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    Wyświetlanie 1-11 z 11
    Tytuł:
    Images et narration dans l’œuvre de Dany Laferrière
    Images and narration in Dany Laferrière’s work
    Autorzy:
    Ghinelli, Paola
    Powiązania:
    https://bibliotekanauki.pl/articles/483748.pdf
    Data publikacji:
    2015
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Laferrière
    images
    narration
    time
    present tense
    Opis:
    Narrative developments often stem from images in Dany Laferrière’s work. On the other hand, some of the narration in Laferrière’s fiction and nonfiction is synthesized in narrative snapshots that resemble descriptions. Temporal dimension plays a key role in this constant shift between image and imagination, because, as Didi-Huberman has shown, images carry an anachronistic element. This element also allows Laferrière and his narrators to use mainly simple present tense, even when the content of the narration is set in the past. Nevertheless, images are never explained or rationalized in Laferrière’s work, which keeps the mystery and ambiguity that characterize visual representations.
    Źródło:
    Quêtes littéraires; 2015, 5; 181-189
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Apprivoiser les météores : les baromètres imaginaires de Marie Gevers
    Domesticating the seasons: Marie Gevers’s fictitious barometers
    Autorzy:
    Jago-Antoine, Véronique
    Powiązania:
    https://bibliotekanauki.pl/articles/1368152.pdf
    Data publikacji:
    2021-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Marie Gevers
    time
    weather
    almanac
    phenomenology
    joy
    Opis:
    Belgian novelist Marie Gevers lived all her life surrounded by venerable trees alongside a pond, in the gorgeous estate of Missembourg. Her imagination and sensibility were deeply impregnated by the changing of natural elements and seasons, which were enhanced as authentic characters in her literary work. Plaisir des météores (1938) is emblematic of this impregnation, being a personal and poetical rewriting of legendary almanacs, which invigorated less-literate populations in the remote countryside for centuries after the invention of the printing press. Enlightened by this particular tradition and an analysis of the author’s creative stylistic devices, season renewal appears as an everlasting dramaturgy, leading us to adapt ourselves to the world’s perpetual metamorphosis, in a pure Ode to Joy.
    Źródło:
    Studia Romanica Posnaniensia; 2021, 48, 1; 81-91
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La vie humaine au rythme des saisons et des mois – Les Quatre âges de l’homme de Philippe de Novare et Les Douze mois figurez
    Human life in the rhythm of the seasons and the months – Philippe de Novare Les Quatre âges de l’homme and Les Douze mois figurez
    Autorzy:
    Loba, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1368163.pdf
    Data publikacji:
    2021-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    ages of man
    calendar
    age groups
    time measurment
    Opis:
    The division of human life into ages is not only a sociological issue but also includes a philosophical, moral and religious reflection. The relationship between human life and the course of the year punctuated by the seasons and months has not remained without influence on the very notion of the ages of life. The question that arises is whether we can harmonize the unpredictable flow of human life with the calendar. The confrontation of two medieval works which develop this parallel: the treatise by Philippe de Novare Les Quatre âges de l’homme, and the anonymous poem Les Douze mois figurez, should provide an answer to this question.
    Źródło:
    Studia Romanica Posnaniensia; 2021, 48, 1; 33-44
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Monsieur de Charlus et le clocher de Combray La Premiere Guerre mondiale dans “A la Recherche du temps perdu” de Marcel Proust
    Monsieur de Charlus and the Combray’s steeple: the First World War in Marcel Proust’s “In search of lost time,” “Swann’s way,” “Time regained”
    Autorzy:
    Camelin, Colette
    Powiązania:
    https://bibliotekanauki.pl/articles/571958.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydział Neofilologii
    Tematy:
    Proust
    In Search of Lost Time
    Swann’s Way
    Time Regained
    World War I
    Jorge Semprun
    Varlam Chalamov
    Joseph Czapski
    Opis:
    In the 1913 edition of “Swann’s way,” the narrator’s grandparents’ village, Combray, is located in the Beauce (South-West from Paris). When Proust worked for a new edition in 1916, he moved Combray eastwards, to the Front in Champagne so that the war could take place in the novel. A large part of “Time regained” is about the war. The Baron of Charlus expresses Proust’s critique of nationalism. As a sensitive aesthete, he worries about the terrible killing going on, about men’s sufferings during an industrial war, and about the future of Europe. The church in Combray has been destroyed. The narrator’s grandmother considered its steeple as a symbol of plainness, elegance, and sensitivity. Its ruins become a symbol of sheer violence and inhumanity of wars. But Proust will rebuild it in his novel. Jorge Semprun, Varlam Chalamov and Joseph Czapski, prisoners in totalitarian states, remembered Proust’s humanism.
    Źródło:
    Acta Philologica; 2016, 49; 201-213
    0065-1524
    Pojawia się w:
    Acta Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le sablier, la vanité et le sermon protestant français au XVIIe siècle
    The Hourglass, Vanity and the French Protestant Sermon in the 17th Century
    Autorzy:
    Thouin-Dieuaide, Christabelle
    Powiązania:
    https://bibliotekanauki.pl/articles/483504.pdf
    Data publikacji:
    2018
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    time
    preaching
    vanity
    vanitas
    rhetoric
    temps
    sermon
    vanité
    rhétorique
    Opis:
    As a symbol of the passage of time, the hourglass is an important iconic element of vanitas paintings. It is also, in the 17th century, the object set on the pulpit of the Protestant preacher who, within the time limits of the hourglass, must exhort the faithful to make good use of their mortal life so they can expect eternal life. The theological and moral discourse of preachers is echoed in the aside sentences that recur in the texts about the little time left to the preacher to deliver his sermon, thus meaning that if human life is vanity, the very discourse conveying the idea must avoid it, banishing all hollow or swollen words, and remain within the limits of the hour-glass.
    Emblématique du temps qui passe, le sablier est un élément iconique majeur des tableaux de Vanités. Il est aussi, au XVIIe siècle, l ’objet qui figure sur la chaire du pasteur protestant qui, dans le temps imparti de l ’écoulement du sable, doit exhor-ter le fidèle à faire bon usage de son temps de mortel, pour aspirer au temps éternel. Le discours théologique et moral des prédicateurs rentre en collision avec les incises récurrentes dans les sermons sur le peu de temps qu ’il reste encore au prédicateur pour achever son sermon, signalant ainsi que si la vie humaine n ’est que vanité ; le discours qui le porte doit aussi s ’en garder, en évitant toute parole creuse ou enflée, et rester dans les limites fixées par le sablier.
    Źródło:
    Quêtes littéraires; 2018, 8; 21-30
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Autour de l’axis mundi. De la notion théorique à la mise en image littéraire dans l’œuvre de Jules Verne (Voyages et aventures du capitaine Hatteras et Le Sphinx des glaces)
    Around Axis Mundi. From a Theoretical Concept to Literary Images in the Works by Julius Verne (Adventures of Capitan Hatteras and An Arctic Mystery)
    Autorzy:
    Jarosz, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/483574.pdf
    Data publikacji:
    2013
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    imaginary
    imagination
    island
    axis mundi
    the North Pole
    the South Pole
    mythic time
    Opis:
    The symbolism of axis mundi constitutes an integral part of cultural and religious systems across the world. Such symbolism appears clearly and precisely in all forms of religious life. As it is stressed by Eliade, many a time, axis mundi is an intersection of three varied ontological zones (the interior of the Earth, the surface of the Earth, and the Heaven) and creates a contact place of man with sacrum. The axis mundi symbolism, analysed here as a part of literary studies, is reflected also in two important novels by Julius Verne (Adventures of Captain Hatteras, 1864-65 ; An Arctic Mystery, 1897) dedicated to the polar regions. In both novels, such sites (the north-ern and southern poles) become a literary image of axis mundi, while the hypothesis finds its confirmation in the nature of psychological experiences of the heroes cast in the polar regions. The symbolic and religious study of such experiences leads to the conclusion that in both the analysed cases they may be understood as an experience of a contact with sacrum.
    Źródło:
    Quêtes littéraires; 2013, 3; 101-107
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les modes transgressifs de l’espace au profit de l’espace-temps dans La Route des Flandres (1960) de Claude Simon
    Transforming space into space-time in "La Route des Flandres" (1960) by Claude Simon
    Autorzy:
    Camara, Moussa
    Powiązania:
    https://bibliotekanauki.pl/articles/2056922.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    space
    space-time
    memories
    paintings
    transgression, Claude Simon
    espace
    espace-temps
    souvenirs
    tableaux
    transgression
    Opis:
    La subversion des techniques narratives traditionnelles est une des principales facettes du Nouveau Roman. Claude Simon, un des romanciers phares de ce mouvement, inscrit ses créations littéraires dans cette mouvance. La Route des Flandres (1960) est à cet égard un terreau fertile de transgression de l’esthétique spatiale classique. Dans ce roman, l’espace est subverti par la manière dont il embrouille le lecteur qui semble, à l’image des personnages, prisonnier d’une route labyrinthique où règnent la terreur et la mort. Perdus dans l’opacité cosmique, les personnages sont désorientés et cherchent désespérément des repères. C’est cela qui explique en partie l’importance de l’espace-temps qui apparaît comme une alternative permettant aux protagonistes du roman de s’affranchir des limites concrètes du champ de bataille en ruines, pour se retrouver dans le rêve, la procuration, le souvenir et les réminiscences. Ainsi, par les portraits, les lettres, les journaux et les tableaux picturaux, les personnages voyagent ici et maintenant, par la pensée générée à partir de ces objets, dans l’espace-temps.
    The subversion of traditional narrative techniques is one of the main facets of the New Roman. Claude Simon, one of the leading novelists of this literary movement, inscribes his creations in this movement. La Route des Flandres (1960) is in this respect a fertile ground for the transgression of classical spatial aesthetics. In this novel, space is subverted by the way it confuses the reader who seems, like the characters, to be trapped in a labyrinthine road where terror and death reign. Lost in cosmic opacity, the characters are disoriented and desperately search for landmarks. This partly explains the importance of space-time, which appears to be an alternative for the protagonists of the novel to free themselves from the concrete limits of the ruined battlefield, to find themselves in the dream, the power of attorney, the remembrance and reminiscences. Thus, through portraits, letters, newspapers and pictorial paintings, the characters travel here and now, through the thought generated from these objects, in space-time.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2020, 44, 4; 27-34
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les collectionneurs chez Pascal Quignard – s’accrocher obstinément au passé
    Pascal Quignard’s collectors – stubbornly hold on to the past
    Autorzy:
    Preda, Andreea-Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/24201048.pdf
    Data publikacji:
    2022-12-30
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Pascal Quignard
    collectionneur
    objet-temps
    objet-trace
    remémoration
    échec
    collector
    time-object
    trace-object
    remembrance
    failure
    Opis:
    Le propos de cet article est de relever, dans une approche comparative, la versatilité du rôle des objets de collection dans le processus de remémoration chez les collectionneurs de certains romans de Pascal Quignard. L’analyse du discours mémoriel des collectionneurs relève deux aspects : un rapport différent à la valeur de l’objet (muséal ou intime) et le pouvoir de déclencher des émotions. Le discours balance entre une évocation impersonnelle, qui met l’accent sur l’importance matérielle, la dimension testimoniale et esthétique des objets d’art d’époques anciennes et une description passionnée et subjective de petits objets banals, mais chargés de significations psychologiques. L’article démontre que se rapporter excessivement aux objets-temps/trace en vertu de leur valeur documentaire ou commémorative débouchera sur un échec de la démarche mémorielle. Paradoxalement, le collectionneur reste toujours à la recherche de la mémoire perdue, malgré l’excès de preuves matérielles qu’il détient.
    The purpose of this article is to highlight – in a comparative approach – the versatility of the role of collectibles in the process of recollection among collectors in certain novels by Pascal Quignard. The analysis of the memorial discourse of collectors reveals two aspects: the different relationship to the value of the object (museum or intimate) and the power to trigger emotions. The discourse balances between an impersonal evocation, with emphasis on the material importance, the testimonial and aesthetic dimension of art objects from ancient times and a passionate and subjective description of small, banal objects, but charged with psychological meanings. The article demonstrates that excessively relating to time-/trace-objects by virtue of their documentary or commemorative value will lead to a failure of the memorisation process. Paradoxically, the collector always remains in search of the lost memory, despite the excess of material evidence he holds.
    Źródło:
    Quêtes littéraires; 2022, 12; 139-150
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Artistes/copistes
    Autorzy:
    Borrel, Pascale
    Powiązania:
    https://bibliotekanauki.pl/articles/487698.pdf
    Data publikacji:
    2015-11-05
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    ARTIST, TEXT, COPY, OPERATION AND WRITING AND, REWRITING, THE PASSAGE OF TIME, ART
    ARTYSTA, TEKST, KOPIOWANIE, PISANIE I PRZEPISYWANIE, UPŁYW CZASU, SZTUKA
    Opis:
    ARTIST – COPYIST Simon Hantai, Allen Ruppersberg, Bruno Di Rosa, Gérard Collin-Thiébaut, Sherrie Levine copied the Bible, philosophical and literary texts, (Walden, Henry David Thoreau, Flaubert’s Madame Bovary, Journal Amiel ...). Following existing texts, these artists work looks like ‘banal, humble and mindless’ copyist work. Although in some cases copying is part of the painting – as in Peinture (Écriture rose) by Simon Hantai – produced mostly with a ballpoint pen on plain paper – as if the artists wanted to emphasize the trivial, time-consuming and monotonous nature of his/her effort and evoke the atmosphere of the school classroom of distant times. Allen Ruppersberg and Bruno Di Rosa indeed refer to school experience, when they declare that rewriting allowed them to ‘learn how to write’, just as copying masters allow beginners to learn to paint. But while copying allows us to establish organic relationship with the text, then the process of copying the text is not about maintaining certain tradition: it is rather about the role that language plays in the field of visual arts starting from the sixties. It contributes to the revaluation of values usually connected with art-pieces, such as originality, expression of subjectivity, etc. In numerous comments provoked by the copyist who appears in literature (Bouvard et Pécuchet, Bartleby ...), there is a subversive nature of this labor-intensive and mechanical actions – when it is practiced in art. Copying is a long-term job; successive lines of letters fill the pages of notebooks, creating a ‘full-bodied’ art-piece in the literal sense of the word. The quantitative aspect is carried out in various ways. If the point is to visualize the copy of an entire novel, and in order to embed the importance of work for systematic and ‘mandatory’ implementation, or in order to reach make more opportunity than necessity – copying allows us to experience the passage of time: the time that is spent on this completely anachronistic act ; time spent without any justification.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2015, 20; 92-107
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le Mali d’autrefois et d’aujourd’hui
    The Mali - the Past and the Present
    Autorzy:
    Sall, Ethmane
    Powiązania:
    https://bibliotekanauki.pl/articles/2056913.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    Malian space
    immuability
    idealization
    founding myths
    flow of time
    deterritorialization, metamorphosis
    Espace malien
    immuabilité
    idéalisation
    mythes fondateurs, flux du emps, déterritorialisation, métamorphose
    Opis:
    Le Mali d'hier et d'aujourd'hui est différent à plusieurs niveaux. Si la fixité territoriale semble érigée en valeur absolue dans le texte de Maryse Condé, le récit de voyage de François-Xavier Freland infirme l'immuabilité des espaces représentés. S'appuyant sur la mécanique intellectuelle des cultures ataviques et des «mythes fondateurs» des empires de l'époque, Condé délègue des personnages qui vantent les vertus de l'immobilité territoriale, considérant que Ségou et Toumbouctou sont éternels. Mais l'écoulement du temps a introduit plusieurs changements dans l'espace malien, à savoir une crise géopolitique provoquée par le chaos libyen et une menace jihadiste prégnante.
    Mali of the past and today is different on several levels. If territorial fixity seems to be erected in absolute value in the text of Maryse Condé, the travel account of François-Xavier Freland invalidates the immutability of the spaces represented. Relying on the intellectual mechanics of "founding myths" of the empires of the time, Condé delegates characters who extol the virtues of territorial immobility, considering that Ségou and Toumbouctou are eternal. But the flow of time has brought several changes to the Malian space, namely a geopolitical crisis brought about by Libyan chaos and a pervasive jihadist threat.
    Źródło:
    Lublin Studies in Modern Languages and Literature; 2020, 44, 4; 91-97
    0137-4699
    Pojawia się w:
    Lublin Studies in Modern Languages and Literature
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La présence et le fonctionnement de l’absence dans le Nouveau Roman
    The presence and functions of absence in the nouveau roman
    Autorzy:
    Grzesiak, Czesław
    Powiązania:
    https://bibliotekanauki.pl/articles/483626.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    absence
    French nouveau roman
    traditional novel
    represented world
    characters
    time and space
    S. Beckett
    M. Butor
    M. Duras
    R. Pinget
    A. Robbe-Grillet
    N. Sarraute
    C. Simon
    Opis:
    The French nouveau roman is characterised by lack of numerous elements typical of the traditional, commonly called Balzacian, novel. This lack involves the rejection of plot, omniscient narrator, psychological, moral and ideological factors, social and political engagement, the decomposition of character, the indeterminacy and gradual implosion of time and space as well as the text generation based on some lack or void. The aim of the article is to present these missing elements of the represented world and to discuss their functions in the works of leading practitioners of the nouveau roman, such as Samuel Beckett (predecessor), Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute and Claude Simon.
    Źródło:
    Quêtes littéraires; 2011, 1; 59-72
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-11 z 11

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