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Wyszukujesz frazę "theory of society" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Public relations and trust in contemporary global society: A Luhmannian perspective of the role of public relations
Autorzy:
Valentini, Chiara
Kruckeberg, Dean
Powiązania:
https://bibliotekanauki.pl/articles/471238.pdf
Data publikacji:
2011
Wydawca:
Polskie Towarzystwo Komunikacji Społecznej
Tematy:
public relations
organic theory of public relations
systems theory
Luhmann
trust
contemporary society
metastrategy
Opis:
This article provides a theoretical conceptualization of the role of public relations in society based on the “organic theory” of public relations and on Luhmann’s systems theory as well as on the concept of trust. In a postmodern, hypercomplex society, we claim that the main role of public relations is to strengthen system interactions through the creation of trust among systems. To enhance, maintain and ensure trust, public relations practitioners must think, not only strategically, but “metastrategically,” beginning with a normative theory of society that is built on the foundation of existing social theory, e.g. Luhmann, but also on contemporary social theory that must be built within a framework of communication technology.
Źródło:
Central European Journal of Communication; 2011, 4, 1(6); 91-107
1899-5101
Pojawia się w:
Central European Journal of Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Globalization and the Third Research Program of Multiple Modernities
Autorzy:
Preyer, Gerhard
Powiązania:
https://bibliotekanauki.pl/articles/2010380.pdf
Data publikacji:
2016-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
multiple modernities
sociology of membership
globalization
creolization
multiculturalism
global studies
postmodern society
development theory
collective identities
hybridization
Opis:
Shmuel N. Eisenstadt has fundamentally modified the classical theory of modernization. Over the course of his work, which is connected with the changes of sociological theory since the 1950s, he has executed a turn from the comparative analysis of institutions to the research program of comparative civilizations. The research program of multiple modernities has emerged out of this attentional shift coming from the First Research Program 1986, which led to “multiple modernities” and to the Second Research Program 2003. A key milestone was the critique of the theory of structural differentiation as the main process underlying the sociostructural evolution of societies; this began with The Political Systems of Empires (1963), along with the development of convergence theories of modernization, which have had impact on contemporary sociological theory beginning with that same book. In the meantime, the research program of multiple modernities now continues into the Third Research Program of Multiple Modernities, Membership, and Globalization 2016 and its implementation (Preyer and Sussman, 2016a, b). Firstly, I will show how the program seeks to sketch an updated vision of the theoretical systematization of research on globalization since the 1990s. Secondly, I will go on to sketch the foci of research within the Third Research Program in our era of globalization; finally, I shall outline some consequences of changes in the research situation within sociological theory.
Źródło:
Kultura i Edukacja; 2016, 2(112); 21-42
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Concept of Ocularcentrism & Photographic Models of Vision From the Perspectives of Software Studies and Cultural Analytics Methods of Social Media Images and the Consumer Society Theory
Autorzy:
Chmielecki, Konrad
Powiązania:
https://bibliotekanauki.pl/articles/2080097.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
Alain Delorme’s “Totems”
baroque vision
consumer society theory
Lev Manovich’s “Phototrails”
photographic models of vision
scopic regimes
the “armed eye”
the Art of Describing
the Cartesian perspectivalism
the concept of ocularcentrism
the “embodied eye”
Opis:
Scientific objective: The concept of ocularcentrism as the dominant ideology acts as a very important role within visual shaping photographic models of vision used by social media and photographic images. The paper focuses on the concept of ocularcentrism as the dominant effect of sight in visual culture, the problems of “ocularcentric discourse,” presented in forms of the “phono-logo-centrism” paradigm, and ocularcentric ways of seeing, or scopic regimes: “Cartesian perspectivalism,” the “Art of Describing,” “baroque vision,” and photographic models of vision that have been discussed in two theoretical contexts: Lev Manovich’s Software Studies and Cultural Analytics methods and Zygmunt Bauman’s consumer society theory that can be understood as the “embodied eye” and the “armed eye” concepts. Research methods: I suggest use of critical methods of Martin Jay’s Visual Studies in the perspective of the history of visuality from the ancient Greek to the philosophical, twentieth-century French thought, undertaking Software Studies and Cultural Analytics methods, in an analysis of the research project of Manovich’s “Phototrails,” as well as Bauman’s consumer society theory in an analysis of the photographic project of Alain Delorme’s “Totems.” Results and conclusions: I hope that exploring theoretical problems of visual culture will allow researchers to open a new field of reciprocal correspondence between the concept of ocularcentrism, photographic models of vision, Software Studies, and Cultural Analytics methods, as well as Bauman’s consumer society theory, based on possibility of coming to conclusions, posing questions, and hypotheses. Cognitive value: The paper is an attempt to make a contribution to the hitherto unexplored research on the concept of ocularcentrism as the dominant effect of sight, subjecting to analysis the research project of Manovich’s “Phototrails,” in the perspective of Software Studies and Cultural Analytics methods within “media visualizations,” as well as the photographic project of Delorme’s “Totems,” in the perspective of Bauman’s consumer society theory, consumerism, consumption, and social exclusion.
Źródło:
Studia Medioznawcze; 2021, 3; 962-994
2451-1617
Pojawia się w:
Studia Medioznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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