographic categories and new coordinates to the study of the commedia dell’arte. In this way, other past experiences come to light: the launch towards professionalism, the role of marriage, and the violence that women underwent are a few of the problematic issues to reconsider and overcome based on prior documentary studies.
    Nella seconda metà del Cinquecento, l’arrivo delle donne in scena provocò una rivoluzione i cui effetti si estesero all’intera società moderna. Sommerse da un’ondata di condanna, le attrici, nomadi per mestiere, furono precedute da una doppia e simultanea diffidenza: verso le potenzialità precipue dell’arte teatrale professionistica e verso le qualità morali di cui sono state ritenute portatrici non singolarmente, ma come gruppo sociale. Il processo di decostruzione dell’identità artistica delle attrici pioniere, assimilate alle meretrici o al loro rovescio, ossia all’attrice vergine, non si è limitato al primo apparire del professionismo femminile, bensì è diventato una categoria storica di lunga durata. Si tratta qui di rimuovere i preventivi giudizi moralistici stratificati sulle attrici e sgombrare il campo storiografico da posizioni preconcette, di smantellare misoginia e anacronistici sguardi obliqui. Fra maschere e pregiudizi circa la perturbante percezione estetica rappresentata dall’ingresso in arte della donna, distinguere ciò che separa il mestiere di attrice dalle vicende sessuali, il talento dalla reputazione, l’arte dalla seduzione è essenziale per dare nuove categorie storiografiche e nuove coordinate allo studio della Commedia dell’Arte. Vengono così alla luce altri vissuti e altre esperienze: l’avvio verso la professione, il ruolo del matrimonio, la violenza subita sono alcuni nodi problematici da riconsiderare e vagliare sulla scorta di preventive indagini documentarie.
    Źródło:
    Italica Wratislaviensia; 2019, 10.2; 15-36
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Panorama di collaborazioni internazionali. Enrico Prampolini e i suoi contatti con gli ambienti dell’avanguardia polacca
    An Overview of International Cooperation. Enrico Prampolini and His Contacts with Polish Avant-garde
    Autorzy:
    Strożek, Przemysław
    Powiązania:
    https://bibliotekanauki.pl/articles/28409104.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Futurism
    Prampolini
    networking
    avant-garde Magazines
    avant-garde scenography
    Opis:
    The article focuses on the reception of Enrico Prampolini’s work in Polish Avant-garde circles in the 1920s and 1930s. It shows Prampolini as a central figure in “networking” between artists and illustrates how such “networking” phenomena resulted in the popularisation of Italian Futurism in Poland and Polish Avant-garde in Italy. It highlights the range of Prampolini’s contacts with Poland, especially with the «Zwrotnica» circle, Jalu Kurek and Jan Brzękowski, who promoted his theatrical productions and paintings. The outcome of these contacts was most of all a good knowledge of Futurist scenography in Poland, an invitation for Polish scenographers to take part in the “Triennale” which Prampolini organized in 1936 in Milan, and his cooperation with the “a.r.” collection of Modern Art in Łódź. The painting entitled Tarantella (1920), which Prampolini offered to Brzękowski and was installed in Łódź in 1931, testifies to this important collaboration.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 27-37
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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