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    Wyświetlanie 1-4 z 4
    Tytuł:
    La Modernité de la Construction du Personnage de Cripure dans Le Sang Noir de Louis Guilloux
    Autorzy:
    Bizek-Tatara, Renata
    Powiązania:
    https://bibliotekanauki.pl/articles/606229.pdf
    Data publikacji:
    2008
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Louis Guilloux
    New Novel
    Opis:
    After André Gide and Marcel Proust, Louis Guilloux is one of the first writers of the 20th century who rejects the 19th-century literary tradition, creating in 1935 an exceptional and innovative novel – Le Sang Noir. Its innovation resides in the similarity to the New Novel from the 50s on the level of composition, narration, organization of spatio-temporal setting, role of the reader and character construction. The article discusses the innovative character construction employed by Guilloux in the creation of Cripure, the protagonist. By means of the techniques of internal monologue and various points of view, the author created a protagonist with highly complex personality, impossible to be unambiguously characterized. An anonymous narrator, showing dualistic approach towards the protagonist, constantly shifts the points of view, rendering any description of the protagonist’s identity unfeasible as the information provided about him by the narrator and other characters is contrary. Guilloux uses elliptic constructions, enabling the reader to interpret characters’ conduct. However, the constructions do not reveal the motivation of their actions, but are limited to presenting events, citing characters’ statements and, above all, demonstrating their behavior. The reader has to fill the gaps and interpret characters’ conduct themselves. Two decades later, this “adventure of writing” rather than “writing of adventure” will become one of the fundamental principles of the New Novel.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2008, 32; 20-30
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’absence chez Michel Butor. L’Emploi du temps et Degrés
    The absence in Michel Butor’s Novels. Passing time and Degrees
    Autorzy:
    Mrozowicki, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/483554.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    French new novel
    absence
    labirynth
    Opis:
    Michel Butor, born in 1926, one of the leaders of the French New Novel movement, has written only four novels between 1954 and 1960. The most famous of them is La Modification (Second thoughts), published in 1957. The author of the paper analyzes two other Butor’s novels: L’Emploi du temps (Passing time) – 1956, and Degrés (Degrees) – 1960. The theme of absence is crucial in both of them. In the former, the novel, presented as the diary of Jacques Revel, a young Frenchman spending a year in Bleston (a fictitious English city vaguely similar to Manchester), describes the narrator’s struggle to survive in a double – spatial and temporal – labyrinth. The first of them, formed by Bleston’s streets, squares and parks, is symbolized by the City plan. During his one year sojourn in the city, using its plan, Revel learns patiently how to move in its different districts, and in its strange labyrinth – strange because devoid any centre – that at the end stops annoying him. The other, the temporal one, symbolized by the diary itself, the labyrinth of the human memory, discovered by the narrator rather lately, somewhere in the middle of the year passed in Bleston, becomes, by contrast, more and more dense and complex, which is reflected by an increasinly complex narration used to describe the past. However, at the moment Revel is leaving the city, he is still unable to recall and to describe the events of the 29th of February 1952. This gap, this absence, symbolizes his defeat as the narrator, and, in the same time, the human memory’s limits. In Degrees temporal and spatial structures are also very important. This time round, however, the problems of the narration itself, become predominant. Considered from this point of view, the novel announces Gerard Genette’s work Narrative Discourse and his theoretical discussion of two narratological categories: narrative voice and narrative mode. Having transgressed his narrative competences, Pierre Vernier, the narrator of the first and the second parts of the novel, who, taking as a starting point, a complete account of one hour at school, tries to describe the whole world and various aspects of the human civilization for the benefit of his nephew, Pierre Eller, must fail and disappear, as the narrator, from the third part, which is narrated by another narrator, less audacious and more credible.
    Źródło:
    Quêtes littéraires; 2012, 2; 66-80
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    « Salir pour nettoyer » : autour de la notion de pureté dans la pensée de G. Bachelard et dans la prose (néo) romanesque de M. Butor
    Autorzy:
    Kotowska-Miziniak, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1912375.pdf
    Data publikacji:
    2020-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Michel Butor
    Gaston Bachelard
    L’Emploi du temps
    quatre éléments
    eau
    air
    terre
    feu
    Nouveau roman
    four elements
    water
    earth
    fire
    New Novel
    Opis:
    Le Nouveau romancier Michel Butor bouleverse la vision optimiste des quatre éléments de la nature élaborée, entre 1938 et 1961, par son ancien professeur de philosophie à la Sorbonne, Gaston Bachelard. Celui-ci considère l’air, l’eau, le feu et la terre comme détenteurs de qualités et de valeurs morales, à l’instar de la pureté, qui leur permet de contribuer à la transformation, tant matérielle que spirituelle, d’un monde impur en un univers immaculé. Cinq ans avant la parution du sixième et dernier essai théorique de Bachelard, Butor publie son Emploi du temps (1956), roman qui fait vaciller les principes de la vision idéalisée des éléments. Ayant reçu une formation philosophique, le romancier entreprend une polémique littéraire avec le concept de la pureté des éléments, si cher à Bachelard, et fonde l’univers romanesque de son ouvrage sur une antivaleur, l’impureté, jusqu’à ce que la saleté omniprésente devienne le cinquième élément, la quintessentia symbolique du monde.
    French New Novelist Michel Butor defies the optimistic vision of four elements of nature developed by his ancient professor of philosophy in Sorbonne, Gaston Bachelard, between 1938 and 1961. Bachelard considers air, water, fire and earth as possessors of qualities and moral values like purity, which allows them to contribute to the transformation – both material and spiritual – of an impure world into an immaculate universe. Five years before the release of Bachelard’s sixth and final theoretical essay, Butor publishes L’Emploi du temps (1956), a novel that challenges the principles of an idealized vision of elements. Having received a philosophical formation, the novelist undertakes a literary discussion on the concept of purity of four elements – an idea so dear to Bachelard – and founds his book’s universe on an anti-value, impurity, until the omnipresent dirt becomes the Fifth Element, a symbolic quintessentia of the world.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2020, 15; 293-304
    1505-9065
    2449-8831
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Romanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La vision dysphorique de Michel Butor: la ville-personnage de L’Emploi du temps en tant que locus terribilis
    Autorzy:
    Kotowska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/559936.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    Michel Butor
    Gaston Bachelard
    L’Emploi du temps
    four elements
    water
    air
    earth
    fire
    New Novel
    L›Emploi du temps
    quatre éléments
    eau
    terre
    feu
    Nouveau roman
    Opis:
    The Dysphoric Vision of Michel Butor: the City of L’Emploi du temps as Locus Terribilis From biblical sinful cities of Sodom and Gomorrah to modern ones like the nightmarish Prague of Kafka, the melancholic Bruges of Rodenbach or the cursed Bleston of Butor, the evil urban areas have fascinated novelists of all ages. In L’Emploi du temps, Michel Butor presents a haunting and disturbing vision of an imaginary English town, personified and considered the second main character in Butor’s novel. In order to torture its inhabitants, Bleston controls the four elements of nature and reduces them to their negative aspect of dreadful, devastating forces, which challenges the positive imagery of the air, water, earth and fire created by 20th-century philosopher Gaston Bachelard. A hostile and malicious city inspired by Manchester, Bleston seems to sum up all the fears and misfortunes of the real world metropolises in their hostile and unlivable aspect.
    Źródło:
    Orbis Linguarum; 2018, 52; 339-351
    1426-7241
    Pojawia się w:
    Orbis Linguarum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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