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    Wyświetlanie 1-14 z 14
    Tytuł:
    Hauntology of Responsibility: Tom Stoppard’s Darkside
    Autorzy:
    Adamczewski, Tymon
    Powiązania:
    https://bibliotekanauki.pl/articles/632451.pdf
    Data publikacji:
    2017
    Wydawca:
    Projekt Avant
    Tematy:
    ethics, responsibility, Jacques Derrida, Tom Stoppard, music
    Opis:
    The article centres on the notion of responsibility in Tom Stoppard’s Darkside (2013). While Pink Floyd’s original album, which inspired the playwright, thematises its connection to ethics in a spectral and hauntological manner, through the use of field recording sound snippets interwoven in the music, the radio play explores the notion of responsibility through what is called “thought experiments.” The article identifies the subversive function of these narrative examples and, following Emanuel Levinas’ suggestions concerning the instability of the link between the philosophical discourse and that of examples, shows the latter’s insolent and disruptive nature. The notion of responsibility is further linked to its discussion by Jacques Derrida in his Gift of Death (1995) which consequently makes it possible to view the relation between responsibility and responding from a subversive, hauntological and undecidable perspective.
    Źródło:
    Avant; 2017, 8, 2
    2082-6710
    Pojawia się w:
    Avant
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    What Cannot Be Deconstructed? Truth
    Autorzy:
    Kozak, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/22769257.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    deconstruction
    truth
    Jacques Derrida
    Willard Van Orman Quine
    Opis:
    In this paper, I discuss the interpretation of the method of deconstruction in David J. Gunkel’s Deconstruction (MIT Press 2021). I focus on the relationship between deconstruction and truth. I hold that the concept of truth is indispensable for deconstruction since truth introduces correctness conditions for the deconstructive method. However, I claim that truth, being essential and primitive for deconstruction, is fundamentally inaccessible for being analyzed by the latter.
    Źródło:
    Studia Philosophiae Christianae; 2022, 58, 2; 129-136
    0585-5470
    Pojawia się w:
    Studia Philosophiae Christianae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Broken Latin, Secret Europe: Benjamin, Celan, Derrida
    Autorzy:
    Lipszyc, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/1930451.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Jacques Derrida
    Paul Celan
    Walter Benjamin
    secrecy
    literature
    Opis:
    The author begins by analyzing Walter Benjamin’s quarrel with George Kreis and the respective visions of culture advocated by both sides of the debate. Then, he offers a reading of a poem by Paul Celan in which the poet sides with Benjamin, but also makes his position more complex, ultimately offering a paradoxical figure of “the secret openness” or “open/public secrecy” as a remedy against the “mystery” of the Georgians. This idea can be seen as developed in Jacques Derrida’s understanding of secrecy, which the author proceeds to analyze. The secrecy as a deconstructive rift in the public discourse, a split which tears it open, can be seen as opposed both to the undemocratic mystery and to the seeming openness of globalatinization. After considering the formal, political and (post)religious aspects of secrecy, the author ends with showing how literature as such is the most powerful medium of Derridean secret.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2021, 5, 3; 82-91
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Missing Pieces of Derrida’s Voice and Phenomenon
    Autorzy:
    Harman, Graham
    Powiązania:
    https://bibliotekanauki.pl/articles/2143172.pdf
    Data publikacji:
    2022-10-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Jacques Derrida
    Edmund Husserl
    Martin Heidegger
    ontotheology
    self-presence
    Opis:
    Jacques Derrida’s critique of Edmund Husserl in Voice and Phenomenon targets several ways in which Husserl’s theory of signs is said to remain dependent on a model of presence, and therefore to be a form of onto-theology. In a sense this simply extends Martin Heidegger’s own critique of Husserl as failing to account for what remains obscure behind any presentation to the mind. Yet Derrida’s critique is ultimately more radical than Heidegger’s, though the radicality is in this case unjustified. Namely, Derrida goes beyond Heidegger’s critique of presence to mount an additional critique of “self-presence,” which is more often known as “identity.” Derrida’s insufficiently motivated critique of identity leads to additional problems for his philosophy.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2022, 6, 2; 4-25
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Deconstruction. Critical Interventions for the 21st Century and Beyond
    Autorzy:
    Gunkel, David J.
    Powiązania:
    https://bibliotekanauki.pl/articles/22769993.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    binary logic
    deconstruction
    Jacques Derrida
    Georg W.F. Hegel
    philosophy
    Opis:
    This essay seeks to make a case for deconstruction as a kind of critical intervention for responding to and dealing with the opportunities and challenges of the 21st century and beyond. Toward this end, it proceeds in three steps or movements. (1) The first part will deconstruct deconstruction, deliberately employing what will be revealed as an inaccurate vernacular understanding of the term in order to extract a more precise and technical characterization of the concept. (2) The second part will investigate the constitutive elements of deconstruction, focusing attention on its two-step procedure, which has been deliberately designed to be a kind of distortion of Hegelian dialectics. (3) Finally, the third part will examine the opportunities and the challenges of the theory and practice of deconstruction indicating how and why it can be considered a critical intervention, albeit one that is not without its own potential problems and vulnerabilities.
    Źródło:
    Studia Philosophiae Christianae; 2022, 58, 2; 89-108
    0585-5470
    Pojawia się w:
    Studia Philosophiae Christianae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Around "Deconstruction." Author’s Response
    Autorzy:
    Gunkel, David J.
    Powiązania:
    https://bibliotekanauki.pl/articles/39571570.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    cognitive science
    deconstruction
    Jacques Derrida
    Plato
    truth
    Ludwig Wittgenstein
    writing
    Opis:
    In this paper I reply to the four critical articles that were provided in response to my book Deconstruction (MIT Press 2021). It proceeds in four steps: (1) I begin with a reply to Stanisław Chankowski’s use of the psychoanalytic term “fetishistic denial” to describe the formal character of the text. (2) I then engage with the criticism supplied by Piotr Kozak, who questions deconstruction’s theory of truth (or its lack thereof). (3) From this, I take-up and respond to Przemysław Nowakowski’s proposal that deconstruction might provide a way to reimagine the interdisciplinarity of cognitive science. And (4) I conclude with a response to Michał Piekarski’s mashup of Ludwig Wittgenstein and Jacques Derrida, which supplies a reading of these two thinkers that is arguably greater than the sum of the parts. The objective of the reply is not to offer a defense of myself or my text but to engage with these interesting and insightful reviews in a way that opens the space for productive dialogue.
    Źródło:
    Studia Philosophiae Christianae; 2023, 59, 2; 7-20
    0585-5470
    Pojawia się w:
    Studia Philosophiae Christianae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Confessione e biografia: per un avvenire fondato nella storia. Note a partire da Jacques Derrida e Jean-Luc Marion
    Autorzy:
    Peruzzotti, Francesca
    Powiązania:
    https://bibliotekanauki.pl/articles/781121.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jacques Derrida
    Jean-Luc Marion
    (Auto)Biography
    Confession
    Eschatology
    History
    Negative Theology
    Prayer.
    Opis:
    This paper aims to draw a connection between Jacques Derrida and Jean-Luc Marion in regard to the role of negative theology. This scrutiny shows meaningful contributions of the Authors to a new definition of subjectivity in a post-metaphysical age, and their consideration about which possibilities are still open for a non-predetermined history given outside of the presence domain. The future is neither a totalisation of history by its end, nor a simple continuation of the present. It is an eschatological event, where the relationship with the other plays a crucial role for the self-constitution. Such an interlacement is generated by the confession, where the link between past and future is not causally determined, but instead it is self-witness, as in Augustine’s masterpiece, essential reference for both the Authors
    Źródło:
    Ethics in Progress; 2017, 8, 1; 61-74
    2084-9257
    Pojawia się w:
    Ethics in Progress
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Of Motion and Emotion: The Mechanics of Endurance in Peter Carey’s The Chemistry of Tears
    Autorzy:
    Šlapkauskaitė, Rūta
    Powiązania:
    https://bibliotekanauki.pl/articles/888945.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    archive
    Carey, Peter
    museology
    memory
    Derrida, Jacques
    Opis:
    Guided by Jacques Derrida’s observations about the aporetic logic of the archive, this reading of Peter Carey’s novel The Chemistry of Tears (2012) relies on contemporary philosophical discourse about the human-thing interface to examine the correlations between pra ctices of mourning, memory, and museology as unfolded in the narrative. The central image of an automaton operates as an extended metaphor both for the metafi ctional feat of the novel, and imagination in its broadest sense, wherein we are reminded of the ethical obligations that things, especially technology, call for. Above all, Carey reveals the porosity of the boundaries between organic and inorganic substance, tethering matter to metaphysics, desire to detritus, and the present to the past.
    Źródło:
    Anglica. An International Journal of English Studies; 2017, 26/1; 101-118
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Survey on the Semantic Field of ‘Vagabond’
    Autorzy:
    Ray, Avishek
    Powiązania:
    https://bibliotekanauki.pl/articles/888679.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    semantic field
    signification
    Derrida, Jacques
    linguistics
    contingency
    Opis:
    How we perceive a certain concept is grounded in the ‘language game’: the values, prejudices, dispositions, and cultural baggage among its interpretive communities. In other words, there is no ‘true meaning’ inherent in a word per se; rather the meaning is derived out of what Derrida (1993) calls the ‘chain’ of signifi cation: the context, history, contingency, and often semantic contradictions that render a word polysemic. Taking off from here, this paper seeks to unpack the social ‘constructivism’ immanent in the a priori assumptions that cloak the idea of the ‘vagabond’. While invoking the contingency in the genesis and semantic history of ‘vagabond’ as a case study, this paper illustrates how meanings of certain heuristic concepts – in this case, ‘vagabond’, without a fixed referent – are often (re)configured, not because of reasons entirely linguistic, but rather due to changes in the prevailing epistemic paradigms.
    Źródło:
    Anglica. An International Journal of English Studies; 2017, 26/2; 51-60
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sounding Difference: Paul Muldoon’s “The Lass of Aughrim”
    Autorzy:
    Pietrzak, Wit
    Powiązania:
    https://bibliotekanauki.pl/articles/888802.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Maldoon, Paul
    poetry
    foreignness
    ethics
    Derrida, Jacques
    Opis:
    In the present paper, I focus on a single short poem “The Lass of Aughrim” by Paul Muldoon with a view to showing that it invites the reader to participate in the process of approaching in language the foreignness of another culture. The persona depicts a situation in which an ethical choice is vested in the act of speaking, which either acknowledges the irreducible otherness implicit in the poem or imposes an essentially colonial point of view. The ethical dimension as it is probed here is derived from some insights of J acques Derrida, especially his lectures delivered in the 1990s.
    Źródło:
    Anglica. An International Journal of English Studies; 2017, 26/1
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Towards a Non-human Speciophilosophy
    Autorzy:
    Giannetto, Enrico
    Powiązania:
    https://bibliotekanauki.pl/articles/1067947.pdf
    Data publikacji:
    2020-12-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Animals
    animal philosophy
    modes of thought
    philosophy of dialogue
    anti-speciesist ethics
    Christian ethics
    reverence for life
    Jacques Derrida
    Opis:
    After the publication of Jaques Derrida’s book, L’animal que donc je suis, anti-speciesism has been looking for a theoretical foundation for its ethical content. In my opinion, the defect of all these philosophical perspectives is that they still reduce animals to objects of human philosophy. Here, I develop a new framework in which animals are considered as subjects of their own philosophy. In analogy to the concept of ethnophilosophy, the concept of speciophilosophy is here introduced (§ 1, §3). The different ways of thinking between humans and other animals are outlined, by explaining the difference between verbal reasoning and thinking through images (§ 2). Human philosophies are shown to be anthropocentric ideologies, related to carnivorism (§4, § 8). Subsequently, animal speciophilosophies are discussed (§6) and a dialogical symphilosophein (§ 5) among all living beings is proposed to be the extension of the so-called philosophy of dialogue. Finally, it is shown how this perspective was present in the original Christian ethics (§7, §9, § 10).
    Źródło:
    Ethics in Progress; 2020, 11, 2; 9-30
    2084-9257
    Pojawia się w:
    Ethics in Progress
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The New Humanities: In Search of Boundaries
    "Nowa humanistyka: w poszukiawniu granic"
    Autorzy:
    Bielik-Robson, Agata
    Schauffler, David
    Powiązania:
    https://bibliotekanauki.pl/articles/2097242.pdf
    Data publikacji:
    2022-06-25
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Nowa Humanistyka
    Posthumanizm
    Heidegger
    Szkoła Frankfurcka
    Michel Foucault
    Jacques Derrida
    Karol Marks
    Martin Heidegger
    New Humanities
    Posthumanism
    The Frankfurt School
    Karl Marx
    Opis:
    This article attempts to discuss the philosophical contexts and meaning of the new humanities in the context of the philosophy of subjectivity. At the foundation of the new humanities, as it is argued, is not enlightenment, but Heidegger’s thought, with his excoriating critique of modern subjectivity and its Machenschaft. The article points to the foundational hubris that the new humanities oppose, and to the attempt to reinstall the subject within fixed boundaries. The new humanities, and posthumanism in particular, might backlash with violence against civilisation, comparable to that they endeavour to renounce. In order to manoeuvre through these convoluted figures of subjectivity, the article supports its theses with insightful readings of Hölderlin and Adorno.
    Niniejszy artykuł podejmuje się próby przemyślenia kształtu oraz roli nowej humanistyki w kontekście filozofii podmiotowości. Zdaniem autorki, u podstawy nowej humanistyki nie stoi projekt oświeceniowy, lecz wpływ filozofii Martina Heideggera i jej krytyki nowoczesnej podmiotowości wraz z jej Machenschaft. Autorka wskazuje na fundamentalną pychę, której przeciwstawić stara się nowa humanistyka, starając się na nowo umieścić podmiot wewnątrz sztywnych granic. Myślenie nowohumanistycznie, a szczególnie posthumanistyczne, może jednak doprowadzić do powrotu przemocy przeciwko cywylizacji, której sama staje się krytyką. Kluczem do takiego odczytania, stają się dla autorki wnikliwe lektury Hölderlina oraz Adorna.
    Źródło:
    ER(R)GO: Teoria – Literatura – Kultura; 2022, 44; 199-215
    1508-6305
    2544-3186
    Pojawia się w:
    ER(R)GO: Teoria – Literatura – Kultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zygmunt Haupt: An ambivalent presence
    Zygmunt Haupt. Figura ambiwalentnej obecności
    Autorzy:
    Zając, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/2088404.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    20th-century Polish literature
    Zygmunt Haupt (1907–1975)
    short stories
    presence / absence
    memory
    desire
    horror
    identity
    melancholy
    psychoanalytic criticism
    Jacques Lacan
    Julia Kristeva
    Jacques Derrida
    Haupt
    Lacan
    Kristeva
    Derrida
    literatura
    obecność
    pamięć
    pragnienie
    trwoga
    tożsamość
    melancholia
    Opis:
    This article is an attempt to identify the main themes in the literary work of Zygmunt Haupt, a Polish writer, journalist and painter, who emigrated to the United States in the aftermath of World War II. His writings show a keen awareness of the issue of absence/presence and the related problems of memory traits, identity and literary representation. Drawing on the psychoanalytical criticism of Jacques Lacan and Julia Kristeva and the philosophy of Jacques Derrida, this reading of Haupt’s fi ction, especially his short stories (whose collected edition was published in 2007 under the title The Basque Devil), is a critical reassessment of his work. As a storyteller he excels in the depiction of scenes of terror, desire and the uncanny. The article argues Haupt’s work represents not only a remarkable literary achievement but also offers an interesting study case for critics whose approach is founded on literary theory, psychoanalysis and anthropology.
    Źródło:
    Ruch Literacki; 2019, 1; 15-25
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Cads of Young Poland according to Julian Przyboś: echoes of the early modernist apocalyptic tone
    Młodopolskie chamuły według Juliana Przybosia – o apokaliptycznej tonacji przyjętej z wczesnego modernizmu
    Autorzy:
    Misiak, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/2087995.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the early 20th century
    Young Poland
    Modernism
    literary dialogue
    Quarrel between the Moderns and the Ancients
    spoof
    manifesto
    plasticity
    Julian Przyboś (1901–1970)
    Jacques Derrida (1930–2004)
    Catherine Malabou (b. 1959)
    pamfletowy manifest
    apokalipsa
    plastyczność
    awangarda i ariegarda
    Opis:
    This article presents a new reading of the spoof poetic manifesto ‘Chamuły poezji’ [‘The Cads of Poetry’] written by Julian Przyboś in 1926. His use of the apocalyptic tones of early modernist poetry to lampoon a trio of acclaimed poets associated with Young Poland (especially Jan Kasprowicz) suggests a complex nature of Przyboś’s rejection and dependence on that movement. In general, the influence of Young Poland, though quite conspicuous in is juvenilia and early publications, tends to fade away. ‘Chamuły’ is a pejorative nonce word which alludes to the Biblical Ham as well as a Polish word for a cad or ill-bred bumpkin. This article adds to it another layer of meaning, based on Derrida’s interpretation of the Apocalypse, with allusions to sexual and genital imagery. And more generally, it reframes the whole Przyboś’s poetic work (not just his early poems) using Catherine Malabou’s concept of plasticity. Seen in a broader historical perspective, Przyboś’s struggles to break with Young Poland are not unlike the predicament of many eighteenth-century writers caught in the dispute between the Moderns and the Ancients, satirized in Swift’s Battle of the Books. The overall conclusion of this study is that at all times the avant-garde and the arrière-garde remain in a continuous dialogue and the innovators never lose sight of those left behind. Poetry is, after all, metamorphic and cannot be contained within within the bounds of manifestoes and artistic programmes.
    Źródło:
    Ruch Literacki; 2020, 1; 48-68
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-14 z 14

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